http://www.rhapsody.com/goto?rcid=art.11330&variant=artist-playlists&rws=%2Fanthony-red-rose%2Fplaylists.rssIt's difficult to determine whether Anthony Red Rose has been more influential as a singer or as a producer. He burst onto the Dancehall scene in the mid-1980s with "Tempo," which featured a raggedy, King Tubby-esque rhythm. Later on, he came out with cultural smashes such as "Positive Fighter." His voice is smooth and pure, riding over tough Ragga-fied beats and laid-back, Roots-styled Reggae. These days he spends much of his time working with other artists through his own two recording labels (<I>How Yu Fi Sey Dat?</I> and <I>Raggedy Joe</I>), producing fresh Dancehall tracks with top-level performers such as Bounty Killer, Luciano, Beres Hammond. - Jessy TerryDancehallen720Thu, 10 Dec 2009 15:39:35 -0800 http://static.realone.com/rotw/images/logo_rhapsody_113x22.gif http://www.rhapsody.com/goto?rcid=art.11330&variant=artist-playlists&rws=%2Fanthony-red-rose%2Fplaylists.rss It's difficult to determine whether Anthony Red Rose has been more influential as a singer or as a producer. He burst onto the Dancehall scene in the mid-1980s with "Tempo," which featured a raggedy, King Tubby-esque rhythm. Later on, he came out with cultural smashes such as "Positive Fighter." His voice is smooth and pure, riding over tough Ragga-fied beats and laid-back, Roots-styled Reggae. These days he spends much of his time working with other artists through his own two recording labels (<I>How Yu Fi Sey Dat?</I> and <I>Raggedy Joe</I>), producing fresh Dancehall tracks with top-level performers such as Bounty Killer, Luciano, Beres Hammond. - Jessy Terry