http://www.rhapsody.com/goto?rcid=art.4297&rws=%2Fcarcass%2Fmusic-videos.rssThat so many Carcass fans considered the fierce Death Metal assault of <I>Swansong</I> (1996) a sellout says something about the band's origins. Debuting in 1988 with the guttural early Grindcore of <I>Reek of Putrefaction</I>, the quartet established itself as one of the more extreme Metal bands around. The medically detailed and all but indecipherable lyrics to songs like "Cadaveric Incubator of Endoparasites" tend to grab attention first, but the self-consciously gory shenanigans are backed by an appropriately stomach-churning musical attack. Their murky riffs, claustrophobic drums and absurdly low-in-the-throat vocals (courtesy of onetime Napalm Death guitarist Bill Steer) established a pattern many bands would follow. After a brief recording hiatus, they reemerged in 1994 with the more cleanly produced and increasingly song-centered <I>Heartwork</I>, and bassist Jeff Walker's demonic mid-range replaced Steer's low growl. The aptly named <I>Swansong</I> put the last nail in the coffin, so to speak, offering their most accessible yet most controversial work. Whether it signaled evolution or "sellout" was something the band itself could not agree on, and they split around the time of its release. - Will YorkDeath Metalen720Fri, 4 Dec 2009 05:43:07 -0800 http://static.realone.com/rotw/images/logo_rhapsody_113x22.gif http://www.rhapsody.com/goto?rcid=art.4297&rws=%2Fcarcass%2Fmusic-videos.rss That so many Carcass fans considered the fierce Death Metal assault of <I>Swansong</I> (1996) a sellout says something about the band's origins. Debuting in 1988 with the guttural early Grindcore of <I>Reek of Putrefaction</I>, the quartet established itself as one of the more extreme Metal bands around. The medically detailed and all but indecipherable lyrics to songs like "Cadaveric Incubator of Endoparasites" tend to grab attention first, but the self-consciously gory shenanigans are backed by an appropriately stomach-churning musical attack. Their murky riffs, claustrophobic drums and absurdly low-in-the-throat vocals (courtesy of onetime Napalm Death guitarist Bill Steer) established a pattern many bands would follow. After a brief recording hiatus, they reemerged in 1994 with the more cleanly produced and increasingly song-centered <I>Heartwork</I>, and bassist Jeff Walker's demonic mid-range replaced Steer's low growl. The aptly named <I>Swansong</I> put the last nail in the coffin, so to speak, offering their most accessible yet most controversial work. Whether it signaled evolution or "sellout" was something the band itself could not agree on, and they split around the time of its release. - Will York