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<title>Top Neo Classical Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=177&amp;rws=%2Fclassical%2F20th-21st-century%2Fneo-classical%2Fartist-chart.rss</link><description>Top Neo Classical Artists on Rhapsody Online</description><category>Neo Classical</category><language>en</language><ttl>720</ttl><pubDate>Sun, 29 Nov 2009 22:14:26 -0800</pubDate><image>
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<title>Top Neo Classical Artists on Rhapsody Online</title>
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<title>Maurice Ravel</title>
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<category>Neo Classical</category>
<pubDate>Wed, 25 Nov 2009 11:50:40 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">Maurice Ravel</rhap:artist>
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<description><![CDATA[Maurice Ravel (1875-1937) was a paramount French composer who had an incredible ability to write works for orchestra and solo piano with equal aptitude. Brought up in Paris, he studied at the Conservatoire from 1889-'95, when he met two heroes, Chabrier and Satie. As a young man, his piano pieces and songs established his precise, imitative styles and, though he failed to win the Prix de Rome in five consecutive attempts, he left the Conservatoire to produce defining works of French impressionism, neo-classicism, and highly imaginative music that explored the dangers and delights of far-flung corners of the globe. After a long illness he died in Paris in 1937.
- Nate Cavalieri]]></description>
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<title>Sergei Rachmaninov</title>
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<category>Neo Classical</category>
<pubDate>Wed, 25 Nov 2009 11:50:08 -0800</pubDate>
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<description><![CDATA[Sergei Rachmaninov's music is so lushly sensual that even the middlebrow Tom Ewell played it in a vain attempt to seduce Marilyn Monroe in <i>The Seven Year Itch</i>. While "Chopsticks" turned out to float Miss Monroe's beautiful boat, the rest of us can sink into the plush splendor of Rachmaninov's musical world. A disciple of Tchaikovsky, he was one of the 20th Century's few great composers who stayed true to classical ideals rather than expanding the form. His most famous works, like the exquisite "Vocalise" for example, sound far removed from the avant-garde world of Stravinsky. A brilliant pianist whose massive hands allowed for an expansive reach across the keys, many of Rachmaninov's pieces have become musical decathlons of technical prowess. This was illustrated to sweat-popping effect in the hit film <i>Shine</i>.
- Nick Dedina]]></description>
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<title>Aaron Copland</title>
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<category>20th/21st Century</category>
<pubDate>Thu, 5 Nov 2009 16:49:14 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">Aaron Copland</rhap:artist>
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<description><![CDATA[In the first half of the twentieth century, Aaron Copland was at the forefront of American music. He was a skillful and determined composer who incorporated jazz, European post-Romanticism, and even serialism into his works. But it was his distinctively American pieces that have made him famous -- they're vigorous, energetic, highly rhythmic and extremely accessible, and Copland's original audiences loved them. Listeners still do: <I>Fanfare for the Common Man</I> and the ballets <I>Billy the Kid</I>, <I>Rodeo</I> and <I>Appalachian Spring</I> are burned into the American psyche. But the appeal he has as a popular artist does not make for work of poor quality. Even the most ostensibly jingoistic or simplistic of his pieces is multilayered, incredibly dense and harmonically sophisticated, revealing a formidable mind at work. For instance, the composer's best-known ballet <I>Appalachian Spring</I> is a powerful and emotional document of the pioneer spirit that subtly moves from austere phrases to full, lush textures. The piece flirts with dissonance, quotes from traditional folk tunes and utilizes effective and propulsive changes in meter. Copland was shrewd enough to craft art that still touches people, and talented enough to ensure it lasted beyond his lifetime.
- Will Lerner]]></description>
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<title>Samuel Barber</title>
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<category>Neo Classical</category>
<pubDate>Fri, 13 Nov 2009 12:39:25 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">Samuel Barber</rhap:artist>
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<description><![CDATA[Though the structural logic of American-born composer Samuel Barber proves him to be a dutiful student of Bach, the emotional potency of his most famous works -- namely <i>Overture to the School for Scandal</i> (Op. 5, 1931), <i>Second Essay for Orchestra</i> (Op. 17, 1942), and the ubiquitous <i>Adagio for strings</i> (Op. 11, 1938) -- evidence a great devotion to Brahms' dramatic romanticism. Born in West Chester, Penn., on March 9, 1910, Barber entered the Curtis Institute at 14. There, he met his lifelong lover and collaborator, Gian Carlo Menotti, who supplied libretti for Barber's operas, including <i>Vanessa</i>, which won the Pulitzer. During the '30s and '40s, Barber was among the most successful and widely-performed American composers, and many of his works, including his <I>Violin Concerto</i> (Op. 14, 1939) and a setting of James Agee's <i>Knoxville: Summer of 1915</i> (Op. 24, 1948), are widely performed today. Though his 1966 opera, <i>Anthony and Cleopatra</i>, debuted at the opening of the Metropolitan Opera House, it was so poorly received that he was discouraged and unproductive during his final years. He died in New York on January 23, 1981.
- Nate Cavalieri]]></description>
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<title>Sergey Prokofiev</title>
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<category>Neo Classical</category>
<pubDate>Thu, 19 Nov 2009 15:23:24 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">Sergey Prokofiev</rhap:artist>
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<description><![CDATA[A brilliant pianist and composer of symphonies, concertos, ballets, operas, film scores and more, Prokofiev lived and worked during a tumultuous time in Russia, writing mostly from the 1920s through the '40s. He started his career with adventurous pieces, progressively altering highly chromatic harmonies for a sound that was very modern at the time. Socialist realism forced Prokofiev to simplify his style in order to reflect the simplicity of the common man -- an image of the proletariat that Stalin was impressing on all artists at the time (those who didn't cooperate often "disappeared" permanently). <i>Romeo and Juliet</i>, <i>Peter and the Wolf</i> and <i>Alexander Nevsky</i> are perfect examples of Prokofiev's ability to obey Stalin's dictates while (somewhat subversively) maintaining his artistic integrity. He injected warmth and freshness into his pieces using strong, unclouded melodies with progressive orchestration and harmony.
- Jessy Terry]]></description>
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<title>Mario Frangoulis</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.38765&amp;rws=%2Fclassical%2F20th-21st-century%2Fneo-classical%2Fartist-chart.rss</link>
<category>Opera</category>
<pubDate>Sat, 14 Nov 2009 11:48:48 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=177&amp;rws=%2Fclassical%2F20th-21st-century%2Fneo-classical%2Fartist-chart.rss">Top Neo Classical Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mario Frangoulis</rhap:artist>
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<title>Igor Stravinsky</title>
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<category>20th/21st Century</category>
<pubDate>Sat, 14 Nov 2009 11:48:49 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=177&amp;rws=%2Fclassical%2F20th-21st-century%2Fneo-classical%2Fartist-chart.rss">Top Neo Classical Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Igor Stravinsky</rhap:artist>
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<description><![CDATA[Amongst composers who operated in the first half of the 20th century, Igor Stravinsky has few peers. The Russian-born student of Rimsky-Korsakov was born in 1882 and rose to fame through three extraordinary pieces for Ballets Russes -- 1910's <i>The Firebird</i>, 1911's <i>Patrushka</i>, and 1913's <i>The Rite of Spring</i>.
The thundering bass drum of <i>The Rite</i>, which literally incited a riot at its opening, marked a lasting sea change for Western music: its supreme dissonance broke down the last walls of modernism. World War I prevented the ballet from touring, so he wrote chamber works and took a startling interest in 18th-century Italian music, resulting in a revivalist movement known as neo-classicism (best heard in 1920's <i>Pulcinella</i>). Even though he held French and, later, American citizenship, his Russian roots were deep, as heard in orchestrations of Tchaikovsky, settings of Russian folk tunes, and his return to the Orthodox Church. In 1939, he moved to the US, producing late works in <i>The Rake's Progress</i> and 1945's <i>Symphony in Three Movements</i>. He conducted and made recordings until his death in 1971.
- Nate Cavalieri]]></description>
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<title>Gustav Holst</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3564&amp;rws=%2Fclassical%2F20th-21st-century%2Fneo-classical%2Fartist-chart.rss</link>
<category>20th/21st Century</category>
<pubDate>Sat, 7 Nov 2009 11:26:22 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=177&amp;rws=%2Fclassical%2F20th-21st-century%2Fneo-classical%2Fartist-chart.rss">Top Neo Classical Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Gustav Holst</rhap:artist>
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<description><![CDATA[Born in Cheltenham, England, on September 21, 1874, Gustav Holst's reputation today rests on his powerful 1916 work for orchestra, the Planets. He studied at the Royal Conservatory where he began a lifelong friendship with Vaughan Williams. Like Vaughan Williams, much of his work shows interest in traditional English folksongs, but, as a professional trombonist, Holst's orchestral scores also favor forceful brass writing in the style of Wagner, Strauss, and Stravinsky. His eclectic output also includes concertos written in confident neo-classical style, impressionistic operas and the widely-performed 1917 cantata the Hymn of Jesus. He died in London on May 25, 1934.
- Nate Cavalieri]]></description>
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<title>Carl Orff</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61366&amp;rws=%2Fclassical%2F20th-21st-century%2Fneo-classical%2Fartist-chart.rss</link>
<category>Neo Classical</category>
<pubDate>Sat, 14 Nov 2009 11:48:32 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">Carl Orff</rhap:artist>
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<description><![CDATA[Most people know German composer Carl Orff (1895-1982) through his remarkably popular 1937 work for chorus and orchestra <i>Carmina burana</i>. Orff was born, lived, and died in Munich, receiving much of his early training at the Munich Academy under Kaminski. In 1924 he co-founded a school for gymnastics, music and dance, which led inevitably to his pedagogical devices for young children to make music, a method still widely practiced that utilizes simple percussion instruments. His adult works also sought musical primitivism, as represented by pulsing ostinatos that bear the influence of Stravinsky. All his major works, including <i>Carmina burana</i> and several Greek tragedies, were designed as pageants for the stage.
- Nate Cavalieri]]></description>
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<title>Benjamin Britten</title>
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<category>20th/21st Century</category>
<pubDate>Sat, 24 Oct 2009 12:07:59 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">Benjamin Britten</rhap:artist>
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<description><![CDATA[Although Benjamin Britten's best known work may be <i>The Young Person's Guide to the Orchestra</i>, much of his remarkable orchestral technique, broad musical palette and ability to revive the most traditional formal elements leave him with few peers in the 20th century.<p>
Educated at the Royal Conservatory of Music, he signaled a second coming of English opera with his first major work for the stage, <i>Peter Grimes</i>. His other notable operas, still in wide performance today, include <i>Billy Budd</i> (1951), the <i>The Turn of the Screw</i> (1954), and <i>Death in Venice</i> (1973). His controversial <i>War Requiem</i> (1961) is also ubiquitously performed, as is his sophisticated work for chorus. His closing masterpiece was the abstract in the String Quartet no.3 (1975). After declining knighthood, Britten accepted a life peerage in 1976 and died later that year of heart failure.
- Nate Cavalieri]]></description>
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<title>Dmitri Shostakovich</title>
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<category>Neo Classical</category>
<pubDate>Thu, 26 Nov 2009 11:28:20 -0800</pubDate>
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<description><![CDATA[Dmitri Shostakovich was easily one of the greatest symphonists of the twentieth century, and along with Prokofiev, one of the foremost composers to emerge and exist under a Stalin-led Soviet Union. His <i>Seventh Symphony</i> (often referred to as the <I>Leningrad Symphony</I> because of the common belief that it was written in dedication to soldiers who fell during the Battle of Leningrad) is a monumental work, lengthy and evocative of images both heroic and tyrannical. Its third and fourth movements, for example, contain sections that speak softly and unsentimentally of tragedy, only to be contrasted against harsh, recurring battle music. Shostakovich did not apply the techniques prevalent in Europe at the time -- revolutionary modernists Bartok, Stravinsky and Schoenberg were simply not played or studied at all during this era in the U.S.S.R. -- but there is nothing stale or dated in Shostakovich's work. It's unfortunate Shostakovich lived in fear of his government, for there is no telling where his limitless genius could have led.
- Will Lerner]]></description>
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<title>Paul Hindemith</title>
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<category>Neo Classical</category>
<pubDate>Wed, 25 Nov 2009 11:50:10 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=177&amp;rws=%2Fclassical%2F20th-21st-century%2Fneo-classical%2Fartist-chart.rss">Top Neo Classical Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Paul Hindemith</rhap:artist>
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<description><![CDATA[(born: Hanau, nr Frankfurt, 16 Nov 1895; died: Frankfurt, 28 Dec 1963)<p> German composer. He studied as a violinist and composer (with Mendelssohn and Sekles) at the Hoch Conservatory in Frankfurt (1908-17) and made an early reputation through his chamber music and expressionist operas. But then he turned to neo-classicism in his Kammermusik no.1, the first of seven such works imitating the Baroque concerto while using an expanded tonal harmony and distinctively modern elements, notably jazz. Each uses a different mixed chamber orchestra, suited to music of linear counterpoint and, in the fast movements, strongly pulsed rhythm.
<p>
During this early period Hindemith lived as a performer: he was leader of the Frankfurt Opera orchestra (1915-23, with a break for army service), and he played the viola in the Amar-Hindemith Quartet (1921-9) as well as in the first performance of Walton's Viola Concerto (1929). Much of his chamber music was written in 1917-24, including four of his six quartets and numerous sonatas, and he was also involved in promoting chamber music through his administrative work for the Donaueschingen Festival (1923-30). However, he also found time to compose abundantly in other genres; including lieder (Das Marienleben, to Rilke poems), music for newly invented mechanical instruments, music for schoolchildren and amateurs, and opera (Cardillac, a fantasy melodrama in neo-classical forms). In addition, from 1927 he taught at the Berlin Musikhochschule.
<p>
His concern with so many branches of music sprang from a sense of ethical responsibility that inevitably became more acute with the rise of the Nazis. With the beginning of the 1930s he moved from chamber ensembles to the more public domain of the symphony orchestra, and at the same time his music became harmonically smoother and less intensively contrapuntal. Then in the opera Mathis der Maler (preceded by a symphony of orchestral excerpts) he dramatized the dilemma of the artist in society, eventually opposing Brechtian engagement and insisting on a greater responsibility to art. Nevertheless, his music fell under official disapproval, and in 1938 he left for Switzerland, where Mathis had its first performance. He moved on to the USA and taught at Yale (1940-53), but spent his last decade back in Switzerland.
<p>
His later music is in the style that he had established in the early 1930s and that he had theoretically expounded in his Craft of Musical Composition (1937-9), where he ranks scale degrees and harmonic intervals in order from most consonant (tonic, octave) to most dissonant (augmented 4th, tritone), providing a justification for the primacy of the triad. His large output of the later 1930s and 1940s includes concertos (for violin, cello, piano, clarinet and horn) and other orchestral works, as well as sonatas for most of the standard instruments. His search for an all-encompassing, all-explaining harmony also found expression in his Kepler opera Die Harmonie der Welt.]]></description>
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<title>Alfredo Casella</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62028&amp;rws=%2Fclassical%2F20th-21st-century%2Fneo-classical%2Fartist-chart.rss</link>
<category>Neo Classical</category>
<pubDate>Fri, 23 Oct 2009 16:25:18 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=177&amp;rws=%2Fclassical%2F20th-21st-century%2Fneo-classical%2Fartist-chart.rss">Top Neo Classical Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Alfredo Casella</rhap:artist>
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<title>Ferrucio Busoni</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.16081&amp;rws=%2Fclassical%2F20th-21st-century%2Fneo-classical%2Fartist-chart.rss</link>
<category>Romantic</category>
<pubDate>Wed, 25 Mar 2009 21:07:20 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=177&amp;rws=%2Fclassical%2F20th-21st-century%2Fneo-classical%2Fartist-chart.rss">Top Neo Classical Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ferrucio Busoni</rhap:artist>
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<description><![CDATA[Known mainly for his astounding skills as a pianist, Ferrucio Busoni was also an important late Romantic and early twentieth century composer and theoretician. First impressing audiences with his virtuoso fingers, he caught his peers' attention with intense chromatic passages, twisting counterpoint and his stunning operatic works, including <I>Doktor Faust</I>. Busoni proposed new ways of thinking about music -- including ideas about structural, microtonal and electronic music later taken up by composers such as Edgar Varese. In addition, Busoni's fascination with and understanding of J.S. Bach led to piano arrangements still in use today. His pieces were not only musically inventive: they featured beautiful orchestration, filled with lush new instrumental combinations.
- Jessy Terry]]></description>
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<title>Metallic String Players</title>
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<category>Neo Classical</category>
<pubDate>Sat, 8 Aug 2009 09:51:16 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">Metallic String Players</rhap:artist>
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<title>Ernest Bloch</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61105&amp;rws=%2Fclassical%2F20th-21st-century%2Fneo-classical%2Fartist-chart.rss</link>
<category>Neo Classical</category>
<pubDate>Sat, 10 Oct 2009 10:13:32 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=177&amp;rws=%2Fclassical%2F20th-21st-century%2Fneo-classical%2Fartist-chart.rss">Top Neo Classical Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ernest Bloch</rhap:artist>
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<title>The Ineffable Orchestra</title>
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<category>Neo Classical</category>
<pubDate>Fri, 10 Apr 2009 16:03:14 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=177&amp;rws=%2Fclassical%2F20th-21st-century%2Fneo-classical%2Fartist-chart.rss">Top Neo Classical Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Ineffable Orchestra</rhap:artist>
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<title>Schuman</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.28874833&amp;rws=%2Fclassical%2F20th-21st-century%2Fneo-classical%2Fartist-chart.rss</link>
<category>Neo Classical</category>
<pubDate>Tue, 30 Jun 2009 11:31:12 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">Schuman</rhap:artist>
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<title>Sir Arnold Bax</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62008&amp;rws=%2Fclassical%2F20th-21st-century%2Fneo-classical%2Fartist-chart.rss</link>
<category>20th/21st Century</category>
<pubDate>Thu, 12 Feb 2009 13:01:46 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">Sir Arnold Bax</rhap:artist>
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<title>Choplin</title>
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<category>Neo Classical</category>
<pubDate>Tue, 30 Jun 2009 11:31:12 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">Choplin</rhap:artist>
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<title>Helen Siemens</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.17044826&amp;rws=%2Fclassical%2F20th-21st-century%2Fneo-classical%2Fartist-chart.rss</link>
<category>Neo Classical</category>
<pubDate>Sat, 4 Apr 2009 20:13:07 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">Helen Siemens</rhap:artist>
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<title>Karan Armstrong</title>
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<category>Neo Classical</category>
<pubDate>Fri, 30 May 2008 10:39:13 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">Karan Armstrong</rhap:artist>
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<title>Susan Scott</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.17044827&amp;rws=%2Fclassical%2F20th-21st-century%2Fneo-classical%2Fartist-chart.rss</link>
<category>Neo Classical</category>
<pubDate>Mon, 18 Aug 2008 08:47:13 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">Susan Scott</rhap:artist>
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