http://www.rhapsody.com/charts?cat=artist&category=genre&genreId=390&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rssTop Noise Pop Artists on Rhapsody OnlineNoise Popen720Sat, 2 Jan 2010 02:50:15 -0800 http://static.realone.com/rotw/images/logo_rhapsody_113x22.gif http://www.rhapsody.com/charts?cat=artist&category=genre&genreId=390&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Top Noise Pop Artists on Rhapsody Online http://www.rhapsody.com/goto?rcid=art.5497&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Indie/Alternative Fri, 1 Jan 2010 10:23:45 -0800 Top Noise Pop Artists on Rhapsody Online art.5497 art.5497 Modest Mouse art.5497 http://www.rhapsody.com/goto?rcid=art.5497&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.5497&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.43119&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Dream Pop Fri, 1 Jan 2010 10:23:52 -0800 Top Noise Pop Artists on Rhapsody Online art.43119 art.43119 Smashing Pumpkins art.43119 http://www.rhapsody.com/goto?rcid=art.43119&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.43119&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Gish, Siamese Dream, and Mellon Collie and the Infinite Sadness -- in addition to the myriad songs released as non-album tracks during that time -- were chiefly characterized by Corgan's vocals that could whisper one moment and wail the next, Corgan and James Iha's overdriven, buzzing, these-go-to-11 guitars, and Jimmy Chamberlin's propulsive, overwhelmingly powerful drum work that thrust "Silverf*ck," "Bury Me," and "Geek U.S.A." into fifth gear. Lineup changes and an electronica-embracing sound muddled the band's late '90s efforts, and the Pumpkins called it quits in 2000. After years of near-constant speculation, Corgan and Chamberlin partnered to reform the group in 2007, releasing the bombastic Zeitgeist and returning to the world stage. - Charles Hodgkins]]> http://www.rhapsody.com/goto?rcid=art.55993&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Sun, 27 Dec 2009 10:14:28 -0800 Top Noise Pop Artists on Rhapsody Online art.55993 art.55993 Pixies art.55993 http://www.rhapsody.com/goto?rcid=art.55993&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.55993&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Surfer Rosa, the Pixies' 1988 full-length debut of skronked-out, surf-damaged punk-pop, was a revelation to just about everyone who heard it. At first listen the remedial chord progressions, utterly nonsensical lyrics, and bizarre delivery sounded like the flailings of inept college rockers with a psychotropic casualty for a lead singer, but once the hooks were in, there was no escape. The Bostonians reminded everyone how to write a perfect, repetitive song that you knew by heart two seconds in. With wonder-twin powers Black Francis and Kim Deal writing paeans to sexually charged dementia, an idiosyncratic guitar sound, and what sounded like the Jolly Green Giant playing drums, the Pixies took the alt-rock world by storm, releasing four near-perfect records before self-destructing under the weight of their own talent, in 1993, after opening U2's Zoo TV tour. In their wake, Deal went full-time with her side-project the Breeders and began working on Last Splash, which would eventually go gold in the U.S., and Black -- as Frank Black -- starting penning a solo eponymous debut, which didn't fair so well. In 2004 -- with disparate and storied careers -- Deal, Black Francis, Joey Santiago and David Lovering reunited for a North American tour and several dates at European summer festivals. The group is currently rumored to be working on a new studio album, the first since 1991. - Mike McGuirk]]> http://www.rhapsody.com/goto?rcid=art.9468165&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Fri, 1 Jan 2010 10:23:51 -0800 Top Noise Pop Artists on Rhapsody Online art.9468165 art.9468165 Band Of Horses art.9468165 http://www.rhapsody.com/goto?rcid=art.9468165&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.9468165&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Everything All The Time, was released in 2006, and that's more than enough reason to start a stampede. - Michele K-Tel]]> http://www.rhapsody.com/goto?rcid=art.63230&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Indie/Alternative Fri, 1 Jan 2010 10:23:44 -0800 Top Noise Pop Artists on Rhapsody Online art.63230 art.63230 Spoon art.63230 http://www.rhapsody.com/goto?rcid=art.63230&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.63230&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss
Singer, guitarist and primary songwriter Britt Daniel formed Spoon — named for a song by the German experimental band Can — in 1993 along with drummer Jim Eno, guitarist Greg Wilson and bassist Andy McGuire. The following year, the band released a seven-inch EP, Nafarious, on the small indie label Fluffer Records. Spoon caught the attention of the larger indie label Matador Records, on which the band released its first full-length disc, Telephono, in 1996. The album was hailed by critics and fans of indie rock, and the band soon found itself being courted by the major label Elektra Records. The group’s 1998 Elektra debut, A Series of Sneaks, was an artistic leap for the band and that album, too, was championed by critics. But Sneaks didn’t sell as quickly as Elektra wanted, and the label abandoned Spoon just four months after the album’s release. Disheartened by Elektra executives Ron Laffitte, who had signed the band, and CEO Sylvia Rhone, Spoon wrote two songs questioning their ethics: “The Agony of Laffitte” and “Laffitte Don’t Fail Me Now.”

Spoon’s major-label woes didn’t stop Daniel and company from continuing to write and record, and in 2001 the band signed with North Carolina indie label Merge Records. Spoon’s first Merge album, Girls Can Tell (Number 46 Top Independent Albums, 2001), and its follow-up, Kill the Moonlight (Number 23 Top Independent Albums, 2002), both outsold the band’s previous two discs. When one of Moonlight’s tracks, “The Way We Get By,” appeared in the popular teen TV show The O.C., Spoon got a measure of mainstream attention. Gimme Fiction (Number 44 pop, 2005), the group’s highly anticipated follow-up, was three years in the making and wound up selling 160,000 copies. The next year, Daniel co-wrote the soundtrack for the Will Ferrell comedy Stranger than Fiction. Also that year, Merge reissued the group’s first album together with its 1997 EP, Soft Effects. When Ga Ga Ga Ga Ga (Number Ten pop, 2007) came out to raves, Spoon went on the late-night TV circuit, including an appearance on Saturday Night Live where they performed the single “The Underdog” (Number 26 Modern Rock, 2007) and “You Got Yr. Cherry Bomb.” A second single, “Don’t You Evah,” reached Number 33 on the Modern Rock chart in 2008. ]]> http://www.rhapsody.com/goto?rcid=art.6996&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Fri, 1 Jan 2010 10:23:52 -0800 Top Noise Pop Artists on Rhapsody Online art.6996 art.6996 The Flaming Lips art.6996 http://www.rhapsody.com/goto?rcid=art.6996&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.6996&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss In a Priest Driven Ambulance. Fusing only bits of their endearing, off-kilter indie rock into a sonically intense and more innovative fuzzcraft of mid-tempo songs and walls of neo-psychedelic guitar drone, IPDA offered up such memorable pop thunder as "Unconsciously Screamin'" "Rainin' Babies" and "Mountainside." Their songwriting having drastically improved, each completed song brought new, succinct arrangements and different chord progressions -- yet the album as a whole had an incredibly loud, distinctive sound. Subsequent albums like Hit to Death in the Future Head and Transmissions from the Satellite Heart began yet another chapter in the Lips' ever-transforming career, employing more selectively the relentless yet blissful bombast of IPDA into beautifully orchestrated, stripped-down mega-productions of pristine guitar twinkle and LSD-impaired Beach Boys harmonies. (Transmissions also spawned the Lips' big moment in the mainstream sun with the ubiquitous "She Don't Use Jelly.") Since the untimely departure of guitarist/noise enthusiast Ronald Jones, the Flaming Lips have resembled more a pop-deconstructionist science fair than a rock band, with drummer Steven Drozd and founder Wayne Coyne working as synched-up visionaries rather than contributing members of the same band. 1999's The Soft Bulletin found them again on the cusp of disciplinary mastery, incorporating their bent inclinations and atmospherics even more subtly into their strangely familiar and narcotic brand of pop, while donning character costumes on stage. Their next release, Yoshimi Battles The Pink Robots followed the same path, albeit with even brighter production and a greater attention to detail. At its core, however, the record was a mediation on love, death and the assurance is life after almost unendurable psychic pain. On the Oklahoma City band's 2006 opus At War With The Mystics, spiritual leader and sonic ringmaster Coyne shows the sheer depth of his profundity when he casts his baleful eye outward, focusing his laser vision on current events; pointing a sharp stick at frothy pop icons, superficial thinkers, the abuse of power-both personal and political-and fanaticism wherever it shows up in culture. Their songs show that there's a lot more going on underneath those pink bunny suits than we ever imagined. - Rachel Devitt]]> http://www.rhapsody.com/goto?rcid=art.3931&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Mon, 14 Dec 2009 10:05:30 -0800 Top Noise Pop Artists on Rhapsody Online art.3931 art.3931 Dinosaur Jr. art.3931 http://www.rhapsody.com/goto?rcid=art.3931&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.3931&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.5201&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Indie/Alternative Wed, 2 Dec 2009 11:07:38 -0800 Top Noise Pop Artists on Rhapsody Online art.5201 art.5201 Pavement art.5201 http://www.rhapsody.com/goto?rcid=art.5201&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.5201&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Slanted and Enchanted was an instant sensation, helping to establish Lo-Fi as one of the preeminent subgenres of Indie Rock. Their unique, raggedly endearing sound -- shambling vocals attached to both pop hooks and discordant, repetitive rhythms colored by low fidelity production and bursts of noisy guitar -- has elevated them to deity status in the Indie community. They've done much to promote the Lo-Fi sound in the meantime, gaining an increasingly widespread cult following while occasionally breaking into the alternative mainstream. - Will Lerner]]> http://www.rhapsody.com/goto?rcid=art.60999&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Thu, 31 Dec 2009 11:22:57 -0800 Top Noise Pop Artists on Rhapsody Online art.60999 art.60999 The Jesus and Mary Chain art.60999 http://www.rhapsody.com/goto?rcid=art.60999&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.60999&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Psychocandy. Influential beyond measure, it threw together walls of white feedback with angelic Beach Boys and Byrds-ian harmonies and the independent music world is still aping it. Their growth since that record has been marked by ups and downs and some might say, by a lack of growth at all. They've gone from confrontational noise to sample-heavy alterna-hits, to acoustic bliss and back to noise again. The brothers Reid (Jim and William) have not been known to deny their influence and continue their onstage feuding: drunken assaults amidst a smattering of occasional strung-out brilliance and too-often sameness. - Jon Pruett]]> http://www.rhapsody.com/goto?rcid=art.651&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Sat, 24 Oct 2009 12:08:47 -0700 Top Noise Pop Artists on Rhapsody Online art.651 art.651 The Breeders art.651 http://www.rhapsody.com/goto?rcid=art.651&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.651&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.4219&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Power Pop Fri, 1 Jan 2010 10:23:51 -0800 Top Noise Pop Artists on Rhapsody Online art.4219 art.4219 Sloan art.4219 http://www.rhapsody.com/goto?rcid=art.4219&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.4219&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Smeared); produced hooky, true-blue classic pop (One Chord to Another); and delivered classic rock-influenced, slightly dirtied power pop (Navy Blues) with the same satisfying end results. Once their secret gets out, maybe Sloan will achieve the success they so deserve outside of their native Canada. Until then, they remain Halifax's most wonderful, engaging secret. - Kali Holloway]]> http://www.rhapsody.com/goto?rcid=art.1584&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Fri, 1 Jan 2010 10:23:16 -0800 Top Noise Pop Artists on Rhapsody Online art.1584 art.1584 Nada Surf art.1584 http://www.rhapsody.com/goto?rcid=art.1584&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.1584&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.796&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Mon, 28 Dec 2009 09:24:37 -0800 Top Noise Pop Artists on Rhapsody Online art.796 art.796 Husker Du art.796 http://www.rhapsody.com/goto?rcid=art.796&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.796&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Land Speed Record, initiated their uncompromising sonic assault, and they never let up. Bob Mould and Grant Hart wrote tight pop gems, covering them with a guitar noise that other bands are still trying to imitate. Mould battered and strummed his Flying V guitar and shouted his frustration to the world, Hart pounded double time and stretched his vocal chords from behind the kit, and Greg Norton built a wide foundation of buzzing, relentless bass.

They seemed to get better with every passing year, and after a slew of exceptional records they signed with a major label, Warner Bros., for 1986's Candy Apple Grey and '87's double-LP Warehouse: Songs and Stories. But the group disintegrated within a year and a half as drugs, self-destruction and tensions within the group took their toll in classic rock 'n' roll fashion. Wrapping angst, abandon, and well-crafted pop songs up in a furious guitar squall, Husker Du unwittingly created the template for indie rock -- they made a sound and a legend that continues to haunt the alternative rock world to this day. - Chris Slater]]> http://www.rhapsody.com/goto?rcid=art.1363&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Post-Punk Thu, 31 Dec 2009 11:24:10 -0800 Top Noise Pop Artists on Rhapsody Online art.1363 art.1363 The Fall art.1363 http://www.rhapsody.com/goto?rcid=art.1363&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.1363&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.5382&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Fri, 1 Jan 2010 10:23:44 -0800 Top Noise Pop Artists on Rhapsody Online art.5382 art.5382 Tripping Daisy art.5382 http://www.rhapsody.com/goto?rcid=art.5382&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.5382&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.4235&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Indie/Alternative Thu, 29 Oct 2009 10:55:44 -0700 Top Noise Pop Artists on Rhapsody Online art.4235 art.4235 Beulah art.4235 http://www.rhapsody.com/goto?rcid=art.4235&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.4235&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.6250&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Krautrock Fri, 4 Dec 2009 13:20:38 -0800 Top Noise Pop Artists on Rhapsody Online art.6250 art.6250 The Notwist art.6250 http://www.rhapsody.com/goto?rcid=art.6250&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.6250&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss 12, the Notwist were putting fanciful dystopian machine worlds on their CD covers, stretching song lengths, and creating an intermittently string-sectioned and increasingly spacious species of doomsday art-rock, as indebted to early Metallica as to Can; an impossibly sad and sweet 1994 cover of Robert Palmer's forgotten electro-pop track "Johnny and Mary" proved a clear turning point. In 1997, the band added a keyboardist, and before long was collaborating with techno artists. As they upped the glitch quotient on 1998's Shrink and especially 2002's critic-approved Neon Golden, indie fans outside Europe took notice. If The Devil, You + Me got less attention six years later, that says more about hipster fickleness than any slippage on the Notwist's part. - Chuck Eddy]]> http://www.rhapsody.com/goto?rcid=art.9532872&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Indie/Alternative Sat, 24 Oct 2009 12:06:41 -0700 Top Noise Pop Artists on Rhapsody Online art.9532872 art.9532872 The Whigs art.9532872 http://www.rhapsody.com/goto?rcid=art.9532872&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.9532872&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.5625&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Wed, 9 Dec 2009 10:55:01 -0800 Top Noise Pop Artists on Rhapsody Online art.5625 art.5625 Deerhoof art.5625 http://www.rhapsody.com/goto?rcid=art.5625&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.5625&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss The Man, The King, The Girl in 1997 and Holdy Paws in 1999. Fisk then left to form 7 Year Rabbit Cycle, prompting Half Bird, a rarities album of material from their earliest years. John Dieterich took over guitar duties and recorded 2002's Reveille, the first of the band's albums to reach a sizable indie audience. Second guitarist Chris Cohen joined in time for 2003's Apple O. Milk Man, the band's 2004 album, was a concept album about a banana-wielding character drawn by artist Ken Kagami. An MP3-only record, Bibidi Badibi Boo, and EP Green Cosmos followed. In November 2005, Runners Four was released. - Daphne Carr]]> http://www.rhapsody.com/goto?rcid=art.40040&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Wed, 28 Oct 2009 10:43:20 -0700 Top Noise Pop Artists on Rhapsody Online art.40040 art.40040 Frank Black art.40040 http://www.rhapsody.com/goto?rcid=art.40040&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.40040&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.6164&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Lo-Fi Sat, 2 May 2009 10:10:59 -0700 Top Noise Pop Artists on Rhapsody Online art.6164 art.6164 Sebadoh art.6164 http://www.rhapsody.com/goto?rcid=art.6164&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.6164&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.5321&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Contemporary Hard Rock Wed, 7 Oct 2009 12:13:58 -0700 Top Noise Pop Artists on Rhapsody Online art.5321 art.5321 Remy Zero art.5321 http://www.rhapsody.com/goto?rcid=art.5321&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.5321&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.9143738&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Sat, 3 Oct 2009 10:44:42 -0700 Top Noise Pop Artists on Rhapsody Online art.9143738 art.9143738 Mum art.9143738 http://www.rhapsody.com/goto?rcid=art.9143738&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.9143738&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss moom) are difficult to put into any one category. Like fellow Icelandic artist Bjork, mum defy labels by simply creating experimental pop music that they enjoy instead of focusing on mass appeal. Gunnar Orn Tynes and Orvar Smarason formed the Reykjavik-based ensemble in 1997. Through the years, the duo has collaborated with other Icelandic musicians and has taken an experimental approach to creating quirky music. Mum's swooning arrangements are dotted with all types of strange instruments, but they also use piano, harp and other strings to build their musical collages. Along with extensive touring around the globe, the band has taken time to remix for Goldfrapp and recently joined the National Dutch Chamber Orchestra for a live performance. Embracing their ever-changing roster of musicians, mum view themselves as a musical collective rather than a traditional band. - Jamie Sanchez]]> http://www.rhapsody.com/goto?rcid=art.13654&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Emo/Hardcore Fri, 18 Sep 2009 17:54:24 -0700 Top Noise Pop Artists on Rhapsody Online art.13654 art.13654 The Juliana Theory art.13654 http://www.rhapsody.com/goto?rcid=art.13654&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.13654&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.3648&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Thu, 19 Nov 2009 15:23:33 -0800 Top Noise Pop Artists on Rhapsody Online art.3648 art.3648 Buffalo Tom art.3648 http://www.rhapsody.com/goto?rcid=art.3648&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.3648&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Let Me Come Over LP embraced a cleaner production style, and found the band in an only slightly more controlled state of bedlam; the euphoric thunder of "Staples" and heart wrenching melancholia of "Taillights Fade" stand as testimonial. The Buffalo Tom of late has sacrificed the distortion pedals for cleaner amplification, offering miles of spotless guitar melodies and leaving room for Bill Janovitz's refined vocals. While they are no longer the Converse call-to-arms of college radio past, even BT's most lackluster efforts will always shine brighter than most. - Kelly Bauman]]> http://www.rhapsody.com/goto?rcid=art.5417&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Shoegazer Sat, 10 Oct 2009 10:13:27 -0700 Top Noise Pop Artists on Rhapsody Online art.5417 art.5417 Catherine Wheel art.5417 http://www.rhapsody.com/goto?rcid=art.5417&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.5417&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Ferment (1992), their ensuing albums have shown the band moving into more complexly rhythmic, jaggedly percussive territories and embracing guitar-driven pyrotechnics with more fervency than ever. From this era of whitewashed beauty comes the outfit's most simultaneously beautiful and abrasive work to date. Sadly, without the attention and unassailable status enjoyed by the genre's definitive acts (see: My Bloody Valentine, Ride, Swervedriver), Catherine Wheel continue to evolve in the shadows for a small but devout group of fans. - Kelly Bauman]]> http://www.rhapsody.com/goto?rcid=art.66298&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Dream Pop Thu, 27 Aug 2009 09:55:08 -0700 Top Noise Pop Artists on Rhapsody Online art.66298 art.66298 Team Sleep art.66298 http://www.rhapsody.com/goto?rcid=art.66298&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.66298&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.5028&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Thu, 16 Apr 2009 10:03:00 -0700 Top Noise Pop Artists on Rhapsody Online art.5028 art.5028 Mclusky art.5028 http://www.rhapsody.com/goto?rcid=art.5028&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.5028&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.6443&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Indie/Alternative Thu, 29 Oct 2009 10:55:24 -0700 Top Noise Pop Artists on Rhapsody Online art.6443 art.6443 Superchunk art.6443 http://www.rhapsody.com/goto?rcid=art.6443&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.6443&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss No Pocky for Kitty still reeks with as much energy and inventiveness as the more recent Hello Hawk. Fronted by Mac McCaughan's timid vocals and urgent guitars, Superchunk are one of the best realizations of the punk rock aesthetic coupled with prolific pop. No music enthusiast can exist without the powerfully anthemic "Skip Steps 1&3" or "On the Mouth." Same goes for the yearning "Throwing Things" or "Driveway to Driveway." Pretty much inventing the currency "indie-cred" by virtue of ignoring all major label advances and focusing on growing their own successful label, Merge, Superchunk have forged a career on sheer talent and will alone.]]> http://www.rhapsody.com/goto?rcid=art.5086&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss New Wave Sun, 20 Dec 2009 09:42:22 -0800 Top Noise Pop Artists on Rhapsody Online art.5086 art.5086 The Waitresses art.5086 http://www.rhapsody.com/goto?rcid=art.5086&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.5086&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.56398&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Lo-Fi Tue, 21 Jul 2009 16:00:06 -0700 Top Noise Pop Artists on Rhapsody Online art.56398 art.56398 Microphones art.56398 http://www.rhapsody.com/goto?rcid=art.56398&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.56398&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.5612&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Indie/Alternative Wed, 24 Jun 2009 13:55:15 -0700 Top Noise Pop Artists on Rhapsody Online art.5612 art.5612 Quasi art.5612 http://www.rhapsody.com/goto?rcid=art.5612&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.5612&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.6879&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Baroque Pop Fri, 18 Dec 2009 12:08:51 -0800 Top Noise Pop Artists on Rhapsody Online art.6879 art.6879 Mercury Rev art.6879 http://www.rhapsody.com/goto?rcid=art.6879&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.6879&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.56777&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Dream Pop Sat, 19 Dec 2009 10:51:48 -0800 Top Noise Pop Artists on Rhapsody Online art.56777 art.56777 Wheat art.56777 http://www.rhapsody.com/goto?rcid=art.56777&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.56777&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.35813&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Fri, 4 Dec 2009 13:21:22 -0800 Top Noise Pop Artists on Rhapsody Online art.35813 art.35813 Sugar art.35813 http://www.rhapsody.com/goto?rcid=art.35813&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.35813&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Copper Blue had a sparkling debut and earned the band a pair of radio hits; and though the harsher Beaster and final File Under: Easy Listening never quite reached the overdriven Power Pop brilliance attained with the first record, both are nonetheless testaments to the band's unique and touching songwriting style. - Doug Russell]]> http://www.rhapsody.com/goto?rcid=art.68516&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Post-Punk Wed, 18 Nov 2009 13:05:58 -0800 Top Noise Pop Artists on Rhapsody Online art.68516 art.68516 Shudder To Think art.68516 http://www.rhapsody.com/goto?rcid=art.68516&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.68516&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.56992&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Shoegazer Thu, 19 Nov 2009 15:23:33 -0800 Top Noise Pop Artists on Rhapsody Online art.56992 art.56992 Swervedriver art.56992 http://www.rhapsody.com/goto?rcid=art.56992&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.56992&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.4638&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Wed, 2 Dec 2009 11:08:04 -0800 Top Noise Pop Artists on Rhapsody Online art.4638 art.4638 Archers of Loaf art.4638 http://www.rhapsody.com/goto?rcid=art.4638&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.4638&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Bee Thousand. The short, sweet "Web in Front" introduced the world at large to the Archers' chiming, warped guitars (see: Polvo, Pavement) and singer/guitarist Eric Bachman's nasal, nice-punk vocal grit. Ingratiating and abstractly sociopolitical, songs like "Lowest Part is Free," "Audiowhore," and "Harnessed in Slums" qualified as full-fledged calls-to-arms for the Chuck Taylor-clad set. But even as early as their second album, songs began to foreshadow aversion to the sometimes cold waters of mainstream success. In Vee Vee's "Greatest of All Time," Bachman offers a sympathetic hand to "the front man of the world's worst rock 'n' roll band" who's been placed on trial by a bunch of cigarette-smoking hipsters. The chorus resounds gravely as the jury decrees: "Throw him in the River, throw the bastard in the river." With each succeeding release the band seemed to shrink away from the accessible, eventually calling it quits altogether. - Kelly Bauman]]> http://www.rhapsody.com/goto?rcid=art.1001&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Emo/Hardcore Tue, 17 Mar 2009 20:30:48 -0700 Top Noise Pop Artists on Rhapsody Online art.1001 art.1001 Jets to Brazil art.1001 http://www.rhapsody.com/goto?rcid=art.1001&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.1001&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Movement) and sharp, mature songwriting play catalyst for the band, providing a platform for screaming chug-alongs ("Morning New Disease"), cathartic anthems ("I Typed For Miles"), moody dirges ("Sea Anemone") and even acoustic, slightly bent love songs ("Sweet Avenue"). Finally, Schwarzenbach's shrewd lyrics continue to amaze with their graceful buoyancy, demonstrating a certain imagistic focus the Punk poet laureate began to realize on Jawbreaker's criminally underappreciated swan song Dear You (1995). - Charles Hodgkins]]> http://www.rhapsody.com/goto?rcid=art.17407&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Fri, 29 May 2009 09:34:51 -0700 Top Noise Pop Artists on Rhapsody Online art.17407 art.17407 The Anniversary art.17407 http://www.rhapsody.com/goto?rcid=art.17407&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.17407&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.10088&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Emo/Hardcore Fri, 11 Dec 2009 11:40:24 -0800 Top Noise Pop Artists on Rhapsody Online art.10088 art.10088 Jawbox art.10088 http://www.rhapsody.com/goto?rcid=art.10088&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.10088&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Grippe and Novelty, would set the standard for the band's songcraft: a dual dissonant guitar attack, pounding bass and jittery drum patterns that supply the soundtrack for Robbins' disjointed, enigmatic lyrics. In 1994, the band shocked the D.C. Indie scene by leaving their independent label for major label Atlantic. The subsequent Savory+3 EP saw Robbins turn up the intensity, using a combination of low volume passages with explosive displays of emotional intensity. The full-length follow-up that same year, For Your Own Special Sweetheart, displayed the band at their diverse best, but also challenged the listener. The band was at their pinnacle, often mixing Power Pop melodies with noise band sensibilities. The group disbanded in 1997.]]> http://www.rhapsody.com/goto?rcid=art.4992368&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Tue, 17 Mar 2009 20:35:34 -0700 Top Noise Pop Artists on Rhapsody Online art.4992368 art.4992368 The Wrens art.4992368 http://www.rhapsody.com/goto?rcid=art.4992368&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.4992368&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.12616748&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Fri, 25 Sep 2009 10:14:22 -0700 Top Noise Pop Artists on Rhapsody Online art.12616748 art.12616748 1990's art.12616748 http://www.rhapsody.com/goto?rcid=art.12616748&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.12616748&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Cookies. The group dropped their sophomore album, Kicks in 2009. - Nate Cavalieri]]> http://www.rhapsody.com/goto?rcid=art.10068&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Brit Rock Tue, 17 Mar 2009 20:32:34 -0700 Top Noise Pop Artists on Rhapsody Online art.10068 art.10068 Idlewild art.10068 http://www.rhapsody.com/goto?rcid=art.10068&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.10068&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Hope Is Important. Released in October of 1998, Hope Is Important was supported by another U.K. tour, as well as a quick tour of the United States and Japan. With the momentum still building, the band closed out 1998 the same way they started: on the road. And when they were "toured-out," the band started writing and demoing new songs, and spent the rest of the year in the recording studio. Released in the U.K. on April 15, 2000, Idlewild's sophomore effort, 100 Broken Windows, entered the album charts at No. 15, while its first single, "Actually It's Darkness" entered the Top Forty, garnering Idlewild the first of many appearances on Top of The Pops. European festival appearances were flanked by yet more tours (is this band ever at home?), and just when the year started to wind down and thoughts were turning to the next album, Spin proclaimed 100 Broken Windows "the No. 1 album you didn't hear" in 2000. That was enough to finally get Captiol Records in America on board, and 100 Broken Windows saw the light of day Stateside in April 2001. And what came next? More tours! The band finished up their American tour with a sizzling performance of "Little Discourage" on The David Letterman Show, and headed back home to work on songs for album number three. Idlewild spent the remainder of 2001 in the Scottish highlands writing and demoing songs, which were recorded the following year. In the end, our road warriors had taken an unprecedented year-and-a-half break from touring! The Remote Part hit record store shelves in March, 2003 and was bolstered by a stunning video by acclaimed German filmmaker Wim Wenders. Massive tours with both Coldplay and Pearl Jam exposed Idlewild to their largest live audiences to date, and ended up being excellent practice what came next: no sooner were Idlewild back in the U.K. for the summer festival season when the Rolling Stones came knocking. Idlewild opened for the Stones in Glasgow that September, capping off one of the most exciting and fruitful years for the band. As is their habit, Idlewild started of 2004 in the Scottish highlands, writing and demoing songs for the next album, which was recorded in Los Angeles over the summer of 2004. Warnings/Promises was released in America in August 2005. - Linda Ryan]]> http://www.rhapsody.com/goto?rcid=art.43246&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Pop Punk Wed, 12 Aug 2009 09:28:26 -0700 Top Noise Pop Artists on Rhapsody Online art.43246 art.43246 Mr. T Experience art.43246 http://www.rhapsody.com/goto?rcid=art.43246&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.43246&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.5345&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Indie/Alternative Tue, 17 Mar 2009 20:34:24 -0700 Top Noise Pop Artists on Rhapsody Online art.5345 art.5345 Crooked Fingers art.5345 http://www.rhapsody.com/goto?rcid=art.5345&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.5345&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Vee Vee. A new, rich collection of work-intensive anthems bent on drinking themselves to death or world domination -- whichever comes first. - Kelly Bauman]]> http://www.rhapsody.com/goto?rcid=art.12845008&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Thu, 1 Oct 2009 11:35:59 -0700 Top Noise Pop Artists on Rhapsody Online art.12845008 art.12845008 The Twilight Sad art.12845008 http://www.rhapsody.com/goto?rcid=art.12845008&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.12845008&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.11816&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Emo/Hardcore Thu, 15 Oct 2009 11:00:11 -0700 Top Noise Pop Artists on Rhapsody Online art.11816 art.11816 Jealous Sound art.11816 http://www.rhapsody.com/goto?rcid=art.11816&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.11816&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss This Conversation Is Ending Starting Right Now, left off. Jealous Sound's crafty songs -- featuring piano and patient, mature songwriting and arranging, in addition to the usual bass, guitar and drums -- hint at great things to come. - Kelly Bauman]]> http://www.rhapsody.com/goto?rcid=art.63222&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Noise Pop Wed, 9 Dec 2009 10:54:33 -0800 Top Noise Pop Artists on Rhapsody Online art.63222 art.63222 Bettie Serveert art.63222 http://www.rhapsody.com/goto?rcid=art.63222&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.63222&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.5421&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss Indie/Alternative Fri, 15 May 2009 11:39:37 -0700 Top Noise Pop Artists on Rhapsody Online art.5421 art.5421 The Delgados art.5421 http://www.rhapsody.com/goto?rcid=art.5421&variant=play&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss http://www.rhapsody.com/goto?rcid=art.5421&variant=data&rws=%2Falt-punk%2Fpost-punk%2Fnoise-pop%2Fartist-chart.rss