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<title>Top Percussion Artists on Rhapsody Online</title><link>http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=179&amp;rws=%2Fclassical%2F20th-21st-century%2Fpercussion%2Fartist-chart.rss</link><description>Top Percussion Artists on Rhapsody Online</description><category>Percussion</category><language>en</language><ttl>720</ttl><pubDate>Fri, 8 Jan 2010 08:01:13 -0800</pubDate><image>
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<title>Top Percussion Artists on Rhapsody Online</title>
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<title>John Cage</title>
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<category>20th/21st Century</category>
<pubDate>Thu, 7 Jan 2010 12:21:54 -0800</pubDate>
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<description><![CDATA[Perhaps the most innovative musician in history. Cage's evening-long musical collage, <I>Variations IV</I>, represents a sonic collage of random bits of music in countless genres, fragments of conversation, speeches, chanting, and various kinds of white noise. The overall effect is similar to hearing the soundtrack of a movie with no plot. This style of music is known as "musique concrete."
- Noah Enelow]]></description>
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<title>Leo Bloomfield</title>
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<category>Percussion</category>
<pubDate>Thu, 9 Jul 2009 12:12:51 -0700</pubDate>
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<title>Uakti</title>
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<category>Percussion</category>
<pubDate>Thu, 3 Sep 2009 10:33:54 -0700</pubDate>
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<description><![CDATA[Uakti are an avant-garde ensemble who play found objects and uniquely designed instruments. The brainchild of Brazilian Marco Antonio Guimaraes, who studied musical composition at university in Bahia, their instruments are made of glass, wood, PVC pipe and other percussive objects. The instrumental timbres are not ordinary, yet in the playing become reminiscent of vibes, marimba, flute and brass. They also use whistles and occasionally interject an audible yet indecipherable voice. Like the soundtrack for a postmodern film noir set in a remote South American village, eerie, unknown qualities create dramatic tension in the compositions. Named after the mythical Amazonian figure Uakti, whose body was riddled with holes which produced a magical music when the wind blew, these musicians work like shamans, uncovering new combinations of tone and texture in their musical rituals.
- Robert Leaver]]></description>
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<title>Lou Harrison</title>
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<category>Twenty-First Century</category>
<pubDate>Sat, 15 Aug 2009 11:05:24 -0700</pubDate>
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<description><![CDATA[Lou Harrison is a marquee name in avant music for good reason; his studies with Henry Cowell and Arnold Schoenberg and his work with John Cage gave him a strong grasp of contemporary theory. But the incorporation of Eastern musical traditions and micro-tonality really distinguished his work -- he employed everything from Indonesian gamelan instruments to tin cans. A friend and admirer of Charles Ives, Harrison was also a noted music scholar and political activist. Toward the end of his life, Harrison lived with longtime partner William Colvig in Joshua Tree, California, in a straw-bale house. He died in Lafayette, Indiana, in 2003 from a heart attack
- Nate Cavalieri]]></description>
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<title>So Percussion</title>
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<category>Classical</category>
<pubDate>Fri, 18 Sep 2009 17:54:36 -0700</pubDate>
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<description><![CDATA["If you're sick of the sounds you've got, you go and find more," says So Percussion's Adam Sliwinski, and it's evident from the ensemble's music that they follow that creed. Rooted in the work of contemporary composers like Steve Reich, the quartet restlessly pursues that uncommon place where the classical tradition overlaps with the sonic investigations of the 20th and 21st centuries; Aphex Twin and Radiohead are as much a part of their musical vocabulary as are Reich or Erik Satie. The New York quartet released its self-titled debut in 2004; a wash of marimbas and bells, it belied the dry regularity suggested by their name. They next tackled Steve Reich's "Drumming," breaking with convention by overdubbing parts, to kaleidoscopic effect. In 2006, <I>Amid the Noise</I> found the group venturing into less immediately percussive territory with an album full of chiming harmonies as softly volatile as a field full of dandelion tufts.
- Philip Sherburne]]></description>
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<title>Edgard VarÃ¨se</title>
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<category>Musique Concrete</category>
<pubDate>Sat, 22 Nov 2008 12:22:09 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=179&amp;rws=%2Fclassical%2F20th-21st-century%2Fpercussion%2Fartist-chart.rss">Top Percussion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Edgard VarÃ¨se</rhap:artist>
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<description><![CDATA[(born: Paris, 22 Dec 1883; died: New York, 6 Nov 1965)<p>American composer of French origin. He studied with dIndy at the Schola Cantorum (1903-5) and Widor at the Paris Conservatoire (1905-7), then moved to Berlin, where he met Strauss and Busoni. In 1913 he returned to Paris, but in 1915 he emigrated to New York; nearly all his compositions disappeared at this stage, with the exception of a single published song and an orchestral score, Bourgogne (1908), which he took with him but destroyed towards the end of his life. His creative output therefore effectively begins with Am?riques for large orchestra (1921), which, for all its echoes of Debussy and of Stravinsky's early ballets, sets out to discover new worlds of sound: fiercely dissonant chords, rhythmically complex polyphonies for percussion and/or wind, forms in continuous evolution with no large-scale recurrence.
<p>
In 1921 he and Carlos Salzedo founded the International Composers Guild, who gave the first performances of several of his works for small ensemble, these prominently featuring wind and percussion, and presenting the innovations of Am?riques in pure, compact form: Hyperprism (1923), Octandre (1923) and Int?grales (1925). Arcana (1927), which returns to the large orchestra and extended form with perfected technique, brought this most productive period to an end.
<p>
There followed a long stay in Paris (1928-33), during which he wrote Ionisation for percussion orchestra (1931), the first European work to dispense almost entirely with pitched sounds, which enter only in the coda. He also took an interest in the electronic instruments being developed (he had been calling for electronic means since his arrival in the USA), and wrote for two theremins or ondes martenot in Ecuatorial for bass, brass, keyboards and percussion (1934). The flute solo Density 21. 5 (1936) was then his last completed work for nearly two decades.
<p>
During this time he taught sporadically and also made plans for Espace, which was to have involved simultaneous radio broadcasts from around the globe; an Etude pour Espace for chorus, pianos and percussion was performed in 1947. Then, with electronic music at last a real possibility owing to the development of the tape recorder, he produced D?serts for wind, percussion and tape (1954) and a Po?me ?lectronique (1957-8), devised to be diffused in the Philips pavilion at the Brussels Exposition of 1958. His last years were devoted to projects on themes of night and death, including the unfinished Nocturnal for voices and chamber orchestra (1961).
]]></description>
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<title>Evelyn Glennie</title>
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<category>Percussion</category>
<pubDate>Tue, 19 May 2009 11:59:12 -0700</pubDate>
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<description><![CDATA[Depsite having gone deaf at the age of twelve, Scottish percussionist Evelyn Glennie has risen to the top of her genre, performing in orchestras and percussion competitions around the world. She also composes music.]]></description>
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<title>Andras Schiff</title>
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<category>Percussion</category>
<pubDate>Thu, 7 Jan 2010 12:21:04 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">Andras Schiff</rhap:artist>
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<title>Hans-Christoph Becker-Foss</title>
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<category>Percussion</category>
<pubDate>Fri, 1 Jan 2010 10:23:20 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">Hans-Christoph Becker-Foss</rhap:artist>
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<title>Richard Friedman</title>
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<category>Percussion</category>
<pubDate>Fri, 23 Oct 2009 11:55:35 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">Richard Friedman</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9264969&amp;variant=data&amp;rws=%2Fclassical%2F20th-21st-century%2Fpercussion%2Fartist-chart.rss</rhap:data-href>
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<title>Chen Yi</title>
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<category>Twenty-First Century</category>
<pubDate>Sun, 26 Jul 2009 09:46:57 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">Chen Yi</rhap:artist>
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<title>Stephen Hager</title>
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<category>Percussion</category>
<pubDate>Sat, 14 Feb 2009 12:58:05 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">Stephen Hager</rhap:artist>
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<title>Christine McLuhan</title>
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<category>Percussion</category>
<pubDate>Fri, 3 Jul 2009 13:35:32 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=179&amp;rws=%2Fclassical%2F20th-21st-century%2Fpercussion%2Fartist-chart.rss">Top Percussion Artists on Rhapsody Online</source>
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<title>David Holland</title>
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<category>Percussion</category>
<pubDate>Thu, 30 Jul 2009 12:11:18 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=179&amp;rws=%2Fclassical%2F20th-21st-century%2Fpercussion%2Fartist-chart.rss">Top Percussion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">David Holland</rhap:artist>
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<title>Calr Maria von Weber</title>
<link>http://www.rhapsody.com/goto?rcid=art.28377226&amp;rws=%2Fclassical%2F20th-21st-century%2Fpercussion%2Fartist-chart.rss</link>
<category>Percussion</category>
<pubDate>Tue, 2 Jun 2009 20:01:23 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=179&amp;rws=%2Fclassical%2F20th-21st-century%2Fpercussion%2Fartist-chart.rss">Top Percussion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Calr Maria von Weber</rhap:artist>
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<title>Dan Graham</title>
<link>http://www.rhapsody.com/goto?rcid=art.23046099&amp;rws=%2Fclassical%2F20th-21st-century%2Fpercussion%2Fartist-chart.rss</link>
<category>Percussion</category>
<pubDate>Wed, 6 Jan 2010 12:56:36 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=179&amp;rws=%2Fclassical%2F20th-21st-century%2Fpercussion%2Fartist-chart.rss">Top Percussion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Dan Graham</rhap:artist>
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<title>Bikram Ghosh</title>
<link>http://www.rhapsody.com/goto?rcid=art.59249&amp;rws=%2Fclassical%2F20th-21st-century%2Fpercussion%2Fartist-chart.rss</link>
<category>Percussion</category>
<pubDate>Fri, 5 Dec 2008 18:56:52 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=179&amp;rws=%2Fclassical%2F20th-21st-century%2Fpercussion%2Fartist-chart.rss">Top Percussion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bikram Ghosh</rhap:artist>
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<description><![CDATA[The fast pitter-patter and deep gulping sounds of the tabla and bayan drum have a mesmerizing feel to them, especially under the hands of Bikram Ghosh. Though he also studied the sarod and mrdingam, Ghosh settled on the tabla and has become one of India's finest virtuoso percussionists, having performed his first professional concert in Calcutta at age ten. His fingers move faster than the naked eye can see, blazing through extremely long, memorized streams of tala variations, India's rhythmic system (and the corollary to the melodic ragas). Ghosh has backed many of India's finest musicians, including Ravi Shankar, Ali Akbar Khan, Tatun Bhattacharya and V.M. Bhatt -- all of whom he pushes to new heights with his propulsive rhythms and energetic style. Ghosh performs mostly in the northern, Hindustani style, but has also explored the Carnatic style of the south on excellent recordings that feature solo drums, the zither-like santoor, the bowed sarangi, and other instruments.
- Jessy Terry]]></description>
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