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<title>Top Classic Power Pop Artists on Rhapsody Online</title><link>http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1052&amp;rws=%2Falt-punk%2Fpower-pop%2Fclassic-power-pop%2Fartist-chart.rss</link><description>Top Classic Power Pop Artists on Rhapsody Online</description><category>Classic Power Pop</category><language>en</language><ttl>720</ttl><pubDate>Tue, 15 Dec 2009 00:13:28 -0800</pubDate><image>
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<title>Top Classic Power Pop Artists on Rhapsody Online</title>
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<title>Cheap Trick</title>
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<category>Power Pop</category>
<pubDate>Thu, 10 Dec 2009 10:52:46 -0800</pubDate>
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<description><![CDATA[Emerging from the Chicago suburbs in the mid/late 1970s, Cheap Trick's fuzzy Power Pop stood out amidst a rock/pop field of aging dinosaurs (the Who, Zeppelin), nihilistic punks (the Pistols) and cheesy Disco (the Bee Gees). Combined with singer Robin Zander's sex appeal and careening vocals, guitarist Rick Nielsen's penchant for loud guitar hooks have written the quartet some gigantic checks over the years, particularly after the multi-platinum live record <i>At Budokan</i> made them superstars around the end of the '70s. Legendary hits such as "Southern Girls" and "I Want You To Want Me" bounced, rocked and rolled with electrifying fervor, helping to jump-start an American Power Pop scene that had stalled in the mid-'70s with the demise of Big Star and the Raspberries. Cheap Trick took those bands' supreme sense of melody and cranked the amps up louder than they ever did: "Surrender" remains the loudest catchy song -- and the catchiest loud song -- this side of the Replacements. The band has continued in the decades since, enduring a fallow, big-haired period in the '80s and widespread reverence in the '90s from younger bands wishing to carry on the Power Pop flame.
- Eric Shea]]></description>
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<title>Todd Rundgren</title>
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<category>Art &amp; Progressive Rock</category>
<pubDate>Fri, 4 Dec 2009 13:21:19 -0800</pubDate>
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<description><![CDATA[There are more sides to Todd Rundgren than there are sides of the dice rolled by the fans of his Prog phase. A true workaholic, Rundgren and Carson Van Osten formed one of the first anglophile bands, the Nazz, in 1967. Rundgren left the group in 1969 to experiment with sounds that the Nazz wouldn't allow. In 1971, his single "We Gotta Get You a Woman" (recorded with the band Runt) earned him a spot on the Top-20. Between the '70s and '80s, he released about two albums a year, either solo or with his band Utopia. On the side, he recorded and produced successful albums by bands like Meat Loaf, the New York Dolls, XTC, Badfinger, Grand Funk Railroad and the Band. In 1972, Rundgren released the critically acclaimed double album <i>Something/Anything</i>. Here, he began to really take his blossoming love for power pop to new grounds, playing every instrument, singing every vocal part and producing the entire album by himself. His 1974 release <i>Todd</i> flirted with lengthy Prog instrumentals and paved the path for his new direction with Utopia. Even through his progressive stage, his diehard cult fans remained loyal. Today Todd Rundgren is still recording, and is an active supporter of music distribution through the internet; he's also working on an autobiography of his life. Most recently, he signed on to replace Ric Ocasek as lead singer of the New Cars.]]></description>
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<title>Badfinger</title>
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<category>Power Pop</category>
<pubDate>Fri, 13 Nov 2009 12:39:16 -0800</pubDate>
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<description><![CDATA[Badfinger's music has often been referred to as "drunken Beatles," a slower, more rock 'n' roll-influenced take on <I>Let It Be</I>-era Fab Four. Guitarist Pete Ham's bluesy tones underscored his vocal harmonies, sung in a passionately English timbre with bassist Tom Evans and guitarist Joey Molland. Paul McCartney discovered the band in 1968, and promptly signed them to the Beatles' Apple Records label. Their first hit came in 1969, the memorably catchy "Come And Get It." The two Badfinger hits featured here came from the band's third LP, <I>Straight Up</I>, produced by George Harrison and Todd Rundgren. Ham took his life in 1975, Evans took his in 1983. Molland continues to tour under the Badfinger name.
- Eric Shea]]></description>
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<title>Nick Lowe</title>
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<category>Pub Rock</category>
<pubDate>Sat, 24 Oct 2009 12:06:23 -0700</pubDate>
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<description><![CDATA[Name anything good about Indie rock -- chances are Nick Lowe did it first. He's been writing witty and literate pop ditties since the early 1970s. He was helping young punks do it themselves decades before Lo-Fi existed. And he latched on to country music when Jeff Tweedy was still in junior high. (Lowe's take on Alt-Country is so authentic, he was actually Johnny Cash's son-in-law for a little while.) Maybe he'd be a superstar if he could stop amusing himself with clever puns (he named one EP <I>Bowi</I> in a convoluted take-off of that artist's <I>Low</I>), but it's more likely that a talent like Lowe's was doomed to cult-dom from the beginning. If you like your music smart, idiosyncratic and deceptively simple, give him a chance.
- Tim Quirk]]></description>
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<title>The Romantics</title>
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<category>Power Pop</category>
<pubDate>Fri, 13 Nov 2009 12:37:25 -0800</pubDate>
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<description><![CDATA[The Romantics may be most famous for "That's What I Like About You," and that songwriting formula is certainly utilized throughout their set. Their version of Power Pop is built on hooks, harmonies, and that classic Rickenbacker, "Paperback Writer" tone.
- Eric Shea]]></description>
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<title>Big Star</title>
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<category>Power Pop</category>
<pubDate>Wed, 25 Nov 2009 11:49:23 -0800</pubDate>
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<description><![CDATA[Decades after their breakup in 1975, Memphis' Big Star still remain one of the most influential cult bands in the United States. The music of Big Star -- which featured songwriters Alex Chilton and the late Chris Bell, as well as drummer Jody Stephens and bassist Andy Hummell -- is built around a studied purist's pop foundation. Much like the Beatles, Big Star's upbeat pop/rock songs are filled with soaring harmonies, addictive hooks and guitar riffs that still baffle the virtuosos. Big Star's classic, sometimes difficult <i>Third/Sister Lovers</i> LP boasted a departure from the classic pop/rock formula into a much darker, drug-fueled realm of heartache and loss mixed with over-the-top studio innovation. Many musicians have said that Big Star were to the 1970s what the Velvet Underground were to the 1960s.
- Eric Shea]]></description>
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<title>The Knack</title>
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<category>Power Pop</category>
<pubDate>Thu, 3 Dec 2009 22:53:22 -0800</pubDate>
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<description><![CDATA[The Knack's debut album sold an astounding eleven million copies and spun off the hits "My Sharona" and "Good Girls Don't." Their propulsive Power Pop may have been bested by the Plimsouls, but their catchy tunes sound great on the radio during any era.
- Nick Dedina]]></description>
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<title>The Raspberries</title>
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<category>Power Pop</category>
<pubDate>Fri, 13 Nov 2009 12:37:25 -0800</pubDate>
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<title>The Plimsouls</title>
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<category>Power Pop</category>
<pubDate>Tue, 8 Dec 2009 09:16:48 -0800</pubDate>
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<description><![CDATA[Though their fame was short-lived, the Plimsouls managed to carve out a sizably influential niche in the early '80s. Their unique mix of Punk aggressiveness, New Wave style, straight-ahead guitar rock and Peter Case's crafty songwriting endeared them to a legion of Power-Poppers looking for something with a little more substance than much of the New Wave of the day. After a decade-plus hiatus, the Los Angeles quartet reformed in the mid '90s for a comeback album of sorts, <i>Kool Trash</i>, featuring the impeccably catchy "Dangerous Book."
- Charles Hodgkins]]></description>
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<title>The Rubinoos</title>
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<category>Power Pop</category>
<pubDate>Thu, 10 Dec 2009 10:52:25 -0800</pubDate>
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<description><![CDATA[A one-hit near wonder, the Rubinoos helped usher in the wave of Power Pop that came soon after the first flood of Punk in 1977. Their cover of Tommy James' "I Think We're Alone Now" brushed the charts and was as close as these boys and their jangly pop songs would get to success. Like all great pop music, they're fun, innocent and infectiously catchy.
- Mark Murrmann]]></description>
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<title>Eddie and the Hot Rods</title>
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<category>Pub Rock</category>
<pubDate>Fri, 23 Oct 2009 11:56:06 -0700</pubDate>
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<title>Shoes</title>
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<category>Power Pop</category>
<pubDate>Sat, 21 Nov 2009 13:43:15 -0800</pubDate>
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