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<title>Top Rockabilly Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link><description>Top Rockabilly Artists on Rhapsody Online</description><category>Rockabilly</category><language>en</language><ttl>720</ttl><pubDate>Thu, 10 Dec 2009 04:16:16 -0800</pubDate><image>
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<title>Roy Orbison</title>
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<category>'50s Rock 'n' Roll</category>
<pubDate>Fri, 4 Dec 2009 13:20:24 -0800</pubDate>
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<description><![CDATA[One of the original, if not the most enthusiastic, Sun Records rockabilly artists, Roy Orbison went on to become one of the most distinctive singers in popular music. In his first peak period (1961-64), Roy Orbison vacillated between snarling blues rock and his mainstay, the romantic/paranoiac ballad with crescendoing falsetto and strings. With his twanging guitar and quavering bel canto tenor, Orbison scored a number of hits: "Only the Lonely" (Number Two, 1960), "Running Scared" (Number One, 1961), "Crying" (Number Two, 1961), "Dream Baby" (Number Four, 1962), and "Oh, Pretty Woman" (Number One, 1964). Orbison's brooding loner persona was later given resonance by the personal tragedies that befell him (his wife Claudette was killed in a motorcycle accident in 1966; two of his three children died in a fire in his Nashville home in 1968).<br><br>
Orbison's songwriting and his near-operatic singing have been a prominent influence on Bruce Springsteen, Chris Isaak, and k.d. lang, among others. His ostensibly placid, introverted demeanor was offset by his trademark "look": sunglasses (contrary to popular belief, he was not blind), black leather, and a slicked-back black pompadour. Despite limited success through the late '60s and '70s, Orbison never quit, and he was in the midst of a major commercial and critical comeback when he died suddenly in 1988.<br><br>
Like many other early rockers, Orbison came to rock from country music. His father played Jimmie Rodgers songs on guitar, and an uncle played the blues. By age eight, Orbison was performing on local radio shows, and while attending high school in Wink, Texas, he formed the Wink Westerners, whose repertoire consisted mainly of country and pop standards. In contrast to many early rock stars, Orbison found rock & roll relatively late in his youth, and then almost by accident. His college buddy at North Texas State College was the newly famous Pat Boone, who urged Orbison to experiment with more pop-oriented songwriting. Orbison then formed the Teen Kings from the Wink Westerners, and they recorded "Ooby Dooby." Though Orbison would later profess a greater liking at that time for slower country material than frenetic rock, the first song he sent Sun Records' Sam Phillips &#8212; the rocking "Ooby Dooby" &#8212; impressed Phillips and in 1956 became Orbison's first hit (Number 59). The Teen Kings soon disbanded, and Orbison remained under contract to Sun as a solo artist. But future hits eluded Orbison, who was never entirely comfortable with rockabilly and was unhappy with Phillips' direction.<br><br>
Orbison then moved to Nashville, where he wrote songs for Acuff-Rose Publishing. One of his first successes was "Claudette," named for his wife, which became a hit for the Everly Brothers. Working with producer Chet Atkins, Orbison resumed his solo career, and by 1960 had signed with Monument Records. Then came the hits, starting with "Only the Lonely," a song originally written for the Everly Brothers. Subsequent hits included "Blue Angel" (Number Nine, 1960), "I'm Hurtin'" (Number 27, 1961), "Candy Man" (Number 25, 1961), "The Crowd" (Number 26, 1962), "Leah" (Number 25, 1962), "In Dreams" (Number Seven, 1963), "Falling" (Number 22, 1963), "Mean Woman Blues" (Number Five, 1963), "Blue Bayou" (Number 29, 1963, later covered by Linda Ronstadt), Willie Nelson's "Pretty Paper" (Number 15, 1963), "It's Over" (Number Nine, 1964), "Goodnight" (Number 21, 1965), and "Ride Away" (Number 25, 1965). He cowrote virtually all of his hits and often produced them as well. Successful in the U.S., Orbison was also a smash in Britain, where in 1963 he toured with the Beatles. Orbison's bands during the '60s included guitarist Bobby Goldsboro and drummer Dewey Martin (later of Buffalo Springfield).<br><br>
Following his wife's death in 1966, Orbison's career went on hold. He remarried in March 1969 and later had another son. When he returned to the U.K. in 1969, the adulation was overwhelming. Even in the late '60s, when his popularity in the U.S. was waning, he had a monthlong run at London's Talk of the Town club. In 1975 he released a chart-topping greatest-hits compilation.<br><br>
After steady but uneventful work through the '70s, Orbison closed the decade with an opening slot on the Eagles' 1980 tour and a Grammy-winning duet with Emmylou Harris (1980's "That Lovin' You Feelin' Again") on the <i>Roadie</i> soundtrack. A 1981 comeback show in New York was a great commercial and critical success. In 1982 "Oh, Pretty Woman" was a hit for Van Halen; it would be revived again as the title theme song of the 1990 hit film <i>Pretty Woman</i>. Orbison's comeback began in earnest, however, when director David Lynch used the sumptuously romantic "In Dreams" in a startling scene in his film <i>Blue Velvet</i>. The next year, Orbison was inducted into the Rock and Roll Hall of Fame by Bruce Springsteen. The year 1987 also saw the release of <i>In Dreams: The Greatest Hits</i>, which presented newly recorded versions of Orbison's classic hits, and the taping of an all-star tribute show called <i>A Black and White Night</i>. Taped in L.A.'s Coconut Grove nightclub, the tribute starred Orbison with all-star backing from Springsteen, Elvis Costello, Bonnie Raitt, k.d. lang, Jackson Browne, Jennifer Warnes, Tom Waits, and J.D. Souther.<br><br>
In 1987 Orbison's duet remake of "Crying" with k.d. lang hit Number 42 on the country chart. A chance meeting with Bob Dylan, Tom Petty, George Harrison, and Jeff Lynne resulted in the formation of the extremely successful Traveling Wilburys [see entry]. At the same time, Orbison was completing work on his next solo album, <i>Mystery Girl</i>, which included the hit Orbison-Lynne-Petty composition "You Got It" (Number Nine, 1989), destined to become the singer's first Top 20 hit in 25 years. While Lynne produced that track, several other artists, including T Bone Burnett (who had produced <i>In Dreams</i>), Bono, Heartbreaker Mike Campbell, and Orbison lent production assistance on various cuts. In addition, Bono and the Edge composed "She's a Mystery to Me."<br><br>
Orbison was on the brink of a major comeback when he died suddenly of a heart attack. The posthumously released <i>Mystery Girl</i> (Number Five, 1989) became the highest-charting album of his career and was eventually certified platinum. In the wake of Orbison's passing, a number of compilations and a collection of previously unreleased tracks (<i>King of Hearts</i>) were released.<br><br> <i>from the Rolling Stone Encyclopedia of Rock & Roll (Simon & Schuster, 2001)</i>
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<title>Patsy Cline</title>
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<category>Nashville Sound</category>
<pubDate>Sun, 6 Dec 2009 09:55:35 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<description><![CDATA[Patsy Cline was one of the greatest country singers of all time. She helped inspire and influence women musicians everywhere to stand up and be counted in the country and western music world above and beyond Nashville. Although her deeply romantic recordings and haunting voice can induce a chill up the spine, it was Cline's untimely death on March 5th, 1963 that helped create the kind of myth that can immortalize any country singer (see Hank Williams or Gram Parsons). Between 1955 and 1960, Cline recorded almost twenty singles. Out of these songs, only "Walkin' After Midnight" became a hit. After 1960 she stopped experimenting with Rockabilly and stiff ballads that better suited Kitty Wells and Brenda Lee. The fact that this time also marked a break with a binding publishing contract seemed to affect her singing greatly. Free of legal and artistic strife, Cline's vocals seemed to loosen up with confidence on songs she had longed to sing, such as "Crazy" and "I Fall to Pieces." The latter peaked at number one on the country charts and crossed over to fall in at number twelve on the pop charts. Cline was in line to continue recording Country Pop chart crossovers, until her untimely death in a plane crash at thirty-years-old: two years into the birth of her superstardom. The emotional playing and singing on her recordings has been emulated by and inspirational to everyone from Loretta Lynn and Willie Nelson to the Screaming Sirens and k.d. lang.
- Eric Shea]]></description>
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<title>Buddy Holly</title>
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<category>'50s Rock 'n' Roll</category>
<pubDate>Sun, 6 Dec 2009 09:55:38 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<description><![CDATA[Buddy Holly was a rock pioneer. He wrote his own material; used the recording studio for doubletracking and other advanced techniques; popularized the two guitars, bass, and drums lineup; and recorded a catalogue of songs that continue to be covered: "Not Fade Away," "Rave On," "That'll Be the Day," and others. His playful, mock-ingenuous singing, with slides between falsetto and regular voice and a trademark "hiccup," has been a major influence on Bob Dylan, Paul McCartney, and numerous imitators. When he died in an airplane crash at 22, he had been recording rock & roll for less than two years.<br><br>
Holly learned to play the piano, fiddle, and guitar at an early age. He was five when he won $5 for singing "Down the River of Memories" at a local talent show. In the early '50s he formed the country-oriented Western and Bop Band with high school friends Bob Montgomery and Larry Welborn. Between late 1953 and 1955 they performed on local radio station KDAV and recorded demos and garage tapes, several of which were posthumously released as <i>Holly in the Hills</i>. By 1956 (after Holly had dropped the <i>e</i> from his last name), the group's reputation on the Southwestern country circuit led to a contract to cut country singles in Nashville for Decca. The label didn't think much of Montgomery, who graciously bowed out, insisting that Holly accept the deal. With Sonny Curtis and Bob Guess, Holly cut "Blue Days, Black Nights" b/w "Love Me," billed as Holly and the Two Tunes. Like subsequent pure country releases ("Modern Don Juan," "Midnight Shift," and "Girl On My Mind"), it went unnoticed. One of his last recordings for the label (which Decca refused to release) was "That'll Be the Day," a song that in a later rock version became one of Holly's first hits. During this period, Holly began writing prolifically. Typical of his romantic fare was a song that began as "Cindy Lou" but was changed to "Peggy Sue" at new Cricket Jerry Allison's suggestion. ("Peggy Sue" was the future Mrs. Allison; they've since divorced.) It eventually became one of Holly's biggest hits.<br><br>
Following the failed sessions with Decca, Holly and his friends returned to Lubbock. In 1956 and 1957 Holly and drummer Allison played as a duo at the Lubbock Youth Center and shared bills with well-known stars as they passed through the area. Once they opened for a young Elvis Presley (Holly later said, "We owe it all to Elvis"), who influenced Holly's move into rock & roll.<br><br>
On February 25, 1957, Holly and the newly named Crickets drove 90 miles west to producer Norman Petty's studio in Clovis, New Mexico, to cut a demo. Their rocking version of "That'll Be the Day" attracted a contract from the New York–based Coral/Brunswick label, and it rose to Number One by September. As with many of Holly's early hits, producer Petty picked up a cowriter's credit. The song's success prompted the Crickets' first national tour in late 1957. Several promoters (including those at the Apollo Theatre in New York, where Holly and his group became one of the first white acts to appear) were surprised that the group was white.<br><br>
Under a contractual arrangement worked out by Petty (who quickly became Holly's manager), some discs were credited to the Crickets, while others bore only Holly's name. His first hit under the latter arrangement was "Peggy Sue" (Number Three, 1957), which also became one of several big hits in England, where he toured to much acclaim in 1958. "Oh, Boy!," released at year's end by the Crickets, hit Number 10. By 1958, Holly had reached the Top 40 with "Maybe Baby" (Number 17), "Think It Over" (Number 27), "Early in the Morning" (Number 32), and "Rave On" (Number 37).<br><br>
In October 1958 Holly left Petty and the Crickets (who continued on their own), moved to Greenwich Village, and married Puerto Rico-born Maria Elena Santiago after having proposed to her on their first date. His split from Petty (who died in 1984) led to legal problems, which tied up his finances and prompted Holly to reluctantly join the Winter Dance Party Tour of the Midwest in early 1959. He also did some recording in New York; many of the tapes were later overdubbed and released posthumously. During that last tour, Holly was supported by ex-Cricket guitarist Tommy Allsup and future country superstar Waylon Jennings (whose first record, "Jolé Blon," Holly produced).<br><br>
Tired of riding the bus, and in order to get his laundry done, Holly, along with a couple of the tour's other featured performers, the Big Bopper and Ritchie Valens, chartered a private plane after their Clear Lake, Iowa, show to take them to Moorhead, Minnesota. Piloted by Roger Peterson, the small Beechcraft Bonanza took off from the Mason City, Iowa, airport at about 2:00 a.m. on February 3, 1959, and crashed a few minutes later, killing all on board.<br><br>
Holly's death was marked by the release of "It Doesn't Matter Anymore" (Number 13, 1959), which topped the U.K. chart for six consecutive weeks. In his wake, Holly left behind enough old demos and uncompleted recordings to fill several posthumous collections. A 1978 feature film, <i>The Buddy Holly Story</i> (starring Gary Busey), revived interest in Holly's life and career.<br><br>
The Crickets continued on as a group through 1965, with a variety of personnel revolving around Allison, Curtis, and Glen D. Hardin. This lineup had some minor U.S. success but, like Holly, the Crickets were most popular in England, where they had three early-'60s hits &#8212; "Love's Made a Fool of You," "Don't Ever Change," and "My Little Girl" &#8212; the latter of which was included in the British film <i>Just for Fun</i>. The Crickets later costarred with Lesley Gore in <i>The Girls on the Beach</i>. As the '60s progressed, the Crickets' activities became more sporadic and included a Holly tribute album recorded with Bobby Vee. It was Vee who had filled Holly's spot on the ill-fated 1959 tour.<br><br>
In 1973 Hardin left to join Elvis Presley's band (he would later join Emmylou Harris' Hot Band). Around this time the Crickets recorded an album with a lineup that included Allison, Curtis, and English musicians Rick Grech and Albert Lee (another future Hot Band member). Curtis and Mauldin regrouped the original Crickets in 1977 to perform in England for Buddy Holly Week (sponsored by Paul McCartney, who had just purchased the entire Holly song catalogue).<br><br>
Some of the Crickets have had solo careers. In 1958 Allison released "Real Wild Child" for Coral Records (with Holly on lead guitar) under the nom de disc of Ivan. Curtis, who wrote Holly's "Rock Around With Ollie Vee," went on to write "I Fought the Law" (covered by the Bobby Fuller Four and the Clash), "Walk Right Back" (for the Everly Brothers, for whom Curtis played lead guitar off and on throughout the '60s), and the theme song of <i>The Mary Tyler Moore Show</i>. He has made solo albums since 1958 for A&M, Mercury, Coral, Liberty, Imperial, and other labels. By the early '80s, he was still active with Elektra/Asylum, for which he released the single "The Real Buddy Holly Story" as a response to the Hollywood biopic, which he and others criticized as being factually inaccurate.<br><br>
In 1986 Holly was one of the first inductees into the Rock and Roll Hall of Fame; seven years later he was honored with his own postage stamp. In 1988 the Crickets released a new album, <i>Three Piece</i>, on Jerry Allison's Rollercoaster label. Again they played the Buddy Holly Week festival that year; McCartney joined them onstage. In 1989 the musical <i>Buddy: The Buddy Holly Story</i> opened on London's West End; it ran on Broadway in 1990, and as of this writing continues its London run. It has starred Brits as well as Americans in the role of Buddy Holly, including U.S. actor Paul Hipp and musician Robert Burke Warren [see the Fleshtones entry]. In 1996 MCA released <i>Not Fade Away: Remembering Buddy Holly</i>, featuring contributions from Waylon Jennings, Los Lobos, the Band, the Crickets, and others, as well as a "duet" between Holly and namesake the Hollies. Three years later the Buddy Holly Museum opened in Lubbock.<br><br>
<i>from The Rolling Stone Encyclopedia of Rock & Roll (Simon & Schuster, 2001)</i>]]></description>
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<title>Marty Robbins</title>
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<category>Cowboy</category>
<pubDate>Sun, 6 Dec 2009 09:55:41 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<description><![CDATA[Although he's best known for his old-timey cowboy anthems, Marty Robbins was not that much different from Roger Miller in that there was so much more to his musical style than what was commercially successful. Sure, he was known for his classic gunfighter ballads but he also played and recorded some rootsy rock 'n' roll songs as well as some lush, string-laden pop. Robbins' youth was peppered with many exciting and rich Americana experiences; his grandfather was a medicine show man who spun wild tales of the Wild West, so it shouldn't have been a big surprise that he worked at a dude ranch, before quitting school and living his life as a freewheelin' hobo. After a stint in the military, he started playing cowboy songs under the pseudonym of "Jack Robinson." It wasn't long before success found him and he decided to play under the name Marty Robbins.
- Eric Shea]]></description>
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<title>Rick Nelson</title>
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<category>'50s Rock 'n' Roll</category>
<pubDate>Wed, 9 Dec 2009 10:53:43 -0800</pubDate>
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<description><![CDATA[Many consider Rick Nelson a classic teenage idol. Because of his clean-cut looks and the fact that his music consisted of watered-down Rockabilly and Soul, it took years before he would be considered anything other than a pretty face. Millions of television viewers saw Nelson's face each week on the <I>Ozzie and Harriet</I> show. As luck would have it, all his early singles found their way onto the show, continually rocketing him to the top of the pop charts: indeed, he reached the Top-40 thirty times between the years 1957 and 1962, second only to Elvis. When the TV show was cancelled in 1966, Nelson was able to concentrate solely on music. He formed a Country Rock band -- one of the first, in fact. Tragically, he died in 1985 in a plane crash while on his way to a New Year's Eve show in Dallas, Tex.
- Linda Ryan]]></description>
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<title>Reverend Horton Heat</title>
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<category>Psychobilly</category>
<pubDate>Tue, 27 Oct 2009 09:26:50 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<description><![CDATA[The Reverend is back to baptize his trailer children in a collecton of past works. This upbeat Rockabilly freakout will slap a big fat brass-knuckles buckle on the Bible Belt. Farmers' daughters beware! The Reverend is on the loose crooning and boppin' all over the map to super-elastic, bouncy basslines and guitars so wild they must have been miked, mixed, and produced in the fiery depths of Hell.
- Eric Shea]]></description>
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<title>Jerry Reed</title>
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<category>Country Pop/Cosmopolitan</category>
<pubDate>Fri, 14 Aug 2009 11:04:04 -0700</pubDate>
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<description><![CDATA[Remember that catchy hit song from the 1970s, "When You're Hot, You're Hot?" That was Jerry Reed's. His Nashville contemporaries knew him as "The Guitar Man" back in the day -- besides playing a Fender Telecaster like it was nobody's business, he also co-starred with Burt Reynolds in each of the three <I>Smoky and the Bandit</I> films. Reed scored a number two hit with "East Bound and Down" from the soundtrack to that epic triptych's first installment.
- Eric Shea]]></description>
</item><item>
<title>Tiger Army</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9725&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Psychobilly</category>
<pubDate>Thu, 3 Dec 2009 22:53:13 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.9725</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Tiger Army</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.9725</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9725&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9725&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Warp-speed Psychobilly from California features nimble guitar playing, lockstep rhythms, and raw, full-throated singing.
- Tom Heyman]]></description>
</item><item>
<title>Johnny Horton</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2230&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Honky-Tonk</category>
<pubDate>Fri, 13 Nov 2009 12:39:28 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Johnny Horton</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2230</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2230&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2230&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In the late 1950s, Johnny Horton was one of the first musicians to fuse down-home honky-tonk songwriting with wild rockabilly rhythms. Although Elvis Presley's early material hinted at this musical hybrid, Horton's take on the hillbilly/greaser marriage was much more exaggerated. Just as Horton's talent was blossoming, he died in a gruesome car crash in 1960.
- Eric Shea]]></description>
</item><item>
<title>Freddy Fender</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2767&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Tex Mex</category>
<pubDate>Sun, 6 Dec 2009 09:55:43 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.2767</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Freddy Fender</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2767</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2767&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2767&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Born Baldemar Huerta in Texas over half a century ago, singer, songwriter and guitarist Fender has an astonishingly soulful voice that finds him right at home singing country, Rockabilly, R&B, Swamp Pop and all manner of Tex Mex music. He began his career singing primarily in Spanish in the 1950s and gained a regional reputation in Texas. In an effort to broaden his audience, he adopted the stage name Fender and embraced Rockabilly and R&B music. Although the sides he recorded didn't have much success, they remain as wild and visceral as any regional rock 'n' roll recorded. Fender was busted for marijuana and served a 3-year jolt in prison, which pretty much set his career adrift after his release. Fender was on the fringes of the music business for almost 10 years until he hooked up with legendary Huey P. Meaux and released the song "Until the Next Teardrop Falls" on Meaux's Crazy Cajun label. The song was a huge hit, and the follow up "Wasted Days and Wasted Nights" was just as big, ironically making the journeyman Fender into an overnight sensation. He remained a big star for the rest of the 1970s. After sitting out much of the 1980s, Fender emerged with fellow Texans Flaco Jimenez, the late Doug Sahm and Augie Meyers in the highly acclaimed Tejano supergroup Texas Tornadoes.
- Tom Heyman]]></description>
</item><item>
<title>Assjack</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.28881309&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Cowpunk</category>
<pubDate>Sun, 4 Oct 2009 09:42:31 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Assjack</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.28881309</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.28881309&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.28881309&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Initially the "punk metal" interlude during Hank Williams III's live shows, Assjack is now a full-on metal band in their own right, featuring Williams on guitar and vocals, frontman Gary Lindsey and a fluid lineup of backing musicians. After a series of bootlegs made the rounds and the band made a name for itself on Hank III's perennially lauded tours, <I>Assjack Official Release</I> surfaced in 2009. While there are occasional nods to hardcore and even cowpunk, the bulk of Assjack's music is a high-test combination of NOLA sludge and L.A. slick (think Superjoint Ritual with less doominess). Folks looking for "Thunderstorms & Neon Signs" may be in for a bit of a shock, but let's face it, this <I>is</I> Hank Jr.'s kid -- he's liable to do anything.
- Mike McGuirk]]></description>
</item><item>
<title>Bill Haley &amp; the Comets</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4183&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>'50s Rock 'n' Roll</category>
<pubDate>Sun, 6 Dec 2009 09:55:37 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bill Haley &amp; the Comets</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4183&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4183&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Bill Haley combined Western Swing with R&B and took Rock 'n' Roll to the top of the charts in 1955. "Rock Around the Clock" was a little known B-side that took off when it was featured in the first (and best) juvenile delinquent picture, <i>The Blackboard Jungle</i>. While Haley's Western Swing material was actually wilder than his cutting edge Rock 'n' Roll, he is definitely an artist deserving more respect. He quickly went out of favor when other early rockers -- such as Elvis Presley and Jerry Lee Lewis -- were able to throw a whole lot of charisma in with their Afro-billy sounds. Haley rocked but he looked like a square while he was doing it.
- Mark Murrmann]]></description>
</item><item>
<title>Cliff Richard</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3093&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Teen Idols</category>
<pubDate>Mon, 30 Nov 2009 10:00:46 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Cliff Richard</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3093</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3093&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3093&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Cramps</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44187&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Retro/Vintage</category>
<pubDate>Mon, 2 Nov 2009 10:53:10 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.44187</guid>
<rhap:rcid xmlns:rhap="rhap">art.44187</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Cramps</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.44187</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44187&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44187&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[From the swamps of B-movie back lots and the rays of cathode television tubes, the Cramps are, after over twenty years, still creeping out with their absolutely unique, horror-fried rock 'n' roll. Their music is blood and sweat. With a strong, basic rock backbeat and a loud, distorted, driving guitar pushing a repetitive rush of raucous rawk, the Cramps could take over any town. Like a family of zombies, there's no stopping them from crawling and slithering into and under your skin -- theyll shake your bones and make your soul dance like a wildcat on fire. Heated passion and comic book evil give rise to howls, hoots, and chanted vocals.
- Mark Murrmann]]></description>
</item><item>
<title>Southern Culture on the Skids</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6219&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Psychobilly</category>
<pubDate>Mon, 30 Nov 2009 10:01:02 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6219</guid>
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<rhap:artist xmlns:rhap="rhap">Southern Culture on the Skids</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6219</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6219&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6219&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Chapel Hill wavers of the white trash flag who fry up Rockabilly like it was a gravy covered pork link. A pastiche of Martin Denny and Hasil Adkins as fronted by Cletus, the slack jawed yokel. Reeking of naughahyde and Colonel Sanders, Southern Culture on the Skids make music to become your own grandfather by.]]></description>
</item><item>
<title>Les Paul</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2911&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Vintage Lounge</category>
<pubDate>Mon, 30 Nov 2009 10:00:58 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Les Paul</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2911</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2911&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2911&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Every modern guitarist and record producer should worship at Les Paul's altar. This brilliant innovator changed the course of popular music -- and he had one heck of a good time doing so. An excellent jazz guitarist who jammed with the cream of the Swing and Bop crop, Paul's hollow sound was aided by his own inventions: a series of solid-bodied electric guitars that were adopted by the industry and became rock 'n' roll standard issue. Paul's solo style was crammed with ideas, but he soon began over-dubbing his guitar parts and wife Mary Ford's vocals, resulting in recordings (such as "How High the Moon") that ruled the charts in the late '40s and early '50s. Even after a serious 1948 car accident left him with a crippled arm, Paul remained a one-man band after having his shattered arm reset in the "play" position; now, that's what we call dedication. All his efforts -- from his '30s Decca sides to his late '70s sessions with Chet Atkins to his current NY club appearances -- have resulted in wonderful sounds.
- Nick Dedina]]></description>
</item><item>
<title>Gene Vincent</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62074&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Rockabilly</category>
<pubDate>Mon, 30 Nov 2009 10:00:52 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Gene Vincent</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.62074</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62074&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62074&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Any real fan of 1950s rock 'n' roll recognizes the brilliance of Gene Vincent, also noting how horribly underrated and overlooked he is. Capitol Records signed Vincent in an unsuccessful attempt to unseat Elvis Presley as the king of rock 'n' roll. Compared to Vincent, Presley was like Wonder Bread -- an easy sell across race and class boundaries. With his pock-marked face, greasy hair, lanky stance, and limping walk -- not to mention his haunting, trembling voice -- it's a wonder Vincent made it as far as he did. However, his strident Rockabilly songs with his backing band the Blue Caps have always stood out. Shaped by Cliff Gallup's remarkably brisk guitar work, a wobbly echoing bass, and snappy snare action, the Blue Caps' songs could send listeners into a frenzy just as easily as they could sedate them into a close slow dance. Vincent's music stands well on its own, without overused Presley comparisons. He still doesn't receive as much credit as he's due, but his impact has left an undeniable impression on rock 'n' roll.
- Mark Murrmann]]></description>
</item><item>
<title>Eddie Cochran</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61185&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>'50s Rock 'n' Roll</category>
<pubDate>Mon, 30 Nov 2009 10:01:01 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Eddie Cochran</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.61185</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61185&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61185&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[An often-overlooked rock 'n' roll legend, Eddie Cochran's contributions to music can't be measured by his activity in the record charts alone. The stompin' teenage anthem for all generations "Summertime Blues" was his only song to hit the Top-10. Beyond that, Cochran had a number of equally vibrant songs. Using an echo-chamber, he got an Elvis-like vocal sound -- something that many singers in the late '50s sought. What set Cochran apart was his down-up strumming style and innovative overdubbing in the studio -- two little-used techniques in rock music at the time. He also wrote, sang, and played much of his own material. A rich, full, Rockabilly sound that absolutely hollers fun.
- Mark Murrmann]]></description>
</item><item>
<title>Wanda Jackson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1064&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Rockabilly</category>
<pubDate>Fri, 13 Nov 2009 12:38:18 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Wanda Jackson</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1064</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1064&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1064&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Wanda Jackson began her recording career in the early 1950s with a series of releases that emphasized her country beginnings. After relocating from Oklahoma to Los Angeles, she adopted a wilder persona, and an early tour with Elvis Presley convinced her that the spirited sounds of rockabilly were better suited to her. Tracks like "Riot In Cell Block #9," "Fujiyama Mama" and "Mean Mean Man" show Jackson in top form, growling, shrieking and generally creating some of the best rock 'n' roll of the '50s. She toned down her material a bit in the '60s, and by the '70s she was in the Christian circuit. She stayed away from her early rock 'n' roll sounds until the '90s, when she was spurred on by a growing interest in her older recordings and began to tour, bringing her singular approach to rockabilly, country and gospel back into the limelight.
- Jon Pruett]]></description>
</item><item>
<title>Carl Perkins</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5416&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Rockabilly</category>
<pubDate>Mon, 30 Nov 2009 10:01:00 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Carl Perkins</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5416</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5416&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5416&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Carl Perkins is the godfather of Rockabilly. He wrote songs for Elvis, Patsy Cline and Johnny Cash and has influenced everyone from the Beatles to Brian Setzer. With country-inflected bouncy bass shuffles, octane-boosted drum pops that can actually keep up, and white lightning guitar-picking hellfire, Perkins still has the smoke of pure rock 'n' roll inside his soul.]]></description>
</item><item>
<title>The Blasters</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1534&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Psychobilly</category>
<pubDate>Fri, 23 Oct 2009 11:56:09 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1534&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Mojo Nixon</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1226&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Cowpunk</category>
<pubDate>Sat, 6 Jun 2009 08:29:29 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mojo Nixon</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1226&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1226&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[With "Stuffin' Martha's Muffin," an ode to former MTV VJ Martha Quinn, Mojo Nixon earned his place as the irreverent wild man of rock 'n' roll in the late '80s. His penchant for raucous, rough-and-ready Rockabilly fully intact, his lyrics remain funny and biting.
- Will Lerner]]></description>
</item><item>
<title>Nashville Pussy</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1447&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Psychobilly</category>
<pubDate>Fri, 27 Nov 2009 10:25:29 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Nashville Pussy</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1447&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1447&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Nashville P*ssy deserve credit for unabashedly glorying in their hick background and turning poverty and white trash culture into a badge of honor. It's no act either -- half the band members were homeless before they decided to start gigging. Their noisy rebel yells strike a common chord with Grunge rockers, Southern Rock good ol' boys and metalheads alike. The band's legendary over-the-top live shows soon earned them an underground following (the ranks of which are still swelling as the band's word-of-mouth notoriety continues to spread). Sure, much of the buzz concerns the scantily clad, fire-breathing front ladies and the band's fatback-flavored shtick, but fans of high-test raunch rock will know that Nashville P*ssy are the real McCoy. They're camp to the rotten core, but they also know how to deliver raucous Punk blasts with grooves so inescapably deep, a monster truck couldn't get out of them. You'll recognize this band by the trail of pork rinds and bourbon bottles they leave behind, not to mention your ringing ears and the inexplicable "stars and bars" tattoo on your arm (that's a Confederate flag, for all you damn Yankees).
- Chad Driscoll]]></description>
</item><item>
<title>Those Darlins</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.24048246&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Cowpunk</category>
<pubDate>Sun, 22 Nov 2009 10:09:31 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Those Darlins</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.24048246&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.24048246&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[South Carolina bassist Kelley and Kentucky guitarist Jessi got together in the mid-'00s at the Southern Girls Rock & Roll Camp, founded by Kelley in Murfreesboro , Tennessee . Not long after, they were joined by Virginia-raised baritone ukulele plucker Nikki. At that point, they were a cowpunk power trio, all sharing the fake surname Darlin. In 2006, they commenced performing inebriated live gigs during which crowd members noted their raucous hick energy, three-way harmonies, less-then-reverent wit, ability to trade instruments, shapely gams and snazzy cowboy boots. By 2008, the Darlins were showcasing their hot-mama hybrid of old-timey white blues, rockabilly and pub-rock on disc: A three-song teaser EP was highlighted by numbers about living snaggle-toothed in a middle-of-nowhere shack and about coming home after too many drinks and devouring an entire chicken found in the fridge. A four-song live and "field recording" CD-R added renditions of "Tom Dooley" and Ernest Tubb's "Nails in My Coffin." Their uproarious debut album, produced with chamber-pop additives by Jeff Curtin, but sounding nothing like his more famous studio understudies Vampire Weekend, followed in 2009.
- Chuck Eddy]]></description>
</item><item>
<title>The Long Ryders</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.26135&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Cosmic American Music</category>
<pubDate>Sat, 26 Sep 2009 10:11:17 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Long Ryders</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.26135&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.26135&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[You can't swing a dead cat these days without hitting an Alt Country band that identifies Gram Parsons' California country as a key influence. Energized by the punk scene, the Long Ryders were paying homage to Cosmic American Music back when most of these new-fangled Alt Country bands were still grooving to Motley Crew. But a love of Parsons and the Byrds isn't all the Long Ryders had: they were a hard-hitting, rootsy rock 'n' roll band that bridged the gap between fellow L.A. bands such as Punk/Roots rockers Rank and File and the dreamier Rain Parade. Led by Parsons biographer Sid Griffin, you will find Long Ryders records filed under "Ahead of the Times." Definitely scoop them up, as their two best releases -- <I>10-5-60</i> and <i>Native Sons</I> -- are available on one reissue. The Long Ryders never excelled at poignant ballads, but they were one of the hardest rocking bands ever to hit the stage with banjo, mandolin, and steel guitar.
- Nick Dedina]]></description>
</item><item>
<title>Nekromantix</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.54242&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Psychobilly</category>
<pubDate>Fri, 9 Oct 2009 10:32:33 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Nekromantix</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.54242&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Th' Legendary Shack*Shakers</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.32065&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Cowpunk</category>
<pubDate>Tue, 27 Oct 2009 09:26:51 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Th' Legendary Shack*Shakers</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.32065&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.32065&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Horrorpops</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4937077&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Psychobilly</category>
<pubDate>Wed, 22 Apr 2009 22:01:08 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4937077&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4937077&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Jack Scott</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.30429&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Rockabilly</category>
<pubDate>Fri, 20 Nov 2009 12:51:14 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jack Scott</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.30429</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.30429&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.30429&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Bobby Fuller Four</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5454&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>'60s Oldies</category>
<pubDate>Sun, 6 Dec 2009 09:55:35 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bobby Fuller Four</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5454</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5454&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5454&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In Bobby Fuller's short life, he not only developed his signature rock 'n' rollabilly Tex Mex tone while seemingly channeling Buddy Holly's sound, but also toyed with Surf guitar and British Invasion sonics. One of the hardest workers in music, Fuller's leadership of his band was meticulous, though he never lost the soul and heartbeat of rock 'n' roll. What he could have accomplished had he stuck around -- he was found dead in a parked car at age twenty-three -- will always be a topic thrown around in passionate music circles.
- Eric Shea]]></description>
</item><item>
<title>Sarah Borges</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.15236910&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Pub Rock</category>
<pubDate>Wed, 16 Sep 2009 12:52:07 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Sarah Borges</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.15236910</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.15236910&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.15236910&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Sarah Borges and her perfectly named backer-uppers, the Broken Singles, are a rockabilly-alt-country act unafraid to glam up or torch out their rocky-relationship songs. Basically, the foursome sounds more like they're from Austin than Boston. And sure enough, a South by Southwest gig in 2004 is what first got them signed. They've been tearing up the road ever since, while releasing increasingly energetic albums. The band's much-vaunted punk influence has been overstated, however. Borges herself is a musical theater grad, and it shows, both in her restrained phrasing of loungier ballads and in the band's rather refined choice of cover material: Tom Waits, Tommy Dorsey, Magnetic Fields, and X in their gothic roots phase. Borges' drama experience comes through in her hilariously animated stage persona, too, and the seasoned twang team behind her ensures that the tougher tunes can rowdy up a pub like prime Carlene Carter. By 2009's <i>The Stars Are Out</i>, they switched gears toward bar-band new wave, which, even if alt-country purists balked at it, increased the music's excitement level.
- Chuck Eddy]]></description>
</item><item>
<title>Devil Doll</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6883211&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Rockabilly Revival</category>
<pubDate>Sun, 3 May 2009 08:33:50 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Devil Doll</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6883211</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6883211&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6883211&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Ronnie Hawkins</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.68478&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Rockabilly</category>
<pubDate>Wed, 2 Dec 2009 11:07:02 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ronnie Hawkins</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.68478</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68478&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68478&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Hillbilly Hellcats</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5017265&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Rockabilly</category>
<pubDate>Thu, 9 Jul 2009 12:14:41 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Hillbilly Hellcats</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5017265</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5017265&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5017265&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Sleepy LaBeef</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.10478&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Rockabilly</category>
<pubDate>Thu, 12 Mar 2009 12:57:44 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.10478</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Sleepy LaBeef</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.10478</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10478&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10478&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A giant in the Rockabilly world in both name and stature (the guy's 6'7"), Sleepy LaBeef has been grinding out a hopping mixture of country blues and rock 'n' roll since the early '50s. His good-time music is best heard live, but even within the confines of recorded music, LaBeef's peanut butter-thick rumble of a voice moves through you like a passing freight train. Truckin' songs, barn-burnin' dance numbers, and early rock 'n' roll classics are equally favored by his laid-back charm and uncommonly nimble guitar picking.
- Mike McGuirk]]></description>
</item><item>
<title>Billy Lee Riley</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.13955&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Rockabilly</category>
<pubDate>Thu, 8 Oct 2009 11:44:54 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.13955</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Billy Lee Riley</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.13955</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.13955&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.13955&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Johnny Burnette</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.45922&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Rockabilly</category>
<pubDate>Fri, 29 May 2009 09:41:22 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.45922</guid>
<rhap:rcid xmlns:rhap="rhap">art.45922</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Johnny Burnette</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.45922</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.45922&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.45922&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Gear Daddies</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.23064&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Psychobilly</category>
<pubDate>Sat, 24 Jan 2009 14:30:26 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.23064</guid>
<rhap:rcid xmlns:rhap="rhap">art.23064</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Gear Daddies</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.23064</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.23064&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.23064&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Rocky Burnette</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.19898&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Rockabilly</category>
<pubDate>Sat, 24 Oct 2009 12:08:44 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.19898</guid>
<rhap:rcid xmlns:rhap="rhap">art.19898</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Rocky Burnette</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.19898</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.19898&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.19898&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Hasil Adkins</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3310&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Rockabilly</category>
<pubDate>Tue, 8 Sep 2009 08:37:49 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3310</guid>
<rhap:rcid xmlns:rhap="rhap">art.3310</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Hasil Adkins</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3310</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3310&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3310&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Responsibility for the sometimes infuriatingly dumb subgenre of Psychobilly rests almost solely on the shoulders of poor Hasil Adkins; but as is the case with many maligned styles of music, Psychobilly's originator is the purest example of the form and his material is some of its best. From the murkily depraved rantings of "She Said" to the countrified dementia of his most recent recordings, Adkins has been spilling his twisted guts since the very birth of rock 'n' roll, with little loss of the utterly original inspiration and sonic nihilism that made his first sides so great.
- Mike McGuirk]]></description>
</item><item>
<title>Lonnie Donegan</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4128&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Skiffle</category>
<pubDate>Thu, 5 Nov 2009 16:49:03 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4128</guid>
<rhap:rcid xmlns:rhap="rhap">art.4128</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Lonnie Donegan</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4128</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4128&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4128&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Charlie Feathers</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.12254&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Rockabilly</category>
<pubDate>Fri, 23 Oct 2009 11:56:08 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.12254</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Charlie Feathers</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.12254</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12254&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12254&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Born in the same North Mississippi hill country area as R.L. Burnside and Junior Kimbrough, Feathers brought the same intensity and hypnotic abandon for which those two bluesmen are known to his own revved-up hybrid of Rockabilly, country and blues. Feathers recorded for Sun Records in Memphis, but he always resisted Sam Phillips' efforts to turn him into a straight country singer, which led him to record for other small regional labels such as Meteor and King. He never had more than regional popularity until the European Rockabilly revival of the 1970s made him a cult star abroad and at home. Feathers is a singer of amazing power and nuance, whose voice is as distinctive as that of Howlin' Wolf or Hank Williams. Throughout a career where he was burned repeatedly by bad deals and broken promises, he stuck to his own very clear vision of what his music should be: a genre-blurring gumbo of country, blues and Honky-Tonk. It may have cost him financially, but no one can take away his recorded legacy. Feathers died in 1998 at the age of 66.
- Tom Heyman]]></description>
</item><item>
<title>Buddy Knox</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5455&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Rockabilly</category>
<pubDate>Fri, 20 Nov 2009 12:51:06 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5455</guid>
<rhap:rcid xmlns:rhap="rhap">art.5455</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Buddy Knox</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5455</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5455&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5455&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Stacie Collins</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.24410977&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Rockabilly</category>
<pubDate>Sun, 24 May 2009 09:02:16 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.24410977</guid>
<rhap:rcid xmlns:rhap="rhap">art.24410977</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Stacie Collins</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.24410977</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.24410977&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.24410977&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This Cali-via-Nashville gal excels at rockabilly; dabbles in blues, boogie-woogie, Jerry Lee and Hank Williams-type hiccups; and includes a couple slow weepers as well, all on a shoestring production budget. Ex-Georgia Satellite Dan Baird leads her kicking band, and you can tell.]]></description>
</item><item>
<title>Flat Duo Jets</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62689&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Psychobilly</category>
<pubDate>Fri, 23 Oct 2009 16:25:15 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.62689</guid>
<rhap:rcid xmlns:rhap="rhap">art.62689</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Flat Duo Jets</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.62689</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62689&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62689&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Chapel Hill, N.C., duo of Dexter Romweber on vocals and guitar and the elusive Crow on drums have been bashing out shine-running hillbilly anthems since the 1980s. Incorporating elements of Swamp Rock, Rockabilly and Country Swing, Flat Duo Jets records are volatile mixes of croon and clamor. With a carny's sleight of hand, the Jets can switch in a flash from the empty bottle sadness of "You Belong to Me" to the hell-busting-loose furor of "Riot in Cell Block #9" and "Go Go Harlem Baby." Romweber possesses Jerry Lee Lewis' ability to transform mild-mannered '50s rock 'n' roll standards into noise-scorched powderkegs in a dance of rowdy flames. They're at their best live, when every song they touch becomes an unburnished gem of ragged power and worthy testimony to the legendary rock thoroughbreds who once called Sun Records home.
- Chad Driscoll]]></description>
</item><item>
<title>The New Duncan Imperials</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5767&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Psychobilly</category>
<pubDate>Thu, 1 Oct 2009 11:36:12 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5767</guid>
<rhap:rcid xmlns:rhap="rhap">art.5767</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The New Duncan Imperials</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5767</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5767&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5767&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Though indebted to such wallet-chained heroes as the Reverend Horton Heat and Hoosegow, these rabble rousers make no secret of their affinity for Bob Stinson-era Replacements. Overdriven, clanking blues riffs, ham-fisted bashing, and shredded, Paul Westerberg-flavored vocals wrecklessly handle the rousing of said rabbles.
- Kelly Bauman]]></description>
</item><item>
<title>Angry Johnny and the Killbillies</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.675&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Cowpunk</category>
<pubDate>Thu, 22 Oct 2009 13:23:51 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.675</guid>
<rhap:rcid xmlns:rhap="rhap">art.675</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Angry Johnny and the Killbillies</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.675</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.675&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.675&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Angry Johnny fuses Rockabilly and country swing with post-Ritalin twitchy energy and a retro orchestra of post-war instrumentation. His sugar-fix rustic-rockabilly sounds like it's coming out of an old wooden radio.
- Marc Kate]]></description>
</item><item>
<title>The Gibson Bros.</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1322&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Psychobilly</category>
<pubDate>Fri, 4 Dec 2009 13:21:22 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.1322</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Gibson Bros.</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1322</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1322&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1322&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Howlingly primitive Rockabilly/Boogie where the intent is much more important than the outcome, from a band entranced by backwoods auteurs (such as Hasil Adkins), raunchy blues, and early rock 'n' roll. The band was loosely affiliated with Jon Spencer for a time, and they are credited by some for turning Spencer on to the raw blues sound he incorporated into his Blues Explosion after the demise of Pussy Galore.
- Tom Heyman]]></description>
</item><item>
<title>Buck Naked and the Bare Bottom Boys</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.137&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Psychobilly</category>
<pubDate>Tue, 17 Mar 2009 20:36:48 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.137</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Buck Naked and the Bare Bottom Boys</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.137</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.137&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.137&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[San Francisco pornobilly pioneers. Plenty of guitar twang, vocal sass, and lewd lyrics to keep everyone's organs grinding long after the party's over.
- Charles Hodgkins]]></description>
</item><item>
<title>Ronnie Self</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.30495&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</link>
<category>Rockabilly</category>
<pubDate>Tue, 8 Sep 2009 08:37:50 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=428&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss">Top Rockabilly Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ronnie Self</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.30495</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.30495&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.30495&amp;variant=data&amp;rws=%2Falt-punk%2Frockabilly%2Fartist-chart.rss</rhap:data-href>
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