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<title>Top Lo-Fi Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link><description>Top Lo-Fi Artists on Rhapsody Online</description><category>Lo-Fi</category><language>en</language><ttl>720</ttl><pubDate>Fri, 27 Nov 2009 11:43:20 -0800</pubDate><image>
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<title>Top Lo-Fi Artists on Rhapsody Online</title>
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<title>The Dodos</title>
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<category>Baroque Pop</category>
<pubDate>Mon, 26 Oct 2009 10:55:21 -0700</pubDate>
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<description><![CDATA[The Dodos' songwriter and guitarist Meric Long grew up in the San Francisco suburbs and was making a name for himself as a solo artist in the Bay Area before hooking up with drummer Logan Kroeber for his self-released <i>Dodo Bird</i> EP in 2005. Long's intricate finger-picking and knack for sentimental melodies fit well with Kroeber's propulsive approach to the kit (he'd studied both African drumming and played in metal bands) and they self-released an LP, <i>Beware of the Maniacs</i>, in 2006. Their growing audiences in San Francisco led to some label interest and the following year they signed to Frenchkiss Records for their critically acclaimed sophomore LP, <i>Visiter</i>. In 2009, the duo added another Dodo to their nest, vibraphonist Keaton Snyder, and recruited producer Phil Ek (The Shins, Band of Horses, Fleet Foxes) for their third album, <i>Time To Die</i>.]]></description>
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<title>Iron and Wine</title>
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<category>Singer-Songwriter</category>
<pubDate>Thu, 19 Nov 2009 15:24:33 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<description><![CDATA[Lo-fi tapes of hushed acoustic indie rock go together with Miami like
(tanning) oil and (salt) water, spring break and sobriety, Florida governor
Jeb Bush and a problem-free day at the polls. See, what we're saying is they
seem kind of incongruous. But Mr. Samuel Beam, aka Iron & Wine, was living
in Miami crafting just such beguiling home recordings when Jonathan Poneman
of Sub Pop "discovered" him via an indie magazine in Seattle. The mesmerized
Poneman contacted Beam and hounded him for music until Beam finally mailed
him two full-length CDs. Sub Pop almost released both right off the bat, but
instead pared them down into Iron & Wine's debut, <i>The Creek Drank the
Cradle</i>, released in 2002. A hi-fi studio recording (2004's <i>Our
Endless Numbered Days</i>) and a few EPs (including 2005's <i>In the
Rein</i>, a joint effort with Calexico) followed. For 2007's <i>The Shepherd's Dog</i>, Beam beefed up the musicianship, filling songs with eccentric worldly nuances, making it one of his most upbeat and cohesive albums to date.
- Rachel Devitt]]></description>
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<title>Animal Collective</title>
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<category>Post-Modern Pop</category>
<pubDate>Sat, 14 Nov 2009 11:48:46 -0800</pubDate>
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<description><![CDATA[There aren't many groups like Animal Collective. The only bands that spring to mind are the Flaming Lips and Mercury Rev. As with both of them heavy weights, Animal Collective is a profoundly avant-garde project that just so happens to make some of the most hummable jammers of the 21st century. They drawn inspiration from an absurd number of influences, including but not limited to Brit pop, experimental noise, vintage psychedelia, minimal techno, industrial, golden oldies, post-hardcore, dub and world music. Far more important, however, is how Animal Collective has synthesized all this good stuff into a phantasmagoric brand of tribal pop that's not at all pretentious or overly cerebral. In fact, it shimmers with a uranium-enriched sincerity best understood by nervous teens all strung-out on first loves, energy drinks and hormones. Of course, this is an aesthetic that's taken the band years to develop. Most ears will find early albums like <i>Here Comes the Indian</i> and the underrated <i>Danse Manatee</i> too extreme in their sonic freakery, but more recent works -- <i>Feels</i>, <i>Strawberry Jam</i>, <i>Merriweather Post Pavilion</i> -- will surely blow away those craving impeccably well-crafted indie rock.
- Justin Farrar]]></description>
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<title>Beirut</title>
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<category>Indie Pop</category>
<pubDate>Mon, 9 Nov 2009 11:47:13 -0800</pubDate>
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<description><![CDATA[Beirut interpret gypsy folk from an indie perspective. At the center of the group is young prodigy Zach Condon, who delves deep into traditional roots music from Eastern Europe and the Balkans as well as the mariachi of his native Albuquerque, New Mexico. He was first introduced to gypsy folk music through the films of director Emir Kusturica (<I>Time of the Gypsies</I>, <I>Underground</I>). Rather than trying to merely copy gypsy songs, he borrows its sounds to make emotive pop that's full of joy, sadness and longing. On the band's 2006 debut, <I>The Gulag Orkestar</I>, Condon takes a DIY approach where he sings and plays most of the instruments (saxophone, clarinet, mandolin, accordion and others). His very original take on regional folk brought Beirut critical acclaim, while their live shows -- complete with full brass and string sections -- drew international audiences throughout North America and Europe. On his sophomore album, <I>The Flying Club Cup</I>, with its decidedly French cabaret flair, Condon teamed up with multitalented violinist-producer Owen Pallett of Final Fantasy.
- Dan Shumate]]></description>
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<title>Grizzly Bear</title>
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<category>Lo-Fi</category>
<pubDate>Sun, 11 Oct 2009 10:09:26 -0700</pubDate>
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<description><![CDATA[Grizzly Bear began their careers as lo-fi tape loopers nosing their way through cobwebbed corners of the folk underground. But by the end of the '00s the Brooklyn band would become icons of a beatific, post-acoustic style of psychedelic pop, fusing Beach Boys-inspired euphoria with digital processing and recombinant studio tactics. Originally a bedroom project of Boston's Edward Droste, the band eventually grew to quartet size, bringing on board the multi-instrumentalists Christopher Bear, Daniel Rossen and Chris Taylor, who between them make use of a battery of percussion, acoustic string instruments, reeds and electronics. All the members sing, often all together, and as the band has matured, its complex harmonies have become an increasingly important component of Grizzly Bear's sound.
- Philip Sherburne]]></description>
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<title>Pavement</title>
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<category>Indie/Alternative</category>
<pubDate>Thu, 22 Oct 2009 13:23:54 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<description><![CDATA[Pavement's 1992 debut LP <I>Slanted and Enchanted</I> was an instant sensation, helping to establish Lo-Fi as one of the preeminent subgenres of Indie Rock. Their unique, raggedly endearing sound -- shambling vocals attached to both pop hooks and discordant, repetitive rhythms colored by low fidelity production and bursts of noisy guitar -- has elevated them to deity status in the Indie community. They've done much to promote the Lo-Fi sound in the meantime, gaining an increasingly widespread cult following while occasionally breaking into the alternative mainstream.
- Will Lerner]]></description>
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<title>Dirty Projectors</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7251444&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Indie Pop</category>
<pubDate>Sat, 21 Nov 2009 13:42:35 -0800</pubDate>
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<description><![CDATA[In 2002, Dave Longstreth left music composition studies at Yale University to pursue a career in music, eventually assuming the name of the Dirty Projectors. Even on early recordings, Longstreth's somewhat manic output was a collision of hi-fi and lo-fi aesthetics rooted in academic complexity as he combined elegant melodies, knotty rhythms and sophisticated harmonic architecture. Longstreth released his first solo work in 2002, titled <i>The Graceful Fallen Mango</i>, followed by the first LP under the Dirty Projectors moniker, <i>The Glad Fact</i>, released in 2003 on Austin-based Western Vinyl. LPs followed in 2005 and 2007 -- <i>The Getty Address</i> and <i>Rise Above</i>, respectively -- each finding a wider audience, new supporting musicians and greater critical acclaim. In 2006, Longstreth was joined for the first time by Amber Coffman, whose vocals became a key element of the band's sound. In 2009, their profile increased further, hooking collaborations with Bjork and David Byrne, along with releasing the highly acclaimed <i>Bitte Orca</i>.
- Nate Cavalieri]]></description>
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<title>The Mountain Goats</title>
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<category>Indie/Alternative</category>
<pubDate>Thu, 26 Nov 2009 11:27:13 -0800</pubDate>
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<description><![CDATA[John Darnielle has managed to endear himself to the Indie Rock-buying public , despite -- or because of? -- the fact that his recordings are Homemade with a capital "H." Actually, with Darnielle's songs the format works quite well, as it accentuates the earthy folksiness of his songs. At times, he bears a striking resemblance to the ill-fated, politically oriented Phil Ochs: this similarity is only accentuated when he sings with violent passion (and more than a hint of nose), "You can arm me to the teeth / You can't make me go to war." 1960s, anyone? Darnielle does occasionally drop his acoustic guitar to employ the dated keyboards, cheesy drum machines and ironic lyrics that have become associated with Lo-Fi -- a line such as "Bill Gates will spearhead the Heaven 17 revival," will cause many a postmodernist to crack up. But it's not irony that makes the Mountain Goats appealing. Rather, it's the fact that Darnielle is so believable and honest without being overly earnest, so smart without being pretentious, and so willing to communicate without worrying about perfection.
- Will Lerner]]></description>
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<title>Guided By Voices</title>
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<category>Indie/Alternative</category>
<pubDate>Thu, 26 Nov 2009 11:28:15 -0800</pubDate>
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<description><![CDATA[Begun as a side project to singer/lyricist Robert Pollard's teaching career, Guided By Voices' brief, lo-fi bursts of pop brilliance came to the attention of Scat Records only after Pollard's friends secretly distributed a demo. Since then it's been a Cinderella story: Pollard and a revolving group of backup musicians have tirelessly peddled their arty, sophisticated anthems across the US and elsewhere, releasing over a dozen full length LPs and receiving a growing chorus of critical acclaim. Twelve years after the appearance of their first locally released cassette (and six years after their much heralded <I>Bee Thousand</I>) it was finally, in Pollard's words, "time to get paid." <I>Do the Collapse</I>, produced by the Cars' Ric Ocasek, found the band as sharp and poignant as ever, but more pristinely recorded and finally ready for the stadium. In 2002, fans saw the release of the '70s rock-oriented <I>Isolation Drills</I>. Its highlights were "Glad Girls" and "Chasing Heather Crazy," but this record signaled the end of their association with TVT records. The next year found them heading back to Matador Records, resulting in three more studio albums, <I>Hardcore UFOs, </I> a box set that included unreleased rarities, and a more traditional greatest hits collection titled <I>Human Amusements at Hourly Rates</I>. In 2004, the jangling, near-perfect <I>Half Smiles of the Decomposed</I> ended their 21 years on a high note. Robert Pollard stated that when he released a recording that was befitting his standards for a final album, well, then that would be the final album for Guided by Voices. They finished up 2004 with a farewell tour; their last live performance was on New Year's Eve in Chicago. However, Pollard continues on with his endless stream of musical ideas as a solo artist with the same enthusiasm and frenzied output. His first post-GBV solo release in 2006 was a double-disc set containing 26 songs. Also in the works, more Guided by Voices re-issues. In keeping with the "no rhyme nor reason" theme, most are available only on vinyl.
- Michele K-Tel]]></description>
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<title>Neutral Milk Hotel</title>
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<category>Lo-Fi</category>
<pubDate>Wed, 30 Sep 2009 10:30:19 -0700</pubDate>
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<description><![CDATA[For all their experimental detours and garnish, Neutral Milk Hotel's songs display, at their core, great songwriting in the traditional sense, like the late-career Beatles and Beach Boys. Emotionally evocative melodies and lovely vocals move through songs with memorable grace. When listening to these songs, however, you'd be hard-pressed to find a Western instrument not represented in their elaborate, Lo-Fi orchestrations. A muffled trap kit, a singing saw, a desperate voice, an accordion, a squawking flugelhorn, and various electronics help compile an endless list of noise makers that play in the margins between a chaotic, "everybody come to our house and jam" sound and meticulous song construction. These disparate sounds are then brought together as if resounding off a basement's wood-panelled walls and soiled shag carpet, or echoing out of a converted-barn studio. Neutral Milk Hotel's sound is far from gleaming Los Angeleno production, but to polish away their oxidized patina would be to erase their immediacy and simple rustic beauty.
- Marc Kate]]></description>
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<title>Throw Me The Statue</title>
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<category>Indie Pop</category>
<pubDate>Sat, 25 Jul 2009 12:09:06 -0700</pubDate>
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<rhap:artist-rcid xmlns:rhap="rhap">art.17387880</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.17387880&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.17387880&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Throw Me the Statue is a breezy indie pop band that veers off into power pop and folk. Think Belle & Sebastian meets the Shins as interpreted by Robert Pollard and Ben Gibbard. Behind it all is the multi-tasking DIY musician Scott Reitherman, whose instrumentation includes drum machines, synthesizers, guitars and even the occasional glockenspiel. Though the Seattle-based musician primarily sticks to being a one-man band, for 2008's <i>Moonbeams</i> he called on the support of Pedro the Lion's Casey Foubert and Sufjan Stevens' backing band. While Reitherman has been self-releasing material since 2004 on his own label, Baskerville Hill Records, <i>Moonbeams</i> is his first for Secretly Canadian.
- Dan Shumate]]></description>
</item><item>
<title>The Brian Jonestown Massacre</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4732&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Neo Psychedelic</category>
<pubDate>Thu, 26 Nov 2009 11:28:07 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Brian Jonestown Massacre</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4732</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4732&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4732&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Brian Jonestown Massacre was formed in 1990 in San Francisco's Haight-Ashbury neighborhood and have since created work rooted in the many musical grounds of the mid- to late '60s, often grafted with British-inspired shoegazing and mantra drones. They've been through forty members and are notorious for fighting on stage and inciting riots in music halls. Much of their music is also influenced by drugs and mental illness -- the title of their '98 release is <i>Strung Out in Heaven</i>. Although their playing is saturated in '60s technique, they still manage to pull relevant sonics from their vintage gear. As the band's front man and songwriter, Anton A. Newcomb continues to write and record; his songs improve in arrangement, melody, production and overall sound quality. The 2004 award winning documentary <i>Dig!</i> brought the Brian Jonestown Massacre a much wider audience. The band's percussion player Joel Gion formed a similar sounding (but more pop based) band called the Dilettantes in 2005.
- Eric Shea]]></description>
</item><item>
<title>Kimya Dawson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.55881&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Lo-Fi</category>
<pubDate>Thu, 19 Nov 2009 15:23:03 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Kimya Dawson</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.55881</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.55881&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.55881&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Certainly Kimya Dawson had a steadfast cult following as a solo act and former co-leader of the Moldy Peaches, but when the wide-eyed ramble of "Tire Swing" became the marquee tune on the soundtrack of <i>Juno</i>, her precious one-liners -- such as "Joey never met a bike that he didn't want to ride" -- were introduced to a mainstream audience. As a member of the Moldy Peaches, Dawson was introduced to the New York "anti-folk" in the late '90s. After the group released a handful of increasingly popular records they disbanded in 2004, and Dawson continued writing songs and cultivating a solo career. In the four years following the Moldy Peaches' split, she earned fans through near-constant touring and online journaling. The <i>Juno</i> soundtrack, which featured other songs of hers as well, was released in December 2007 and eventually reached <i>Billboard</i>'s top spot. Continuing on the baby track, Dawson released a children's album, <i>Alphabutt</i>, the following year.
- Nate Cavalieri]]></description>
</item><item>
<title>Japandroids</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.28081609&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Lo-Fi</category>
<pubDate>Thu, 5 Nov 2009 16:49:12 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Japandroids</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.28081609</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.28081609&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.28081609&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Beulah</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4235&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Thu, 29 Oct 2009 10:55:44 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4235</guid>
<rhap:rcid xmlns:rhap="rhap">art.4235</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Beulah</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4235</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4235&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4235&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[San Francisco's pride and joy, Beulah keep hope alive for lovers of pure pop and its resulting euphoria. Combining shrewd songwriting and a youthful wide-eyed energy with arrangements culled from the songbooks of everyone from the early Bee Gees to latter day peers like the Apples in Stereo, Beulah maximize their laidback interplay of sweet vocals, trombones, and tablas to glorious results. Whereas their peers can be caught up in focusing on a niche (i.e. psychedelia or quirkiness), Beulah's songs seem a natural extension. Possessing that great songwriting ability that lends itself to familiarity but is ultimately original, Beulah write pop songs that you always knew existed; you just didn't know where to find them.
- Jon Pruett]]></description>
</item><item>
<title>Black Lips</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9147948&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Garage Rock Revival</category>
<pubDate>Wed, 7 Oct 2009 12:13:58 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Black Lips</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.9147948</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9147948&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9147948&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[If surly, soused, and thoroughly southern garage punk is your game, then Atlanta's Black Lips are your kind of fellas. Cole Alexander (lead vocals, guitar, harmonica), Ben Eberbaugh (lead guitar), Jared Swilley (bass) and Joe Bradley (drums) came together as teenagers in 2000. They got a little attention for a couple of singles -- and even more for their rowdy, debauched live shows, which have included vomiting, urinating in each other's mouths and spitting pee at the audience, and setting their pubic hair on fire. Needless to say, they've been banned from a number of Georgia venues. They signed to Bomp! Records, recorded their first album in 2002 and prepared to take off on a tour of the East Coast and Midwest that would extend their bad reputation beyond the Bible Belt. Tragically, just before the album was released and the tour began, Eberbaugh was killed when a driver going the wrong way crashed into his car at a toll booth. The band continued as a three-piece, eventually hiring first Jack Hines and later Ian Brown as their fourth member.
- Rachel Devitt]]></description>
</item><item>
<title>The Pains of Being Pure at Heart</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.21379832&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Indie Pop</category>
<pubDate>Thu, 1 Oct 2009 11:36:06 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Pains of Being Pure at Heart</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.21379832</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.21379832&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.21379832&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Brooklyn should be renamed the Hipster Laboratory for Retro Research. Pick any underground music trend of the last 30 years, and the New York borough has produced a smattering of near-perfect clones. We all know about no wave and post-punk, so lets a look at twee: In addition to the Vivian Girls, there's Crystal Stilts, Cause Co-Motion! and the excellently named Pains of Being Pure at Heart. As with those other bands, the Pains reproduce the fuzzy, lo-fi pop of the Pastels, the Vaselines and Black Tambourine with startling precision. It all started in 2007 when the band came together specifically for the purpose of playing their friend Peggy Wang-East's birthday bash (who just so happened to be group's super-cute keyboardist). Not long after, they released their debut EP, which boasts one of the best song titles ever: "This Love Is F*ck*ng Right!" The Pains might come off all innocent, cuddly and, uh, pure, but don't let them fool you. They are razor-sharp stylists. Things don't get any more nod-and-wink wink self-conscious than the single "Kurt Cobain's Cardigan." The tune is a loose, two-layered homage to the Vaselines' "Son of a Gun" and Nirvana, who once covered the song.
- Justin Farrar]]></description>
</item><item>
<title>Sebadoh</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6164&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Lo-Fi</category>
<pubDate>Sat, 2 May 2009 10:10:59 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Sebadoh</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6164</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6164&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6164&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Credited for bringing 1990s Lo-Fi culture into the mainstream, Sebadoh was one of the more prolific and engaging bands of this media-inspired movement. The influence of their off-the-cuff, bashed out fits of heart-on-your-sleeve pop juvenilia and pot inspired, noisy experimentation cannot be understated. Held in such high regard at one time, tunesmith Lou Barlow -- the tortured bard of Indie Rock -- penned some truly engaging, intensely personal songs with disarmingly direct and poignant boy-meets-girl lyrics. Predictably enough, many of those once obsessed with the broken down charm of such pop anthems such as "Rebound," "Social Medicine," and "Soul and Fire" have left the building, leaving Barlow & Co. right back where they started: Lo-Fi.
- Eric Shea]]></description>
</item><item>
<title>The Moldy Peaches</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.43081&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Tue, 27 Oct 2009 09:26:51 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Moldy Peaches</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.43081</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.43081&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.43081&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Jason Lytle</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.26954400&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Post-Modern Pop</category>
<pubDate>Wed, 30 Sep 2009 10:30:04 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.26954400</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Jason Lytle</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.26954400</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.26954400&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.26954400&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Two Gallants</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6387477&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Sat, 6 Jun 2009 08:29:27 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Two Gallants</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6387477</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6387477&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6387477&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The duo of guitarist and singer Adam Stephens and drummer Tyson Vogel formed in San Francisco in 2002, taking their band name from a story out of James Joyce's <i>Dubliners</i> and gaining a local following in the Bay Area for their scruffy, blues-colored rock. A wider national reputation was quick to follow after relentless touring and a handful of self-released efforts. The band signed with Saddle Creek records in 2005, and won UK audiences at both the Reading and Leeds festival that year. Saddle Creek released <i>What the Toll Tells</i> in 2006 and a self-titled LP followed in 2007.
- Nate Cavalieri]]></description>
</item><item>
<title>Beach House</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.11791608&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Slowcore</category>
<pubDate>Sat, 10 Oct 2009 10:13:28 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.11791608</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Beach House</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.11791608</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.11791608&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.11791608&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[With a knack for languid, ambient pop songs, Beach House quickly received national attention after forming officially in Baltimore in 2005. But French-born vocalist and keyboard player Victoria Legrand and guitarist Alex Scully knew each other long before that; they had played and played music together as kids while growing up in Baltimore, Philadelphia and France. For a short time they were members of a Baltimore electro outfit called the Daggerhearts, but the duo soon began writing and recording on their own. They received a boost by having their song "Apple Orchard" included on a Pitchfork compilation, which catapulted their Nico-esqe sensibility into the hearts of music bloggers around the globe. Their eponymous debut was issued in October of 2006 on the Carpark label.
- Nate Cavalieri]]></description>
</item><item>
<title>No Age</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.15222734&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Noise Rock</category>
<pubDate>Mon, 26 Oct 2009 10:55:21 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">No Age</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.15222734</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.15222734&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.15222734&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The fuzzy, experimental rock of No Age comes from Randy Randall and Dean Spunt, a duo who were two-thirds of Wives, an LA punk outfit. After things for Wives went south, the two split off to form No Age in December of 2005. London-based promoter and micro indie Upset The Rhythm issued their six-song debut, <i>Get Hurt</i>, in the spring of 2007 as a part of an exclusive vinyl-only EP series. Indie tastemakers at Vice and Pitchfork gushed purple (as did major outlets like the <i>New York Times</i>) and the duo won a spot as one of 2007's must-see acts.
- Nate Cavalieri]]></description>
</item><item>
<title>Woods</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.26531037&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category />
<pubDate>Wed, 7 Oct 2009 12:13:58 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Woods</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.26531037</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.26531037&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.26531037&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Midlake</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.8799856&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Wed, 4 Nov 2009 12:13:58 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.8799856</guid>
<rhap:rcid xmlns:rhap="rhap">art.8799856</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Midlake</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.8799856</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.8799856&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.8799856&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Vaselines</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.596&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Indie Pop</category>
<pubDate>Wed, 10 Jun 2009 08:08:49 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Vaselines</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.596</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.596&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.596&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The music coming out of Scotland in the mid '80s was a primitive force that could be just as naive as it was brilliant. The Vaselines were no exception to this rule. With roots in fellow Scottish bands like the Shop Assistants and the Pastels, the Vaselines brought Eugene Kelly's edgy, scratchy guitar work together with Frances McKee's poetic melancholia. Their vocals were a shining light with Eugene's dry, monotone voice trading off with Frances' more charming, off-key sound. Not a serious band by any means, their carnal obsessions were given as much time as their off-kilter pop experiments. As Eugene Kelly went on to form the equally great Captain America a.k.a. Eugenius, the Vaselines were championed by then nascent alt-icons Nirvana, which saw a huge, much deserved resurgence of interest and virtually worldwide availability of their music.
- Jon Pruett]]></description>
</item><item>
<title>The Dutchess And The Duke</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.21800213&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Folk Revival</category>
<pubDate>Fri, 25 Sep 2009 10:14:31 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.21800213</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Dutchess And The Duke</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.21800213</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.21800213&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.21800213&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Jesse Lortz and Kimberly Morrison first met as high-schoolers in the suburbs of south Seattle, sharing a deep fascination for weird DIY music. Fast-forward a decade during which Lortz became a garage-rock bold-face-name (leading the Flying Dutchmen and Fe Fi Fo Fums, among others), and Morrison a multi-instrumentalist gun for soul-stomp/surf-twang hire. Yet the only thing left over from Kimberly and Jesse's shared history on their folk-rock turn as the Dutchess & the Duke is a deep sense of mutual understanding, more akin to cool siblings than to a couple (which they are not). Their lo-fi '08 debut revels in a post-Dylan, mid-'60s darkness, where smart words, acoustic guitars and harmony vocals invoke the sounds of the Stones, Leonard Cohen and <i>Velvet Underground & Nico</i>, and negative experiences are transformative, leading to catchy songs that peep the light at the end of the tunnel. In this, the D & the D are less traditionalists recreating an old vibe than revivalists informing that vibe with an ultra-modern pathos (especially in the lyrics and two-part harmonies) and an enormous amount of heart, whose beat is marked only by a tambourine.
- Piotr Orlov]]></description>
</item><item>
<title>Mount Eerie</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7509806&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Lo-Fi</category>
<pubDate>Fri, 18 Sep 2009 17:54:20 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mount Eerie</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7509806</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7509806&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7509806&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Daniel Johnston</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.871&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Homemade</category>
<pubDate>Thu, 17 Sep 2009 11:42:59 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.871</guid>
<rhap:rcid xmlns:rhap="rhap">art.871</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Daniel Johnston</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.871</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.871&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.871&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Texas-based Daniel Johnston has been releasing endearingly unrefined music to the public since he began unleashing home-recorded cassette tapes in 1980. Much of his cult following stemmed from these tapes as well as from the MTV coverage he received during the mid '80s. The finished results of Johnston's Lo-Fi tomfoolery have been covered by such seminal Indie Rock goblins as Sonic Youth, Nirvana, Yo La Tengo, Butthole Surfers and Half Japanese to name a few. Johnston's vivacious pop songs are usually laden with chiming guitar, clunky keyboards, distant rhythms, and a sometimes sinister, sometimes child-like perspective on life. Unlike his contemporaries (such as Lou Barlow), Johnston often seems too lost in his own Syd Barret-like condition to write jaded and cynical songs.
- Eric Shea]]></description>
</item><item>
<title>Portastatic</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44143&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Sat, 30 May 2009 09:16:20 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Portastatic</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.44143</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44143&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44143&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[As if he doesn't have enough to do, Mac McCaughan of Superchunk and Merge Records fame has been putting out solo records under the name Portastatic since 1993. While Portastatic seems to give Mac the freedom to experiment with some more sedate sounds and arrangements that don't fit Superchunk's caffeinated aggression, every consecutive Superchunk record is invariably influenced by Portastatic's explorations. Piano, synths, and horns made their way on to Superchunk's 1999 LP <I>Come Pick Me Up</I> after Mac toyed around with them on the 1997 Portastatic LP <I>The Nature of Sap</I> first. Yet throughout, he's got the same knack for peeling back his own flesh to show you the pain and angst in his naked soul, and the same way with both a tender phrase and a barbed rejoinder. If Superchunk represents the fight with your girlfriend, Portastatic sounds more like the end of the night -- winding down afterward with your head on your hand on the bar, bitter as hell and still in love, tearing the labels off your beers and wishing you'd said the right thing. Or at least that life didn't suck so hard. The funny thing is, and this is gonna sound corny, but maybe life isn't so bad if Portastatic's playing and you know some other shmoe has suffered well past closing time, too.]]></description>
</item><item>
<title>Smith Westerns</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.29427717&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Lo-Fi</category>
<pubDate>Wed, 7 Oct 2009 12:13:58 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.29427717</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Smith Westerns</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.29427717</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.29427717&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.29427717&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>Wavves</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.26279423&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Lo-Fi</category>
<pubDate>Sat, 21 Nov 2009 13:43:43 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Wavves</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.26279423</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.26279423&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.26279423&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Wavves is Nathan Williams, a sassy beach/skate punk from San Diego who spends long hours in his bedroom, crafting four-track fuzz pop that's as violent and primitive as it is ecstatic and catchy. Early blog-o-buzz drew a lot of comparisons to hip twee revivalists like the Vivian Girls, the Pains of Being Pure at Heart and Crystal Stilts, but Williams is way more blown out, spazzed out and tripped out. For the know-it-all record dorks out there, imagine early '60s surf pop filtered through the skate punk of the Descendents then fed to the Happy Flowers' squealing, temper-tantrum noise-rock. Or, to put it another way: if the Beach Boys are "The Warmth of the Sun" (one of their all-time classics), then Wavves is one of those fourth-degree sunburns -- a gooey swirl of radiant colors that's gross, yet oddly mesmerizing. That's some gnarly imagery for sure, but don't let it prevent you from checking this dude out. Despite a wall of sound built from layers of lo-fi tape crunch, Williams' first two albums -- <i>Wavves</i> and, uh, <i>Wavvves</i> -- possess all the touchstones of vintage California bubblegum: hooks that are sweet and simple, hummable melodies and a suburban-bred restlessness.
- Justin Farrar]]></description>
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<title>Crystal Stilts</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.23613788&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Indie Pop</category>
<pubDate>Thu, 22 Oct 2009 11:11:25 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.23613788</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Crystal Stilts</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.23613788</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.23613788&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.23613788&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Critics and bloggers have saddled Crystal Stilts with the same retro-dream pop tag as fellow New Yorkers the Vivian Girls, the Pains of Being Pure at Heart, Cause Co-Motion! and School of Seven Bells. But while all these groups crib from the Jesus and Mary Chain in one way or another, Crystal Stilts are the only ones interested in channeling the Reid brothers' on-the-nod detachment and hazy alienation. This isn't chirpy noise pop for young indie lovers quaking with anxiety; it's the sound of heavily medicated city rats who can wear shades at night without looking like total dorks. In keeping with its morose image, there's a dearth of hard biographical data regarding this cool little band. Apparently, Crystal Stilts were "discovered" by Hamish Kilgour of the Clean, a legendary post-punk band from New Zealand that helped create the reverb-soaked sound these New Yorkers emulate. After releasing several now hard-to-find singles and EPs, Crystal Stilts signed to Slumberland Records (also home to the Pains of Being Pure at Heart and Cause Co-Motion!) and released their debut album, <i>Alight of Night</i>. Shortly thereafter drummer Frankie Rose ditched the Vivian Girls and joined the fray.
- Justin Farrar]]></description>
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<title>Television Personalities</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9242&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Post-Punk</category>
<pubDate>Fri, 28 Aug 2009 11:50:34 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Television Personalities</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.9242</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9242&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9242&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The story of Dan Treacy is, more or less, that of the Television Personalities. Begun humbly, TVP's surly Pop and Punk caught on magically with the release of <i>Where's Bill Grundy Now EP</i> -- a marvelously unfinished, terribly important and fiery sounding release. Overdriven church organs, simple progressions, and Treacy's dry humor set fire to "tight" structures and watched them burn. After Treacy began his own label Whaam! Records (he was later sued by George Michael for copyright infringement), TVP retreated into psychedelia. Spacey and melodically scattered, Treacy's wryly critical name dropping (Pavement's Steve Malkmus thanks you very much) was probably its most intriguing feature. Horribly underrated in their own heyday, TVP's most important export has been its recent influence on organ-loving Indie-Pop bands such as Quasi, Pavement, and more recently San Francisco's Aisler Set.
- Kelly Bauman]]></description>
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<title>The Folk Implosion</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44174&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Lo-Fi</category>
<pubDate>Tue, 19 May 2009 11:58:48 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Folk Implosion</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.44174</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44174&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44174&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[With a knack for the tensely melodic, the Folk Implosion create palatable darkness under the guise of entrancing, sampled beats, simple, accessible atmospherics and catchy song hooks. Founded by Lo-Fi enthusiasts Lou Barlow (Sebadoh, Dinosaur Jr.) and songwriter John Davis, the Folk Implosion found mainstream acceptance with their song-oriented soundtrack contributions to Larry Clark's 1995 film <I>Kids</i>. Packaged for mass consumption, the Folk Implosion's easy to swallow bits of tension are to hip-hop and Ambient what Taco Bell is to authentic Mexican food -- simple, satisfying, and easy to swallow.
- Kelly Bauman]]></description>
</item><item>
<title>Saturday Looks Good To Me</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6876293&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Indie Pop</category>
<pubDate>Sun, 1 Nov 2009 12:39:52 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Saturday Looks Good To Me</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6876293</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6876293&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6876293&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Saturday Looks Good to Me is a collective from southeast Michigan that revolves around singer-songwriter Fred Thomas. Thomas, an occasional member of His Name Is Alive, started the band in 1999 using musicians from the University of Michigan and Detroit garage scenes, with whom he released the group's self-titled debut in May of 2000. Like His Name Is Alive, Saturday Looks Good To Me used an array of female vocalists, including Erika Hoffmann of Godzuki and Risa Buburniak and Brooke Rossi of Michigan indie act the Sparklers. Greatly influenced by wall of sound fans like the Magnetic Fields and Belle & Sebastian, Thomas continued to write and release records, eventually signing with Polyvinyl for 2003's <i>All Your Summer Songs</i> and 2004's <i>Every Night</i>. Armed with a drum machine and synthesizers, Thomas chose to mime '80s pop instead of '60s pop with 2007's <i>Sound On Sound</i>, which was released on Redder Records.
- Molly Ditmore]]></description>
</item><item>
<title>Jeffrey Lewis</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.40282&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Tue, 9 Jun 2009 15:02:24 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jeffrey Lewis</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.40282</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.40282&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.40282&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Despite a history of paying tribute to heroes (see "Williamsburg Will Oldham Horror"), an album of Crass covers is a ballsy move for an anti-folk singer-songwriter. With a significant poetic license in one hand and an acoustic guitar in the other, Lewis nevertheless manages to make this exercise in self-indulgence work. Covers of "Systematic Death," "Punk Is Dead" and "Do They Owe Us a Living" -- sung in a monotone, almost despondent voice -- might at first only seem like novelty items, but his unwavering devotion to a cause juste makes you want to convert.]]></description>
</item><item>
<title>Kurt Vile</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.19149125&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Lo-Fi</category>
<pubDate>Wed, 7 Oct 2009 12:14:05 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Kurt Vile</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.19149125</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.19149125&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.19149125&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Swirlies</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.42642&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Dream Pop</category>
<pubDate>Wed, 28 Jan 2009 12:48:43 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.42642</guid>
<rhap:rcid xmlns:rhap="rhap">art.42642</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Swirlies</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.42642</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.42642&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.42642&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Boston's Swirlies came into the light in the early '90s amidst a smattering of similar sounding bands struggling for an American identity in a British-dominated genre. They managed to forge their own distinct sound, involving typically dreamy vocals against pure noise, field recordings, Lo-Fi experimentation and pure, sugary pop moments that will surely be recalled with a sigh at the Indie Rocker's Retirement Home fifty years from now. Their forte has grown to include drum loops, synthesizers, Moogs, mellotrons and whatever might be making noise around the house. More recently, the band has found time, outside of struggling with numerous personnel changes, to release remix records with DJ Spooky.
- Jon Pruett]]></description>
</item><item>
<title>Elf Power</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5631&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Wed, 30 Sep 2009 10:30:17 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.5631</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Elf Power</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5631</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5631&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5631&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Flaming Lips and Mercury Rev producer Dave Friedman also twiddles the knobs for these magnificent and otherworldly visionaries who are blessed with the studio accompaniment of the eclectic and chemically imbalanced Elephant Six collective. The dynamic and hallucinogenic songs of Elf Power make you want to punch your fist in the air triumphantly and paint miniature lead figurines at the same time. If J.R.R. Tolkien knew how to play the theremin or the flugel-snorkle (and he might have -- wait, is he dead yet?), he would be a perfect addition to this fantastical symphony of white light, white heat, and white noise. Check out their innovative and soaring cover of Brian Eno's "Needles in the Camel's Eye."]]></description>
</item><item>
<title>Microphones</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.56398&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Lo-Fi</category>
<pubDate>Tue, 21 Jul 2009 16:00:06 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Microphones</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.56398</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.56398&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.56398&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Phil Elvrum is the Microphones, or at least the leader who gathers together enough talented cronies to make some stunningly beautiful, twisted and simple recordings. What's one to think when a song is nothing more than two-and-one-half minutes of painfully vulnerable male/female vocals, gently picked guitar and simple rhythms underscored by scorching guitar noise that seems to be welling up from the pit of the songwriter's stomach? Other tunes find Elvrum in a more mechanistic mood, sort of like a poor man's Gary Numan: creepy, crawly Casio sounds drift across the speakers, buoyed by Moog madness and even a guitar chord here and there. But the singer's laconic voice is still there for your enjoyment and, mostly, your contemplation. Can the Microphones have fun? Well, they're certainly not afraid of having their audience dance, as one number is propelled by vaguely Latin rhythms that shift to breakbeat proportions as the female singer intones an ode to a woman named Anna. An extremely clever use of sounds, arrangements and emotions.
- Will Lerner]]></description>
</item><item>
<title>Ariel Pink's Haunted Graffiti</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7165396&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Wed, 7 Oct 2009 12:13:58 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ariel Pink's Haunted Graffiti</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7165396</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7165396&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7165396&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Sissy Bar</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44129&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Indie Pop</category>
<pubDate>Fri, 23 Jan 2009 13:50:52 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.44129</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Sissy Bar</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.44129</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44129&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44129&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Your security blanket causes awkward glances at work, and your significant other made you get rid of your teddy bear. These are the times that try our souls and call for a nuzzle with Sissy Bar. Their Indie pop recalls puppies and sunshine, with the delectable boy/girl harmonies washing away pain. Each hummable, soothing track is likely to lull you into a calm state, where no thing and no one can hurt you. Friendly, beaming, cuddle-safe rock.
- Kali Holloway]]></description>
</item><item>
<title>Beat Happening</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1000&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Lo-Fi</category>
<pubDate>Tue, 21 Jul 2009 16:00:07 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1000</guid>
<rhap:rcid xmlns:rhap="rhap">art.1000</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Beat Happening</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1000</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1000&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1000&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Known for their seminal contributions to the Pacific Northwest's Indie Rock superstructure (see: Calvin Johnson, K Records), Calvin and Co. crafted endearingly remedial, bass-less pop when most bands were looking for checkerboard T-shirts and playing pointy guitars. Granted, Johnson's hollow, slow-to-enunciate foghorn wouldn't really complement Celine Dion's rocket-ship soprano; but Beat Happening's most appealing sound has always been the one a large middle finger makes when pointed in the critic's direction.
- Michael Ansaldo]]></description>
</item><item>
<title>Jeff Mangum</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6883521&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Lo-Fi</category>
<pubDate>Wed, 30 Sep 2009 10:30:16 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.6883521</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Jeff Mangum</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6883521</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6883521&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6883521&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Electric Eels</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.10265&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Punk Pioneers</category>
<pubDate>Fri, 30 Oct 2009 12:04:15 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Electric Eels</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.10265</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10265&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10265&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Arguably the first band to play shows and record music despite the fact that none of the members had any musical training or ability at all, Electric Eels were a proto punk band active in the earliest days of the seminal Cleveland scene of the early '70s. Together for three years (1972 to 1975), the band was banned from just about every venue they ever appeared at for doing things like running a lawnmower onstage, swinging sledgehammers around and picking fights with the audience members. The no-fi recordings they managed to make in between band breakups and a move to Columbus, Ohio, to avoid death threats were never officially released until 2001, when Scat released <i>Eyeball of Hell</i>, a compilation of all the material they were able to get on tape. The swinging, headache-inducing "Agitated" stands as probably their most well-known and, uh, "professional" song, but all 25 tracks on <i>Eyeball of Hell</i> are just as annoyingly, craptastically seminal for folks interested in music that is really, really bad.
- Mike McGuirk]]></description>
</item><item>
<title>Vivian Girls</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.23949111&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Lo-Fi</category>
<pubDate>Thu, 26 Nov 2009 11:27:29 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Vivian Girls</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.23949111</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.23949111&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.23949111&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Much like Blood on the Wall and Sic Alps, the Vivian Girls pay homage to classic indie pop, namely the distorto-soaked twee of Scrawl, Velocity Girl, Black Tambourine, Talulah Gosh and Tiger Trap. Named after the protagonists of outsider artist Henry Darger's now legendary manuscript <i>The Story of the Vivian Girls, in What is known as the Realms of the Unreal, of the Glandeco-Angelinnian War Storm, Caused by the Child Slave Rebellion</i>, the group came together in Brooklyn in 2007. In a matter of months the trio of Cassie Ramone, Kickball Katy and Frankie Rose (who eventually left the band) recorded a five song demo and played a string of gigs, often with fellow New Yorkers Woods and Crystal Stilts. With Ali bashing away simple, Moe Tucker-like beats, Cassie and Katy chirp about boys, youth and insecurity, as if they're a late '60s bubblegum act dipped in a vat of shoegazing fuzz. In 2008, the Girls cranked up their recording schedule, releasing a slew of seven-inches (those little, round discs that contain two, sometimes three songs) and a self-titled album on the Mauled by Tigers imprint. Although the record's first pressing quickly sold out, the longtime garage rock label In the Red reissued it several months later.
- Justin Farrar]]></description>
</item><item>
<title>The Velvet Teen</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.17592&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Lo-Fi</category>
<pubDate>Tue, 17 Mar 2009 20:33:28 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.17592</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Velvet Teen</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.17592</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.17592&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.17592&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[More than just a clever name, this outfit produce works of jaw-dropping beauty, mainly in the form of heart-wrenching ballads sung by an angelic-voiced singer. You may automatically think Jeff Buckley, and that's not far off the mark; they have that same soaring quality. But these songs are wonderfully diverse, each a well-crafted work unto itself. The pretty, piano-driven pieces flow with the type of classical elegance that marks the best work of Rufus Wainwright. Other pieces are more difficult to find antecedents for, sounding like Thom Yorke ransacking Beck's basement for cheap studio gear; the more delicately groovy work simultaneously recalls Prince and Jason Falkner. The Velvet Teen is primarily Judah Nagler's project, although he gets considerable help from a talented drummer. Their music proves to be a rare thing: haunting, intelligent, beautiful and genuinely entertaining.
- Will Lerner]]></description>
</item><item>
<title>Health</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.13465756&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Noise Rock</category>
<pubDate>Sun, 18 Oct 2009 10:44:28 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=32&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss">Top Lo-Fi Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Health</rhap:artist>
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<description><![CDATA[Like Black Dice, Los Angeles' Health are a gaggle of art-school noise-rockers experimenting with electronica. The quartet came together in 2006 and has been a key component to L.A.'s underground rock scene, playing many of the same stages as No Age, Wives and Abe Vigoda. Health's self-titled debut, released on the Lovepump United imprint, explodes with squealing robo-synth and proggy tribal grooves obviously inspired by heavies like Lightning Bolt and the Boredoms. In 2007 the group teamed up with those cacophonous electro-brats in Crystal Castles and scored a U.K. indie hit with a remix of "Crimewave," one of the debut album's top jams. Health then dove deeper into electronic dance music with the release of <i>Disco</i>, a collection of even more remixes. But <i>un</i>like Black Dice, the band hasn't totally abandoned its roots in noise-punk mayhem. Sure, a track like Pink Skulls' remix of "Heaven" is pure 3 a.m. ecstasy. But when compared to most mainstream club jams, its raw beats and searing distorto-drone would freak out most dance-floor vets. But who knows -- maybe Health represents the very beginnings of a lo-fi, club-noize revolution.
- Justin Farrar]]></description>
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<title>The Grifters</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6238&amp;rws=%2Falt-punk%2Findie-alternative%2Flo-fi%2Fartist-chart.rss</link>
<category>Lo-Fi</category>
<pubDate>Thu, 9 Apr 2009 16:37:08 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">The Grifters</rhap:artist>
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<description><![CDATA[Memphis' the Grifters began modestly enough, documenting their dark, twangy, blues-infected rock at a local flower shop on an entry level four-track recorder. Probably financially condemned to the Lo-Fi recording process, they were nevertheless bequeathed the Lo-Fi media badge early on, heralded for their enthusiastically raw, stripped-down orchestrations. Varying between noisy, swamp-flavored mid-tempo rock (<i>Crappin' You Negative</i>'s Cinnamon) and Glam-flavored Neo-Psychedelia (<i>Ain't My Lookout</i>'s Day Shift), the Grifters have always orchestrated spatial, richly textured songs that are frightening enough to get the dog barking, but smart enough to find shells for the shotgun.
- Kelly Bauman]]></description>
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