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<title>Aztec Camera Discography on Rhapsody Online</title><link>http://mp3.rhapsody.com/goto?rcid=art.68477&amp;rws=%2Faztec-camera%2Fdiscography.rss</link><description>A catchy and -- at least at first -- folk-inflected New Wave act with spry, observant lyrics full of humorous twists and emotional depth. Aztec Camera's Roddy Frame is still a talented songwriter and a singer with a delicate, softly falling voice. The closer you stick to the AC's lower-key early material, however, the better off you'll be. For some ill-begotten reason, after &lt;I&gt;Knife&lt;/I&gt; (1984) he began molding his songs after the over-produced R&amp;B-ish (i.e. rubbish) Adult Contemporary churned out by Simply Red and the solo Boy George. Bloated horn sections, syrupy harmonies, fluffy Blue-Eyed Soul passages and gallon after gallon of studio varnish smother the emotional burn of Frame's writing. &lt;I&gt;Love&lt;/I&gt; and &lt;I&gt;Stray&lt;/I&gt; may contain more hit songs, but relative to the more atmospheric first two albums they're mere crust after pie. With their unassuming, clean hooks and perfect lyric poise, &lt;I&gt;High Land, Hard Rain&lt;/I&gt;'s "Oblivious" and &lt;I&gt;Knife&lt;/I&gt;'s "Birth of the True" rank among the most exemplary songs ever hoisted aloft by New Wave.
- Chad Driscoll</description><category>Jangle Pop</category><language>en</language><ttl>720</ttl><pubDate>Thu, 3 Dec 2009 23:23:15 -0800</pubDate><image>
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- Chad Driscoll</description>
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<pubDate>Tue, 4 Jan 2005 00:00:00 -0800</pubDate>
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