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<title>Playlists Featuring Black Devil on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.11974181&amp;variant=artist-playlists&amp;rws=%2Fblack-devil%2Fplaylists.rss</link><description>Record buyers in 1978 who thought the names "Joachim Sherylee" and "Junior Claristidge" were too good to be true turned out to be right. Over a quarter of a century later, when Rephlex reissued Black Devil's impossibly rare &lt;I&gt;Disco Club&lt;/I&gt; -- so rare that some wondered if the whole thing was one of Aphex Twin's hoaxes -- the mythical electro-disco project turned out to be the work of Bernard Fevre, a French musician who had then disappeared into obscurity. Emboldened by the feverish response to the 2004 re-release of &lt;I&gt;Disco Club&lt;/I&gt;, Fevre returned in 2006 with &lt;I&gt;28 After&lt;/I&gt;. The title referenced the delay before his sophomore effort, but its pitch-perfect Italo-disco pastiche sounded like his drum machines had barely cooled since the 1978 sessions. With flayed hi-hats, gurgling electronic bass and ghostly, dubbed-out vocals, &lt;I&gt;28 After&lt;/I&gt; established Fevre's privileged place in the disco continuum. Fans who had marked their calendars for a third album in 2034 were delighted when the disco Rumpelstiltskin resurfaced in 2008 with &lt;I&gt;Eight Oh Eight&lt;/I&gt;, a tribute to the legendary Roland drum machine.
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<description>Record buyers in 1978 who thought the names "Joachim Sherylee" and "Junior Claristidge" were too good to be true turned out to be right. Over a quarter of a century later, when Rephlex reissued Black Devil's impossibly rare &lt;I&gt;Disco Club&lt;/I&gt; -- so rare that some wondered if the whole thing was one of Aphex Twin's hoaxes -- the mythical electro-disco project turned out to be the work of Bernard Fevre, a French musician who had then disappeared into obscurity. Emboldened by the feverish response to the 2004 re-release of &lt;I&gt;Disco Club&lt;/I&gt;, Fevre returned in 2006 with &lt;I&gt;28 After&lt;/I&gt;. The title referenced the delay before his sophomore effort, but its pitch-perfect Italo-disco pastiche sounded like his drum machines had barely cooled since the 1978 sessions. With flayed hi-hats, gurgling electronic bass and ghostly, dubbed-out vocals, &lt;I&gt;28 After&lt;/I&gt; established Fevre's privileged place in the disco continuum. Fans who had marked their calendars for a third album in 2034 were delighted when the disco Rumpelstiltskin resurfaced in 2008 with &lt;I&gt;Eight Oh Eight&lt;/I&gt;, a tribute to the legendary Roland drum machine.
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<pubDate>Tue, 15 Dec 2009 10:30:31 -0800</pubDate>
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