<?xml version="1.0" encoding="UTF-8" ?>
<?xml-stylesheet title="XSL_formatting" type="text/xsl" href="http://feeds.rhapsody.com/rss-transform-xslt.xml?bid=-1354060131"?>
<!--These data are only offered for use pursuant to the license agreement
posted at http://webservices.rhapsody.com/rws-license.html.
Any use of these data indicates your agreement to the terms and conditions
set forth therein.-->
<rss version="2.0" xmlns:rhap="http://feeds.rhapsody.com/dtds/">
<channel>
<title>Top Jangle Pop Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link><description>Top Jangle Pop Artists on Rhapsody Online</description><category>Jangle Pop</category><language>en</language><ttl>720</ttl><pubDate>Thu, 17 Dec 2009 14:28:24 -0800</pubDate><image>
<url>http://static.realone.com/rotw/images/logo_rhapsody_113x22.gif</url>
<title>Top Jangle Pop Artists on Rhapsody Online</title>
<link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<description>Top Jangle Pop Artists on Rhapsody Online</description>
</image><item>
<title>R.E.M.</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4162&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Jangle Pop</category>
<pubDate>Wed, 9 Dec 2009 10:53:47 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4162</guid>
<rhap:rcid xmlns:rhap="rhap">art.4162</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">R.E.M.</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4162</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4162&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4162&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Between 1983 and 1986, R.E.M.'s first four albums defined a type of music still taking shape at the time, an as-yet unnamed "alternative" rock then emerging on college radio. With Peter Buck's Velvet Underground-influenced guitars and Michael Stipe's murkily poetic lyrics, R.E.M. were the de facto kings of the underground in the '80s. <i>Life's Rich Pageant</i>, generally regarded as the band's fourth near-perfect album in a row when it came out in 1986, gave them an untouchable cache among their peers and fans. This popularity grew with the advent of alternative-themed radio stations and video shows on MTV, finally breaking when <i>Green</I> came out in 1988 and "The One I Love" became an inescapable MTV/radio hit. <i>Out of Time</i> followed in 1991 and yielded "Losing My Religion," which remains their most popular song today. The next three albums sold in astronomical numbers, and in 1997 Warner Bros paid them $80 million to re-up their contract. After signing the deal, founding bass player Bill Berry opted to leave the band, and between 1997 and 2008 R.E.M. released four studio albums amid a few collections and a live set.
- Mike McGuirk]]></description>
</item><item>
<title>The Smiths</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.746&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Jangle Pop</category>
<pubDate>Wed, 9 Dec 2009 10:53:43 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.746</guid>
<rhap:rcid xmlns:rhap="rhap">art.746</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Smiths</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.746</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.746&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.746&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Articulate, broodingly charismatic frontman Morrissey and supple guitarist Johnny Marr made the Smiths one of the most significant English bands of the '80s. An avowed celibate whose lyrics disclosed a sexually ambiguous point of view, Morrissey was given to controversy, whether advocating animal rights or trashing Prime Minister Margaret Thatcher and disco. The band's trancelike, guitar-based music angrily rebutted such British synthesizer pop as the Human League and Thompson Twins.<br><br>
Son of a hospital porter and a librarian, Morrissey first expressed himself by writing; unemployed in the late '70s, he wrote a book on James Dean and another on the New York Dolls, whose English fan club he headed. He also played briefly in a band called the Nosebleeds. Veteran of such cult groups as Sister Ray and Freaky Party, Marr first met Morrissey at a 1979 Patti Smith concert, and by 1982 they decided to form a band. The pair eventually enlisted drummer Mike Joyce and bassist Andy Rourke for an eponymous debut that, on U.K. indie label Rough Trade (on Sire in the U.S.), entered the British chart at Number Two. An earlier single, "Hand in Glove," was then recorded with Morrissey's favorite female singer, '60s British pop idol Sandie Shaw, and scored Number 27 in the U.K. This coup, along with <I>The Smiths</I>' "Heaven Knows I'm Miserable Now" (Number 10 U.K., 1984), established the band.<br><br>
The meteoric rise continued with <I>Meat Is Murder</I> debuting at Number One on the British chart; the group also caused a stir with Morrissey's stage presence, the singer wearing a garland of gladioli in tribute to Oscar Wilde, a hearing aid in homage to '50s balladeer Johnnie Ray, and a ducktail haircut patterned after English rocker Billy Fury. Some critics sniped that the group's lyrics referred to child molesting, and Morrissey offended others with sharp comments about the all-star Band Aid benefit single for Ethiopian famine relief. His champions, though, hailed his oblique, angst-driven songs as latter-day examples of Ray Davies-styled social commentary. With ex-Aztec Camera guitarist Craig Gannon added, 1986's <I>The Queen Is Dead</I> (Number Two U.K.) fared handsomely, but a disappointing U.S. tour showed that the Smiths had yet to penetrate the American mainstream. Later that year Johnny Marr was involved in a serious car accident; during his recovery, Gannon was fired. A single, "Sheila Take a Bow," became a Top 10 U.K. hit in mid-1987, but later that year, with Marr deeming their musical approach exhausted, the Smiths disbanded. <I>Strangeways, Here We Come</I> and the live <i>Rank</I> were released posthumously.<br><br>
Despite his prolific output &#8212; <I>Viva Hate, Bona Drag, Kill Uncle, Your Arsenal, and Vauxhall</I> and <i>I</I> &#8212; Morrissey's solo career hasn't quite matched his success with the Smiths, although the singer has attracted a rabid cult following in the U.S. He released 1995's <I>Southpaw Grammar</I> (Number 66) and 1997's <I>Maladjusted</I> (Number 61) to an ambivalent critical response. (<i>My Early Burglary Years</I> was a collection of B sides and rarities.) But a tour in 2000 enjoyed sell-out crowds without a new album or even a record deal.<br><br>
Besides playing sessions with Bryan Ferry, Talking Heads, the Pet Shop Boys, and Billy Bragg, Marr served for a while with the Pretenders, The The, and Electronic without ever finding a permanent venue. Marr's low profile led to a reputation as British rock's most talented underachiever. But he reemerged in 2000 for the first time at the front of his own band, the Healers, which included former Dub Pistol keyboardist Lee Spender, bassist Alonza Bevan from Kula Shaker, and drummer Zak Starkey (son of Ringo Starr).<br><br>
Rourke and Joyce played with the Adult Net before backing up Sinead O'Connor; Joyce eventually joined the reformed Buzzcocks. In 1996 they both sued Marr and Morrissey, complaining over the unequal sharing of Smiths earnings; Rourke settled out of court, but in 1998 Joyce won his case, with a British judge calling Morrissey "devious, truculent, and unreliable." A reunion is not expected.
<br><br>
<I>from The Rolling Stone Encyclopedia of Rock & Roll (Simon & Schuster, 2001)</I>]]></description>
</item><item>
<title>The Airborne Toxic Event</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.18193379&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Indie Pop</category>
<pubDate>Fri, 4 Dec 2009 13:20:38 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.18193379</guid>
<rhap:rcid xmlns:rhap="rhap">art.18193379</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Airborne Toxic Event</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.18193379</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.18193379&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.18193379&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[When aspiring novelist Mikel Jollett was diagnosed with an auto-immune disease, suffered a bad break-up and received the awful news that his mother was diagnosed with cancer all in one week's time, The Airborne Toxic Event was born as a means of coping. Jollett abandoned novel-writing for songwriting and by the end of 2006, he had recruited guitarist/keyboardist Steven Chen, bassist Noah Harmon, drummer Daren Taylor and keyboardist/violinist Anna Bulbrook to help channel the pained-yet-relatable lyrics through their new wave-inspired indie pop musings. With Jollett's literary background, the lyrics read like stories set to music, while their dismal retelling is cloaked by the band's mostly upbeat tune. With ready comparisons to Arcade Fire and Interpol, The Airborne Toxic Event release their self-titled debut in 2008.
- Jen Guyre]]></description>
</item><item>
<title>The Byrds</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1172&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Folk-Rock</category>
<pubDate>Wed, 16 Dec 2009 11:55:18 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1172</guid>
<rhap:rcid xmlns:rhap="rhap">art.1172</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Byrds</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1172</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1172&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1172&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Byrds are one of rock 'n' roll's most underrated bands. There is so much more to The Byrds than the Folk Rock of "Turn! Turn! Turn! (To Everything There is A Season)" -- they were the first group to blend the harmonies and backbeat of British Invasion with the warm, lyrical blood of folk music. The sustenance to their sugar was the evocative mash of Roger McGuinn's trademark, chiming 12-string Rickenbacker, soaring, three-part, gossamer vocal harmonies, and innovative pairing of analog synthesizers with country music's elastic tonal twang provided by the Telecaster B-bender (a string-stretching device invented by the late, great Clarence White and Gene Parsons to approximate a pedal steel's fluid cry). The Byrds effortlessly flew like a feathered Lear jet through Dylan-esque musings, inner galactic Psychedelia, and Cosmic American Music soundscapes that helped bring country music to a wider audience.
- Eric Shea]]></description>
</item><item>
<title>Gin Blossoms</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.43226&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Wed, 16 Dec 2009 11:56:00 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.43226</guid>
<rhap:rcid xmlns:rhap="rhap">art.43226</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Gin Blossoms</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.43226</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.43226&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.43226&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Jangly and catchy, the Gin Blossoms skyrocketed out of the Phoenix bar scene in the early '90s with the one-two combination of "Hey Jealousy" and "Found Out About You," which you may have missed if you were either away from Earth during those years or have only recently regained your hearing. Their collage of college-friendly sounds combined rootsy grit with grungy modern rock to dominate the airwaves for over a year.
- Jessy Terry]]></description>
</item><item>
<title>Sister Hazel</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5325&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Tue, 8 Dec 2009 09:16:42 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5325</guid>
<rhap:rcid xmlns:rhap="rhap">art.5325</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Sister Hazel</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5325</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5325&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5325&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Yet another result of the mini musical renaissance that swept through Gainesville, Fla., in the mid- to late-'90s. Though comparisons to the Counting Crows will likely be the bane of the group's existence, they do make a concerted effort to set themselves apart with the a fuller sound that sometimes incorporates strings. Folk music meets <i>Hooked on Classics</i>.
- Chad Driscoll]]></description>
</item><item>
<title>Morrissey</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4212&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Post-Punk</category>
<pubDate>Fri, 4 Dec 2009 13:19:44 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4212</guid>
<rhap:rcid xmlns:rhap="rhap">art.4212</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Morrissey</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4212</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4212&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4212&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Nobody gets despondent with as much cheeky abandon as Morrissey. The former leader of the Smiths, his solo work retains Johnny Marr's Byrds-inspired, jangly guitar sound and adds even bigger doses of 1940s Music Hall, '50s Rockabilly, and '70s Glam. Morrissey's first solo album, <I>Viva Hate</I>, co-written by producer Stephen Street, was a triumph. Since then, the quality of Morrissey's output has careened wildly from respectable to moments of brilliance to leaden time-fillers. Mick Ronson (of early Bowie fame) helped toughen up his sound, but it was the reflective, peaceful and biting <I>Vauxhall and I</I> that reminded the public of this melodramatic crooner's unique vision. By the late 1990s, the public began to take Morrissey for granted and he was without a label for years. Then, in 2004, he released the best-selling <i>You Are the Quarry</i> and was once again embraced by sensitive rockers the world over. If songs as wonderful as "Trouble Loves Me" (1997) don't fly off his pen as quickly as they used to, it's still a comfort to have Morrissey around. He's your eccentric uncle, the one who laughs at stale convention and scoffs at the decadent hipsters ruling the pop world. Morrissey may be nostalgic for an England that never was, but he shows that the most revolutionary action in our busy, digital age may just be unhurried navel-gazing.
- Nick Dedina]]></description>
</item><item>
<title>The Bangles</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4019&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Fri, 11 Dec 2009 11:41:05 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4019</guid>
<rhap:rcid xmlns:rhap="rhap">art.4019</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Bangles</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4019</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4019&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4019&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Bangles' biggest hits made them a pop-culture touchstone. Many listeners who grew up in the 1980s recall "Walk Like an Egyptian," "Eternal Flame" and "Manic Monday" as early radio and video memories. At the same time, the four-woman group's talents went much deeper than those songs. First noticed as an amalgam of British Invasion and American garage and folk-rock influences, the Los Angeles-bred Bangles soon found themselves part of the Paisley Underground movement along with similarly forward-yet-backward-thinking bands like the Rain Parade and the Dream Syndicate. A self-titled EP for Miles Copeland's Faulty Products label and a Columbia debut album, <I>All Over the Place,</I> saw them asserting rapidly evolving songwriting chops that gave voice to a vulnerable yet unyielding feminism. Though they were a scorching live act, the Bangles' guitar-based sound wasn't enough to push them through to success outside the college-radio ghetto. Enter Prince. Impressed by singer Susanna Hoffs, he passed "Manic Monday" on to the band, which found itself with a No. 2 hit on its hands in the spring of 1986. It was only the first of four major single releases from the softer-edged <I>Different Light,</I> whose success culminated in a month-long run at No. 1 for "Egyptian." The Bangles' approach was built in part on their vocal blend, which gave everyone in the group a chance at lead vocals. Growing media focus on Hoffs led to resentment in the ranks, even as the act scored another smash with a return to paisley roots: a cover of Simon & Garfunkel's "Hazy Shade of Winter" from the <I>Less Than Zero</I> soundtrack. One more album, <I>Everything,</I> yielded the massive ballad "Eternal Flame," but the Bangles were history by 1990. However, they reunited for a strong album in 2003's <I>Doll Revolution.</I>
- Jaan Uhelszki]]></description>
</item><item>
<title>The Church</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1102&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Neo Psychedelic</category>
<pubDate>Fri, 4 Dec 2009 13:21:20 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1102</guid>
<rhap:rcid xmlns:rhap="rhap">art.1102</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Church</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1102</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1102&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1102&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[With a catalog full of atmospheric, sublime songs, the Church are that ray of warm sunlight that sneaks its way through the pea soup enshrouding a deserted beach in late autumn. Embodying the ideal synthesis of Post-Punk urgency, swirling psychedelia, and cloaked pop melodies, the quartet has been riding out peaks and valleys since the early 1980s, while never betraying their initial MO of creating dreamy, yet meticulous guitar pop. Early high points include "The Unguarded Moment" (their first hit single at home in Australia) and the epic "Is This Where You Live?" But while some point to their mid-1980s work as their finest, it's difficult to top the band's commercial steak-and-potato days of <i>Starfish</i> (1988) and <i>Gold Afternoon Fix</i> (1990). If the lilting "Under the Milky Way" didn't convince radio and MTV audiences of the band's reserved greatness, then "Metropolis" certainly did -- the song's repeated five-note guitar line and hazy, mandolin-accented outro are the most gorgeous moments of '90s alternative rock. That said, the '90s weren't so kind to the Church, as Arista dropped the band (at that point down to a duo) following the bloated opus <i>Sometime Anywhere</i> in 1994. Still, they re-formed into a full quartet later in the decade, ultimately releasing a number of albums, from jam sessions to moderate self-produced recordings. In 2009, nearly three decades after forming, the Church released the beautifully spacey <i>Untitled #23</i>, arguably one of their greatest albums to date.
- Charles Hodgkins]]></description>
</item><item>
<title>The Sundays</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.33812&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Dream Pop</category>
<pubDate>Wed, 18 Nov 2009 13:05:22 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.33812</guid>
<rhap:rcid xmlns:rhap="rhap">art.33812</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Sundays</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.33812</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.33812&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.33812&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[With a classic British Jangle Pop sound interwoven with Harriet Wheeler's siren singing, the Sundays wowed indie kids everywhere with their 1990 debut <i>Reading, Writing & Arithmetic</i>. Although they were more commercially successful for their gossamer cover of "Wild Horses," the Sundays could hold their own as songwriters, as proven on the hit "Here's Where The Story Ends." Unfortunately the band never made it huge in the mainstream as British journalists had predicted. The Sundays would later be criticized for making the same record three times, but as the old saying goes, "If it ain't broken, why fix it?"
- Eric Shea]]></description>
</item><item>
<title>The Stone Roses</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.862&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Brit Pop/Brit Rock</category>
<pubDate>Fri, 4 Dec 2009 13:19:28 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.862</guid>
<rhap:rcid xmlns:rhap="rhap">art.862</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Stone Roses</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.862</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.862&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.862&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The roots of the Stone Roses go back to 1980, when John Squire and Ian Brown took a turn playing Mod rock in the band English Rose (named after a Jam song), which by 1985 had morphed into the Stone Roses. The Manchester band released two dark, Goth-leaning singles to underwhelming response, but did manage to get signed by Silvertone in the process. Thanks in part to producer John Leckie, the third single was the charm for the Stone Roses; "Elephant Stone," a lighter, jangly pop song, set the wheels in motion for what would be called the "Madchester" craze. The band's near-flawless debut, released in May 1989, showcased John Squire's love for '60s hooks set to House-inspired beats that defined the "baggy" sound. At least four singles were culled from the band's debut album, and by the end of the summer, the sun was shining on the quartet. Legal troubles with Silvertone meant a five year delay for their follow-up, and when <I>Second Coming</I> was finally released in late 1994, the world was in the throes of Grungemania. The Stone Roses limped along as member after member left, until finally packing it in late 1996.
- Linda Ryan]]></description>
</item><item>
<title>The Format</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.65720&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Jangle Pop</category>
<pubDate>Sat, 17 Oct 2009 12:40:20 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.65720</guid>
<rhap:rcid xmlns:rhap="rhap">art.65720</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Format</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.65720</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.65720&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.65720&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Robyn Hitchcock</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.39119&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Neo Psychedelic</category>
<pubDate>Fri, 4 Dec 2009 13:21:20 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.39119</guid>
<rhap:rcid xmlns:rhap="rhap">art.39119</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Robyn Hitchcock</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.39119</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.39119&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.39119&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Robyn Hitchcock's lengthy career has been marked by a myriad of highs and lows, veering close to a commercial breakthrough on several occasions: he was the subject of Jonathan Demme's 1998 film <I>Storefront Hitchcock</I>, and he and his band the Egyptians toured with R.E.M. back in 1989. However, this ever-enduring and always endearing singer-songwriter will most likely be remembered as an under-appreciated, oft-erratic, quirky and remarkably singular genius. Unlike admitted influence Syd Barrett, Hitchcock is always in perfect and absolute control of his craft, and can take whimsical, often lunatic subject matter and put it into easily accessible song structures, i.e., "Lost Madonna of the Wasps" from <I>Queen Elvis</I>. Conversely, he can go to wild extremes, abandoning conventional rock or pop music altogether. No pop psychologist, Hitchcock turns his wry, adroit, and absurdist lyrics inwards, revealing to his listeners his razor-sharp wit, reckless imagination, and beautiful poet's heart.
- Will Lerner]]></description>
</item><item>
<title>Lloyd Cole</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2740&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Fri, 4 Dec 2009 13:20:17 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2740</guid>
<rhap:rcid xmlns:rhap="rhap">art.2740</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Lloyd Cole</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2740</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2740&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2740&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Lloyd Cole's songs are like Raymond Carver stories set to music -- sketches of self-destructive, lovelorn fools, and the short bursts of happiness they experience just before the next disaster. Originally lumped in with Morrissey, Cole was closer to the love song/Folk-Pop sides of Leonard Cohen, the Velvet Underground and Bob Dylan. He quickly rose to fame in the Jangle Pop-crazed early '80s with his band the Commotions, but by the end of the decade had relocated to New York and nabbed Matthew Sweet, Fred Maher and Robert Quine to be his backing band. His solo albums have alternated between less stylized Folk-Pop (augmented by classical strings and experimental production techniques) and AOR-style workouts, all to varying degrees of success. However, when Cole sticks to just putting a song over straightly, as on his album <i>Love Story</i>, he always scores.
- Nick Dedina]]></description>
</item><item>
<title>Katrina and the Waves</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6678&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>New Wave</category>
<pubDate>Sat, 12 Dec 2009 11:17:05 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6678</guid>
<rhap:rcid xmlns:rhap="rhap">art.6678</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Katrina and the Waves</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6678</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6678&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6678&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Pop in the same league as Belinda Carlisle, Josie Cotton and other female pop stars of the 1980s. Katrina and the Waves were too mature to be in the ranks with the Go-Go's or Bananarama, yet bouncy and formulaic enough to evoke memories of MTV's early days and Friday nights spent at the roller skating rink.
- Mark Murrmann]]></description>
</item><item>
<title>Damien Jurado</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4885&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Tue, 15 Dec 2009 10:30:58 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4885</guid>
<rhap:rcid xmlns:rhap="rhap">art.4885</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Damien Jurado</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4885</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4885&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4885&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Damien Jurado's jangle-folk dreamscapes and love songs are perfect mix-tape fodder for any post-adolescent girl or guy. This timeless, folk-inspired, American pop is a breath of fresh air. In the same cerebrally harmonic stylings as the Byrds, or later descendants like Teenage Fanclub, Jurado effortlessly weaves textured vocal harmonies around clean lines of naturally catchy melodies. It sounds like Jurado is getting the sounds from his head and his heart on to tape.
- Eric Shea]]></description>
</item><item>
<title>Grant Lee Buffalo</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3692&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Wed, 23 Sep 2009 09:49:11 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3692</guid>
<rhap:rcid xmlns:rhap="rhap">art.3692</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Grant Lee Buffalo</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3692</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3692&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3692&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The La's</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1232&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Brit Pop/Brit Rock</category>
<pubDate>Thu, 6 Aug 2009 10:38:49 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1232</guid>
<rhap:rcid xmlns:rhap="rhap">art.1232</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The La's</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1232</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1232&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1232&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The La's inception goes back to 1984, when Mike Badger asked fellow Scouser, Lee Mavers, to join his band, which, at the time, was a rockabilly outfit struggling to make a name for themselves among the plethora of talented bands in Liverpool. Never having a stable lineup, each subsequent personnel change over the years brought a new set of ideas and alliances to the band, which culminated in the firing Mike Badger, its founding member, in 1986. Mavers, who had already begun writing the sort of '60s-inspired jangle pop that the band is known for, assumed leadership of the La's and began writing in earnest. Having nabbed a deal with Go! Discs, the La's released their first single, "Way Out" in 1987, much to the delight of critics who gushed enthusiastically about this perfect pop nugget. With another lineup change behind them, the La's released another chiming gem, "There She Goes," a year later. When the single failed to chart, the band put it down to bad distribution and headed into the studio to record their album, with the idea to get in, record and get out quickly. But wasn't what happened. Reality found the band struggling to accurately capture the sounds that were swirling around Lee Mavers head; vintage equipment was assembled under the tutelage of producers who were hired and then fired. Eventually, the band hooked up with Steve Lillywhite, whose sessions went slightly better than the band's earlier efforts, but in the end, the band walked out on the esteemed knob-twirler. That became a sticking point, resulting in the band and their label taking very different paths. The band maintain they walked out of the sessions for good and that Steve Lillywhite produced a clunker of an album that featured wrong vocal tracks, unapproved art and the wrong track listing. The label, on the other hand, said the band recorded the album and then refused to take part in any of the post-production for it. In the end, the La's eponymous debut sparkled brightly, crackling with raw energy and overflowing with melody, but Mavers never recovered from the betrayal. Not even a remixed version of "There She Goes" hitting the charts in 1990 could pull Mavers out of his funk. Whispers of a nervous breakdown quickly followed rumors of a drug addiction, and Mavers' hermit-like behavior added fuel to the fire. Most of the band waited patiently for singer to make his next move, but after a full year of inactivity, bassist John Power left to form Cast. A handful of shows here and there was all that was left and the La's sputtered to a haltÃÂwithout ever really formally breaking up. For the most part, Mavers has foregone music completely, putting his energy into raising his children, while their big hit, "There She Goes" lives on in TV commercials for Ortho Tri-Cyclen Lo birth control pills.
- Linda Ryan]]></description>
</item><item>
<title>The Ocean Blue</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.791&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Dream Pop</category>
<pubDate>Sat, 4 Apr 2009 20:13:58 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.791</guid>
<rhap:rcid xmlns:rhap="rhap">art.791</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Ocean Blue</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.791</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.791&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.791&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Much like Toad the Wet Sprocket, the Ocean Blue's ceruleanic, almost dreamy Adult Alternative pop had some popularity in the late 1980s and early 1990s. Their songs are strong in subtle Power Pop melodies and wholesome lyrics the whole family can enjoy. Singer/guitar player David Schelzel's voice often inflects in a baritone/tenor range and a throaty vocal tone.
- Eric Shea]]></description>
</item><item>
<title>Juliana Hatfield</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2178&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Fri, 4 Dec 2009 13:19:56 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2178</guid>
<rhap:rcid xmlns:rhap="rhap">art.2178</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Juliana Hatfield</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2178</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2178&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2178&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[After leaving Indie popsters the Blake Babies in 1990, Hatfield continued writing in much the same vein. Though her voice went from a charming, melodic rasp to an earthier, slightly more mature sound, her songs continued to chime with jangle-friendly hooks and retained the signature naivete most associate with her past pursuits.
- Tim Quirk]]></description>
</item><item>
<title>The Gunbunnies</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44674&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Jangle Pop</category>
<pubDate>Fri, 10 Jul 2009 12:19:32 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.44674</guid>
<rhap:rcid xmlns:rhap="rhap">art.44674</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Gunbunnies</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.44674</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44674&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44674&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Like fellow Southern rocker Alex Chilton, the Gunbunnies display a penchant for writing smart and hooky pop songs full of clever lyrics. Stripped-down arrangements employ an understated rhythm section, jangly rhythm guitar parts, and simple lead fills.
- Will Lerner]]></description>
</item><item>
<title>The Housemartins</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3161&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Jangle Pop</category>
<pubDate>Sun, 18 Oct 2009 10:43:38 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3161</guid>
<rhap:rcid xmlns:rhap="rhap">art.3161</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Housemartins</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3161</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3161&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3161&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Beloved in their native Britain, the Housemartins were radio and TV staples throughout their short-lived recording career, which encompassed two proper studio albums and a slew of B-sides. Musically, the band combined the indie guitar pop of the Smiths with a surprising feel for American gospel and soul (which often came out in their cover songs and a cappella B-sides). Stylistically, the band possessed more than a touch of the cheeky, subversive Northern humor of the Beatles and the "just one of the lads" retro aesthetic of Madness. Deemed too English and political for American audiences, the Housemartins did have two songs that earned heavy rotation on U.S. college and alternative radio: "Happy Hour" and "Five Get Overexcited." Band member Paul Cook went on to become Fatboy Slim, while lead vocalist Paul Heaton formed the Beautiful South, another fine pop band that received but did not deserve the dreaded "too English for America" tag.
- Nick Dedina]]></description>
</item><item>
<title>The Trashcan Sinatras</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9060&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Jangle Pop</category>
<pubDate>Sun, 27 Sep 2009 09:56:15 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.9060</guid>
<rhap:rcid xmlns:rhap="rhap">art.9060</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Trashcan Sinatras</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.9060</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9060&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9060&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Influenced by fellow Scottish jangle popsters the Bluebells and Aztec Camera, the Trashcan Sinatras formed in Irvine, Scotland, in 1987 and almost immediately set about wowing U.K. critics with such singles as "Only Tongue Can Tell" and "Obscurity Knocks." Eventually their American label, PolyGram, took notice and released their stunning U.S. debut, <I>Cake</I>, in 1990. A near-perfect album, <I>Cake</I> dazzles on every front -- from frontman Frank Reader's intimate voice and amazingly clever wordplay, to crystalline production (supplied by John Leckie) that highlights the band's gorgeous pop hooks. The group followed that release with 1993's <I>I've Seen Everything</I>, an endearing album that, despite positive reviews, failed to take hold in the midst of grunge-mania. With America still high on the fumes emanating from Seattle, PolyGram U.S. decided to pass on 1996's <I>A Happy Pocket</I>. The Trashcan Sinatras kept a low profile in the U.S. throughout the rest of the 1990s, but the band surprised fans when they announced plans to record in the New England area in 2000. And although the ensuing session was eventually scrapped, die-hard fans were treated to the occasional show in the area. The Trashcan Sinatras continued to record well into the new millennium; they keep in touch with their fans worldwide via their Internet site, www.trashcansinatras.com.
- Linda Ryan]]></description>
</item><item>
<title>The Long Ryders</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.26135&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Cosmic American Music</category>
<pubDate>Sat, 26 Sep 2009 10:11:17 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.26135</guid>
<rhap:rcid xmlns:rhap="rhap">art.26135</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Long Ryders</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.26135</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.26135&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.26135&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[You can't swing a dead cat these days without hitting an Alt Country band that identifies Gram Parsons' California country as a key influence. Energized by the punk scene, the Long Ryders were paying homage to Cosmic American Music back when most of these new-fangled Alt Country bands were still grooving to Motley Crew. But a love of Parsons and the Byrds isn't all the Long Ryders had: they were a hard-hitting, rootsy rock 'n' roll band that bridged the gap between fellow L.A. bands such as Punk/Roots rockers Rank and File and the dreamier Rain Parade. Led by Parsons biographer Sid Griffin, you will find Long Ryders records filed under "Ahead of the Times." Definitely scoop them up, as their two best releases -- <I>10-5-60</i> and <i>Native Sons</I> -- are available on one reissue. The Long Ryders never excelled at poignant ballads, but they were one of the hardest rocking bands ever to hit the stage with banjo, mandolin, and steel guitar.
- Nick Dedina]]></description>
</item><item>
<title>The Posies</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1217&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Power Pop</category>
<pubDate>Mon, 9 Nov 2009 11:46:51 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1217</guid>
<rhap:rcid xmlns:rhap="rhap">art.1217</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Posies</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1217</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1217&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1217&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Keeping the Power Pop flame alive in the 1990s, Seattle's Posies sound like an updated, even poppier version of Big Star. Supreme melodic instinct and insanely catchy songs have made them critical faves for years.
- Charles Hodgkins]]></description>
</item><item>
<title>The Clientele</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.37712&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Jangle Pop</category>
<pubDate>Wed, 14 Oct 2009 12:07:15 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.37712</guid>
<rhap:rcid xmlns:rhap="rhap">art.37712</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Clientele</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.37712</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.37712&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.37712&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Connells</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1501&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Jangle Pop</category>
<pubDate>Thu, 30 Apr 2009 10:57:25 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1501</guid>
<rhap:rcid xmlns:rhap="rhap">art.1501</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Connells</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1501</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1501&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1501&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[They've got Rickenbacker guitars that jingle-jangle-jingle and they've been doing it for years; the Connells brew up the kind of Roots-oriented pop that shimmers like the sun reflecting on rippling water.]]></description>
</item><item>
<title>Hoodoo Gurus</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3309&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Power Pop</category>
<pubDate>Wed, 7 Oct 2009 12:12:51 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3309</guid>
<rhap:rcid xmlns:rhap="rhap">art.3309</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Hoodoo Gurus</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3309</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3309&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3309&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Dumptruck</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.68665&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Thu, 10 Sep 2009 12:14:58 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.68665</guid>
<rhap:rcid xmlns:rhap="rhap">art.68665</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Dumptruck</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.68665</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68665&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68665&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[With three critically acclaimed records, it seemed Dumptruck were poised for mass commercial success in the late 1980s. When their contract with Big Time expired, however, a label vs. artist vs. label episode effectively flattened the tire of Seth Tiven and his Dumptruck. Now residing in Austin, Tex., Tiven is back with a new album of songs crafted with the collaborative help of a sharp new band. With the support of indie label Devil in the Woods, the stage may be set for all-out vindication and revival long after Dumptruck's untimely passing. This spirited offering should satisfy both die-hard fans and potential converts who happened to miss out on the brilliance of Dumptruck's creepy, country-infected ballads and noisy, Crazy Horse-style barnburners. Still prominent in the mix is Tiven's unique, endearing voice and characteristically dark, self-observational lyrics.
- Mike Cloward]]></description>
</item><item>
<title>The Minus 5</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.66677&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Jangle Pop</category>
<pubDate>Fri, 22 May 2009 17:08:17 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.66677</guid>
<rhap:rcid xmlns:rhap="rhap">art.66677</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Minus 5</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.66677</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.66677&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.66677&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This Seattle-based pop music collective was started in 1993 as a side project by Scott McCaughey of Young Fresh Fellows fame. The idea was to have a different lineup with each release. This revolving door has seen the likes of Peter Buck (R.E.M) and members of the Posies, the Walkabouts and NRBQ join in the fun. As in the YFF, McCaughey plays Jangle Pop, but with lyrics that are more bleak than whimsical.
- Mike Cloward]]></description>
</item><item>
<title>Lilys</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4733&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Dream Pop</category>
<pubDate>Fri, 27 Nov 2009 10:25:26 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4733</guid>
<rhap:rcid xmlns:rhap="rhap">art.4733</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Lilys</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4733</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4733&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4733&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Lead Lily Kurt Heasley is a musical chameleon of sorts, changing his look and sound with nearly every release. The Lilys' kaleidoscope started in 1991 with "February 14," a nod to Dinosaur Jr.'s sound. Soon after, the band changed hue with <i>In the Presence of Nothing</i> -- a thick dose of My Bloody Valentine's <i>Loveless</i>-era rock with plenty of distorted guitars and swirling vocals. Two years later, they were straightforward Power Pop with the EP "A Brief History of Amazing Letdowns." The following year saw <i>Eccsame the Photon Band</i> -- Heasley was maturing as a musician, writing more meticulous numbers that relied on creating ambience rather than songs that rushed from start to finish in a wash of noise. The 1996 <i>Better Can't Make Your Life Better</i> embraced the Kinks' British Invasion sound. After a two-year disappearance, Heasley returns with <i>The 3-Way</i>. A rotary of musical currents with sensible guitars and lush keyboards combines with Heasley's lowercase vocal for a profoundly rich pop sound.]]></description>
</item><item>
<title>Graham Colton</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6039415&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Fri, 5 Jun 2009 08:53:59 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6039415</guid>
<rhap:rcid xmlns:rhap="rhap">art.6039415</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Graham Colton</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6039415</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6039415&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6039415&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Felt</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4272&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Jangle Pop</category>
<pubDate>Thu, 19 Nov 2009 15:24:33 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4272</guid>
<rhap:rcid xmlns:rhap="rhap">art.4272</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Felt</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4272</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4272&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4272&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Agents Of Good Roots</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.18031&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Jangle Pop</category>
<pubDate>Sat, 4 Jul 2009 12:41:50 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.18031</guid>
<rhap:rcid xmlns:rhap="rhap">art.18031</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Agents Of Good Roots</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.18031</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.18031&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.18031&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Sons &amp; Daughters</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7563952&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Sun, 1 Nov 2009 12:39:42 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.7563952</guid>
<rhap:rcid xmlns:rhap="rhap">art.7563952</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Sons &amp; Daughters</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7563952</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7563952&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7563952&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Sons & Daughters are a folk-rock four-piece from Glasgow, Scotland. The band is composed of ex-Arab Strap members -- singer Adele Bethel and drummer David Gow -- along with bassist Ailidh Lennon and guitarist/singer Scott Paterson. The group formed in 2001 while Bethel and Gow were on an Arab Strap tour. In 2003, <i>Love the Cup</i>, an album of stripped-down Americana-via-Scotland style rock, was released by Ba Da Bing Records (then later re-released by Domino). Their second album, <i>The Repulsion Box</i>, upped the tempo and added a confident blues swagger. For <i>This Gift</i>, in 2008, they called on the production prowess of Suede guitarist Bernard Butler, who infused Sons & Daughters with jittery rock hooks for the group's most accomplished album to date.
- Dan Shumate]]></description>
</item><item>
<title>Robyn Hitchcock and The Egyptians</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.22585741&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Neo Psychedelic</category>
<pubDate>Fri, 29 May 2009 09:36:06 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.22585741</guid>
<rhap:rcid xmlns:rhap="rhap">art.22585741</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Robyn Hitchcock and The Egyptians</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.22585741</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.22585741&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.22585741&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Youth Group</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7242993&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Indie Pop</category>
<pubDate>Tue, 14 Jul 2009 10:56:25 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.7242993</guid>
<rhap:rcid xmlns:rhap="rhap">art.7242993</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Youth Group</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7242993</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7242993&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7242993&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Singer/guitarist Toby Martin formed Youth Group with longtime friend, drummer Danny Allen, and after a revolving line-up, the group finally gelled with the addition of guitarist Cameron Emerson-Elliott and Patrick Matthews, former bassist with the Vines. The band's relentless touring schedule helped to gain a substantial following in their native Australia, which was cultivated via further tours with such international bands as Elliott Smith, the Strokes, Luna and Joe Pernice, among others. In May of 2001, the Aussie band released their debut album <I>Urban & Eastern</I> which was followed by <I>Shadowland</I> in 2004. The band's melodic-yet-dark guitar pop was a throwback to mid-1980s Aussie bands such as the Died Pretty and the Moffs, as much as it was an up-to-the-minute, stand-alone sound unique to the Youth Group. <I>Shadowland</I> was the first effort to be released Stateside and Youth Group supported it with an appearance at 2005's SXSW music festival in Austin, Texas before hitting the road with the Vines. By the end of 2005, the band's praises were being sung by current "it" band, Death Cab for Cutie, who happily took the quartet out on the road with them.
- Linda Ryan]]></description>
</item><item>
<title>Glen Phillips</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6588589&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Tue, 17 Mar 2009 20:29:58 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6588589</guid>
<rhap:rcid xmlns:rhap="rhap">art.6588589</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Glen Phillips</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6588589</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6588589&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6588589&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Field Mice</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2964&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Indie Pop</category>
<pubDate>Mon, 10 Nov 2008 04:13:06 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2964</guid>
<rhap:rcid xmlns:rhap="rhap">art.2964</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Field Mice</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2964</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2964&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2964&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The New Amsterdams</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.36590&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Jangle Pop</category>
<pubDate>Fri, 12 Jun 2009 09:57:17 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.36590</guid>
<rhap:rcid xmlns:rhap="rhap">art.36590</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The New Amsterdams</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.36590</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.36590&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.36590&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Shoes</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5159&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Power Pop</category>
<pubDate>Sat, 21 Nov 2009 13:43:15 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5159</guid>
<rhap:rcid xmlns:rhap="rhap">art.5159</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Shoes</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5159</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5159&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5159&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Dukes of Stratosphear</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.42767&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Neo Psychedelic</category>
<pubDate>Sat, 3 Oct 2009 10:45:26 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.42767</guid>
<rhap:rcid xmlns:rhap="rhap">art.42767</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Dukes of Stratosphear</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.42767</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.42767&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.42767&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>House of Love</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6289&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Brit Pop/Brit Rock</category>
<pubDate>Sat, 23 May 2009 13:52:28 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6289</guid>
<rhap:rcid xmlns:rhap="rhap">art.6289</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">House of Love</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6289</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6289&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6289&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Railway Children</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.12689&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Jangle Pop</category>
<pubDate>Wed, 8 Jul 2009 13:07:42 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.12689</guid>
<rhap:rcid xmlns:rhap="rhap">art.12689</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Railway Children</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.12689</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12689&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12689&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Named after a much-loved English children's book, the members of the Railway Children were practically teenagers when their jangly guitar pop hit the airwaves in the mid 1980s. They were a solid band that nonetheless suffered when compared to the more idiosyncratic Aztec Camera or the Smiths.
- Nick Dedina]]></description>
</item><item>
<title>The Soft Boys</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.63142&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Neo Psychedelic</category>
<pubDate>Tue, 17 Mar 2009 20:32:02 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.63142</guid>
<rhap:rcid xmlns:rhap="rhap">art.63142</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Soft Boys</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.63142</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.63142&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.63142&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Robyn Hitchcock got his start in the Soft Boys in 1976, at the onset of the Punk blowout -- not that they were really a part of it. It was more the aftershocks of Punk that allowed the Soft Boys to make their (then) minor waves. Hitchcock's absurd, Syd Barrett-esque images, folk strumming, and revved-up Power Pop still seemed an anomaly during the time of gob-smacking and pogo-ing, but "I Wanna Destroy You" had the right message, at least. <I>A Can of Bees</I> (1979) and <I>Underwater Moonlight</I> (1980) influenced a new wave of nonsense-slinging guitar psychedelia from R.E.M to Pavement.]]></description>
</item><item>
<title>Aztec Camera</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.68477&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Jangle Pop</category>
<pubDate>Sun, 1 Nov 2009 12:39:52 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.68477</guid>
<rhap:rcid xmlns:rhap="rhap">art.68477</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Aztec Camera</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.68477</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68477&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68477&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A catchy and -- at least at first -- folk-inflected New Wave act with spry, observant lyrics full of humorous twists and emotional depth. Aztec Camera's Roddy Frame is still a talented songwriter and a singer with a delicate, softly falling voice. The closer you stick to the AC's lower-key early material, however, the better off you'll be. For some ill-begotten reason, after <I>Knife</I> (1984) he began molding his songs after the over-produced R&B-ish (i.e. rubbish) Adult Contemporary churned out by Simply Red and the solo Boy George. Bloated horn sections, syrupy harmonies, fluffy Blue-Eyed Soul passages and gallon after gallon of studio varnish smother the emotional burn of Frame's writing. <I>Love</I> and <I>Stray</I> may contain more hit songs, but relative to the more atmospheric first two albums they're mere crust after pie. With their unassuming, clean hooks and perfect lyric poise, <I>High Land, Hard Rain</I>'s "Oblivious" and <I>Knife</I>'s "Birth of the True" rank among the most exemplary songs ever hoisted aloft by New Wave.
- Chad Driscoll]]></description>
</item><item>
<title>Paul Kelly</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6770&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Folk-Rock</category>
<pubDate>Fri, 8 May 2009 01:49:34 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6770</guid>
<rhap:rcid xmlns:rhap="rhap">art.6770</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Paul Kelly</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6770</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6770&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6770&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Australian singer-songwriter Paul Kelly is a national institution in his homeland but sorely underappreciated in the U.S., due in part to the decidedly Australia-specific nature of his work. With his knack for penetrating, sometimes acerbic lyrics and pop-friendly structures, comparisons have often been drawn to fellow critically acclaimed outsider Graham Parker. Kelly's songs are often folk-based, with a pronounced <i>Highway 61 Revisited</i> influence that stems from simple guitar/keyboard arrangements and his simmering vocal delivery.
- Eric Shea]]></description>
</item><item>
<title>Army Of Me</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7688263&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Jangle Pop</category>
<pubDate>Thu, 15 Oct 2009 10:59:58 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.7688263</guid>
<rhap:rcid xmlns:rhap="rhap">art.7688263</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Army Of Me</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7688263</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7688263&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7688263&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Thorns</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.66066&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Thu, 19 Nov 2009 15:23:34 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.66066</guid>
<rhap:rcid xmlns:rhap="rhap">art.66066</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Thorns</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.66066</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.66066&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.66066&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Dream Syndicate</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.14038&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</link>
<category>Neo Psychedelic</category>
<pubDate>Sat, 10 Oct 2009 10:13:28 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=240&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss">Top Jangle Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.14038</guid>
<rhap:rcid xmlns:rhap="rhap">art.14038</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Dream Syndicate</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.14038</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.14038&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.14038&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2Fjangle-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Released the same year as Survivor's <I>Eye of the Tiger</I>, the Dream Syndicate's debut <I>The Days of Wine & Roses</I> was revolutionary -- it served notice to the checker-bored and synth-reliant, and helped to usher in a chapter of alternative rock by way of guitar psyche riding a cresting wave of injured feedback. They were tagged leaders of a Los Angeles-based Neo-Psychedelic movement dubbed the "Paisley Underground," alongside renowned acts such as Rain Parade and the Three O' Clock. Refreshingly, there were no tie-dyes and Guatemalan print in their jamming, sonically expressive aesthetic. The Dream Syndicate were a blissfully dissonant Indie Rock outfit finding their glory in guitar-driven pop.
- Kelly Bauman]]></description>
</item></channel>
</rss>