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<title>Top Americana Artists on Rhapsody Online</title><link>http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link><description>Top Americana Artists on Rhapsody Online</description><category>Americana</category><language>en</language><ttl>720</ttl><pubDate>Fri, 25 Dec 2009 00:01:32 -0800</pubDate><image>
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<title>Top Americana Artists on Rhapsody Online</title>
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<title>Neil Young</title>
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<category>Classic Rock</category>
<pubDate>Fri, 18 Dec 2009 12:08:51 -0800</pubDate>
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<description><![CDATA[Throughout his extraordinary career, Neil Young's Americana-rooted songwriting has dipped into a staggering variety of styles and tones. With the live <i>Time Fades Away</i>, the spatial <i>On The Beach</i> and the liquid <i>Tonight's The Night</i>, Neil inadvertently presented his so-called doom trilogy -- three records that beautifully capture throwing in the towel. 1975's <i>Zuma</i> signaled a return from the darkness to the sunny, rural rock he first explored on <i>Everybody Knows This Is Nowhere</i>. <i>Comes A Time</i> found him hip deep in a fermentation of 1970s canyon and country rock, while <I>Rust Never Sleeps</I> unfolded his career multi-dimensionally as he unleashed his acoustic/electric duality to a receptive commercial and critical audience. With <i>Freedom</i> and <i>Ragged Glory</i>, Young made a valiant return to form in the late '80s and early '90s before recapturing acoustic peace with <i>Harvest Moon</i>, his 1992 release that many view as the sequel to his heroically pastoral 1972 album <i>Harvest</i>. The Canadian transplant's high, watery tenor emotes with an elasticity that can effortlessly traverse into falsetto with natural warmth and heavenly tremolo. You'll find the real Young singing the hazy guitar epics "Like A Hurricane" and "Cortez the Killer," or when songs such as the gentle "Birds" and "Motion Pictures" seem to weep from your speakers. True to form, Neil Young is one of the only songwriters in the world who can approximate the sound of a heart breaking with his voice.
- Eric Shea]]></description>
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<title>Alison Krauss</title>
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<category>Bluegrass</category>
<pubDate>Thu, 24 Dec 2009 13:15:45 -0800</pubDate>
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<description><![CDATA[Alison Krauss was slated for greatness at an early age. At 12, the Society for the Preservation of Bluegrass Music of America named her Most Promising Fiddler in the Midwest; just two years later, in 1985, she signed to Rounder Records. But even those honors barely foretold the success Krauss would eventually enjoy, breaking out of the bluegrass scene to become a bona-fide pop star with 26 Grammys to her name. Krauss' biggest record to date has been 2007's <I>Raising Sand</I>, which might have something to do with the participation of a certain Robert Plant. Produced by T-Bone Burnett, the unlikely project turned out to be a natural pairing, with the singers' voices hanging sweetly together over an easy, supple backdrop of rootsy Americana. The album, a critical and commercial success, followed shortly after <I>A Hundred Miles or More</I>, a collection of Krauss' collaborations with artists like Brad Paisley, James Taylor and Sting. Beyond singing and songwriting, Krauss also produces other artists' records, such as Alan Jackson's acclaimed 2006 release, <I>Like Red on a Rose</I>.
- Philip Sherburne]]></description>
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<title>Zac Brown Band</title>
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<category>Americana</category>
<pubDate>Thu, 24 Dec 2009 13:15:44 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<description><![CDATA[Zac Brown entertained audiences for years as a solo artist, winning people over with his deft flat-picking and original songs. Eventually, Brown added band members John Hopkins (bass) and Jimmy De Martini (fiddle) to form the Zac Brown Band; the trio expanded to a five-piece when Chris Fryar (drums) and Coy Bowles (guitar/organ) joined. The quintet employs an aggressive tour philosophy (often playing upwards of 200 shows a year) and has opened for the Allman Brothers, Willie Nelson, Travis Tritt and Sugarland, among others. Their grassroots approach to music has won them legions of loyal fans throughout the South, especially in Brown's home state of Georgia. The band's self-financed debut, <I>Home Grown</I>, was released at the end of 2005, and the live effort <I>Live From the Rock Bus Tour</I> followed in 2007. <I>The Foundation</I> was released in 2008, producing the Southern celebratory single "Chicken Fried," which made its way to the country charts.
- Linda Ryan]]></description>
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<title>Darius Rucker</title>
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<category>New Country</category>
<pubDate>Tue, 15 Dec 2009 10:30:59 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<description><![CDATA[Contrary to popular belief, Darius Rucker is not Hootie, even if he did sell millions of albums as the frontman for the '90s roots-rock band Hootie & the Blowfish. In 2002, Rucker released <I>Back to Then</I>, a pop/R&B solo effort that came and went. In 2008, the honey-timbered singer released his second solo album, I>Learn to Live</I>, and a country star was born. <I>Learn to Live</I> garnered rave reviews and Rucker's song, "Don't Think I Don't Think About It," went Top 10 on the Country charts.
- Linda Ryan]]></description>
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<title>Chris Isaak</title>
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<category>Adult Alternative</category>
<pubDate>Wed, 16 Dec 2009 11:55:14 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<description><![CDATA[Gifted with an absolutely divine voice and a riveting stage presence, Isaak is one of the few performers that can pull off both infectious rockers and heartfelt ballads with utter conviction and unrivaled style. Though it was the former that made him cool, it was the latter that made him famous. Once his "Wicked Game" was featured in David Lynch's 1990 film masterpiece <I>Wild At Heart</I>, it wasn't long before people took notice; naturally, an ultrasexy video for the song with supermodel Helena Christensen didn't exactly hurt his popularity. Subsequent efforts, while smoother and less steamy than his 1980s work, have all been successes.
- Doug Russell]]></description>
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<title>The Band</title>
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<category>Americana</category>
<pubDate>Fri, 18 Dec 2009 12:08:21 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<description><![CDATA[The Band's saga began in the late 1950s when they performed with Ronnie Hawkins as the Hawks. In 1965, they became Bob Dylan's band. After his motorcycle accident in 1966, they changed their name to the Band and relocated to upstate New York in a house they dubbed "Big Pink." It was here that The Band began to write and record songs that would influence anyone in love with music surrounding the myths of Americana lore. Guitarist Robbie Robertson, pianist Richard Manuel, drummer Levon Helm, and bass player Rick Danko all shared singing responsibilities. From the swamp boogie of "Up on Cripple Creek" to the pure soul of "The Weight," the Band had just begun to realize their ability to capture and release the ghosts of Okie souls in their unpretentious, down-home, roots music. While the songs available here run the gamut of the Band's almost incalculable career, many of their fans believe the sessions recorded at Big Pink to be their collective opus. Manuel took his life in 1986. Rick Danko died in his sleep on December 10, 1999.
- Eric Shea]]></description>
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<title>Linda Ronstadt</title>
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<category>Adult Contemporary</category>
<pubDate>Wed, 23 Dec 2009 13:32:48 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<description><![CDATA[Though she started out as part of the California Country Rock and Folk Rock movement, Linda Ronstadt is one of the few modern singers whose career has been closer to classic pop vocalists - she doesn't succeed at every style she attempts, but that hasn't stopped her from exploring new avenues. Full of top session players, her '70s albums slowly shifted from rootsy folk and slick country to '50s rock and R&B to New Wave. Once Ronstadt helped break Elvis Costello and Warren Zevon to the general public, she recorded three albums of standards with famed arranger Nelson Riddle. Though she has a beautiful voice, Ronstadt doesn't really have a natural feel for jazz influenced material and she is more suited to Mexican mariachi, American country, and upscale Adult Contemporary. While you await her Death Metal phase, check out her Trio recordings with Emmylou Harris and Dolly Parton; they are essential listening for fans of any kind of music.
- Nick Dedina]]></description>
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<title>Neko Case</title>
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<category>Alt Country</category>
<pubDate>Sun, 13 Dec 2009 10:14:05 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<description><![CDATA[Neko Case sings revved-up Americana in a throaty, expressive voice that's as fiery as her iconic red hair. She ran away from home at the young age of 15 and started playing punk rock with the raucous and rootsy punk pop band, Maow, before cutting her country teeth in a band called the Weasles. Since then, she's pretty much stayed true to the twang, assembling a tight alt country backing band called the Boyfriends with members of Zumpano, Shadowy Men on a Shadowy Planet and the Softies. Case also joined Carolyn Mark for a more retro country project called the Corn Sisters and she's also been known to cast her lot in with the rootsy power pop outfit known as the New Pornographers. In 2004 she teamed up with Canadian country rockers the Sadies who brought a psychedelic, surf-tinged sound to her sultry songs.
- Eric Shea]]></description>
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<title>The Avett Brothers</title>
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<category>Alt Country</category>
<pubDate>Wed, 23 Dec 2009 13:30:58 -0800</pubDate>
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<description><![CDATA[Thanks to relentless touring, a ferocious performance ethic and some flat-out kickass songs, the Avett Brothers have recently exploded onto the Americana scene. The young, mostly acoustic trio from Greenville, North Carolina comprises Scott and Seth Avett on banjo, guitar, and vocals, and honorary brother Bob Crawford on upright bass; they play Appalachian-style string band music with punk-rock abandon. If there was ever a band to make jaded rock 'n' rollers fall in love with acoustic music, it's the Avetts. From high and lonesome balladry to hip-hop inflected screamers to sweet, pop-grass harmonies, their sound spans styles and eras but always retains a disarming sense of honesty, passion and joy.
- Jonathan Zwickel]]></description>
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<title>Steve Earle</title>
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<category>Alt Country</category>
<pubDate>Wed, 23 Dec 2009 13:31:03 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<description><![CDATA[Texas-raised/Nashville-based artist Steve Earle got his start as a young teenager on the vibrant Texas coffeehouse circuit of the 1960s, absorbing the material and emulating the bad habits of his heroes Townes Van Zandt and Guy Clarke. Earle worked on-and-off as a staff songwriter in Nashville before he finally got a decent record deal of his own and released the chart-topping, critically acclaimed <i>Guitar Town</i> in 1986. The record combined twanging, tuneful Country Rock material with tough, unsentimental songwriting that had more in common with Bruce Springsteen than anything Nashville had going on at the time; the fact that it also yielded a couple of Top-10 hits was the icing on the cake. Earle continued to release ambitious Country Rock material, but he failed to repeat the chart success of <i>Guitar Town</i>, and a lifetime of substance abuse finally caught up with him. He wound up in a jail/rehab facility with an uncertain future, a dwindling fan base, and no record deal. He later emerged clean and sober, and proceeded to put out the best, most lucid work of his career -- <i>Train a Comin'</i>, <i>I Feel Alright</i>, and <i>El Corazon</i> -- in quick succession. He also started his own record label E-Squared, on which he releases his own records and the material of other artists he admires.
- Eric Shea]]></description>
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<title>Emmylou Harris</title>
<link>http://www.rhapsody.com/goto?rcid=art.418&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Cosmic American Music</category>
<pubDate>Wed, 23 Dec 2009 13:30:58 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<description><![CDATA[The otherworldly and yet accessible voice of Emmylou Harris has helped bring country music to wider audiences. After the untimely death of her protege Gram Parsons, Harris kept the cosmic American music spirit and sound alive in her own solo recordings. She was blessed with a warm and nurturing singing voice that seems like it was destined to bring beautiful high-lonesome harmonies to life. Whether she's singing soulfully by herself or harmonizing with other folks, her elastic and dynamic vocals unfold and soar to astral heights, adding new dimensions and organic depth to whatever song she graces. Her incandescent inflections have accompanied the likes of Neil Young, Dolly Parton, Linda Ronstadt, Beck, Sheryl Crow, The Band, Jackson Browne, Rosanne Cash, and Glen Campbell to name a very few--but her rich phrasing and harmonious articulation has never been as powerful nor as heartbreakingly emotional as when she sang in close harmony with the late, great Parsons.
- Eric Shea]]></description>
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<title>Lucinda Williams</title>
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<category>Americana</category>
<pubDate>Thu, 17 Dec 2009 10:45:41 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6426&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Any musician who has ever been courted by a label knows all about the pressure to appeal to the mainstream. Just ask Lucinda Williams. The "Man" has been trying to compromise her sound ever since 1979 with <i>Ramblin' On My Mind</i> (a collection of old country and blues standards). Although the majors tried to coerce Williams to crank out over-produced hit singles for mass quantity consumption by Wal-Mart shoppers, she has stuck to her guns through all these years. Her music is her own: rooted in crafted songs tinged with twang, slide, and the gritty soul of her ragged vocals.
- Eric Shea]]></description>
</item><item>
<title>Son Volt</title>
<link>http://www.rhapsody.com/goto?rcid=art.42362&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Alt Country</category>
<pubDate>Wed, 16 Sep 2009 12:52:08 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Son Volt</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.42362</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.42362&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.42362&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The splintering of Uncle Tupelo into Jay Farrar's Son Volt and Jeff Tweedy's Wilco divided the alt country scene as bitterly as a civil war. One felt obligated to pull for one side or the other and knock the competition for stagnating or selling out. It was silly, really, since the alternative roots rock scene now has two great bands for its money, where before it had the one. <I>Trace</I>, Son Volt's 1995 debut, runs shank to flank with Uncle Tupelo's <I>Anodyne</I> as one of the finest documents of the No Depression scene. Dave Boquist's exquisite touch on Dobro, fiddle, banjo and lap steel guitar lends tunes like "Windfall" and "Tear Stained Eye" the crisp warmth of sun-dried sheets. Ace production prompts every note to snap off the stings with its tail wagging. <I>Trace</I> is a beautiful, honest record that embraces life with a bear hug. The follow-up <I>Straightaways</I> was a continuation of the themes and textures Farrar had captured on the debut, while <I>Wide String Tremolo</I> pushed the band in a straighter rock/pop direction. Further Son Volt albums continue to rock hard and bite with more political venom as Jay Farrar flexes his First Amendment muscle, waxing protest against the Bush administration like Woody Guthrie with a distortion pedal.
- Eric Shea]]></description>
</item><item>
<title>Nanci Griffith</title>
<link>http://www.rhapsody.com/goto?rcid=art.5386&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Folk Pop</category>
<pubDate>Tue, 17 Nov 2009 09:07:29 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5386</guid>
<rhap:rcid xmlns:rhap="rhap">art.5386</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Nanci Griffith</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5386</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5386&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5386&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Lilith Fair has littered the landscape with acres of golden-voiced, confessional Singer-Songwriters. Don't let Nanci Griffith get lost amongst the chaff. The luminous Texan wrote and performed her beautiful mix of folk, country, and pop while Jewel was still modeling Underoos to her kindergarten chums. Griffith had a couple of minor country hits and earned the highest respect from such American peers as Emmylou Harris and John Prine, but their literate, intimate nature seem to have found an easier home in Ireland and Great Britain than America. Griffith isn't overshadowed one bit by performing songs by respected tunesmiths Bob Dylan and Townes Van Zandt on <I>Other Voices, Other Rooms</I>, a stunning document of overlooked songs.]]></description>
</item><item>
<title>The Byrds</title>
<link>http://www.rhapsody.com/goto?rcid=art.1172&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Folk-Rock</category>
<pubDate>Wed, 16 Dec 2009 11:55:18 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Byrds</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1172</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1172&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1172&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Byrds are one of rock 'n' roll's most underrated bands. There is so much more to The Byrds than the Folk Rock of "Turn! Turn! Turn! (To Everything There is A Season)" -- they were the first group to blend the harmonies and backbeat of British Invasion with the warm, lyrical blood of folk music. The sustenance to their sugar was the evocative mash of Roger McGuinn's trademark, chiming 12-string Rickenbacker, soaring, three-part, gossamer vocal harmonies, and innovative pairing of analog synthesizers with country music's elastic tonal twang provided by the Telecaster B-bender (a string-stretching device invented by the late, great Clarence White and Gene Parsons to approximate a pedal steel's fluid cry). The Byrds effortlessly flew like a feathered Lear jet through Dylan-esque musings, inner galactic Psychedelia, and Cosmic American Music soundscapes that helped bring country music to a wider audience.
- Eric Shea]]></description>
</item><item>
<title>John Prine</title>
<link>http://www.rhapsody.com/goto?rcid=art.57024&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Country-Folk</category>
<pubDate>Wed, 2 Dec 2009 11:07:04 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.57024</guid>
<rhap:rcid xmlns:rhap="rhap">art.57024</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">John Prine</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.57024</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.57024&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.57024&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[They give him Grammies as a folk artist, but you can't really categorize a genius as big as John Prine's. He's as deft with Memphis skronk as he is with Nashville sentiment, and a long time ago, people were calling him the next Dylan. He may never have reached Mr. Zimmerman's heights of fame and influence, but Prine has spent almost thirty years crafting a unique body of work. Like Kurt Vonnegut's early novels, Prine's songs are notable for both their bite and their warmth -- the gentle surface of ballads such as "All the Best" often hide a dark heart, while angrier numbers like "Angel from Montgomery" always seem to forgive the targets of their indignation. He's a true hero, and his devoted cult of admirers will be pleased to hear his first studio album in four years, a collection of classic country duets featuring Lucinda Williams, Emmylou Harris, Iris DeMent, and more.
- Eric Shea]]></description>
</item><item>
<title>Levon Helm</title>
<link>http://www.rhapsody.com/goto?rcid=art.5476&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Sun, 13 Dec 2009 10:14:07 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5476</guid>
<rhap:rcid xmlns:rhap="rhap">art.5476</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Levon Helm</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5476</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5476&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5476&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[As the drummer of The Band -- and Dylan's first electric band -- Levon Helm played a significant role in American rock history. But too often overlooked is Helm's contribution as a songwriter and singer, which has yielded canonical slices of Americana like "The Weight" and "The Night They Drove Old Dixie Down." Helm was born in Marvell, AK, where he started playing guitar along to Nashville country station WLAC as a boy. He moved to Memphis as a young man where he was enlisted as the drummer of The Hawks, the backing group of early rock singer Ronnie Hawkins. Hawkins and Helm moved to Toronto where they recruited the rest of what would be The Band. The Band backed Dylan in the mid-60s, though Helm's time with Dylan was short; the negative reaction to Dylan's electric venture disheartened Helm so much that he quit the band and moved back to Arkansas, where he worked on an oil rig. When he rejoined The Band some years later, they were working on their masterpiece, <i>Music From Big Pink</i>, a record on which Helm's drumming, singing and (often uncredited) songwriting was essential. After the group disbanded in 1976, Helm cultivated an acting career, earning his biggest role in <i>Cole Miner's Daughter</i>, and continued playing with sundry Band-related projects. Helm was diagnosed with throat cancer in the '90s, though he continued performing with his daughter, Amy, and hosting a famous "Midnight Ramble" series of concerts in his Woodstock barn. After struggling with cancer for a number of years, Helm was able to sing again in the early '00s. He released <i>Dirt Farmer</i>, his first solo record in some 25 years, in 2007.
- Nate Cavalieri]]></description>
</item><item>
<title>Drive-By Truckers</title>
<link>http://www.rhapsody.com/goto?rcid=art.6926&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Country Rock</category>
<pubDate>Thu, 17 Dec 2009 10:45:40 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6926</guid>
<rhap:rcid xmlns:rhap="rhap">art.6926</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Drive-By Truckers</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6926</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6926&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6926&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[If the Old 97's weren't R.E.M.-adoring spastic nerds, they might sound a little bit like the Drive-By Truckers from Athens, Georgia. This country rocking quintet writes Americana anthems for the modern day working man and woman. Touched by the hooves of Crazy Horse, these guys have a rich and crunchy guitar tone, sounding like a string of Neil Young's tweed Deluxe amps turned all the way up out in an open hay field. Their music is basted in tangy harmonies and patiently marinated in both southern soul and small town honesty. These songs are powerful and cathartic creations that display unpretentious arrangements and true grit.
- Eric Shea]]></description>
</item><item>
<title>Buffalo Springfield</title>
<link>http://www.rhapsody.com/goto?rcid=art.38184&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Folk-Rock</category>
<pubDate>Sat, 28 Nov 2009 09:38:29 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.38184</guid>
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<rhap:artist xmlns:rhap="rhap">Buffalo Springfield</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.38184</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.38184&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.38184&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Los Angelino folk rockers Buffalo Springfield were as integral to the West Coast canyon rock sound as the Byrds, but they were also politically active: they dared to criticize the establishment at a time when the youth revolution was hit hard by the Kent State massacre and the Berkeley campus riots. Neil Young, Stephen Stills, Jim Messina, Richie Furay, Bruce Palmer and Dewey Martin (from bluegrass hipsters the Dillards) came together as Buffalo Springfield in 1966, when Stills spotted Neil Young's hearse driving down Sunset Boulevard. Recognizing him from the Canadian coffeehouse folk scene, Stills flipped a U-turn and chased him down to see if he wanted to start a rock 'n' roll band. He did, and Buffalo Springfield was born. The band's sound reflected the early to mid-1960s, when college kids, beatniks and other free thinkers were gravitating from folk protest songs to rock. Like Dylan and the Byrds, their folk roots flirted with country rock and psychedelic undertones to create a sound laden with beautiful vocal harmonies. While the pacific "For What It's Worth" was the only commercially successful song, there could have been more to follow but the band lasted just two years, as the conflicting egos of multiple visionaries amounted to too many cooks in the kitchen. Nonetheless, in that short time Buffalo Springfield put a serious dent in the music world. Their fruitful family tree bore Neil Young's solo career, Stephen Stills' Manassas, Crosby Stills Nash & Young, Loggins & Messina, Poco and rootsy outfits including the Souther-Hillman-Furay Band. Buffalo Springfield's songs stand the test of time, influencing everyone from Big Star to the Beachwood Sparks and beyond.
- Eric Shea]]></description>
</item><item>
<title>Nickel Creek</title>
<link>http://www.rhapsody.com/goto?rcid=art.16627&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Progressive Bluegrass</category>
<pubDate>Fri, 11 Dec 2009 11:41:05 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.16627</guid>
<rhap:rcid xmlns:rhap="rhap">art.16627</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Nickel Creek</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.16627</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.16627&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.16627&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Nickel Creek are a young power trio from San Diego who write devastatingly beautiful Bluegrass-inspired folk songs, sung by an angelic-voiced female singer. It's no surprise that Alison Krauss asked to produce Nickel Creek's album; their rustically-influenced accounts of moody folk songs are sung with textured, breathy vocal harmonies and seem like a gift from the gods. Although the music is a collective wash of otherworldly stringed tones, Nickel Creek blend a diverse cornucopia of instruments to create their ethereal woodland sound. Mandolin, Greek bouzouki, fiddle, banjo, upright bass, acoustic and electric guitars come together to create unique sonic layering that was seemingly created in some pastoral sound laboratory, rather than in a conventional studio.
- Eric Shea]]></description>
</item><item>
<title>The Jayhawks</title>
<link>http://www.rhapsody.com/goto?rcid=art.4191&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Alt Country</category>
<pubDate>Wed, 2 Sep 2009 12:05:32 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4191</guid>
<rhap:rcid xmlns:rhap="rhap">art.4191</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Jayhawks</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4191</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4191&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4191&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The first thing you notice are the harmonies. Several Alt-Country bands channel Gram Parsons' ghost; the Jayhawks go one better by cloning the guy in various sizes so he can sing along with himself. Next, their guitars can either chime like the Byrds or crunch like Crazy Horse. Finally, their lyrics can make you profoundly sad, even as they reach out of the speakers to comfort you. The Jayhawks are one of those rare bands that make the mundane sound profound.]]></description>
</item><item>
<title>Robert Earl Keen</title>
<link>http://www.rhapsody.com/goto?rcid=art.68985&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Sat, 12 Dec 2009 11:17:05 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.68985</guid>
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<rhap:artist xmlns:rhap="rhap">Robert Earl Keen</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.68985</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.68985&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.68985&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Robert Earl Keen got his start playing country music on his front porch with Lyle Lovett -- they used to sing and play in their underwear to astonished church goers across the street from Keen's house. Lovett even recorded one of Keen's songs (as did Joe Ely, Nanci Griffith, Jill Sobule, Gillian Welch, and Kelly Willis, to name a few). His accessible Country-Folk/Country Rock is rooted in the foolproof formula of good songwriting. Like Kris Kristofferson, Keen writes hypnotizing narratives of lost love and emotional rescue. The music here consists of rich, country-tinged, nostalgic numbers and feel-good Americana anthems that will be pleasantly stuck in your head all day long after listening.
- Eric Shea]]></description>
</item><item>
<title>Nitty Gritty Dirt Band</title>
<link>http://www.rhapsody.com/goto?rcid=art.707&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Country Rock</category>
<pubDate>Mon, 21 Dec 2009 09:57:31 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.707</guid>
<rhap:rcid xmlns:rhap="rhap">art.707</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Nitty Gritty Dirt Band</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.707</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.707&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.707&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Along with the Byrds, the Nitty Gritty Dirt Band were a rootsy, soulful West Coast band partly responsible for the influential California Country Rock movement during the late 1960s and early '70s. Although most famous for their hit, Jerry Jeff Walker's "Mr. Bojangles," the Nitty Gritty Dirt Band should be recognized as one of the only West Coast Country Rock bands accepted and respected by the Nashville country music community. Perhaps this was due to their successful 1972 release <i>Will The Circle Be Unbroken</i>, named after a standard made famous by the Carter Family. Recorded in Nashville, the album consisted of traditional songs recorded with warm tones from a traditional-sounding backline and towering vocal harmonies. Doc Watson, Roy Acuff, Vassar Clements, Earl Scruggs, Mother Maybelle Carter and many other stellar Nashville musicians appeared on the album. The band has remained together since 1965 and continues to play sold-out shows to diverse audiences. Their music today encompasses soulful Country Rock, foot-shaking Boogie Rock, and beautiful pop songs disguised in the hot twang and backwoods tones that make the band's moniker legitimate.
- Eric Shea]]></description>
</item><item>
<title>Townes Van Zandt</title>
<link>http://www.rhapsody.com/goto?rcid=art.43978&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Wed, 18 Nov 2009 13:06:26 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Townes Van Zandt</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.43978</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.43978&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.43978&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Whoever dubbed George Jones "King of the Broken Hearts" never heard Townes Van Zandt (1944-1997). His haunting verity made him more than what some considered Americana's own Nick Drake -- Van Zandt was a poet with a burning soul. Although he never had a radio hit, many other country music artists found success with songs "Pancho and Lefty" and "If I Needed You." Though he occasionally delved into more upbeat, light-hearted, bluesy numbers, he is best known for lamenting, wind-swept, road-written songs. Van Zandt had a way of making painfully honest lyrics stick to naturally birthed melodies that attached themselves to the heart of any listener with an ounce of humanity.
- Eric Shea]]></description>
</item><item>
<title>Calexico</title>
<link>http://www.rhapsody.com/goto?rcid=art.55132&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Thu, 5 Nov 2009 12:41:15 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Calexico</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.55132&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Calexico includes members of ragged country punks Giant Sand and OP8. Their music is the desolate sound of waking up alone in a deserted border town with only a pack mule and a half-empty bottle of Mezcal to keep you company. Lonely, desert-soaked ballads filled with Flamenco guitars and flashes of the best moments of Sergio Leone's Spaghetti westerns abound in Calexico's sound, while sublime hints of a distant mariachi band and the weeping notes of a pedal steel intertwine with the squeeze of an accordion. Joey Burns' hushed vocal will bring you to a dusty, heartbroken land of caballeros and bandidos. If Lee Marvin were still with us today, he'd be a Calexico fan.
- Eric Shea]]></description>
</item><item>
<title>Gillian Welch</title>
<link>http://www.rhapsody.com/goto?rcid=art.37870&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Thu, 19 Nov 2009 15:24:33 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Gillian Welch</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.37870&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.37870&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Gillian Welch never grew up in Appalachia. She grew up in California. Although she spent a little bit of time in Nashville, her southern drawl is feigned. But the funny thing is that nobody seems to care about any of this because her music sounds so pastoral and authentic. When she and David Rawlings are playing live, time stands still, and then begins to reverse a little. Welch's songs are haunting and romantic musings that seem to use the tempo of a dying heartbeat for a metronome. Her study and deliverance (no pun intended) of old timey Americana and Bluegrass music are a large influence in her sound, but she maintains her own subtly soulful (and sometimes sultry) voice to birth new ideas and phrasings within her appreciation of America's musical history.
- Eric Shea]]></description>
</item><item>
<title>Cowboy Junkies</title>
<link>http://www.rhapsody.com/goto?rcid=art.2859&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Wed, 9 Dec 2009 10:53:42 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Cowboy Junkies</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2859&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2859&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[While the Canadian-bred Cowboy Junkies are known the world over for their slow, brooding and, frankly, depressing north-of-the-border tales, every now and again they catch you off guard by plugging in and cranking up. Margo Timmons' spare vocal style has provided the necessary haunting element for the Junkies throughout their 15-plus year career, while accordion, brushes on the snare, and gently strummed acoustic guitar serve as the backbone of this quartet's dark musical identity. Their eleventh proper album, <I>One Soul Now</I> was released in 2004.
- Charles Hodgkins]]></description>
</item><item>
<title>John Hiatt</title>
<link>http://www.rhapsody.com/goto?rcid=art.625&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Sat, 10 Oct 2009 10:13:24 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">John Hiatt</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.625&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.625&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[It took him awhile, but during the late 1980s and early 1990s, John Hiatt's commercial appeal almost caught up to his critical reputation. The Indianapolis-born Hiatt began his career as a staff songwriter in Nashville, scoring a hit for Three Dog Night before he even reached his 20s. This eventually led Hiatt to secure a succession of record deals in the 1970s, which led to little more than a small cult following and more acclaim as a songwriter. Hiatt put bread on the table with cover versions of his songs, as well as by working as a guitarist in Ry Cooder's band. Hiatt's breakthrough came in the late 1980s with a record called <I>Bring the Family</I>, on which he was backed up by Nick Lowe, Ry Cooder and ace session drummer Jim Keltner. The record was a critical smash as well as a commercial hit. Since then Hiatt has become a major concert attraction. He remains revered by songwriters, and his material is covered often, most recently on the Eric Clapton/B.B. King collaboration on Hiatt's "Riding With the King."
- Eric Shea]]></description>
</item><item>
<title>The Randy Rogers Band</title>
<link>http://www.rhapsody.com/goto?rcid=art.56415&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Country Rock</category>
<pubDate>Thu, 3 Dec 2009 22:53:21 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Randy Rogers Band</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.56415&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.56415&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Josh Ritter</title>
<link>http://www.rhapsody.com/goto?rcid=art.8160&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Country-Folk</category>
<pubDate>Thu, 15 Oct 2009 11:00:36 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Josh Ritter</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8160&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8160&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Josh Ritter's Americana utopia would involve broadcasting some old Woody Guthrie from a pre-war radio and connecting the transmission with a satellite uplink that would bounce the signal through outer space off of planets and spacecraft. Imagine kicking it anti-gravity in a Moonraker-like space station, hearing "Dust Bowl Blues" piped in from interstellar sound waves and you might have an idea of what Ritter's songwriting is like. He blends traditional country folk with pure innovation that seems as effortless to him as breathing air. His voice sounds like an inspired young man who packs the wisdom of a weathered freight hopper from the turn of the century.
- Eric Shea]]></description>
</item><item>
<title>Deer Tick</title>
<link>http://www.rhapsody.com/goto?rcid=art.16389579&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Indie Pop</category>
<pubDate>Mon, 7 Dec 2009 10:13:39 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Deer Tick</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.16389579&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.16389579&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Much like fellow New York troubadours Langhorne Slim and Phosphorescent, singer-songwriter John McCauley, aka Deer Tick, crafts quirky Americana that's as influenced by Brit pop and indie rock as it is folk and country. Born and raised in Providence, R.I., McCauley is something of a phenom. He began writing, recording and releasing homemade CD-Rs and cassettes while still attending high school. This do-it-yourself mentality extends to most aspects of his career, including live shows, which he himself books and promotes. Freak-folk diva Jana Hunter eventually signed McCauley (now living in New York) to her Feow! label, which dropped his debut, <i>War Elephant</i>, in September 2007. The album, produced and financed by the artist, features a mix of solo recordings and tunes employing a backing band. Rock critics made more than a few comparisons to Townes Van Zandt and Neil Young, but the record also boasts touches of the La's and Violent Femmes, as well as vintage rock 'n' roll and AM pop a la Roy Orbison and Ritchie Valens. After lengthy stints on the road, McCauley assembled a new supporting cast and entered the studio to record <i>Born on Flag Day</i>, the follow-up to <i>War Elephant</i>.
- Justin Farrar]]></description>
</item><item>
<title>Wynonna Judd</title>
<link>http://www.rhapsody.com/goto?rcid=art.593&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>New Country</category>
<pubDate>Sun, 22 Nov 2009 10:09:55 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Wynonna Judd</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.593&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.593&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[As the younger half of the mother/daughter duo the Judds, Wynonna Judd found success beyond measure. But that partnership came to a halt when, in 1990, her mother was diagnosed with hepatitis C and retired. Two years later, Wynonna released her first solo effort. <I>Wynonna</I> sold over five million copies, giving the singer the highest-selling debut album by a female at that time. <I>Tell Me Why</I> and <I>Revelations</I> followed. 1997 saw the release of both a greatest hits album (<I>Collection</I>) and her fourth studio effort, <I>The Other Side</I> -- the first in her career to fail to chart a Top 10 hit. On New Year's Eve 1999, the Judds got back together for a legendary millennium concert in Phoenix. Barely into the new year, a rejuvenated Wynonna recorded some songs with her mother, which she included with her fifth solo album, <I>New Day Dawning</I>, as a bonus disc. In 2003, Wynonna celebrated 20 years in the music business by releasing <I>What the World Needs Now</I>, which returned the singer to the top of the charts. To mark 25 years in the business, Wynonna released <I>Sing ÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ¢ÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ Chapter 1</I>, a collection of bluesy interpretations of standards from various genres.
- Linda Ryan]]></description>
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<title>Old 97's</title>
<link>http://www.rhapsody.com/goto?rcid=art.5614&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Alt Country</category>
<pubDate>Sun, 29 Nov 2009 09:28:13 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Old 97's</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5614&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5614&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[With all the energy and chaos of a stampede, the Old 97's play hyperactive Cowpunk. From 1992's <i>Hitchhike to Rome</i> to 1995's <i>Wreck Your Life</i> and 1997's <i>Too Far to Care</i>, this quartet of <i>No Depression</i> poster boys have recorded and played countrified Power Pop so fast and tightly wound-up, their music could give anxiety attacks to cowboys. Their <i>Fight Songs</i> LP took a detour from their usual rodeo clown soundtracks toward a more heartfelt and introspective collection of songs. These tunes juxtapose heavier emotional lyrics with the same up-tempo pace and speed of their previous efforts, although the hillbilly punk aesthetic of their first three records has almost vanished into thin air.
- Eric Shea]]></description>
</item><item>
<title>Heartless Bastards</title>
<link>http://www.rhapsody.com/goto?rcid=art.6774685&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>'00s Alternative</category>
<pubDate>Wed, 2 Dec 2009 11:06:59 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6774685&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Ohio is cool because the state produced this very band. A lot of Ohio's indie bands sound like bar rockers; the Afghan Whigs, the Black Keys and Buffalo Killers all fit this description. So do the Heartless Bastards. In the early '00s, the Bastards became the talk of Cincinnati with their crunchy, bluesy fusion of garage rock and power pop. People especially fell for singer, songwriter and guitarist Erika Wennerstrom. The shadowy qualities lurking behind her voice, her persona and her aesthetics are blunt and gritty, like an abandoned parking lot whose surface has crumbled into a gnarled constellation of weeds. With help from the Black Keys, the group secured a deal with Fat Possum Records. Their first two albums, <i>Stairs and Elevators</i> and <i>All This Time</i>, are more or less studio interpretations of the band's killer live show. In contrast, 2009's <i>The Mountain</i> is a gutsy stab at evolution. Made after Wennerstrom relocated to Austin, Tex., where she put together a new lineup, the album finds her adding touches of British folk and country rock to the band's hard rock sound.
- Justin Farrar]]></description>
</item><item>
<title>Jenny Lewis</title>
<link>http://www.rhapsody.com/goto?rcid=art.9227441&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Indie Pop</category>
<pubDate>Sun, 13 Dec 2009 10:14:03 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jenny Lewis</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.9227441</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9227441&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9227441&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[For the majority of her life, Jenny Lewis has attracted the spotlight. As a tot, she played a bit part in a failed 1986 sitcom and acted in a Jell-O commercial; she was in a clutch of hit teen movies, most notably <i>Pleasantville</i>; and her career as a vocalist with indie act Rilo Kiley has led to cameos with the Postal Service and a successful and critically acclaimed solo venture. With the cooing Watson Twins backing her, she released <i>Rabbit Fur Coat</i> in 2006.
- Nate Cavalieri]]></description>
</item><item>
<title>Delbert McClinton</title>
<link>http://www.rhapsody.com/goto?rcid=art.4783&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Wed, 23 Dec 2009 13:31:03 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Delbert McClinton</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4783&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4783&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Ever wonder who taught John Lennon how to play harmonica? That's right, it was Texan blues rock bad boy Delbert McClinton. In the 1960s McClinton found chart success with the hit "If You Really Want Me To, I'll Go" while singing for the Rondells. He joined up with Glen Clark in the 1970s and then had a career as a solo artist and popular session musician, playing with folks like Bonnie Raitt and Tracy Nelson. As a testament to how talented he is, McClinton's songs have been covered by the likes of Emmylou Harris and Waylon Jennings. He still continues to play stellar blues rock, often traveling knee-deep into Americana territories and wandering into the sonic canyons of Lone Star State-styled country rock.
- Eric Shea]]></description>
</item><item>
<title>Ry Cooder</title>
<link>http://www.rhapsody.com/goto?rcid=art.68454&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Roots</category>
<pubDate>Thu, 17 Dec 2009 10:44:15 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.68454</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Ry Cooder</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.68454</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.68454&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.68454&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Ry Cooder has had a long and varied career as virtuoso session musician, recording artist, record producer, film scorer, musicologist and champion of indigenous music throughout the world. He started out as a guitarist of uncommon skill in Los Angeles folk music circles. He was briefly in a band with Taj Mahal called Rising Sons, and was also a part of Captain Beefheart's Magic Band. His slide guitar playing and his ability with just about any stringed instrument soon set him apart. As well as playing numerous sessions in the '60s, he worked with the Rolling Stones and is probably responsible for pointing Keith Richards in the direction of the open-tuned guitar sound that has become his trademark. Cooder's solo albums feature dramatic reworkings of some old and sometimes obscure material. He has worked extensively writing and playing movie soundtracks, such as the eerie, atmospheric <i>Paris, Texas</i> and <i>The Long Riders</I>. Cooder has most recently been active with world music, recording a very popular album with African guitarist Ali Farka Toure. His latest and most prominent role is that of producer for an ad hoc group of Cuban musicians on a recording called <i>The Buena Vista Social Club</i>, which has revived the careers of a number of musicians, as well as being massively popular critically and commercially.
- Tom Heyman]]></description>
</item><item>
<title>Pure Prairie League</title>
<link>http://www.rhapsody.com/goto?rcid=art.7561&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Country Rock</category>
<pubDate>Fri, 4 Dec 2009 13:21:21 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Pure Prairie League</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7561&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7561&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Columbus, Ohio, may seem like an unlikely place for a harmonious country rock band to form, but believe it or not, the warm sounds of Pure Prairie League hail from one of the coldest cities in the country. It's unfortunate that so many twang rockers were thought to have formed in the wake of the Eagles' success, but like Poco or the Flying Burrito Brothers, Pure Prairie League predated the chambray-clad quartet from Los Angeles. Their biggest hit was the infectious "Amie," which garnered them enough gusto to keep the band going (albeit with myriad personnel changes) up until 1998. Their ongoing album mascot was a rootin' tootin' saloon-patronizing cowboy character named Luke who was originally painted by Norman Rockwell.
- Eric Shea]]></description>
</item><item>
<title>Todd Snider</title>
<link>http://www.rhapsody.com/goto?rcid=art.525&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Sun, 13 Dec 2009 10:14:11 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Todd Snider</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.525&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.525&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A singer-songwriter with a Southern sensibility and a country-tempered rock 'n' roll streak, Todd Snider (no relation to Dee Snider) has built a strong cult following through a combination of his smart songwriting and heavy touring. Snider was "discovered" by Jimmy Buffett and subsequently signed to Buffett's label. He gained no small amount of exposure opening for Buffett concerts, but there is really very little similarity between the two artists -- Snider's work is closer to a combination of Billy Joe Shaver and John Prine. His songs can be wryly funny, but more often than not they have an underlying seriousness to them. His sound is a lean blend of country and rock, with traces of Bluegrass and R&B.
- Tom Heyman]]></description>
</item><item>
<title>Charlie Robison</title>
<link>http://www.rhapsody.com/goto?rcid=art.29887&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Fri, 18 Dec 2009 12:08:57 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.29887</guid>
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<rhap:artist xmlns:rhap="rhap">Charlie Robison</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.29887&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.29887&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Charlie Robison is a native Texan and you can hear it in his hickory-smoked Americana. He and his brother grew up with equal parts Black Sabbath and Gram Parsons playing on the bedroom record player so it's no surprise that his music is equal parts rock and country (sans the satanic overtones). At a young age, Robison moved to Austin where the music scene was thriving and after playing in a few ragtag roundups, he contributed to albums by alt country legends Kelly Willis and Alejandro Escovedo before cutting his first solo album in 1995. Steeped in Texan twang, <I>Bandara</I> set the tone for the rest of his recordings and helped land him a hearty following (and a Dixie Chick girlfriend).
- Eric Shea]]></description>
</item><item>
<title>Marc Broussard</title>
<link>http://www.rhapsody.com/goto?rcid=art.66769&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Thu, 17 Dec 2009 10:43:34 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.66769</guid>
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<rhap:artist xmlns:rhap="rhap">Marc Broussard</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.66769&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.66769&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[When you grow up in Lafayette, La., you pretty much have to go out of your way to find bad food or bad music, as Marc Broussard can attest to. The son of Ted Broussard (guitar player for the Boogie Kings) never had to go far to be surrounded by a myriad of musicians of all styles (albeit mostly Cajun or roots-related). Perhaps that's why traces of Dr. John, a young Lee Dorsey and various other soulful singers can be heard in his voice. His sound is more twangy than tangy, but not as full-blown "alt country" as someone like Jay Farrar.
- Eric Shea]]></description>
</item><item>
<title>Ryan Bingham</title>
<link>http://www.rhapsody.com/goto?rcid=art.16495361&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Alt Country</category>
<pubDate>Mon, 21 Dec 2009 09:57:31 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ryan Bingham</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.16495361</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.16495361&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.16495361&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Whiskeytown</title>
<link>http://www.rhapsody.com/goto?rcid=art.456&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Alt Country</category>
<pubDate>Wed, 23 Dec 2009 13:31:04 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Whiskeytown</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.456&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.456&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Already having generated a strong buzz in the Alt Country underground with their initial full-length release <i>Faithless Street</i> in 1995, Tobacco Road's Whiskeytown attained critical mass -- in the classic sense of the term -- two years later with their signature statement to date, <i>Strangers Almanac</i>. The record showcased a number of stylistic sides of the band, each staggeringly portrayed in a variety of songs: the Replacements-in-a-barn electricity of "Yesterday's News," the tear-soaked, pedal steel ennui of "Dancing With the Women at the Bar," the updated Stax soul of "Everything I Do" and the weary-eyed Crazy Horse stomp of "Losering." Bandleader Ryan Adams has the chance to become the premier songwriter of his generation if he doesn't self-destruct first, while violinist/vocalist Caitlin Cary provides sensitive counterpoint to Adams' frayed vocals and twisting guitar lines. Noted for their wildly inconsistent live performances and their rare ability to proffer rousing, near-Punk causticity alongside back-porch country sh*t-kickers without batting an ear, Whiskeytown toss stones into the stagnant Alt Country waters that had glassed over in the wake of Uncle Tupelo's 1994 demise.
- Eric Shea]]></description>
</item><item>
<title>James McMurtry</title>
<link>http://www.rhapsody.com/goto?rcid=art.10253&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Wed, 25 Nov 2009 11:49:37 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">James McMurtry</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.10253</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10253&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10253&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The son of novelist Larry McMurtry and an English professor, James McMurtry has an acute way with words. He got his big break when his father's novel <I>Lonesome Dove</I> was being turned into a movie. John Mellencamp was in that movie, and McMurtry slipped him a demo tape. Impressed, Mellencamp signed on to produce his new labelmate's debut, <I>Too Long in the Wasteland</I>. From the outset, McMurtry was heralded for his lyrical astuteness and keen character-building. He recorded regularly throughout the '90s, releasing critically acclaimed efforts in 1992 (<I>Candyland</I>) and 1995 (<i>Where'd You Hide the Body</I>). Toward the end of the decade, McMurtry switched to the Sugar Hill label and released 1997's <I>It Had to Happen</I>, 1998's <I>Walk Between the Raindrops</I> and 2002's <I>Saint Mary of the Woods</I>. After releasing a live album for his new label, Compadre, McMurtry released <I>Childish Things</I> in 2005, his first overtly political release, which reflected his dissatisfaction with the war in Iraq and the companies profiting from it. Three years later, McMurtry returned with <I>Just Us Kids</I>, a biting snapshot of the social and political state of the country in 2008.
- Linda Ryan]]></description>
</item><item>
<title>Shelby Lynne</title>
<link>http://www.rhapsody.com/goto?rcid=art.37945&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Thu, 17 Dec 2009 10:43:34 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Shelby Lynne</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.37945&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.37945&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A unique performer in today's pigeon-holed music scene. Shelby Lynne first appeared as a New Country upstart in 1988, belting out a duet with none other than George Jones. A few straight country records were followed by increasingly experimental forays into Big Band and Swing Revival. To all the material Lynne brings a powerful, heartbreaking voice and a palpable love for performing. Her song, "Your Lies," rocks with a shattering '70s soul groove, the closest thing to "Midnight Train to Georgia" there is. That song is followed up by a foot-stompin' roots jam with a bluesy feel and harmonized country vocals. This is an artist who, within the confines of mainstream music, is constantly challenging herself and her audience as well, a very rare thing today. And she sings real good, too.
- Mike McGuirk]]></description>
</item><item>
<title>Lorrie Morgan</title>
<link>http://www.rhapsody.com/goto?rcid=art.2635&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>New Traditional</category>
<pubDate>Thu, 24 Dec 2009 13:15:38 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Lorrie Morgan</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2635</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2635&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2635&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Lorrie Morgan's first live musical experience was singing "Paper Roses" on the Grand Ole Opry stage when she was barely thirteen years old. She received a standing ovation; Morgan would continue to sing all her life. In 1979 she had some success with a rendition of "I'm Completely Satisfied," a song by her late father, George Morgan. Her vocal harmonies were added in a fashion similar to what Natalie Cole did in 1991 with her father's hit "Unforgettable." The late 1980s found Morgan maturing musically and reaching critical acclaim as well as yielding chart topping hits such as "Five Minutes," from the 1989 gold album, <i>Leave The Light On.</i> Her elastic vocal textures seem to reveal a classic country training that could only come from endless hours listening to and singing along with her father's record collection. With respect for the past and a passion for musical innovation, Morgan's music is tuneful and timeless.
- Eric Shea]]></description>
</item><item>
<title>Uncle Tupelo</title>
<link>http://www.rhapsody.com/goto?rcid=art.1208&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Alt Country</category>
<pubDate>Thu, 3 Dec 2009 22:55:41 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Uncle Tupelo</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1208&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1208&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This landmark power trio from Belleville, Ill., released their debut full-length album in 1990. Named after an old A.P. Carter dustbowl standard, <i>No Depression</i> eventually gave birth to an entire sub-genre of Alt Country music. Although Uncle Tupelo were not the first insurgent country band, their successful fusion of country's honest, heartfelt emotion with Punk's brash angst and sonic temper tantrums made more sense to young listeners than the work of any other Indie Rock bands mining traditional American music. Uncle Tupelo were founded by life-long friends Jay Farrar and Jeff Tweedy, who signed on to the independent Rockville label in 1989 and released four albums before splitting up five years later. The bipolar soul of Uncle Tupelo resurfaced in Tweedy's more power pop-influenced Wilco and Farrar's Adult Alternative version of Uncle Tupelo, Son Volt.
- Eric Shea]]></description>
</item><item>
<title>The Mavericks</title>
<link>http://www.rhapsody.com/goto?rcid=art.5991&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>New Country</category>
<pubDate>Wed, 9 Dec 2009 10:54:39 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Mavericks</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5991&amp;variant=play&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5991&amp;variant=data&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Prolific genre-jumper Raul Malo may go down in music history as one of the
most expansive guys on the country circuit: he effortlessly traverses from
Latin jazz to Cuban pop to lounge-inspired schmaltz to boogie-down rock
'n' roll and beyond. But when he's playing catchy-as-hell twang rock with
his band the Mavericks, it's easy to understand that country music is this
man's forte. The Mavericks formed in Miami, Florida, in the late 1980s and
made friends and fans by playing their infectious Americana foot-stompers
inside of rock clubs. (Apparently, country clubs wanted country cover
bands and turned the Mavericks away because they played original songs.)
Their eponymous 1990 debut wasn't as strong in its songwriting as the
albums that would come after it, but this first album really showed off
their bona fide chemistry, which could blow the oversized hat acts off
almost any Nashville stage. MCA caught wind of the Mav's buzz and signed
them in 1991, giving their second LP, <I>From Hell To Paradise</I>, more
money and production help than their first release. On this sophomore
album, Malo's songwriting bore more fruit than a field of prickly pear
cacti. Songs like the Sir Douglas Quintet-flavored "I Got You" and the
roadhouse rocker "End Of The Line" should have climbed the charts, but
they were upstaged by a drop-dead gorgeous rendition of Hank Williams'
"Hey Good Lookin'" (the only single from their second album to get radio
airplay). In 1994, the band released <I>What a Crying Shame</I>, a
third-time's-the-charm album that went platinum and yielded three singles.
- Eric Shea]]></description>
</item><item>
<title>Mindy Smith</title>
<link>http://www.rhapsody.com/goto?rcid=art.67203&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Sat, 12 Dec 2009 11:17:05 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mindy Smith</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.67203</rhap:artist-rcid>
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<description><![CDATA[Born and raised on Long Island, country siren Mindy Smith began singing as a small child, thanks to musically inclined parents who inspired her to follow her dream of becoming a country music sensation. Like hoards of other pretty girls who can sing and dance, Smith moved to Nashville to pursue a musical career and to buckle down and hone her songwriting skills. Two years after her arrival, all her hard work paid off. Smith won the Tin Pan South Writer's Contest, which landed her a publishing deal in 2001 with Big Yellow Dog Music. Her singing, which has been compared to Patty Griffin's, emits a controlled finesse that can instantaneously flare up into soulful wails and genre-transcending vocal gymnastics.
- Eric Shea]]></description>
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<title>The Highwaymen</title>
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<category>Outlaw Country</category>
<pubDate>Mon, 26 Oct 2009 13:50:55 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=350&amp;rws=%2Fcountry%2Famericana%2Fartist-chart.rss">Top Americana Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Highwaymen</rhap:artist>
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<description><![CDATA[Perhaps the greatest supergroup in country music history, the Highwaymen consisted of Kris Kristofferson, Willie Nelson, Waylon Jennings and, the man in black himself, Johnny Cash. They released three albums (and one live album), had a handful of hits, and unofficially disbanded before Jennings died. Unlike many a supergroup, the Highwaymen didn't let each member take his turn in a round-robin style. Instead, they combined their unique approaches to form one visionary sound: cinematic outlaw country. Upon the Highwaymen's debut in 1985, rumors ran rampant that David Allan Coe had asked Jennings if he could join the group, only to have Jennings reply, "No, David Allan Coe. You can not."
- Eric Shea]]></description>
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