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<title>Playlists Featuring Bomb the Bass on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.3917&amp;variant=artist-playlists&amp;rws=%2Fbomb-the-bass%2Fplaylists.rss</link><description>With his 1987 debut single "Beat Dis," Bomb the Bass' Tim Simenon took the gleeful cut 'n' paste hip-hop aesthetic of DJs such as Steinski and Grandmaster Flash and transplanted it into an English acid house context. Over funky hip-house breaks, Simenon crafted a mad patchwork of samples from sources as disparate as Public Enemy and the "Thunderbirds" theme. Along with a few white labels from Coldcut, "Beat Dis" ushered in a fresh new sound, and its enormous commercial impact almost equaled the artistic influence it wielded over next-generation producers. Subsequent albums, especially the stoned-out &lt;I&gt;Unknown Territory&lt;/I&gt; (1991), were even more obvious precursors to trip-hop, and outside productions for Neneh Cherry and Bjork kept Simenon on the charts. He returned under the BTB name in 1995 with &lt;I&gt;Clear&lt;/I&gt;; that album's gritty textures, blasts of noise and rock textures were a direct precedent for the big beat that would follow a few years later. While it appears that Simenon has since put his Bomb the Bass name to sleep, the influence of his handful of party-rocking records can be heard daily. It's difficult to imagine trip-hop and big beat existing without Bomb the Bass, and every time you hear a house producer throw in a breakbeat, you're hearing an echo of "Beat Dis."
- Mike Schulman</description><category>Electronica/Dance</category><language>en</language><ttl>720</ttl><pubDate>Tue, 1 Dec 2009 20:36:03 -0800</pubDate><image>
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<description>With his 1987 debut single "Beat Dis," Bomb the Bass' Tim Simenon took the gleeful cut 'n' paste hip-hop aesthetic of DJs such as Steinski and Grandmaster Flash and transplanted it into an English acid house context. Over funky hip-house breaks, Simenon crafted a mad patchwork of samples from sources as disparate as Public Enemy and the "Thunderbirds" theme. Along with a few white labels from Coldcut, "Beat Dis" ushered in a fresh new sound, and its enormous commercial impact almost equaled the artistic influence it wielded over next-generation producers. Subsequent albums, especially the stoned-out &lt;I&gt;Unknown Territory&lt;/I&gt; (1991), were even more obvious precursors to trip-hop, and outside productions for Neneh Cherry and Bjork kept Simenon on the charts. He returned under the BTB name in 1995 with &lt;I&gt;Clear&lt;/I&gt;; that album's gritty textures, blasts of noise and rock textures were a direct precedent for the big beat that would follow a few years later. While it appears that Simenon has since put his Bomb the Bass name to sleep, the influence of his handful of party-rocking records can be heard daily. It's difficult to imagine trip-hop and big beat existing without Bomb the Bass, and every time you hear a house producer throw in a breakbeat, you're hearing an echo of "Beat Dis."
- Mike Schulman</description>
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