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<title>Top Punk-Funk Artists on Rhapsody Online</title><link>http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</link><description>Top Punk-Funk Artists on Rhapsody Online</description><category>Punk-Funk</category><language>en</language><ttl>720</ttl><pubDate>Thu, 31 Dec 2009 10:02:49 -0800</pubDate><image>
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<title>Bloc Party</title>
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<category>Punk-Funk</category>
<pubDate>Fri, 4 Dec 2009 13:21:20 -0800</pubDate>
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<description><![CDATA[In the mid-2000s, Bloc Party emerged with a sound and attitude that built on the fashionable retro art-rock coming from acts ranging from New York City's The Strokes to Scotland's Franz Ferdinand. But while Bloc Party's prickly, angular music fit in with the sounds of their cohorts, frontman Kele Okereke gave the band an individuality the others lacked. With a voice that conjures the cockiness of the Fall's Mark E. Smith, the twitchiness of the Voidoids' Richard Hell and the anguish of the Cure's Robert Smith, Okereke and company created an urgent new punk rock for the disaffected emo crowd. The band's second album, <I>A Weekend in the City</I>, released in 2007, shot to Number One on the Independent Albums chart and Number 12 on the Billboard 200.
<br><br>
Okereke and guitarist Russell Lissack met in the late 1990s at England's Reading Festival and realized they shared similar interests in music. Soon after, they formed a band that changed its name several times before settling on Bloc Party in 2003. By then, they'd enlisted bassist Gordon Moakes and drummer Matt Tong, and released their first single, "She's Hearing Voices," on the Trash Aesthetics label. When a copy of the single landed in popular Radio One DJ Steve Lamacq's hands, he played it often, called it "genius," and invited the band on for a live performance.
<br><br>
After another single, "Banquet," on the Moshi Moshi label, Bloc Party signed with Wichita Recordings in 2004, releasing a self-titled EP. The band's debut album, <I>Silent Alarm</I>, followed in February 2005; it met with rave reviews, shot to Number Three in the U.K. and spawned several successful U.K. singles. The following year, Bloc Party played sold-out shows in Los Angeles and Berkeley. <I>Silent Alarm</I> went on to sell more than 350,000 copies in North America and more than a million worldwide.
<br><br>
The band exceeded expectations when its second album, <I>A Weekend in the City</I> &#8212; in which Okereke, a second-generation black citizen of the U.K., tackles touchy topics including British racism and post-9/11 paranoia &#8212; reached Number 12 on the Billboard 200 in 2007, selling 48,000 copies. In the summer and fall of 2008 the band dropped <I>Intimacy</I> first as a summer digital release followed by a CD release in October. Co-produced by Jacknife Lee and Brit-pop mastermind Paul Epworth, <I>Intimacy</I> is their most dynamic album to date with jittery pop, stadium anthems, and introspection that Okereke attributed to a break-up before the album was recorded.
]]></description>
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<title>Ghostland Observatory</title>
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<category>Punk-Funk</category>
<pubDate>Sun, 27 Sep 2009 09:56:00 -0700</pubDate>
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<description><![CDATA[Austin, Texas' Ghostland Observatory revive the same tinny synths and clunky electro-funk as plenty of their '80s-loving peers; what sets this two-piece apart is its will to rock out. The spirit filling their eyepiece is undoubtedly Freddie Mercury's, with frontman Aaron Behrens copping the Queen singer's every shriek and howl on songs like "Dancing on My Grave" and "Sad Sad City." Drummer and beatmaker Thomas Turner focuses his lens on the ghosts in the machine, crafting rubbery basslines and big, splashy synths indebted to robo-funkers like the Time and Daft Punk. (Both of them jack Mercury's fashion sense, preferring capes and white flares to the electro scene's pegged-jeans aesthetic.)
<P>
The duo kicked off its career in 2005 with the self-released <I>Delete.Delete.I.Eat.Meat...</I>, a 10-song blast of sawtooth synths, distorted drums and yelp-along vocals, and it has gone on to develop its sound with three more albums in as many years, all on its own Trashy Moped label. The template has remained the same, but the sounds become fatter with every record, soaking up classic-rock organ riffs, techno beats and R'n'B flourishes. It's suave and goofy all at once.</P>
- Philip Sherburne]]></description>
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<title>LCD Soundsystem</title>
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<category>Electronica/Dance</category>
<pubDate>Wed, 30 Dec 2009 10:58:46 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss">Top Punk-Funk Artists on Rhapsody Online</source>
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<description><![CDATA[New Jersey native James Murphy started out as a drummer for such bands as Speedking and Pony, but he tired of the politics and posing of the American punk movement and developed an affinity for house. Teaming up with Mo' Wax founder Tim Goldsworthy, Murphy started making a name for himself as a producer for acts on their Death From Above (aka DFA) label, including the Rapture and Radio 4. As his expertise in fusing dance and punk-rock developed, Murphy began to work on his own compositions, resulting in "Losing My Edge" (2002). This amusing invective about musical elitism caught the ear of the critics and defined his signature sound: bleepy electronica with thick "real" basslines and Mark E. Smith-style vocals. Indeed, Murphy has been quoted as saying that "The Fall are my Beatles," even though he is worried that such slavish devotion to Smith's vocal technique will inevitably invite some form of castigation from the man himself. Such was the popularity of "Losing My Edge" that Murphy decided to release "Yeah" (2004), which is essentially him saying "yeah" over and over to deliberately confound fans expecting another clever lyrical diatribe. Challenging expectations is Murphy's manifesto: he sees LCD Soundsystem as "a laboratory for experiments on what a band should be."
- Nicholas Baker]]></description>
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<title>Does It Offend You, Yeah?</title>
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<category>Alt Dance</category>
<pubDate>Thu, 30 Apr 2009 10:57:37 -0700</pubDate>
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<description><![CDATA[Does It Offend You, Yeah? are an English electronic-rock band from Reading. The four-piece is made up of Morgan Quaintance (vocals, synth, guitar), James Rushent (bass, vocals), Dan Coop (synth) and Rob Bloomfield (drums). Their fusion of dance punk and electro has drawn comparisons to Justice, Soulwax, LCD Soundsystem and !!! (chik chik chik). They took their unusual name from Ricky Gervais' character David Brent on the British comedy series <i>The Office</i>. The band's debut album -- with a title as unwieldy as their name, <i>You Have No Idea What You're Getting Into</i> -- is a patchwork of high-energy dance noise and toe-tapping indie pop.
- Dan Shumate]]></description>
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<title>!!!</title>
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<category>Punk-Funk</category>
<pubDate>Tue, 1 Sep 2009 02:39:07 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss">Top Punk-Funk Artists on Rhapsody Online</source>
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<title>The Rapture</title>
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<category>Post-Punk</category>
<pubDate>Sat, 12 Dec 2009 11:16:01 -0800</pubDate>
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<description><![CDATA[Guitarist Luke Jenner and drummer Vito Roccoforte began playing together as the Rapture in 1998, moving from a 'burb of San Diego to San Francisco and, eventually, New York City. New York was where the band fit best; its debut LP, <i>Mirror</i>, ushered in the city's millennial fascination with disco-touched, danceable post-punk. After a revolving-door cast of sidemen, the Rapture eventually settled on bassist Matt Safer, who appeared on their 2001 Sub Pop-issued debut EP, <i>Out of the Races and Onto the Tracks</i>. After releasing 2002's "House of Jealous Lovers" single, they added multi-instrumentalist Gabriel Andruzzi to the lineup and went to work on the 2003 full-length <i>Echoes</i>. After wide touring and a small break, <i>Pieces of the People We Love</i> arrived in 2006. It was the band's debut on a major label, Mercury, and they pulled out all the stops, bringing in a host of producers that included DJ Dangermouse and choppering in Gnarls Barkley supervocalist Cee-Lo for backups.
- Nate Cavalieri]]></description>
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<title>Gang of Four</title>
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<category>Post-Punk</category>
<pubDate>Wed, 30 Dec 2009 10:59:30 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss">Top Punk-Funk Artists on Rhapsody Online</source>
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<description><![CDATA[Like everyone from the Velvet Underground to Nick Drake, Gang of Four are one of those musical acts whose initial record sales didn't come close to equaling either their initial excellence or their continued influence. Founding members of the post-punk movement, Gang of Four formed in Leeds, England and came up with an inflammatory fusion of focused punk rock energy, stiff funk rhythms, blistering guitar feedback and intellectual lyrics that brimmed over with complex political and social theory (for example, one key track, "Damaged Goods" shows how the vocabulary of commerce has even transformed how we think about romantic entanglements). <I>Entertainment</I>, their brilliant 1979 debut hasn't lost any of its power over the decades, and while it remains Gang of Four's masterwork, they continued to create vital music. Their 1981 follow-up <I>Solid Gold</I>, is only slightly less powerful and contained the "birth of FM alt radio" staples "What We All Want" and "Cheeseburger." The album was quickly followed by <I>Songs of the Free</I>, a brave ÃÂÃÂ and successful -- change in direction. More complex song structures and less of a punk-funk influence informed the album's sound while the lyrics (except for the bitingly sarcastic new wave disco staple "I Love A Man In A Uniform") were more sorrowful on the subject of modern man's isolation than they were scathing. When bassist Dave Allen left the band, the gang of three softened up for <I>Hard</I>, an agit-pop reconfiguring of Roxy Music and Chic's swank musical universe. While the 1983 album is hardly essential listening, it does feature the excellent single "Is It Love," and the under appreciated track "Woman Town." The album was harshly criticized as a post-punk sellout (you'd think no one had ever heard New Order's single "Thieves Like Us," for Pete's sake) and Gang of Four folded soon after its release. Key members Jon King and Andy Gill reformed the band for 1991's <I>Mall</I>, which retained the same high quality musical and lyrical ideas as before but was missing the all-important element of pop craftsmanship that the band previously employed (there's a reason <I>Entertainment</I>, and not PIL's <I>Metal Box</I>, is the sound of today's crossover indie rock). By the late 1990s, kids not even born when <I>Entertainment</I> was released began getting signed to major labels with music that sounded an awful lot like the Gang of Four. This prompted the original band members to reform and headline a heralded, sold-out 2005 tour across Europe and the U.S. Gang of Four is currently working on a new album.
- Nick Dedina]]></description>
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<title>Moving Units</title>
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<category>Punk-Funk</category>
<pubDate>Tue, 17 Mar 2009 20:31:50 -0700</pubDate>
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<title>Bonde Do Role</title>
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<category>Electropop</category>
<pubDate>Mon, 7 Dec 2009 10:13:41 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss">Top Punk-Funk Artists on Rhapsody Online</source>
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<description><![CDATA[Baile funk is the music of Brazilian favelas, where life is nasty, brutish and short -- and so are the pop songs. Bonde Do Role is an art-house take on the genre, stealing several pages from Miami bass but also sampling rock 'n' roll artists madly and with no regard for copyright. Add to that the nastiest sex talk you can find in Brazilian Portuguese, and you have a three-person firestorm of colossally funny, intentional stupidity that is, incidentally, extremely danceable. Philadelphia DJ Diplo saw the group perform in Rio and made them the first signees to his Mad Decent label. Their label debut, 2007's infectious <i>With Lasers</i>, did away with the illegal samples but not with the primal squall that makes them the most enjoyable musical train wreck you can't tear yourself away from.
- Sarah Bardeen]]></description>
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<title>Liquid Liquid</title>
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<category>Post-Punk</category>
<pubDate>Tue, 1 Sep 2009 02:39:07 -0700</pubDate>
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<description><![CDATA[The groundbreaking band Liquid Liquid's experiments in minimalism paved the way for such experimentalists as Tortoise and Trans Am and influenced a slew of artists, including Grandmaster Flash, who heavily sampled the band's 1983 song "Cavern" in the song "White Lines (Don't Do It)." Based in New York, the band are best known for their experiments with minimal funk, concentrating almost exclusively on percussion, bass, vocals and other percussion. The quartet -- Scott Hartley, Richard McGuire, Salvatore Principato and Dennis Young -- released only three EPs from 1981 to 1983 and were nearly forgotten until the Beastie Boys' label Grand Royal re-released all three EPs and a recording of a 1982 live performance in 1997.
- Tim Pratt]]></description>
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<title>Louis XIV</title>
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<category>Indie/Alternative</category>
<pubDate>Sat, 26 Dec 2009 10:03:52 -0800</pubDate>
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<description><![CDATA[After doing time in the twang-rock band Convoy, Jason Hill, Brian Karscig and Mark Maigaard felt it was time for a change. The San Diego-based trio enlisted bassist Jimmy Armbrust and the foursome started writing post-punk gems which they glossed up with dazzling shards of glam rock. The uber-catchy "Finding Out True Love Is Blind" struck a nerve with San Diego fans who requested the somewhat leering, iconoclastic song on their local modern rock station. In 2004, Louis XIV's deafening buzz climaxed at a SXSW showcase, where they turned in a spectacularly raucous show. Soon afterwards they were tapped to tour with the red-hot Killers as well as the Von Bondies. In between those go-rounds, the royal ones found some time to record 2005's <I>Best Little Secrets Are Kept</I>.
- Linda Ryan]]></description>
</item><item>
<title>Tom Vek</title>
<link>http://www.rhapsody.com/goto?rcid=art.8088952&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</link>
<category>Punk-Funk</category>
<pubDate>Mon, 26 Oct 2009 13:51:02 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss">Top Punk-Funk Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Tom Vek</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.8088952</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8088952&amp;variant=play&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8088952&amp;variant=data&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This lad from London is plugged in, not only with his reel-to-reel tape machines and assorted studio equipment set up in his father's garage, but through family friends in the music industry who made it possible for his debut home-produced project to land a major record deal. Along with a flurry of flannel-clad kids in the 1990s, Vek became enthralled with Pearl Jam and the entire American grunge movement. He began practicing on bass and drums, accompanying his guitarist father in their home studio. By the age of 14, he moved beyond being a copycat and forged ahead with his electronic experiments which engendered a flurry of parental boasting that soon reached the ears of friends of friends of friends. The news of his musical acumen finally made its way to Tummy Touch Records. They were impressed enough to release young Tom's efforts as a 7-inch single. He quickly progressed past his initial genius, developing his own brand of electro-driven punk-funk. His 2005 debut <I>We Have Sound</I> is a mark of a musical upstart, but one with a limitless imagination. With any luck, Vek will continue to surrender to his appetite for sonic decoupage, and make memorable, provocative music long into the future.
- Michele K-Tel]]></description>
</item><item>
<title>ESG</title>
<link>http://www.rhapsody.com/goto?rcid=art.66525&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Tue, 1 Sep 2009 02:39:07 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss">Top Punk-Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.66525</guid>
<rhap:rcid xmlns:rhap="rhap">art.66525</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">ESG</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.66525</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.66525&amp;variant=play&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.66525&amp;variant=data&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Radio 4</title>
<link>http://www.rhapsody.com/goto?rcid=art.14869&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Wed, 18 Nov 2009 13:05:56 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss">Top Punk-Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.14869</guid>
<rhap:rcid xmlns:rhap="rhap">art.14869</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Radio 4</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.14869</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.14869&amp;variant=play&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.14869&amp;variant=data&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[New Yorkers Anthony Roman, Tommy Williams and Greg Collins took their name from a Public Image Limited song as a statement of their intention to move beyond the Long Island hardcore world into a more rhythmic and beat-driven punk sound. Roman described Radio 4 as looking for "something that's got a rhythm, and got a pulse to it." His Somethin' Else record store in Brooklyn helped in this search, selling dub reggae and Brit rock right next door to a café playing house and techno. The sounds blended in his head, just as antecedents the Clash picked up on ska and dub rhythms, or PiL combined punk and electro, and soon Radio 4 had their sound: dance beats, punk riffs, dubby bass and techno keys with a dash of funk for flavor. Their debut EP, <I>Dance to the Underground</I>, introduced this manifesto, and <I>Gotham!</I> (2002) continued it while managing to be both post-9/11 angry yet still optimistic and in the groove. This political bent matured on <I>Stealing of a Nation</I> (2004), but the beats were still there, with Roman admitting, "Not everything has to be this big political message and not everything has to be for the dancefloor."
- Nicholas Baker]]></description>
</item><item>
<title>Supersystem</title>
<link>http://www.rhapsody.com/goto?rcid=art.7318294&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</link>
<category>Punk-Funk</category>
<pubDate>Tue, 17 Mar 2009 20:31:42 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss">Top Punk-Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.7318294</guid>
<rhap:rcid xmlns:rhap="rhap">art.7318294</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Supersystem</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7318294</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7318294&amp;variant=play&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7318294&amp;variant=data&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Benevento Russo Duo</title>
<link>http://www.rhapsody.com/goto?rcid=art.7071244&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Sat, 6 Jun 2009 08:29:31 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss">Top Punk-Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.7071244</guid>
<rhap:rcid xmlns:rhap="rhap">art.7071244</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Benevento Russo Duo</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7071244</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7071244&amp;variant=play&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7071244&amp;variant=data&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Out Hud</title>
<link>http://www.rhapsody.com/goto?rcid=art.44097&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</link>
<category>Punk-Funk</category>
<pubDate>Sat, 6 Jun 2009 08:29:34 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss">Top Punk-Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.44097</guid>
<rhap:rcid xmlns:rhap="rhap">art.44097</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Out Hud</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.44097</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.44097&amp;variant=play&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.44097&amp;variant=data&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Before forming Out Hud in 1996, Phyllis Forbes and Molly Schnick played together in Bay Area punk outfit the Tourettes while other bandmembers continue to play in electro-glitch funk band Chik, Chik, Chik. 2002's debut EP, <I>S.T.R.E.E.T. D.A.D.,</I> mixes cello with power tools, beats and zany song titles like "Dad, There's A Little Phrase Called Too Much Information." <I>Let Us Never Speak Of It Again</I> released in 2005, explores a warmer, poppier area pioneered by 1980s synth heroes, the Human League, and raises the bar with song titles like "Dear Mr. Bush, There Are! Over 100 Words For Sh*t, And Only One For Music, F*ck You, Out Hud." Never afraid to spend years polishing and tweaking in the mixing room, yet simultaneously famous for some spectacular live performances, Out Hud are an honest band continuing to make honest music.
- Neil West]]></description>
</item><item>
<title>Zongamin</title>
<link>http://www.rhapsody.com/goto?rcid=art.65528&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</link>
<category>Post-Punk</category>
<pubDate>Fri, 23 Oct 2009 16:25:16 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss">Top Punk-Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.65528</guid>
<rhap:rcid xmlns:rhap="rhap">art.65528</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Zongamin</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.65528</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.65528&amp;variant=play&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.65528&amp;variant=data&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Automatic Automatic</title>
<link>http://www.rhapsody.com/goto?rcid=art.14200490&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</link>
<category>Punk-Funk</category>
<pubDate>Tue, 17 Mar 2009 20:31:10 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss">Top Punk-Funk Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.14200490</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Automatic Automatic</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.14200490</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.14200490&amp;variant=play&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.14200490&amp;variant=data&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Automatic Automatic is a quartet made up of childhood friends Robin Hawkins,
James Frost, Alex Pennie and Iwan Griffiths, who make self-described "electro-disco-metal-rock." Based in Cardiff, UK, their first full-length record, <i>Not Accepted Anywhere</i> was released in the US in the summer of 2007.
- Nate Cavalieri]]></description>
</item><item>
<title>Tussle</title>
<link>http://www.rhapsody.com/goto?rcid=art.6569666&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</link>
<category>Ambient Dub</category>
<pubDate>Sun, 20 Sep 2009 09:11:02 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss">Top Punk-Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6569666</guid>
<rhap:rcid xmlns:rhap="rhap">art.6569666</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Tussle</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6569666</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6569666&amp;variant=play&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6569666&amp;variant=data&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Dinosaur L</title>
<link>http://www.rhapsody.com/goto?rcid=art.7562222&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</link>
<category>Punk-Funk</category>
<pubDate>Tue, 23 Jun 2009 17:26:07 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss">Top Punk-Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.7562222</guid>
<rhap:rcid xmlns:rhap="rhap">art.7562222</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Dinosaur L</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7562222</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7562222&amp;variant=play&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7562222&amp;variant=data&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Bush Tetras</title>
<link>http://www.rhapsody.com/goto?rcid=art.10575&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</link>
<category>No Wave</category>
<pubDate>Tue, 17 Mar 2009 20:33:06 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss">Top Punk-Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.10575</guid>
<rhap:rcid xmlns:rhap="rhap">art.10575</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Bush Tetras</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.10575</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10575&amp;variant=play&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10575&amp;variant=data&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Emerging from New York's No Wave scene in the early 1980s, the Bush Tetras were a mostly female ensemble rendering urban primitive Funk in the same vein as James Chance and the Contortions. Crude musicianship and repetitious vocals gave them little promise of commercial success, but they possessed a large enough underground following to reunite and record an LP (their first) in the '90s.
- Chad Driscoll]]></description>
</item><item>
<title>23 Skidoo</title>
<link>http://www.rhapsody.com/goto?rcid=art.8653317&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</link>
<category>Punk-Funk</category>
<pubDate>Thu, 6 Nov 2008 10:15:31 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss">Top Punk-Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.8653317</guid>
<rhap:rcid xmlns:rhap="rhap">art.8653317</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">23 Skidoo</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.8653317</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8653317&amp;variant=play&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8653317&amp;variant=data&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Bitch</title>
<link>http://www.rhapsody.com/goto?rcid=art.4121&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</link>
<category>Punk-Funk</category>
<pubDate>Fri, 9 Oct 2009 16:22:21 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss">Top Punk-Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4121</guid>
<rhap:rcid xmlns:rhap="rhap">art.4121</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Bitch</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4121</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4121&amp;variant=play&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4121&amp;variant=data&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[L.A. Glam Metal progenitors with torrid lyrics and wretched cover art but relatively satisfying songcraft -- so far as Glam Metal goes. Bitch helped pioneer SoCal's Pop Metal scene by playing Ms. Hyde to Aerosmith's Dr. Jekyll. You've got to respect singer Betsy Weiss, who whipped and clawed her way (in the best dominatrix fashion) into the ranks of heavy metal's at the time all-male, er, <I>member</I>ship.
- Chad Driscoll]]></description>
</item><item>
<title>Konk</title>
<link>http://www.rhapsody.com/goto?rcid=art.14960362&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</link>
<category />
<pubDate>Sat, 12 Dec 2009 11:16:26 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss">Top Punk-Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.14960362</guid>
<rhap:rcid xmlns:rhap="rhap">art.14960362</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Konk</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.14960362</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.14960362&amp;variant=play&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.14960362&amp;variant=data&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Welcome Stranger</title>
<link>http://www.rhapsody.com/goto?rcid=art.11029294&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss</link>
<category>Electronica/Dance</category>
<pubDate>Thu, 22 Oct 2009 13:15:24 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=219&amp;rws=%2Falt-punk%2Fpunk-funk%2Fartist-chart.rss">Top Punk-Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.11029294</guid>
<rhap:rcid xmlns:rhap="rhap">art.11029294</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Welcome Stranger</rhap:artist>
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