<?xml version="1.0" encoding="UTF-8" ?>
<?xml-stylesheet title="XSL_formatting" type="text/xsl" href="http://feeds.rhapsody.com/rss-transform-xslt.xml?bid=-1354060131"?>
<!--These data are only offered for use pursuant to the license agreement
posted at http://webservices.rhapsody.com/rws-license.html.
Any use of these data indicates your agreement to the terms and conditions
set forth therein.-->
<rss version="2.0" xmlns:rhap="http://feeds.rhapsody.com/dtds/">
<channel>
<title>Top '80s Alternative Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link><description>Top '80s Alternative Artists on Rhapsody Online</description><category>'80s Alternative</category><language>en</language><ttl>720</ttl><pubDate>Sun, 29 Nov 2009 06:02:06 -0800</pubDate><image>
<url>http://static.realone.com/rotw/images/logo_rhapsody_113x22.gif</url>
<title>Top '80s Alternative Artists on Rhapsody Online</title>
<link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<description>Top '80s Alternative Artists on Rhapsody Online</description>
</image><item>
<title>U2</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.153&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>Alt/Punk</category>
<pubDate>Fri, 27 Nov 2009 10:25:01 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.153</guid>
<rhap:rcid xmlns:rhap="rhap">art.153</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">U2</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.153</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.153&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.153&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[There's no denying that U2 has become one of the most iconic, loved and, yes, important rock bands in the world. And if they're not bigger than Jesus, Bono's attempt to turn his celebrity toward the greater good -- rubbing elbows with heads of state as he tackles climate change and African debt relief -- hasn't hurt his saintly stature. With an unchanging lineup of Bono (vocals), the Edge (guitar), Adam Clayton (bass) and Larry Mullen, Jr. (drums), the Dublin-born band established itself with a string of post-punk-influenced, protest-minded albums in the early '80s. <I>The Joshua Tree</I> (1987) and the following year's <I>Rattle & Hum</I> capped the first phase of the band's career. The '90s were U2's pop decade, as they at once embraced and undercut their mega-star status, experimenting with dance beats and multimedia theatrics. Beginning with 2000's <I>All That You Can't Leave Behind</I>, U2 returned to their rock roots and embarked upon a "mature" career phase that included record-setting tour grosses and induction into the Rock & Roll Hall of Fame. <I>No Line on the Horizon</I> -- released in March 2009, 30 years after their debut EP -- suggested that the band had no intention of slowing down.
- Philip Sherburne]]></description>
</item><item>
<title>R.E.M.</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4162&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>Jangle Pop</category>
<pubDate>Thu, 26 Nov 2009 11:27:16 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4162</guid>
<rhap:rcid xmlns:rhap="rhap">art.4162</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">R.E.M.</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4162</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4162&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4162&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Between 1983 and 1986, R.E.M.'s first four albums defined a type of music still taking shape at the time, an as-yet unnamed "alternative" rock then emerging on college radio. With Peter Buck's Velvet Underground-influenced guitars and Michael Stipe's murkily poetic lyrics, R.E.M. were the de facto kings of the underground in the '80s. <i>Life's Rich Pageant</i>, generally regarded as the band's fourth near-perfect album in a row when it came out in 1986, gave them an untouchable cache among their peers and fans. This popularity grew with the advent of alternative-themed radio stations and video shows on MTV, finally breaking when <i>Green</I> came out in 1988 and "The One I Love" became an inescapable MTV/radio hit. <i>Out of Time</i> followed in 1991 and yielded "Losing My Religion," which remains their most popular song today. The next three albums sold in astronomical numbers, and in 1997 Warner Bros paid them $80 million to re-up their contract. After signing the deal, founding bass player Bill Berry opted to leave the band, and between 1997 and 2008 R.E.M. released four studio albums amid a few collections and a live set.
- Mike McGuirk]]></description>
</item><item>
<title>The Cure</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1179&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Sun, 22 Nov 2009 10:09:52 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1179</guid>
<rhap:rcid xmlns:rhap="rhap">art.1179</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Cure</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1179</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1179&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1179&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Endurance and validity have long been words attributed to the music and career of England's most legendary alternative band. The band have gone from being the closet secret of the goth crowd to popular acceptance to sold-out stadium tours with nary a break in quality. Robert Smith's romanticism with all things morose was exemplified on their sparse early releases like <I>Pornography</I> and <I>Faith</I>. Smith's formerly monotone vocals took a turn upon the release of <I>The Top</I> in '84 and suddenly he had adopted a kind of feline yelp in his vocals, and tracks like "The Caterpillar" bubbled with an odd, lively energy. Through the end of the '80s the band honed their incredible pop skills to much acclaim as "In Between Days" and "Just Like Heaven" piped out of every incense-lit bedroom from here to Calcutta. Just as their early fan base had begun to drift as the band explored the exceedingly vibrant pop of "Why Can't I Be You" and "Hot Hot Hot!!!," they released <I>Disintegration</I> in '89. A wonderfully dark and beautiful record, marked by Smith's relentlessly stunning guitar work and fluid imagery, it proved to be the band's biggest success. It also laid the groundwork for how the band would spend most of the '90s. Spiking their work with an almost irritating giddiness and melodic melancholy, the band continue to be masters of lush, crimson-hued pop.]]></description>
</item><item>
<title>Talking Heads</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>New Wave</category>
<pubDate>Tue, 24 Nov 2009 09:38:16 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4049</guid>
<rhap:rcid xmlns:rhap="rhap">art.4049</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Talking Heads</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4049</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4049&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Art school and punk rock truly came head to head when the Talking Heads formed in 1974. Although they sported neither spiked hair nor pinned shirts, they perfectly embodied outsider outlandishness, and their stuttering vocals, choppy rhythms and detached lyrics fit right in at CBGB's. This phase wouldn't last long, however, as David Byrne's smartly subversive songwriting was bound to find an audience bigger than New York's punk rock elite. With <I>Fear Of Music</I> (1979), the band began to radiate a kind of somber power, as they beefed up their previously lean sound with African rhythms. <I>Remain In Light</I> followed in 1980, and remains one of the more striking albums of that decade or any other. The rhythms were meticulous and yet completely driving, while the production was highly experimental with enough conventional flourishes to make "Once In A Lifetime" a radio success. Their blueprint now set, the group became hugely successful over the course of the 1980s, and their 1984 concert film is widely considered one of the best ever made. Their music was so immediate that their world beat-inspired songs still sound unique in whatever context they're heard. The group gave official notice that it was disbanding in 1991, bringing an inevitable close to one of the most creative and experimental commercially successful acts in rock 'n' roll.
- Jon Pruett]]></description>
</item><item>
<title>The Smiths</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.746&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>Jangle Pop</category>
<pubDate>Mon, 16 Nov 2009 10:52:22 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.746</guid>
<rhap:rcid xmlns:rhap="rhap">art.746</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Smiths</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.746</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.746&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.746&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Before the Korns and Limp Bizkits of the world insisted on a daily regime of rage and denial, there was a kinder gentler time when bands could still express unmanly insecurities in ticklish, sexually ambivalent pop songs. The Smiths were the most important of these acts. Their Puckish singer, known simply as Morrissey, warbled and whined about bicycle rides in the country, nervous trysts in the cemetery, and, of course, night after night spent alone. Drawing on an inexhaustible supply of double entendres and naughty insinuations, Morrissey established himself as the Oscar Wilde of his generation -- a genteel mischief-maker and foppish peddler of purple prose. The Smiths' unique sound, however, must be attributed to guitarist Johnny Marr. Spurred on by a distaste for jamming and flash, Marr explored unconventional avenues that led him to the sonic scree of "How Soon Is Now" and the lush jangle of "This Charming Man." Marr left the Smiths in 1987, forcing Morrissey to embark on a solo career. Apart from a lack of strong hooks due to the absence of Marr, Morrissey's work has consistently carried on the Smiths' sound. In 2006, Marr joined Modest Mouse, who shortly thereafter released <i>We Were Dead Before the Ship Even Sank</i>, the Mancunian's first number one-selling album in the U.S.
- Chad Driscoll]]></description>
</item><item>
<title>Pixies</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.55993&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>Noise Pop</category>
<pubDate>Sat, 21 Nov 2009 13:42:42 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.55993</guid>
<rhap:rcid xmlns:rhap="rhap">art.55993</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Pixies</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.55993</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.55993&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.55993&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In the alternative rock family tree, a big fat line runs from the Pixies directly to the chart-smashing noise pop and grunge that Nirvana broke with in 1991. <i>Surfer Rosa</i>, the Pixies' 1988 full-length debut of skronked-out, surf-damaged punk-pop, was a revelation to just about everyone who heard it. At first listen the remedial chord progressions, utterly nonsensical lyrics, and bizarre delivery sounded like the flailings of inept college rockers with a psychotropic casualty for a lead singer, but once the hooks were in, there was no escape. The Bostonians reminded everyone how to write a perfect, repetitive song that you knew by heart two seconds in. With wonder-twin powers Black Francis and Kim Deal writing paeans to sexually charged dementia, an idiosyncratic guitar sound, and what sounded like the Jolly Green Giant playing drums, the Pixies took the alt-rock world by storm, releasing four near-perfect records before self-destructing under the weight of their own talent, in 1993, after opening U2's Zoo TV tour. In their wake, Deal went full-time with her side-project the Breeders and began working on <i>Last Splash</i>, which would eventually go gold in the U.S., and Black -- as Frank Black -- starting penning a solo eponymous debut, which didn't fair so well. In 2004 -- with disparate and storied careers -- Deal, Black Francis, Joey Santiago and David Lovering reunited for a North American tour and several dates at European summer festivals. The group is currently rumored to be working on a new studio album, the first since 1991.
- Mike McGuirk]]></description>
</item><item>
<title>Jane's Addiction</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2728&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>Alt Metal</category>
<pubDate>Thu, 12 Nov 2009 19:09:55 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2728</guid>
<rhap:rcid xmlns:rhap="rhap">art.2728</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Jane's Addiction</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2728</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2728&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2728&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In hindsight, it's pretty easy to make fun of Jane's Addiction. They were utterly self-indulgent and relentlessly self-congratulatory, yet consistently championed by older siblings and the cool high school crowd. But -- and this is a huge but -- at the time they seemed like the best band in the world. They were colorful, frantically energetic and introduced the concept of irreverence (postured though it was) to millions of kids who otherwise got along with their parents. Perry Farrell's delay-laden wail is unmistakable, and along with Dave Navarro's bombastic guitar anti-heroism, Jane's Addiction crafted a huge, hybridized sound that helped define the soon-to-be-coined "alternative." They disbanded after only three full-length releases. Farrell and drummer Stephen Perkins soon formed Porno for Pyros, while Navarro joined the equally outrageous Red Hot Chili Peppers.
- Doug Russell]]></description>
</item><item>
<title>They Might Be Giants</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5081&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>Post-Modern Pop</category>
<pubDate>Fri, 13 Nov 2009 12:37:26 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5081</guid>
<rhap:rcid xmlns:rhap="rhap">art.5081</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">They Might Be Giants</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5081</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5081&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5081&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The duo of vocalist/guitarist John Flansburgh and vocalist/multi-instrumentalist John Linnell have been bringing their zany brand of pop to the public since their self-titled '86 release on the Bar/None label. The band's sound, propelled by angular beats combined with accordion, keyboards and guitars, is quirky and melodic, with Flansburgh's nasal voice heightening their natural lyrical irony. Through a series of popular college radio releases, their lyrics remain light but their music is a complex weave of instrumentation and odd time signatures.
- Tim Quirk]]></description>
</item><item>
<title>Sonic Youth</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.288&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>Noise Rock</category>
<pubDate>Sat, 10 Oct 2009 10:13:24 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.288</guid>
<rhap:rcid xmlns:rhap="rhap">art.288</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Sonic Youth</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.288</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.288&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.288&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The most exciting band of the 1980s, period. Sonic Youth had no equivalent then, and they still don't -- no one on the underground can rival them for daring, brilliance and range. Their willingness to experiment and evolve brought them perilously near the mainstream in the early '90s, but recent efforts have once again delivered them into the covetous arms of art-rock's intelligentsia. Starting off on the heels of New York's no wave movement, Sonic Youth's pre-SST material marked a period of maturation defined by self-conscious DIY amateurism and the complete demolition of rock guitar convention. The approach broke ground, but kept a pretty low ceiling on what the band could achieve. The arrival of <I>EVOL</I> in 1986 signaled the end of Sonic Youth's anarchic primitivism and the dawning of their golden age. They were gradually transforming bouts of alternate tuning overkill into tightly crafted song. <I>Daydream Nation</I> (1988) remains their pinnacle achievement, a thematically coherent pastiche of Gen-X cynicism, sonic tube disasters and surreal guitar passages that chime like harps in a hailstorm. The work of Sonic Youth is all the more remarkable for being almost entirely self-produced and truly collaborative in origin. Thurston Moore, Kim Gordon and Lee Ranaldo all lend a hand in writing and singing, which sometimes produces the jarring effect of listening to three different bands on the same album.
- Chad Driscoll]]></description>
</item><item>
<title>The Replacements</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1113&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Fri, 13 Nov 2009 12:39:06 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1113</guid>
<rhap:rcid xmlns:rhap="rhap">art.1113</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Replacements</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1113</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1113&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1113&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Paul Westerberg spent most of the 1990s acting like an adult, but in the 1980s, he was a Punk rock Rimbaud, drunkenly channeling a generation's confusion, frustration and glee into ragged anthems and, every so often, surprisingly tender ballads. While R.E.M., Soul Asylum and Husker Du were slowly advancing their careers, the Replacements were careening around wildly, pissing off record execs and cursing on national TV. The band may have been notorious for their tendency to get wasted and screw things up, but they were loved for Westerberg's ability to turn typical college kid angst into something romantic and beautiful. Like the youthful abandon the band drew on and celebrated, the Replacements probably felt so special because there wasn't ever a chance in hell they were going to last.
- Tim Quirk]]></description>
</item><item>
<title>Violent Femmes</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4178&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>New Folk</category>
<pubDate>Thu, 12 Nov 2009 19:09:54 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4178</guid>
<rhap:rcid xmlns:rhap="rhap">art.4178</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Violent Femmes</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4178</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4178&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4178&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[It's a mistake to dismiss the Violent Femmes as just another clever cult band. While their humor and quirky arrangements can't help but appeal to the college kid in all of us, Gordon Gano's sly lyrics are usually deeper than they appear. Likewise, the street corner busker approach that the band takes is more than just an oddball pose. The minimalist drum kit played with brushes, Brian Ritchie's resonant acoustic bass, and Gano's beat-up guitar traipse around in various folk traditions, lending the songs a layer of timelessness which elevates them above standard adolescent whining. When Gano sings, he sounds at once like your friend and a wizened old man, and tunes which begin as stories of lust and woe just might touch on issues of mortality and faith before they're over. Not that we have anything against standard adolescent whining, mind you. We just like it best when it has some weight.
- Eric Shea]]></description>
</item><item>
<title>XTC</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.42634&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>Brit Pop/Brit Rock</category>
<pubDate>Wed, 18 Nov 2009 13:05:22 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.42634</guid>
<rhap:rcid xmlns:rhap="rhap">art.42634</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">XTC</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.42634</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.42634&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.42634&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Years after their first release, XTC still come out bouncing with clever, infectious art-pop. Strummed guitars, vintage keys, snappy rhythms and Andy Partridge's signature multi-layered vocal orchestrations are a treat for new and seasoned fans of British pop.
- Robert Leaver]]></description>
</item><item>
<title>Dinosaur Jr.</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3931&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>Noise Pop</category>
<pubDate>Wed, 28 Oct 2009 10:43:44 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3931</guid>
<rhap:rcid xmlns:rhap="rhap">art.3931</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Dinosaur Jr.</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3931</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3931&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3931&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Many folks believe that Dinosaur Jr were responsible for bringing Classic Rock influences to the Indie Rock realm. From the band's earliest works (when Sebadoh's Lou Barlow was still involved and the "Jr" had yet to be tagged onto the band's moniker) to their more recent releases, Dinosaur Jr have always featured a blistering, tube-burning, fed-back lead guitar layered over sonic landscapes. Following Barlow's publicly melodramatic departure, Dinosaur Jr began to grow in a more interesting way: the music matured toward well-crafted song arrangements and slack-anthem melodies and left behind the Punk-influenced temper tantrums. Frontman and six-string strangler J. Mascis is the core of Dinosaur Jr -- his lackadaisical voice and enervated vibe breathe character into the band's gritty tones. With his high-pitched crooning and leads that break up when the pick hits the string, Mascis has been dubbed by many the bastard son of Neil Young.
- Chris Slater]]></description>
</item><item>
<title>Soul Asylum</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5698&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Sun, 22 Nov 2009 10:09:56 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5698</guid>
<rhap:rcid xmlns:rhap="rhap">art.5698</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Soul Asylum</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5698</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5698&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5698&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Pegged for years as the most underrated live band in the US, Soul Asylum worked their trademark sound -- a messy, melodic blend of Punk rock and '70s album-oriented radio -- on the club circuit for years. Their rise to fame was a long time coming, and their decline from that high perch came a lot quicker. Formed in Minneapolis, Minn., in 1981, the group -- originally named Loud Fast Rules -- soon changed their name to Soul Asylum, and began to release records on the famed indie label Twin Tone. The group recorded a number of LPs for Twin Tone until they were signed by A&M Records. Their work with A&M fell short of the label's sales expectations, and it wasn't until the group signed to Columbia and released <i>Grave Dancers Union</i> in 1993 that they started to find the national fame for which they had so long worked. The band's hit singles -- "Someone to Shove," "Runaway Train," and "Misery" -- rode the pop charts for a brief window, but were somewhat overshadowed by lead vocalist Dave Pirner's relationship with actor Winona Ryder. The group continues to tour, recently releasing <i>Candy from a Stranger</i>. The tracks offered here are from the band's arguably strongest period, its mid-ÃÂÃÂ80s tenure on Twin Tone. At that time, the Minneapolis triumvirate of Husker Du, Soul Asylum and the Replacements seemed almost unbeatable in the "alternative" pantheon.]]></description>
</item><item>
<title>Butthole Surfers</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5913&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Thu, 10 Sep 2009 12:15:13 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5913</guid>
<rhap:rcid xmlns:rhap="rhap">art.5913</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Butthole Surfers</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5913</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5913&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5913&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Butthole Surfers formed in the late '70s in San Antonio, Tex., when Gibby Haynes met guitarist Paul Leary at Trinity University. They were about the most subversively experimental U.S. band throughout the '80s, despite a pervasive idea that they were just a bunch of drug-addled jokers. While crass and disturbing humor was a big part of their identity, few bands made music so extreme. They seamlessly combined hardcore punk, heavy metal, space jams and even indie rock into an utterly singular art-rock concoction. On top of this, they crammed unheard-of levels of psychedelic effects into their songs, often successfully re-creating the confusing jumble of sound heard during various drug trips, to which they were legendarily dedicated. From 1981 to 1991, the Buttholes steadily released music on the underground and built a reputation for total chaos at their live shows. A previously unthinkable notion, they signed to Capitol in '91 and shockingly scored a No. 1 hit on the rock charts with "Pepper" in 1996. In 1999, they split with Capitol, gaining ownership of the bulk of their early material, which they then reissued. In 2001, they released <i>Weird Revolution</i> on Hollywood Records.
- Mike McGuirk]]></description>
</item><item>
<title>Fugazi</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2838&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>Punk</category>
<pubDate>Fri, 20 Nov 2009 12:50:55 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2838</guid>
<rhap:rcid xmlns:rhap="rhap">art.2838</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Fugazi</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2838</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2838&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2838&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Often recognized more for their anti-corporate stance and rigid ethics than their vital music, it's easy to forget Fugazi are a band and not a socioeconomic public action committee or a guerilla marketing firm. Though some would argue their newfound introspective temperament signifies a major departure, the beautiful, orchestrated constructs of their more recent material may simply represent a blossoming of the seeds planted by their legendary, dissonant <I>13 Songs</I>. Ian MacKaye's Hardcore bellow and Gibson SG marched alongside Guy Piccioto's (formerly of Rites of Spring) demonic rasp and flailing Rickenbacker, serving notice to Punk's intelligentsia under the watchful eye of a razor-sharp, self-editing rhythm section. Six subsequent albums have shown Fugazi's continually evolving ear for sonic craftsmanship; writing and producing works that owe an equal amount to the Beatles and Radiohead as they do Gang of Four and AC/DC. Having reached a certain state of maturation, Fugazi have, to their credit, perhaps given themselves over to musical craft rather than live famously in direct contradiction to a self-made identity.]]></description>
</item><item>
<title>Meat Puppets</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1977&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Wed, 28 Oct 2009 10:43:33 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1977</guid>
<rhap:rcid xmlns:rhap="rhap">art.1977</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Meat Puppets</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1977</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1977&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1977&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[If the Meat Puppets were judged solely on the merits of their masterpiece achievement <i>Meat Puppets II</i>, they might be considered the greatest rock 'n' roll band of all time. Released at a time when country was still considered dumb hick music by the legions of underground rock enthusiasts immersed in the D.C. Hardcore scene -- and with Palace Brothers still a long way off -- the record is the <i>Sweetheart of the Rodeo</i> of its generation. Rooted in the weird landscapes of the southwestern desert they came from, the Meat Puppets's fractured country/punk songs offered a never-before encountered number of chops that were, on top of it all, psychedelic as hell. They released great records into the '90s -- ever honing their craft -- but for many of their early fans, their sound became a little over-honed as the looseness and throw-away attitude of their Punk origins gave way to rigid musicianship and a creeping Zappa feel. Still, the Meat Puppets stand as one of the great bands of the 1980s.
- Mike McGuirk]]></description>
</item><item>
<title>Daniel Johnston</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.871&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>Homemade</category>
<pubDate>Thu, 17 Sep 2009 11:42:59 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.871</guid>
<rhap:rcid xmlns:rhap="rhap">art.871</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Daniel Johnston</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.871</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.871&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.871&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Texas-based Daniel Johnston has been releasing endearingly unrefined music to the public since he began unleashing home-recorded cassette tapes in 1980. Much of his cult following stemmed from these tapes as well as from the MTV coverage he received during the mid '80s. The finished results of Johnston's Lo-Fi tomfoolery have been covered by such seminal Indie Rock goblins as Sonic Youth, Nirvana, Yo La Tengo, Butthole Surfers and Half Japanese to name a few. Johnston's vivacious pop songs are usually laden with chiming guitar, clunky keyboards, distant rhythms, and a sometimes sinister, sometimes child-like perspective on life. Unlike his contemporaries (such as Lou Barlow), Johnston often seems too lost in his own Syd Barret-like condition to write jaded and cynical songs.
- Eric Shea]]></description>
</item><item>
<title>The Vaselines</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.596&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>Indie Pop</category>
<pubDate>Wed, 10 Jun 2009 08:08:49 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.596</guid>
<rhap:rcid xmlns:rhap="rhap">art.596</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Vaselines</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.596</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.596&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.596&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The music coming out of Scotland in the mid '80s was a primitive force that could be just as naive as it was brilliant. The Vaselines were no exception to this rule. With roots in fellow Scottish bands like the Shop Assistants and the Pastels, the Vaselines brought Eugene Kelly's edgy, scratchy guitar work together with Frances McKee's poetic melancholia. Their vocals were a shining light with Eugene's dry, monotone voice trading off with Frances' more charming, off-key sound. Not a serious band by any means, their carnal obsessions were given as much time as their off-kilter pop experiments. As Eugene Kelly went on to form the equally great Captain America a.k.a. Eugenius, the Vaselines were championed by then nascent alt-icons Nirvana, which saw a huge, much deserved resurgence of interest and virtually worldwide availability of their music.
- Jon Pruett]]></description>
</item><item>
<title>Mission of Burma</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.56759&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>Post-Punk</category>
<pubDate>Sun, 18 Oct 2009 10:44:28 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.56759</guid>
<rhap:rcid xmlns:rhap="rhap">art.56759</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Mission of Burma</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.56759</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.56759&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.56759&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Post-punk big shots Mission of Burma formed in Boston in 1979. Guitarist Roger Miller, bassist Clint Conley and drummer Peter Prescott revitalized the Boston scene with a complicated, previously unheard mixture of Gang of Four and the Stooges, playing legendarily loud (and unpredictable) shows up and down the east coast. They scored a local hit on the radio with "That's When I Reach For My Revolver" and today their music remains some of the very first stirrings of what was to become "indie rock." The band stood apart from virtually every other act in the US at the time, due in part to both Miller's and Conley's backgrounds in classical music and their use of tape loops in songs and during live performances. Mission of Burma broke up just as they began to make a large national impact, mainly as a result of Miller's increasing hearing loss. Miller went on to form the more sedate Birdsongs of the Mesozoic while Prescott formed the big guitar psych metal band Volcano Suns, and later Kustomized. In 2002, Prescott, Miller and Conley reunited Mission of Burma for a tour and ended up resuming recording, releasing <i>OnoffOn</i> in 2004 and <i>Aluminum Washcloth</i> in 2006.
- Mike McGuirk]]></description>
</item><item>
<title>The Mice</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9637577&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</link>
<category>Power Pop</category>
<pubDate>Sat, 17 Oct 2009 12:39:12 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1049&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss">Top '80s Alternative Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.9637577</guid>
<rhap:rcid xmlns:rhap="rhap">art.9637577</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Mice</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.9637577</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9637577&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9637577&amp;variant=data&amp;rws=%2Falt-punk%2Findie-alternative%2F80s-alternative%2Fartist-chart.rss</rhap:data-href>
<description />
</item></channel>
</rss>