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<title>Playlists Featuring Bathory on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.4415&amp;variant=artist-playlists&amp;rws=%2Fbathory%2Fplaylists.rss</link><description>With their early records recorded on 4-track in teenage guitarist Quorthon's garage, Sweden's Bathory are often cited as the first black metal band. Low-budget production, rampant Satanic imagery, punk-simple guitars and Quorthon's guttural yelps had a major effect on the Norwegian scene that emerged not long after Bathory's first three records: 1984's &lt;i&gt;Bathory&lt;/i&gt;, '85's &lt;i&gt;The Return of the Darkness and Evil&lt;/i&gt; and '87's &lt;i&gt;Under the Sign of the Black Mark&lt;/i&gt;. The first stirrings of what would become Viking metal emerged on 1988's &lt;i&gt;Blood Fire Death&lt;/i&gt;. Quorthon slowed tempos, incorporated acoustic guitars, and wrote lyrics more concerned with a noble death on the battlefield than with Satanism. Bathory continued with the Manowar-worthy &lt;i&gt;Hammerheart&lt;/i&gt; and their intended final album, 1991's &lt;i&gt;Twilight of the Gods&lt;/i&gt;. Instead of breaking up, however, they came back in 1995 with the Bay Area thrash-influenced &lt;i&gt;Requiem&lt;/i&gt;. Returning to Viking metal in the '00s, they released &lt;i&gt;Nordland&lt;/i&gt; and &lt;i&gt;Nordland 2&lt;/i&gt;, the first installments in what was to be a four-album cycle, before the tragic 2004 death of Quorthon (from heart failure) effectively ended the band.</description><category>Black Metal</category><language>en</language><ttl>720</ttl><pubDate>Sun, 20 Dec 2009 08:31:42 -0800</pubDate><image>
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<title>Playlists Featuring Bathory on Rhapsody Online</title>
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<description>With their early records recorded on 4-track in teenage guitarist Quorthon's garage, Sweden's Bathory are often cited as the first black metal band. Low-budget production, rampant Satanic imagery, punk-simple guitars and Quorthon's guttural yelps had a major effect on the Norwegian scene that emerged not long after Bathory's first three records: 1984's &lt;i&gt;Bathory&lt;/i&gt;, '85's &lt;i&gt;The Return of the Darkness and Evil&lt;/i&gt; and '87's &lt;i&gt;Under the Sign of the Black Mark&lt;/i&gt;. The first stirrings of what would become Viking metal emerged on 1988's &lt;i&gt;Blood Fire Death&lt;/i&gt;. Quorthon slowed tempos, incorporated acoustic guitars, and wrote lyrics more concerned with a noble death on the battlefield than with Satanism. Bathory continued with the Manowar-worthy &lt;i&gt;Hammerheart&lt;/i&gt; and their intended final album, 1991's &lt;i&gt;Twilight of the Gods&lt;/i&gt;. Instead of breaking up, however, they came back in 1995 with the Bay Area thrash-influenced &lt;i&gt;Requiem&lt;/i&gt;. Returning to Viking metal in the '00s, they released &lt;i&gt;Nordland&lt;/i&gt; and &lt;i&gt;Nordland 2&lt;/i&gt;, the first installments in what was to be a four-album cycle, before the tragic 2004 death of Quorthon (from heart failure) effectively ended the band.</description>
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<title>Black Metal 666 - Eric Shea</title>
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<category>Rock/Pop</category>
<pubDate>Fri, 18 Sep 2009 17:52:52 -0700</pubDate>
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