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<title>Top Nashville Sound Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link><description>Top Nashville Sound Artists on Rhapsody Online</description><category>Nashville Sound</category><language>en</language><ttl>720</ttl><pubDate>Sun, 6 Dec 2009 01:41:08 -0800</pubDate><image>
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<title>Top Nashville Sound Artists on Rhapsody Online</title>
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<title>Alan Jackson</title>
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<category>New Country</category>
<pubDate>Sat, 5 Dec 2009 10:33:46 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<description><![CDATA[Alan Jackson's quiet country voice packs a heavy, passionate punch with its heartfelt inflections and Honky-Tonk soul. Since the 1980s, this New Traditionalist has been blending spiritual and studio alchemy to create new ways of filling beers with tears. From chart toppers like "Love's Got a Hold On You" to his rocking rendition of "Summertime Blues," it is evident that Jackson has an expansive vocal and musical range. Even his more compromised, Nashville-sounding songs manage to incorporate a strong sense of soul that seems piped in directly on his textured vocals.
- Eric Shea]]></description>
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<title>Willie Nelson</title>
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<category>Outlaw Country</category>
<pubDate>Sat, 5 Dec 2009 10:33:43 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<description><![CDATA[Willie Nelson was one of the original outlaws of country music, and one of its most influential songwriters. He began playing in the 1960s, writing "Crazy" for Patsy Cline and "Hello Walls" for Faron Young. Nelson's career as a performer flourished in the mid-1970s when he joined up with Waylon Jennings and released the crossover, chart-topping <I>Red Headed Stranger</I>. It was the hit "Blue Eyes Crying in the Rain" that perpetuated the then-popular image of the longhaired country boy. Willie Nelson had arrived as a country superstar. His folky, nasal inflections carried his voice through many different genres of music, including Western Swing, traditional pop, jazz, Traditional Country, Cowboy country songs, Honky-Tonk, rock 'n' roll, folk music and of course, the blues. Nelson's success lasted until the late 1980s, when some trouble with the IRS landed him in a number of stuffed-crust pizza commercials and a cameo role in the film <i>Half Baked</i> smoking his beloved joints. When the day is done, Nelson can easily be considered a bona fide legend.
- Eric Shea]]></description>
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<title>Linda Ronstadt</title>
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<category>Adult Contemporary</category>
<pubDate>Tue, 1 Dec 2009 09:47:08 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Linda Ronstadt</rhap:artist>
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<description><![CDATA[Though she started out as part of the California Country Rock and Folk Rock movement, Linda Ronstadt is one of the few modern singers whose career has been closer to classic pop vocalists - she doesn't succeed at every style she attempts, but that hasn't stopped her from exploring new avenues. Full of top session players, her '70s albums slowly shifted from rootsy folk and slick country to '50s rock and R&B to New Wave. Once Ronstadt helped break Elvis Costello and Warren Zevon to the general public, she recorded three albums of standards with famed arranger Nelson Riddle. Though she has a beautiful voice, Ronstadt doesn't really have a natural feel for jazz influenced material and she is more suited to Mexican mariachi, American country, and upscale Adult Contemporary. While you await her Death Metal phase, check out her Trio recordings with Emmylou Harris and Dolly Parton; they are essential listening for fans of any kind of music.
- Nick Dedina]]></description>
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<title>George Jones</title>
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<category>Honky-Tonk</category>
<pubDate>Mon, 30 Nov 2009 10:00:46 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<description><![CDATA[George Jones is the king of country singers and a highly acclaimed songwriter. His straightforward aversion to trends and his dark but romantic persona have served him well through nearly five decades of recordings, a highly publicized marriage to and divorce from singer Tammy Wynette, and bouts with addictions and poor health. Though he dominated country radio from the late '50s into the '80s, his more recent recordings have received little airplay. He remains, however, the preeminent country stylist and is so acknowledged by critics and young country stars alike.
<br><br>
Jones grew up the eighth child in a poor Texas family, his father an alcoholic laborer, his mother a church pianist. He came to music early, singing at 9, playing guitar at 11, and writing his first song at 12. Jones ran away from home at age 14; in 1947 he was hired by the duo Eddie and Pearl. A regular radio spot gave Jones his first glimmer of fame and also got him his first endearing nickname, Possum, so dubbed by a disc jockey for Jones' close-set eyes and turned-up nose. By 18 Jones already had a wife, a child, and a broken marriage behind him.
<br><br>
After three years in the Marine Corps, Jones returned to Texas to start his musical career in earnest. He again gained attention while singing on the radio. A Houston producer, H. W. "Pappy" Daily, signed Jones to the Starday label; there, Jones had his first C&W hits, including "Why Baby Why" (Number Four, 1955), "You Gotta Be My Baby" (Number Seven, 1956), and "Just One More" (Number Three, 1956). After Starday merged with the national label Mercury in 1957, Jones began cutting the classic singles that made him famous; among them, 1959's "White Lightning," Jones' first C&W Number One and his only pop hit (Number 73). Other hits from this period include "Who Shot Sam" (Number Seven, 1959), "The Window Up Above" (Number Two, 1960), and "Tender Years" (Number One, 1961).
<br><br>
Jones' long string of country hits includes "She Thinks I Still Care" (Number One, 1962), "You Comb Her Hair" (Number Five, 1963), "The Race Is On" (Number Three, 1964), "We Must Have Been Out of Our Minds" (a duet with Melba Montgomery) (Number Three, 1963), "Walk Through This World With Me" (Number One, 1967), "A Good Year for the Roses" (Number Two, 1970), "The Grand Tour" (Number One, 1974), "He Stopped Loving Her Today" (Number One, 1980), and "Yesterday's Wine" (with Merle Haggard) (Number One, 1982). In addition to these and other major sellers were dozens of Top 20 hits. In all, Jones has found himself on the C&W chart—as a solo artist or in duet settings—over 150 times.
<br><br>
But Jones' phenomenal success as an artist ran neck and neck with his increasingly erratic behavior. Jones' excessive drinking, and later drug abuse, caused him to consistently miss shows (giving him the new nickname, No Show Jones), shirk off recording sessions, and behave violently toward wives and friends. In 1969 Jones married country superstar Tammy Wynette. Though their four-year marriage was stormy (Jones was accused of beating her and threatening her with a rifle), the two had chart success together during and after the marriage: "We're Gonna Hold On" (Number One, 1973), "Golden Ring" (Number One, 1976), "Near You" (Number One, 1976), and "Two Story House" (Number Two, 1980).
<br><br>
Jones turned over a new leaf in his recording career and personal life during the 1980s. Eschewing the overproduced sound that had been cluttering his work, Jones returned to his honky-tonk roots. He sought help for substance abuse, amended his no-show ways, and established a stable fourth marriage. His 1992 single "I Don't Need Your Rockin' Chair" (Number 34 C&W) featured 10 contemporary country hitmakers, including Garth Brooks, Clint Black, Alan Jackson, and Travis Tritt. In 1994 Jones recorded The Bradley Barn Sessions, a series of duets with performers including Trisha Yearwood, Keith Richards, and Mark Knopfler. That fall, Jones underwent triple bypass surgery; upon recovery, he returned to the studio to record <i>One</i>, a reunion album with Wynette that the pair supported with a short tour. The following year saw the release of his notoriously self-deprecating, tell-all autobiography, <i>I Lived to Tell It All</i>. An album of the same name followed later that year, peaking at Number 26 on the country chart. In 1998 he began hosting his own variety show on TNN, <i>The George Jones Show</i>, which ran for two years.
<br><br>
Jones recorded one more album for MCA in 1998 but asked to be released from the label out of frustration from lack of radio airplay. He was in the finishing stages of recording his debut for Asylum the following year when he drove his sport-utility vehicle into a concrete bridge, landing him in the hospital with damaged lungs and liver. He later pleaded guilty to DWI &#8212; his first slip off the wagon in more than a dozen years. He survived the ordeal with a new lease on life, a rush of renewed media interest, and his highest-charting album of the decade, <i>Cold Hard Truth</i> (Number Five C&W), which featured the single "Choices" (Number 24 C&W). <i>Live With the Possum</i> followed later the same year.]]></description>
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<title>Patsy Cline</title>
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<category>Nashville Sound</category>
<pubDate>Sat, 5 Dec 2009 10:33:43 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<description><![CDATA[Patsy Cline was one of the greatest country singers of all time. She helped inspire and influence women musicians everywhere to stand up and be counted in the country and western music world above and beyond Nashville. Although her deeply romantic recordings and haunting voice can induce a chill up the spine, it was Cline's untimely death on March 5th, 1963 that helped create the kind of myth that can immortalize any country singer (see Hank Williams or Gram Parsons). Between 1955 and 1960, Cline recorded almost twenty singles. Out of these songs, only "Walkin' After Midnight" became a hit. After 1960 she stopped experimenting with Rockabilly and stiff ballads that better suited Kitty Wells and Brenda Lee. The fact that this time also marked a break with a binding publishing contract seemed to affect her singing greatly. Free of legal and artistic strife, Cline's vocals seemed to loosen up with confidence on songs she had longed to sing, such as "Crazy" and "I Fall to Pieces." The latter peaked at number one on the country charts and crossed over to fall in at number twelve on the pop charts. Cline was in line to continue recording Country Pop chart crossovers, until her untimely death in a plane crash at thirty-years-old: two years into the birth of her superstardom. The emotional playing and singing on her recordings has been emulated by and inspirational to everyone from Loretta Lynn and Willie Nelson to the Screaming Sirens and k.d. lang.
- Eric Shea]]></description>
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<title>Dolly Parton</title>
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<category>Country Pop/Cosmopolitan</category>
<pubDate>Sat, 5 Dec 2009 10:34:00 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<description><![CDATA[Dolly Parton is almost more famous for her impossibly curvaceous figure and huge hair than for her music -- which is somewhat of a shame. She is, after all, a distinctive and important part of country music, representing a link from the music of her Appalachian birth place to country's crossover to pop. Parton is a multifaceted artist whose first success came as a songwriter in the mid-1960s, with hit songs recorded by Bill Phillips. After she became Porter Wagoner's singing partner, her career took off and she became a solo artist by 1971. She consistently charted throughout the '70s and crossed over to the Pop charts with " Here You Come Again" in 1977. Along the way Parton became a genuine pop culture icon. Despite the glitzy, glamorous aura that surrounds her, on her recordings Parton always manages to include some element that seems like pure country. As Nashville in the '90s has continued to show its disdain for veteran performers -- and for that matter any artist who doesn't seem genetically engineered -- Parton seems to be backing away from her own image. Her latest releases have been straight bluegrass and countrified folk-pop albums that she's recorded with members of Nashville's elite community of virtuoso bluegrass pickers.
- Eric Shea]]></description>
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<title>Conway Twitty</title>
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<category>Country Pop/Cosmopolitan</category>
<pubDate>Sat, 5 Dec 2009 10:33:47 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<description><![CDATA[Conway Twitty cut his musician's teeth in the 1950s as a rock 'n' roll singer, but eventually found home in the rootsy, yet accessible, country music that gave him celebrity in the 1970s and 1980s. His deep, rural vocal inflections gave Nashville some of the most amazingly sung ballads of the country pop era. Lyrically ladened with double entendre, Twitty's sensual songs made him the Tom Jones of country music (rhinestone panties, anyone?). Of greater importance was his courageous risk-taking in a city that hardly tolerates experimenting with musical crosses. Twitty's personalized country is a slick hybrid of R&B shuffles and steady rock 'n' roll backbeats soaked in note-bending twang and cascading melodies--all engineered to make women swoon.
- Eric Shea]]></description>
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<title>Glen Campbell</title>
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<category>Country Pop/Cosmopolitan</category>
<pubDate>Sat, 5 Dec 2009 10:33:41 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<description><![CDATA[Glen Campbell is best known for his once-omnipresent hit, "Rhinestone Cowboy," but the man has had more chart-toppers than most of his country pop contemporaries. Prior to hitting big with such staples as "By the Time I Get to Phoenix" and "Wichita Lineman," Campbell was a session player (his guitar work can be heard on songs by everyone from Elvis Presley and Frank Sinatra to the Beach Boys and Merle Haggard). In 1967, Campbell first cracked the charts with the single "Gentle on My Mind." Soon after, appearances on <I>The Joey Bishop Show</I> led to a hosting gig on <I>The Summer Smothers Brothers Show</I>, which in turn led to his own series, <I>The Glen Campbell Goodtime Hour</I>. In the mid-'70s, Campbell hit his stride, topping both the country and pop charts with "Rhinestone Cowboy" and "Southern Nights." During the '80s, marriage troubles and substance abuse saw him in and out of the tabloids, but he bounced back in the '90s, recording a handful of gospel albums and writing his autobiography, <I>Rhinestone Cowboy</I>. In 2005, Campbell was elected into the Country Music Hall of Fame. Three years later, at 72, he released <I>Meet Glen Campbell</I>, a covers collection.
- Linda Ryan]]></description>
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<title>Loretta Lynn</title>
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<category>Honky-Tonk</category>
<pubDate>Sun, 22 Nov 2009 10:09:51 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<description><![CDATA[For the uninitiated, Loretta Lynn is one of the very biggest names in the history of Country Pop; before Reba McEntire, there was Loretta. From the start of her career in 1962 she's maintained a familiar Top-10 face, but it was the Oscar-winning film <I>Coal Miner's Daughter</i> (1980) that made her a brand name in non-(Ford)truck-driving households across the nation. One of the first female country singers to address feminist issues, Lynn was considered a maverick during the '70s by the Grand Ole Opry's stuffed-shirt elite. With songs like "Don't Come Home a Drinkin'" and "The Pill" she stood in stark contrast to the stand-by-your-abuser sentiment of the time. This outspoken quality and her bedrock vocal style has been her legacy, influencing countless artists and earning her the utmost respect of the Nashville nation. The album-per-year pace Lynn had kept up for almost thirty years began to slacken during the '90s as she went into a sort of semiretirement, releasing fewer records, but choosing her material more carefully. As a duet partner, she teamed up with nearly every big-name country artist, ushering that peculiarly country tradition into contemporary times. <i>Still Country</i> (2000) finds her in fine form; the hard Honky-Tonk rocker "Country in My Genes" serves as a showcase for her pure country vitality and confirms her icon status.
- Mike McGuirk]]></description>
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<title>Marty Robbins</title>
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<category>Cowboy</category>
<pubDate>Sat, 5 Dec 2009 10:33:46 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<description><![CDATA[Although he's best known for his old-timey cowboy anthems, Marty Robbins was not that much different from Roger Miller in that there was so much more to his musical style than what was commercially successful. Sure, he was known for his classic gunfighter ballads but he also played and recorded some rootsy rock 'n' roll songs as well as some lush, string-laden pop. Robbins' youth was peppered with many exciting and rich Americana experiences; his grandfather was a medicine show man who spun wild tales of the Wild West, so it shouldn't have been a big surprise that he worked at a dude ranch, before quitting school and living his life as a freewheelin' hobo. After a stint in the military, he started playing cowboy songs under the pseudonym of "Jack Robinson." It wasn't long before success found him and he decided to play under the name Marty Robbins.
- Eric Shea]]></description>
</item><item>
<title>Don Williams</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4965&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Nashville Sound</category>
<pubDate>Mon, 30 Nov 2009 10:00:41 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Don Williams</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4965&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4965&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Born May 27, 1939 in Floydada, Texas, Williams was one of the biggest country music stars of the 1970s. He was a leading proponent of the countrypolitan sound, which was a conscious attempt to crossover to the Pop charts; he made it seem like an absolutely natural progression. Possessed of a resonant, unaffected voice, his singing seemed as natural as mellow conversation. Although he started recording in the mid-'60s, his career took off in '74 with his first number one hit "I Wouldn't Want to Live If You Didn't Love Me," which was only the beginning of a hit-recording streak that would last the next sixteen years. Although he slowed down considerably during the '90s, the quality of his work has not diminished. Throughout his career, Williams has been a friend and champion of songwriters, unafraid to tackle material that was offbeat or outside mainstream country. It didn't matter to him if a song was written by cult favorite John Prine or the legendary rock team Mick Jagger and Keith Richards; if Williams liked a tune, he recorded it.
- Tom Heyman]]></description>
</item><item>
<title>The Statler Brothers</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3924&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Country Gospel</category>
<pubDate>Mon, 30 Nov 2009 10:00:46 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Statler Brothers</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3924&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3924&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Statler Brothers smooth four-part harmony is modeled on the tradition of Gospel Quartet singing, which usually includes a lead, bass, tenor and baritone vocal. The group, together for more than four decades, only had two brothers in the group and no one was actually named Statler. The group had a crossover hit with the song "Flowers on the Wall" in 1965 which made both the Country and the Pop charts. The band were consistently in the charts in the '70s and '80s and made numerous Gospel recordings as well as the secular music that made them superstars.
- Tom Heyman]]></description>
</item><item>
<title>Chet Atkins</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3221&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Nashville Sound</category>
<pubDate>Wed, 2 Dec 2009 11:07:34 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Chet Atkins</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3221&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3221&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The multifaceted Chet Atkins is probably the most influential person in Nashville -- and in country music as a whole. Throughout his long career he has been involved with every facet of the music business as a top session player, a solo artist, a record producer, an A&R man and a label executive. Atkins started out as a prodigiously gifted musician, inspired by the finger picking style of country super star Merle Travis. He went from a journeyman road musician to an in-demand sideman on the Grand Old Opry in a very short period of time. He was part of the first Nashville A-team of session players, contributing his distinctive sound to records by the Everly Brothers, Elvis Presley, Willie Nelson and just about any country artist who recorded at RCA Studios in the 1950s. Throughout his career he has recorded too many solo albums to count, all of which are marked by his sophisticated melding of Swing, jazz, Easy Listening and country picking. Atkins is the architect of the Nashville Sound, which brought strings and glossy production to country in the '60s and '70s. He is also responsible for signing and producing important artists such as Waylon Jennings, and mentoring the late jazz guitar innovator Lenny Breau and New Country hit maker Steve Wariner, to name just a few. He has won eleven Grammy awards.
- Eric Shea]]></description>
</item><item>
<title>Wynonna Judd</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.593&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>New Country</category>
<pubDate>Sun, 22 Nov 2009 10:09:55 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Wynonna Judd</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.593&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.593&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[As the younger half of the mother/daughter duo the Judds, Wynonna Judd found success beyond measure. But that partnership came to a halt when, in 1990, her mother was diagnosed with hepatitis C and retired. Two years later, Wynonna released her first solo effort. <I>Wynonna</I> sold over five million copies, giving the singer the highest-selling debut album by a female at that time. <I>Tell Me Why</I> and <I>Revelations</I> followed. 1997 saw the release of both a greatest hits album (<I>Collection</I>) and her fourth studio effort, <I>The Other Side</I> -- the first in her career to fail to chart a Top 10 hit. On New Year's Eve 1999, the Judds got back together for a legendary millennium concert in Phoenix. Barely into the new year, a rejuvenated Wynonna recorded some songs with her mother, which she included with her fifth solo album, <I>New Day Dawning</I>, as a bonus disc. In 2003, Wynonna celebrated 20 years in the music business by releasing <I>What the World Needs Now</I>, which returned the singer to the top of the charts. To mark 25 years in the business, Wynonna released <I>Sing ÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ¢ÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ Chapter 1</I>, a collection of bluesy interpretations of standards from various genres.
- Linda Ryan]]></description>
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<title>Roger Miller</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.39684&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Nashville Sound</category>
<pubDate>Thu, 22 Oct 2009 11:11:30 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Roger Miller</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.39684&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.39684&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[An undervalued songwriter in the '50s and '60s, Roger Miller will undoubtedly be known as the man who sang goofy yokel anthems like "Do-Wacka-Do," "Chug-A-Lug," and "You Can't Rollerskate in a Buffalo Herd." In addition, he is behind the perennial favorite, "King of the Road." A master of Country Pop, his simple, infectious music yielded hits for artists like Ray Price, George Jones, and Ernest Tubb before his own releases garnered crossover success in the folk and pop arenas in the mid-'60s. Silliness aside, his value as a craftsman cannot be denied; he remains a major influence to creative Country artists ranging from k.d. lang to Dwight Yoakam.
- Eric Shea]]></description>
</item><item>
<title>Charlie Rich</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.38206&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Nashville Sound</category>
<pubDate>Sun, 22 Nov 2009 10:09:55 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Charlie Rich</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.38206&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.38206&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Charlie Rich (aka the Silver Fox) sang the saddest songs with a voice of velvet honey. If George Jones was dubbed King of the Broken Hearts, Rich should have been named the Emperor. The man was a country music Jedi. His regal songwriting talents were honored by critics everywhere, but he modestly eschewed the concepts of stardom and fame. Prior to his own hits, Rich was a much wanted session musician playing and singing for the likes of Johnny Cash, Warren Smith, Carl Mann, Ray Smith, Billy Lee Riley, and many others. He also penned "Break Up" for the Killer, Jerry Lee Lewis, as well as "The Ways of a Woman in Love" for Johnny Cash, and "I'm Comin' Home" for Carl Mann, (which was later recorded by none other than the King himself, Elvis Presley). Rich had a way of creating a silk spun country sound by blending the smoother elements of country, jazz, blues, Gospel, Rockabilly, and soul into his own personalized flowing musical textures. Listening to his near weeping voice on songs such as "I Take it on Home," "Don't Put No Headstone on My Grave," or the more commercially successful "The Most Beautiful Girl" gives hope that real music will one day grace the airwaves again. Rich died from a blood clot in his lung while he and his wife were travelling to Florida in the summer of 1995, three years after releasing the critically acclaimed <i>Pictures and Paintings</i>.
- Eric Shea]]></description>
</item><item>
<title>Ray Price</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.69046&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Honky-Tonk</category>
<pubDate>Fri, 20 Nov 2009 12:51:15 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ray Price</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69046&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69046&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Texas born Price began his career as a protege of sorts of Hank Williams, and certainly Williams' influence can be detected in the hard edged hits that Price had from the late '50s through the mid '60s. He hit big in 1956 with the song "Crazy Arms" written by steel guitarist Ralph Mooney. The song features a driving bass and drum part, a 4/4 shuffle that has since become part of country music's sonic vocabulary and is known as the "Ray Price Shuffle." The second act of Price's career came in the early '70s when he had a huge crossover hit with Kris Kristofferson's "For the Goodtimes." Price's version is a lush string driven example of the best of the Countrypolitan sound and is widely regarded as a classic. At each stage of his career, Price kept his own council when it came to choosing material. to hear him tell it he was advised against both "Crazy Arms" and "For the Goodtimes." These songs and the numerous others that he brought to the top of the charts are a testament to his vision as an artist.
- Eric Shea]]></description>
</item><item>
<title>Tammy Wynette</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1003&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Country Pop/Cosmopolitan</category>
<pubDate>Mon, 16 Nov 2009 10:52:15 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Tammy Wynette</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1003&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1003&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Though she was once dubbed "the First lady of Country Music," Tammy Wynette was always much more than Geroge Jones' wife -- her weepy and beautiful singing voice has been gracing country radio stations since 1966. Like Jeanie C. Riley, Wynette rose to popularity with divorcee-themed Honky-Tonk songs, and she and Jones recorded a handful of chart-topping duets before their rocky marriage ended in 1975. Her recordings didn't chart as high in the 1980s and '90s, but she continued to sell out venues thanks to a loyal following. She died in 1998.
- Eric Shea]]></description>
</item><item>
<title>Connie Francis</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2994&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Brill Building Pop</category>
<pubDate>Sat, 5 Dec 2009 10:33:45 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Connie Francis</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2994&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2994&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Born Constance Franconero, Connie Francis is a key figure in the era that saw the transition of pop music sung by vocalists to pop music sung by rock 'n' rollers. MGM had Francis try everything under the sun, and this New Jersey native's vocal style always leaned towards crossover country. Her Nashville work is fairly decent, but she also recorded nightclub standards, jazzy swingers and somewhat bleached Italian folk tunes. Francis has had her share of personal tragedies (which adds poignancy to her old teen tragedy tunes), but her career has nevertheless lasted for decades. She also co-starred in the ever-popular <i>Where the Boys Are</i>, and her most enduring hit -- a lightly R&B-ish reading of "Who's Sorry Now" -- still gets considerable airplay on oldies stations.
- Nick Dedina]]></description>
</item><item>
<title>Brenda Lee</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3862&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Nashville Sound</category>
<pubDate>Sat, 5 Dec 2009 10:33:44 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Brenda Lee</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3862&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3862&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Many regard Brenda Lee as a buttermilk-voiced country pop crooner, but Lee also pounded out some heavy rockabilly singles for the Decca label in the 1950s. She didn't hit pay dirt until she crossed over to the country pop/teen idol realm.
- Eric Shea]]></description>
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<title>Johnny Horton</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2230&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Honky-Tonk</category>
<pubDate>Fri, 13 Nov 2009 12:39:28 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Johnny Horton</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2230&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2230&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In the late 1950s, Johnny Horton was one of the first musicians to fuse down-home honky-tonk songwriting with wild rockabilly rhythms. Although Elvis Presley's early material hinted at this musical hybrid, Horton's take on the hillbilly/greaser marriage was much more exaggerated. Just as Horton's talent was blossoming, he died in a gruesome car crash in 1960.
- Eric Shea]]></description>
</item><item>
<title>Crystal Gayle</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2752&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Country Pop/Cosmopolitan</category>
<pubDate>Fri, 27 Nov 2009 10:25:06 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Crystal Gayle</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2752&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2752&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Crystal Gayle is best known for the wonderful 1977 hit, "Don't It Make My Brown Eyes Blue." That song helped her get out from under the shadow of older sister Loretta Lynn, and it defines the slick Country Pop sound that was often a recipe for crossover success in the '70s. Since then, she's veered more and more into straight-up New Country territory. Her most recent material features country ballads and spirituals with snap-tight hoedown backup and her trademark sweeping, almost operatic vocals. In 1982 Crystal Gale and Tom Waits recorded a phenomenal soundtrack for Francis Ford Coppola's film "One From the Heart."
- Mike McGuirk]]></description>
</item><item>
<title>Bobby Bare</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4013&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Nashville Sound</category>
<pubDate>Fri, 27 Nov 2009 10:25:01 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.4013</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Bobby Bare</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4013</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4013&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4013&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Jim Reeves</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2550&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Country Pop/Cosmopolitan</category>
<pubDate>Sat, 7 Nov 2009 11:26:33 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2550</guid>
<rhap:rcid xmlns:rhap="rhap">art.2550</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Jim Reeves</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2550</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2550&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2550&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Like many of music's promising hopefuls, Jim Reeves met an untimely death while traveling (in this case, an airplane crash). Much like Chet Atkins, Reeves favored the kind of countrypolitan production that involved thick layers of string arrangements and Lawrence Welk-style backing singers. Patsy Cline sometimes played the Dolly Parton to Reeves' Porter Wagoner (Cline, too, died in a plane crash -- a year before Reeves met his fate).
- Eric Shea]]></description>
</item><item>
<title>Lynn Anderson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2357&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Nashville Sound</category>
<pubDate>Fri, 20 Nov 2009 12:51:03 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2357</guid>
<rhap:rcid xmlns:rhap="rhap">art.2357</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Lynn Anderson</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2357</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2357&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2357&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Most notable for her hit "Rose Garden" in 1970 (which topped both the country and pop charts), Lynn Anderson was the first of many women to enjoy crossover success in the coming decade. She gave up a successful life as an equestrian for the lure of Country Pop stardom; three years into her recording career she became a star with a Grammy-winning album and the Country Music Association's Female Vocalist of the Year award. In a decade where Tammy sang about the taboo subject of divorce, and Loretta ruffled feathers with songs about birth control and feminism, Lynn Anderson cut a far less controversial figure. However, her upbeat, Nashville-smooth pop and warbling voice continued to earn her chart success into the early '90s.
- Mike McGuirk]]></description>
</item><item>
<title>Charley Pride</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.56847&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Nashville Sound</category>
<pubDate>Sat, 5 Dec 2009 10:33:45 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.56847</guid>
<rhap:rcid xmlns:rhap="rhap">art.56847</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Charley Pride</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.56847</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.56847&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.56847&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Charley Pride's silky-smooth baritone ruled the country airwaves in the '60s and '70s. Discovered as a teenager by the great Red Sovine, Pride went on to tear down the accepted belief that country music's primarily white audience would never accept a black performer. To the contrary, Pride's pure Nashville style has remained a staple of the scene, as evidenced by the rousing 1998 live set <i>Branson City Limits</i>. His better known hits "Kiss an Angel Good Morning" and "I Don't Think She's in Love Anymore," as well as excellent interpretations of Hank Williams songs and a laundry list of choice covers, are marked by a slick overlaying of acoustic and electric guitars, pedal steel and piano, the traditional Nashville set-up; but what sets him apart is his effortless vocal phrasing. A country singer of the tallest order, Pride is one of the few true traditionalists left.
- Eric Shea]]></description>
</item><item>
<title>Faron Young</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3105&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Country Pop/Cosmopolitan</category>
<pubDate>Mon, 30 Nov 2009 10:00:58 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3105</guid>
<rhap:rcid xmlns:rhap="rhap">art.3105</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Faron Young</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3105</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3105&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3105&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Floyd Cramer</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4265&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Instrumental Country</category>
<pubDate>Fri, 27 Nov 2009 10:24:58 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4265</guid>
<rhap:rcid xmlns:rhap="rhap">art.4265</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Floyd Cramer</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4265</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4265&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4265&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The very first time Floyd Cramer got to play piano on the radio, he accompanied Elvis Presley. That not only set the tone for a career as one of Nashville's best piano players, but it also led to a solid connection with Presley's producer, Chet Atkins. Together the two pioneered what has become known as the Nashville sound, a Phil Spector-esque layering of easy-on-the-ears musical elements designed to bring country music to the pop audience.
- Eric Shea]]></description>
</item><item>
<title>Don Gibson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3794&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Nashville Sound</category>
<pubDate>Mon, 30 Nov 2009 10:00:51 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3794</guid>
<rhap:rcid xmlns:rhap="rhap">art.3794</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Don Gibson</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3794</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3794&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3794&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Eddy Arnold</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.43046&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Nashville Sound</category>
<pubDate>Sat, 21 Nov 2009 13:43:16 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.43046</guid>
<rhap:rcid xmlns:rhap="rhap">art.43046</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Eddy Arnold</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.43046</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.43046&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.43046&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Eddy Arnold, "The Tennessee Plowboy," is credited for bringing hillbilly music to the big city. He had 28 No. 1 country singles, many of which crossed over to the pop charts. Managed by Colonel Tom Parker (who would later manage Elvis), Arnold was the most commercially successful country singer of the 1940s, with hits such as "Anytime" and "Bouquet of Roses." He had his own television show, <I>Eddy Arnold Time</I>, in the early 1950s, and returned to the top of the charts in the '60s, reborn as a sophisticated pop crooner, with strings. "Make the World Go Away" was his biggest hit of this period. This Country Music Hall of Fame inductee continued to record and chart hits in the '70s and '80s, making him one of the few artists to chart in five decades. He recorded a final album, <i>After All These Years</i>, in 2005, and passed away three years later, at age 89.
- Eric Shea]]></description>
</item><item>
<title>Skeeter Davis</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.68896&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Nashville Sound</category>
<pubDate>Mon, 30 Nov 2009 10:00:46 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.68896</guid>
<rhap:rcid xmlns:rhap="rhap">art.68896</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Skeeter Davis</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.68896</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68896&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68896&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Although she had many hits, the song Skeeter Davis will always be remembered for is "The End of the World," a Country Pop crossover hit that sounded as much like Lesley Gore as it did Patsy Cline. When people talk about "the Nashville Sound," they're talking about the string-heavy quasi-country that <i>was</I> Davis' music -- but that's not necessarily a bad thing, as 1960s Nashville pop is some of the best music America has to offer. Her career began in the '50s as one half of the country-billy vocal group, the Davis Sisters. Tragically, her sister Betty Jack (no relation to Billy Jack) was killed in a car wreck in 1953, and Skeeter set out on her own. Throughout the '60s and '70s, Davis jumped back and forth between pure country and rock 'n' roll, never straying far from the charts. The '80s brought a marriage to NRBQ member Joey Spampinato and a number of subsequent collaborations with the group.
- Mike McGuirk]]></description>
</item><item>
<title>Mac Davis</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2375&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Country Pop/Cosmopolitan</category>
<pubDate>Fri, 27 Nov 2009 10:25:06 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2375</guid>
<rhap:rcid xmlns:rhap="rhap">art.2375</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Mac Davis</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2375</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2375&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2375&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>John Conlee</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5436&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Urban Cowboy</category>
<pubDate>Fri, 27 Nov 2009 10:25:06 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5436</guid>
<rhap:rcid xmlns:rhap="rhap">art.5436</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">John Conlee</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5436</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5436&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5436&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Simple but intelligent country music by a man who seems uninterested in the megalomania of show business. With a warm pedal steel, mellow picking, and country-dad vocals, John Conlee's music sounds like it's pumped through the speakers of big rigs everywhere. It certainly was in the late '70s and early '80s, when the former mortician had a string of #1 country hits, such as "Common Man," "Rose Colored Glasses," and the ever romantic "Lady Lay Down."
- Eric Shea]]></description>
</item><item>
<title>Tony Joe White</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.371&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Country Soul</category>
<pubDate>Thu, 26 Nov 2009 11:27:44 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.371</guid>
<rhap:rcid xmlns:rhap="rhap">art.371</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Tony Joe White</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.371</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.371&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.371&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[There's a photograph of Tony Joe White floating about the Internet. He's smoking while strolling through a bayou jungle bare-chested, a guitar slung over his shoulder and black leather pants suctioned to his legs. He looks a lot like Elvis during his '68 comeback special, only cooler. A child of Louisiana with Cherokee blood flowing through his veins, White helped invent swamp rock in the late '60s with hits like "Polk Salad Annie," a murky fusion of stripped-down RnB and Hendrix-inspired wah-wah. Meanwhile, he became an in-demand songwriter after Dusty Springfield turned "Willie and Laura Mae Jones" into an instant classic, and Brook Benton followed suit with "Rainy Night in Georgia." By the '70s, White had toned down the lusty funk and transformed himself into an articulate singer-songwriter, one who detailed the complications of romance as well as the hardships of the Southern working class. Over the years the media-shy Louisianan has settled into cult artist status, scoring several more hits on the country charts. But in the end there can be no doubt that Tony Joe White, nicknamed the Swamp Fox, is indeed one of the coolest dudes to ever to wear black leather pants.
- Justin Farrar]]></description>
</item><item>
<title>Bobbie Gentry</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.14836&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Country Pop/Cosmopolitan</category>
<pubDate>Fri, 27 Nov 2009 10:25:03 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.14836</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Bobbie Gentry</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.14836</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.14836&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.14836&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Jimmy Dean</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2369&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Nashville Sound</category>
<pubDate>Fri, 20 Nov 2009 12:51:02 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2369</guid>
<rhap:rcid xmlns:rhap="rhap">art.2369</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Jimmy Dean</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2369</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2369&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2369&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Kitty Wells</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1772&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Honky-Tonk</category>
<pubDate>Fri, 13 Nov 2009 12:39:11 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1772</guid>
<rhap:rcid xmlns:rhap="rhap">art.1772</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Kitty Wells</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1772</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1772&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1772&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[One of the first modern superstars of country music, Kitty Wells' proto-feminist persona and songwriting paved the way for artists such as Loretta Lynn and Tammy Wynette. Married to country singer Johnnie Wright, Wells got her start singing with Johnnie and Jack, a very popular duo Wright had with the singer Jack Anglin. After setting out on her own in the 1950s, Wells hit the big time with the song "It Wasn't God Who Made Honky-Tonk Angels," a response to Hank Thompson's "Wild Side of Life." The song was a No. 1 hit and lead to her induction into the Grand Ole Opry. Wells had hit after hit in the charts throughout the '50s and '60s; she was a popular live attraction after the chart success ended in the mid-'70s. Her records combine tough Honky-Tonk with the lush Nashville Sound characterized by sweeping strings and banks of backing vocals.
- Eric Shea]]></description>
</item><item>
<title>Joe South</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.16762&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Country Soul</category>
<pubDate>Fri, 20 Nov 2009 12:51:44 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Joe South</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.16762&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.16762&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Before disappearing into the jungles of Hawaii, Joe South was riding high on a string of hits and Grammy Awards. Then he took to heart a question he posed on "Don't It Make You Wanna Go Home," one of his best songs, and ditched the crapstorm of fame for a simpler life. Born Joseph Souter in Atlanta, Ga., in 1940, the singer first was employed as a session guitarist for Jerry Reed and Ray Stevens at the National Recording Corporation (NRC) studios in Atlanta. In the late 1960s and early '70s South was at his peak. He had major hits with "Walk A Mile In My Shoes," perhaps the greatest "f-you" song ever recorded, and the awesomely bitter "Games People Play." At the same time, other folks had hits with songs he had written: Deep Purple's "Hush," Lynn Anderson's "(I Never Promised You A) Rose Garden" and Billy Joe Royal's "Down In The Boondocks" were all huge radio hits. His music seamlessly merges country and Southern soul tradition with bright pop production, lyrically sketching out his prickly nature (which is legendary) by calling out the music business and the American people in general for their shallowness and self-centered behavior. They aren't nice songs, and despite pointed social commentary (even his love songs are often about class division), South sometimes comes off as more a misanthrope than a prophet. But it's this deeply embedded hostility that sets him apart as a performer. There just aren't a lot of songs on the radio with such open acrimony. As his fame grew, his distaste for the music business seemed to grow along with it and his live performances became erratic. Following the suicide of his brother Tommy (also his drummer) in 1975, South moved to Hawaii where he was rumored to be living in the jungle. He did make one comeback in the later '70s, but it's his early recordings with his sitar-like guitar sound and downcast lyrics that make his body of work a legacy for country, country soul and classic rock fans.
- Mike McGuirk]]></description>
</item><item>
<title>Donna Fargo</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.38283&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Country Pop/Cosmopolitan</category>
<pubDate>Tue, 24 Nov 2009 09:38:14 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Donna Fargo</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.38283</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.38283&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.38283&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Bobby Goldsboro</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4038&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Country Pop/Cosmopolitan</category>
<pubDate>Mon, 12 Oct 2009 10:57:44 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4038</guid>
<rhap:rcid xmlns:rhap="rhap">art.4038</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Bobby Goldsboro</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4038</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4038&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4038&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Porter Wagoner</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.68458&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Nashville Sound</category>
<pubDate>Fri, 20 Nov 2009 12:51:33 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Porter Wagoner</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68458&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68458&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Porter Wagoner walked a very strange line. In the spirit of Dr. Jekyll and Mr. Hyde, Wagoner's music had a crazy duality. He could play heartfelt country songs with soulful grit one moment, and then instantly and effortlessly deliver an unintentionally campy, overly maudlin, sappy narrative. He was one of the first country music artists to utilize television in the 1950s, donning flashy rodeo tailored suits and a corny but loveable stage persona. Wagoner formed his skilled and tasteful backing group the Wagonmasters in 1957 when he moved to Nashville and joined the Grand Ole Opry. In 1967, a young and relatively unknown Dolly Parton was hired to accompany Wagoner on the show, and the following year, the two cut a hit duet with "The Last Thing on My Mind." This chart-topper inspired a string of hits for the two until the mid-'70s when Parton perused a solo career against Wagoner's wishes. Wagoner's last recorded album was <i>Wagonmaster</i>. Released in June of 2007, the album was produced with a purist's ear by Marty Stuart and echoed eerie reflections of Johnny Cash's <i>American</i> series, especially with the Cash penned song "Committed To Parkview." Wagoner toured <i>Wagonmaster</i>, opening for White Stripes at Madison Square Garden in New York City on July 24, 2007. He was diagnosed with lung cancer and hospitalized on October 15 before passing away shortly after on October 28, 2007 while in the care of Nashville's Alive Hospice.
- Eric Shea]]></description>
</item><item>
<title>Lambchop</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1514&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Alt Country</category>
<pubDate>Fri, 13 Nov 2009 12:39:00 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Lambchop</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1514</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1514&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1514&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Lambchop's down-tempo mixture of melancholia and what is occasionally country music is a welcome relief from "Alternative Country." The Nashville-based band began recording in the early '90s with a few singles that showed a band more interested in guitar pop than twang. By the time they released their debut, <I>I Hope You're Sitting Down</I> in 1994, the band's lineup had amassed to almost a dozen people and were well-versed in the dark, pedal steel-laden aspects of the best parts of country music. Their well-orchestrated material centers around singer/songwriter Kurt Wagner's tales of death and deodorizers and other subjects that would seem comical coming from most singers. Within Wagner's staid delivery and the band's striking arrangements, there is a sense of lyrical calm and musical grandeur that never veers into assault. On Lambchop's newer releases, both <I>What Another Man Spills</I> and <I>Nixon</I>, the band has found the natural relationship between country and orchestrated, classic Soul music.
- Eric Shea]]></description>
</item><item>
<title>Boots Randolph</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3962&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Instrumental Country</category>
<pubDate>Sun, 25 Oct 2009 10:22:03 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Boots Randolph</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3962&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3962&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Sonny James</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1429&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Nashville Sound</category>
<pubDate>Mon, 30 Nov 2009 10:00:48 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Sonny James</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1429</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1429&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1429&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Jim Ed Brown</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.45852&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Nashville Sound</category>
<pubDate>Thu, 16 Jul 2009 13:57:46 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jim Ed Brown</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.45852</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.45852&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.45852&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Stonewall Jackson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44578&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Nashville Sound</category>
<pubDate>Fri, 20 Nov 2009 12:51:03 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.44578</guid>
<rhap:rcid xmlns:rhap="rhap">art.44578</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Stonewall Jackson</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.44578</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44578&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44578&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Stonewall Jackson was a familiar figure on the country charts and at the Grand Ole Opry in the early part of the 1960s. With a slick Country Pop sound fashioned after the hardcore Honky Tonk of Hank Williams, Jackson initially hit in 1959 with the No. 1 "Waterloo" and spent the remainder of the decade in and around the No. 1 spot with each successive release. His drawling back porch delivery and palpably easy-going nature kept him high on the list of Grand Ole Opry favorites. An interesting fact is that he was blood relative of the Confederate general Stonewall Jackson. By the end of the '60s he had drifted into semi-obscurity but for a short time revived his career in 1971 with a cover of Lobo's novelty classic "Me and You and a Dog Named Boo."
- Eric Shea]]></description>
</item><item>
<title>Barbara Fairchild</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.68897&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Nashville Sound</category>
<pubDate>Fri, 13 Nov 2009 12:38:40 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Barbara Fairchild</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.68897</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68897&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68897&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Fairchild entered the Nashville machine as a songwriter and got signed as an artist based on her exceptionally strong vocals. She had numerous chart hits in the 1970s, and her reedy, soprano voice was surrounded by strings and all the other trappings of the Nashville Sound. After an attempt at retirement in the 1980s, she came back to music as a Gospel singer.
- Tom Heyman]]></description>
</item><item>
<title>Jeannie C. Riley</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.10477&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Country Gospel</category>
<pubDate>Tue, 24 Nov 2009 09:38:16 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jeannie C. Riley</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.10477</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10477&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10477&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Jeannie C. Riley is best known for "Harper Valley P.T.A," a cut from a strange little concept album that became an instant classic and spawned a TV movie a few years later with belly-button queen Barbara Eden playing the "liberated" mom outraged at her uptight, two-faced townsfolk. Riley's got a sharp, nasal voice with a pronounced twang, well suited to country music. In the mid '70s, she turned to God and has since had a stable career in CCM, singing country-flavored Gospel songs with a polished but rootsy backing band.
- Mike McGuirk]]></description>
</item><item>
<title>Jo-el Sonnier</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9824&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>Cajun/Zydeco</category>
<pubDate>Wed, 25 Nov 2009 11:49:37 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jo-el Sonnier</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.9824</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9824&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9824&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Although his own musical career hasn't been too commercially successful, there is not one country musician who can say that Jo-El Sonnier isn't a Cajun King Midas. He is a much in-demand session accordion accompanist and has landed on the albums of such artists as Hank Williams Jr., Ricky Skaggs, Johnny Cash, Emmylou Harris, Elvis Costello and the Flying Burrito Brothers. Sonnier's own music is a hearty blend of festive Cajun R&B (he grew up in Louisiana), twang-toned Americana and slick Nashville country. He began playing the accordion at the tender age of three and landed his first radio performance when he was only six years old.
- Eric Shea]]></description>
</item><item>
<title>Sherrie Austin</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6570&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</link>
<category>New Country</category>
<pubDate>Wed, 7 Oct 2009 12:12:52 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=335&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss">Top Nashville Sound Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Sherrie Austin</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6570</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6570&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6570&amp;variant=data&amp;rws=%2Fcountry%2Fnashville-sound%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This spunky country pop singer from Australia trills her way through upbeat love songs. Clearly designed with today's market in mind, her well-crafted music contains hooks so sharp, you'll never use live bait again. Moreover, Austin envelops her inviting ditties in walls of acoustic bliss: mandolins and 12-strings abound, while her playful voice lures you right to the heart of her coy siren songs.
- Eric Shea]]></description>
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