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<title>Top Goth Artists on Rhapsody Online</title><link>http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link><description>Top Goth Artists on Rhapsody Online</description><category>Goth</category><language>en</language><ttl>720</ttl><pubDate>Sun, 29 Nov 2009 13:16:31 -0800</pubDate><image>
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<title>Top Goth Artists on Rhapsody Online</title>
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<title>The Cure</title>
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<category>Goth</category>
<pubDate>Sun, 22 Nov 2009 10:09:52 -0800</pubDate>
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<description><![CDATA[Dubbed the "masters of mope rock," the Cure rose from Britain's late-'70s punk scene to become one of the biggest-selling "underground" acts of the 1980s. Frontman Robert Smith, who has been described as the "messiah of melancholy" and the "guru of gloom," is known for wearing death-white facial makeup, crimson lipstick, and teased black hair; he is rivaled only by Morrissey as a heartthrob for the discontented. The Cure's goth-pop style is characterized by self-obsessed lyrics, minor-key melodies, and Smith's distinctive vocal whine.
<br><br>
Robert Smith grew up in working-class Crawley, Sussex, a suburb of London. He recalls his childhood years as difficult, a time of run-ins with his parents and the law. At 17 he formed the Easy Cure with childhood friends Laurence Tolhurst and Michael Dempsey as a sort of catharsis for his feelings of frustration. The group's music has remained therapeutic for Smith.
<br><br>
The Cure made its initial splash in the U.K. with the 1979 single "Killing an Arab," which stirred controversy when it reappeared on the mid-'80s retrospective <I>Standing on a Beach: The Singles</I>. Some U.S. radio DJs used the song, which was inspired by Albert Camus' <I>The Stranger</I>, to advance anti-Arab sentiments; the group included a disclaimer with subsequent pressings stating that the song "decries the existence of all prejudice and consequent violence."
<br><br>
While the Cure toured in 1979 as the support act to Siouxsie and the Banshees, the headliner's guitarist quit the band. Smith was recruited to fill in on the tour, beginning an active collaboration with the Banshees. He ultimately devoted much of 1983–84 as a full-time member of the band, recording both the live <I>Nocturne</I> and a studio album, <I>Hyaena</I>. In 1983, he also joined Banshees bassist Steve Severin for a side project called the Glove, releasing one album, <I>Blue Sunshine</I>.
<br><br>
When Smith once again devoted himself to the Cure, the music evolved from the sparse punk pop of that song and other early singles ("Boys Don't Cry," "Jumping Someone Else's Train," "The Lovecats") to the dirgy, moody music of <I>Faith</I> and <I>Seventeen Seconds</I>, to the more focused hits on the later albums <I>Kiss Me, Kiss Me, Kiss Me</I>, <I>Disintegration</I>, and <I>Wish</I>.
<br><br>
While the Cure had been a top hit-making indie band in the U.K. since the early-80s, it wasn't until the release of <I>Standing on a Beach</I> (and its CD-only counterpart, <I>Staring at the Sea</I>) (Number 48, 1986) that the band moved beyond its cult status in the U.S. The double-album <I>Kiss Me, Kiss Me, Kiss Me</I> (Number 35) debuted in June 1987, spawning the minor hits "Why Can't I Be You?" (Number 54, 1987), "Just Like Heaven" (Number 40, 1987), and "Hot Hot Hot!!!" (Number 65, 1988). In 1989, <I>Disintegration</I> reached Number 12 and included the group's biggest hit yet, "Love Song" (Number Two). Wish is the band's most successful album to date, reaching Number Two and including the surprisingly upbeat "Friday I'm in Love" (Number 18). The subsequent tour was documented on record and a film, both titled Show (an additional live collection, Paris, culled from the same tour was also released in 1993).
<br><br>
In 1996 the Cure released <I>Wild Mood Swings</I> (Number 12), which attempted to broaden the band's sound to include a track of Latin-flavored pop, earning mostly negative reviews, and with "The 13th" (Number 44) its highest-charting single. Another best-of, <I>Galore</I> (Number 32), followed in 1997. Three years later, Smith unveiled the Cure's best-reviewed album in years, <I>Bloodflowers</I> (Number 16, 2000), the third part of a trilogy they began with <I>Pornography</I> and <I>Disintegration</I>. That same year, the Cure launched a world tour by announcing it would be the band's last. But Smith soon began to hedge on that promise, saying all the subsequent attention and sudden acclaim made him strangely...happy.
<br><br>
In 2001, the band released a greatest hits album and DVD on Polydor and toured extensively, doing a series of performances of <I>Pornography</I>, <I>Disintegration</I> and <I>Bloodflowers</I> for a set of DVDs, <I>The Cure: Trilogy</I>, released in 2003. The following year, the band released a four-disc, seventy-song boxed set, <I>Join the Dots: B-Sides and Rarities, 1978-2001 (The Fiction Years) </I> (Number 106, 2004). Meanwhile, the Cure signed with Geffen Records and began its new life on the label with an album titled simply <I>The Cure</I> (Number 7, 2004). That year, MTV honored the band with its Icon award. In 2005, the Cure recorded a version of John Lennon's "Love" for an Amnesty International charity album. In October 2008, the Cure released their thirteenth studio album, <I>4:13 Dream</I>.
]]></description>
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<title>The Cult</title>
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<category>Hard Rock</category>
<pubDate>Sun, 25 Oct 2009 10:21:18 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<description><![CDATA[The Cult have evolved through many sounds, from their beginnings as Southern Death Cult, one of the most important Goth bands of the early '80s. As they slowly mixed in rock 'n' roll to their fiendish sound, they progressed from their debut, <I>Dreamtime</I>, under the abbreviated "The Cult" moniker, to mascara'd mystic Goth rock of <I>Love</I>. From there, they shed more of the muslin and gauze for the glam and psychedelia of <I>Electric</I> and donned leather pants and babbled desert imagery for <I>Sonic Temple</I>'s anthemic hard rock. Ian Astbury's uniquely high, hard and resonant voice is forever haunting, yet carries the power and force of early album rock heroes like Aerosmith's Steven Tyler and Led Zeppelin's Robert Plant. Guitarist Billy Duffy's riffage pierces like a horror film stinger, echoes with gothic melancholy, and pounds with classic rock aggression.
- Marc Kate]]></description>
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<title>HIM</title>
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<category>Goth</category>
<pubDate>Fri, 27 Nov 2009 10:25:08 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<description><![CDATA[Despite the fact that on more than one occasion the band has set out to intentionally confuse the public with their name -- claiming that H.I.M. stood for "His Infernal Majesty" one week and "Hanson Is Murder" the next; changing their name on their second US release to HER; touring as HIM and HER as a result of a post-rock band in Chicago called HiM; and now officially calling themselves HIM -- these Finnish goth-metal dudes have stuck around since 1992, commanding a sizable following since the release of their debut <i>Greatest Love Songs Vol. 666</i> in 1997. That album was highlighted by their chugging take on Chris Isaak's "Wicked Game." A series of albums followed, combining satanic imagery, poetic vocals and goth aesthetic into something the band calls "love metal" (also the name of its 2003 album). Several high-profile soundtrack appearances and a steady stream of releases have ensured the band remains in the public eye, simultaneously keeping the flames of goth alive.
- Mike McGuirk]]></description>
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<title>Siouxsie and the Banshees</title>
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<category>Goth</category>
<pubDate>Tue, 10 Nov 2009 10:13:25 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<description><![CDATA[In 1976, the Sex Pistols had a rabid, mobile following -- a sort of a razor blades-and-eyeliner version of Deadheads -- called the Bromley Contingent. Susan Dallion was a member of the contingent, and having reinvented herself as Siouxsie, she started a band with Sid Vicious on drums, Marco Perroni on guitar and bassist Steve Severin. Vicious, of course, went on to join the Sex Pistols and Perroni defected for Adam and the Ants, but eventually Siouxsie's lineup stabilized with the addition of Budgie and John McGeoch. Siouxsie and the Banshees had great success with their dark, intense sound, and they hit the U.K. charts with their first single, the grim and brooding "Hong Kong Garden." Over the years, Siouxsie's somewhat tuneless, hiccupping wail grew into a melodic, powerful voice, and the band's sound followed suit. The chanteuse would dazzle fans with singles such as "Cities in Dust," "Peek-A-Boo" and "Kiss Them for Me" before the Banshees called it quits in 1996 -- twenty years after they began.
- Linda Ryan]]></description>
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<title>Joy Division</title>
<link>http://www.rhapsody.com/goto?rcid=art.2101&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Post-Punk</category>
<pubDate>Sun, 22 Nov 2009 10:09:54 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<description><![CDATA[Joy Division was formed after Peter Hook and Bernard Albrecht (later Bernard Sumner) saw the Sex Pistols perform in Manchester in the late 1970s. Initially calling themselves Warsaw, the band unleashed a form of punk that had all of the genre's calling cards and yet was too moody and emotional to fall under the strict leather and bondage pants guidelines quickly being established. By the time the band took the name Joy Division in late 1977, they were creating repetitive, tuneful dirges that could explode into frustration or travel into bleak, romantic territory marked by paranoid atmospherics. Above all, the group sounded like nobody else. The band quickly found solidarity with Tony Wilson and his nascent label, Factory Records. With producer Martin Hannett in tow and Peter Saville's stark design aesthetic, the group forged a sound that exuded despair, pathos and catharsis through punk rock minimalism. Much has been made of vocalist Ian Curtis's spastic, shuddering vocal work, but their music owed as much to Peter Hook's low, distinct bass tone and Bernard Sumner's skittering lead guitar, which provided much of the tension. Throw in Stephen Morris' manic, propulsive, Krautrock-derived drum attacks (thrown up very high in the mix on Hannett's influential, truly amazing production) and you had a sound and an energy that has yet to be reproduced.
- Jon Pruett]]></description>
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<title>Dead Can Dance</title>
<link>http://www.rhapsody.com/goto?rcid=art.344&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Tue, 17 Nov 2009 09:07:29 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<description><![CDATA[It took Dead Can Dance to find the common ground between black-clad gloom rockers and Birkenstock-sporting new agers. They accomplished this by emphasizing the melancholia in their mix of mesmerizing vocals, catchy drum beats, synthy world music, European Renaissance folk and modern studio wizardry. Wrapping it all in Joy Division-style album covers helped lure in the alternative rock crowd. The amazing part was that they never watered any element down, but created a world and a sound all their own. They plunge you into a Technicolor <i>Seventh Seal</i> that shows the beauty in death and disease while keeping the chess-playing grim reapers at a safe distance. For those who love Siouxsie Sioux <i>and</i> herbal tea -- Dead Can Dance are the Tuck and Patti for the Anne Rice set.
- Nick Dedina]]></description>
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<title>Nick Cave</title>
<link>http://www.rhapsody.com/goto?rcid=art.69330&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Post-Punk</category>
<pubDate>Fri, 20 Nov 2009 12:51:19 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<description><![CDATA[After the demise of the Birthday Party, Nick Cave created a new vehicle for his intense vocal performances and bleak poetry. He founded the Bad Seeds, a band of music legends: Blixa Bargeld of Einsturzende Neubauten, Warren Ellis of the Dirty Three, Barry Adamson of Magazine, Kid Congo Powers of both the Cramps and the Gun Club, and Mick Harvey of the Birthday Party. Their combined talent and passion formed a powerful and emotional force in music. Cave took his lyrical and vocal inspiration from the American South, weaving together Gospel, blues, ballads and folk with a cynical, gothic sensibility and a finely-crafted, viciously heavy sound. His voice is always jagged, desperate and unpredictable, his lyrics timelessly grave, and the Bad Seeds' music strangely familiar and sensually overwhelming.]]></description>
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<title>Type O Negative</title>
<link>http://www.rhapsody.com/goto?rcid=art.4973&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Doom Metal</category>
<pubDate>Wed, 25 Nov 2009 11:50:50 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<description><![CDATA[Sometime between their first and second album, Type O Negative underwent a bizarre, lycanthropic transformation from ultra-Heavy Metal meisters to Goth burlesques. Singer Peter Steele nurtured a male vamp sexual persona driven by lust and fascinated by the points of convergence between passion and death. The band, meanwhile, took the tempo way down into a murky cauldron of Satanic mass keyboards and guitar notes that sounded like depth charges. The band's albums and performances invariably attempt to re-enact vaguely pagan Phallus-worship rites that are campier, but in the end only mildly more interesting, than standard "cock rock" proteges.
- Chad Driscoll]]></description>
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<title>She Wants Revenge</title>
<link>http://www.rhapsody.com/goto?rcid=art.7472093&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>New Wave</category>
<pubDate>Sun, 11 Oct 2009 10:09:17 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<description><![CDATA[By the early 2000s, young bands started looking to the post-punk progenitors of the early 1980s for stylistic inspiration. The Los Angeles-based She Wants Revenge came relatively late in this cycle, while drawing almost as much inspiration those dark alternative lords of Interpol as from earlier purveyors like Joy Division, Bauhaus and the Cure. A couple of other things separate the duo from their revivalist peers: one is they're primarily keyboard-based, though guitars are still an integral part of their sound. The other difference is their glittery-yet sleazy lyrics which deal with supermodel and strip show imagery as much as the cold chill surrounding troubled relationships and damaged psyches. She Wants Revenge's self-titled debut was released in early 2006 and while almost every song on the album lifts different signature elements from the band's musical heroes, they are still very good at what they do.
- Nick Dedina]]></description>
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<title>The Damned</title>
<link>http://www.rhapsody.com/goto?rcid=art.4032&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Old School Punk</category>
<pubDate>Sun, 22 Nov 2009 10:09:35 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<description><![CDATA[In 1976, the Damned released the first U.K. Punk single, their still-classic "New Rose," which set the pace for their highly volatile, stomping, three-chord sound. Their early songs were rooted in catchy, fist-raising Pub Rock, a sound they quickly developed into songs that were edgy, loud and sneering, while at the same time still wrapped in stupid fun. Right as Punk was at its peak in the late 1970s, the Damned fell apart, with various members quitting and starting other bands. New members stepped in, and by 1980, the Damned were back on their feet with a fairly stable lineup -- only headed in a much different direction. Songs got slower and became heavily cloaked in the dark vampire image that singer Dave Vanian adopted early in the band's career. Though the Damned are best known for their few explosive Punk songs, they performed as a Goth band considerably longer (almost ten years). In 1989 they called it quits, but they still get together for the occasional reunion. It was the Damned's sharp sense of ironic wit that carried them into the annals of Punk history.
- Mark Murrmann]]></description>
</item><item>
<title>Peter Murphy</title>
<link>http://www.rhapsody.com/goto?rcid=art.454&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Fri, 16 Oct 2009 11:00:09 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Peter Murphy</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.454&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.454&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Although he's best known as the lead singer of Bauhaus, Peter Murphy's solo career spans more than a decade. He dropped the gothic atmospherics and Post-Punk intensity for a much more accessible, almost mainstream sound. He's still in full possession of his amazing vocal ability and range, and commands the stage with an impressive theatrical bravura.
- Will Lerner]]></description>
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<title>Love &amp; Rockets</title>
<link>http://www.rhapsody.com/goto?rcid=art.6596&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Post-Punk</category>
<pubDate>Thu, 29 Oct 2009 10:55:54 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Love &amp; Rockets</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6596&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6596&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Spawned from the incestuous British Goth/pop scene of the 1980s, Love & Rockets' members spent their formative years cutting their teeth in such notable acts as Bauhaus and Tones on Tail. Decidedly less gloomy and more poppy than either of the aforementioned, Love & Rockets' guitar-driven, Neo Psychedelic pop still hovered somewhere between the sunny and shady sides of the street. Songs such as "Kundalini Express," from arguably their best album (<i>Express</i>), roll along in good spirits not unlike the Cure's "In Between Days." Drone anthems such as "Ball of Confusion" sleepwalk through shadowy melodies and a single groove that sacrifice none of pop's three minute, verse/chorus formula. After holing up in various side projects for the last five years, Love & Rockets are back with their contribution to electronica, as they've traded in their drum sets for more experimental (but less memorable) sequenced House beats and various sorts of sampled blip-and-bleep.
- Kelly Bauman]]></description>
</item><item>
<title>This Mortal Coil</title>
<link>http://www.rhapsody.com/goto?rcid=art.641&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Thu, 24 Sep 2009 09:49:16 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.641</guid>
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<rhap:artist xmlns:rhap="rhap">This Mortal Coil</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.641</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.641&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.641&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This Mortal Coil were never a band per se. From song to song and album to album, this studio-only entity rotated into its changing lineup musicians primarily from 4AD label acts (including Dead Can Dance, Cocteau Twins, Colourbox and so on). The itinerant nature of their roster no doubt helps account for the bewildering diversity of This Mortal Coil's output. Though they produced only three albums, each one cuts a wide swath of musical styles, from tremulous ambient pieces to icily futuristic drum machine oddities. Some of their best-known pieces, however, are actually covers of songs by such neglected artists as Tim Buckley, Colin Newman and Chris Bell. This has perhaps been the act's finest legacy: pointing their listeners to Goth's many roots, tapped as they are into soil far afield of that infertile ground tread by gloomy art school dropouts disconsolate over having just missed the Punk bandwagon.
- Chad Driscoll]]></description>
</item><item>
<title>Rasputina</title>
<link>http://www.rhapsody.com/goto?rcid=art.380&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Baroque Pop</category>
<pubDate>Sat, 24 Oct 2009 12:08:42 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Rasputina</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.380&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.380&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Although Rasputina have put out a couple of albums on Sony and Instinct, they would fit right in on the 4AD roster next to groups like His Name Is Alive and Dead Can Dance. Not that they're derivative of anything discovered by 4AD honcho Ivo Watts-Russell -- it's just that their pseudo-gothic chamber pop shares the same art-school sensibility as the aforementioned groups. Singer-songwriter Melora Creager, a classically trained cellist/dulcimer player who joined Nirvana's backline on their final tour, birthed Rasputina in the early 1990s. She and cellist/singer ZoÃ« Keating wear frayed Victorian dresses to bring out the sense of antiquity in their shadowy siren soundscapes. Their dark vision caught the ears (and eyes) of Marilyn Manson, who played keyboards and remixed songs on their 1997 EP, <I>Transylvanian Regurgitations</I>. At times, the New York band sounds like a string ensemble for the late Anton LaVey's Satanic Mass; at other moments, they come across as the bastard children of the Incredible String Band who got chainsaws and cellos to play with at a dangerously young age. 2004's <I>Frustration Plantation</I> offers intertwining cellos, a delightful narrative of dark Edwardian humor, and the six-stringed electric madness of guitarist Jonathan TeBeest, Rasputina's first male member.
- Eric Shea]]></description>
</item><item>
<title>Editors</title>
<link>http://www.rhapsody.com/goto?rcid=art.8858182&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Post-Punk</category>
<pubDate>Fri, 9 Oct 2009 10:32:50 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Editors</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8858182&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8858182&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In the post-Oasis Brit rock environment, one of the worst things an aspiring indie rock band could be was educated to degree level -- evidenced as late as 2005 by Liam Gallagher describing Bloc Party as "a band off [U.K. student quiz show] <I>University Challenge</I>." Not that this seems to have fazed Editors, who have no qualms about discussing their formation at Staffordshire University, a distinctly unfashionable seat of higher education. They also remain undaunted that they're firmly domiciled in Birmingham, England's out-of-favor second city. Indeed, these resolutely anti-hipster, anti rock 'n' roll stances have possibly fired alienated hearts with enthusiasm for their bleak, driving and remorselessly serious take on jerky, Joy Division-inspired post-punk. Signing to Newcastle label Kitchenware in late 2004, Editors scored a neat PR coup by selling out their first single, "Bullets," in only 24 hours -- a remarkable feat, until you learn that just 500 singles were pressed up. However, the band's rise was firmly fixed when "Munich," their second single, catapulted them into the UK Top 30. That set the scene for "Blood," their propulsive follow-up single, (which went Top-20) and their debut album, <I>The Back Room</I>. Finally unleashed on the US in March 2006, Editors now look poised to inject a strong dose of old country goth into the sunny States: What price on them becoming the new Cure?
- Jamie Dolling]]></description>
</item><item>
<title>Voltaire</title>
<link>http://www.rhapsody.com/goto?rcid=art.52900&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Fri, 16 Oct 2009 11:00:11 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Voltaire</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.52900&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.52900&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Lisa Gerrard</title>
<link>http://www.rhapsody.com/goto?rcid=art.345&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Medieval</category>
<pubDate>Mon, 26 Oct 2009 13:50:43 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Lisa Gerrard</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.345</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.345&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.345&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Otherworldly chanteuse Lisa Gerrard was Dead Can Dance's dark angel, and her solo career finds her floating in even more bleakly luxurious pools of sound. She still stirs an arty Goth cauldron of symphonic film scores, dramatic world music, and brimstone-scented Medieval motifs for over-eyelinered waifs to study -- like Eliza Doolittle dumping Professor Higgins for his Satanic Majesty.
- Nick Dedina]]></description>
</item><item>
<title>Bauhaus</title>
<link>http://www.rhapsody.com/goto?rcid=art.4416&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Wed, 25 Nov 2009 11:50:50 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bauhaus</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4416&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4416&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The spiritual center of so much grim Glam to come, Bauhaus brought a dark flair for drama to the aftermath of Punk. Their haunting, exalting moodiness was never the same from song to song, yet they inspired legions of melancholic musicians to continue their legacy of unequaled theatrical tensions and existential horrors.
- Rosemary Pepper]]></description>
</item><item>
<title>Sisters of Mercy</title>
<link>http://www.rhapsody.com/goto?rcid=art.3912&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Sat, 17 Oct 2009 12:39:50 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Sisters of Mercy</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3912&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3912&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[No other band in the history of rock 'n' roll took itself as seriously as the Sisters of Mercy did. Vocalist Andrew Eldritch played the draconian Goth zombie so well (right down to the faux Prussian accent) that he wound up sounding not just grave, but often comically so. Fortunately, the Sisters' passionately melancholic fans aren't the sort to fault a band for being too melodramatic. The group ably brushed away the cobwebs from the gloomy Gothic faÃÂ§ade and exposed a rock infrastructure hidden below. They reintroduced the mighty electric guitar to give their music a forceful sound of subterranean depth, often eerily contrasting gloom with sultry R&B backing vocals and serpentine dance beats.
- Chad Driscoll]]></description>
</item><item>
<title>Oneiroid Psychosis</title>
<link>http://www.rhapsody.com/goto?rcid=art.5744&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Thu, 22 Jan 2009 12:43:30 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Oneiroid Psychosis</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5744</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5744&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5744&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Breaking through the edge of a thick mist comes a creeping unknown accompanied by spritely, sinister sounds. The keyboards' notes are crisp like falling icicles, or droning, omnipresent like a cold, humid wind. Vocals creak like a travelling circus ringmaster hoarse at the end of a long career.
- Marc Kate]]></description>
</item><item>
<title>The Mission U.K.</title>
<link>http://www.rhapsody.com/goto?rcid=art.3934&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Fri, 13 Nov 2009 12:39:34 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Mission U.K.</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3934</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3934&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3934&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Perhaps Goth's answer to the Monkees, Britain's late-'80s Goth Pop sensations the Mission U.K. churned out hit after impossibly catchy hit of effects-drenched pseudo-darkness. Clad in their renaissance fair smocks and rope belts, they looked like lipstick-weilding dragonslayers though singer-songwriter Wayne Hussey's sunglasses and devil's-baritone aesthetic was a dimestore knockoff of the Sisters of Mercy's Andrew Eldritch. Still, sharply tuned, fiery bits of Cure-inspired Wizard Rock such as "Over the Hill and Far Away" and "Bridges Burning" were high-school hymns for that weird kid who toted a briefcase to class and wore heavy lipstick and eyeliner. The elegant, pretentious melodramatics of acoustic-bred gems like "Dance on Glass" and "Love Me To Death" may well have been this poor outcast's vicarious dates on lonely weekends.
- Kelly Bauman]]></description>
</item><item>
<title>Emilie Autumn</title>
<link>http://www.rhapsody.com/goto?rcid=art.12964109&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Sat, 28 Nov 2009 09:38:25 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Emilie Autumn</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.12964109</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.12964109&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.12964109&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Nico</title>
<link>http://www.rhapsody.com/goto?rcid=art.14462&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Art &amp; Progressive Rock</category>
<pubDate>Fri, 13 Nov 2009 12:39:27 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Nico</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.14462</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.14462&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.14462&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Christa Paffgen is most famous for her stint with the Velvet Underground. Yet as a solo artist, the German chanteuse known as Nico proved to be nearly as influential as Grace Slick and Janis Joplin in terms of challenging notions of how a female pop singer should sound, look and act. Instigated by Andy Warhol's Exploding Plastic Inevitable multimedia event, Nico's relationship with the Velvet Underground lasted only a year, but it yielded underground rock's definitive <i>The Velvet Underground & Nico</i> in 1967. On it she delivered three classics: "Femme Fatale," "All Tomorrow's Parties" and "I'll Be Your Mirror," and established an aesthetic she would continue to explore and manipulate until her death in 1988. You could call Nico a singer-songwriter, but her husky croon owed very little to American folk, rock and soul. She crafted a challenging form of art pop that looked to European modernism for inspiration. <i>The Marble Index</i>, released in 1969, is considered to be her peak as an artist. Critic Lester Bangs once called it "the greatest piece of 'avant-garde classical' 'serious' music of the last half of the 20th century." Not bad for a woman who started as a model for <i>Vogue</i> and <i>Elle</i>.
- Justin Farrar]]></description>
</item><item>
<title>I Am Ghost</title>
<link>http://www.rhapsody.com/goto?rcid=art.7689422&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Thu, 29 Oct 2009 10:55:56 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">I Am Ghost</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7689422</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7689422&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7689422&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Gene Loves Jezebel</title>
<link>http://www.rhapsody.com/goto?rcid=art.49&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Fri, 20 Nov 2009 12:51:02 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.49</guid>
<rhap:rcid xmlns:rhap="rhap">art.49</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Gene Loves Jezebel</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.49</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.49&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.49&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Gene Loves Jezebel were formed in the early 1980s by twin brothers Jay and Michael Aston. Early on, they utilized the sort of tribal drum attack and processed guitar sound that was making goth superstars out of Siouxsie & The Banshees. Jezebel's murky use of synthesizers and howling vocals made for a vaguely sinister blend. By the mid '80s, songs like "Desire" and "Sweetest Thing" showed that they were more apt to write pop songs than dirges. With their multitude of silk scarves and long hair, they were able to walk the fine line between pop metal and pop goth without anyone spotting the difference. <I>The House Of Dolls</I> was probably their finest hour, with "Gorgeous" and "Suspicion" being great dark, romantic pop songs. The follow-up contained the hair-metal pop of "Jealous," and seemed to complete Jezebel's transformation to rock 'n' rollers. But the group continued to walk the line between sincere rockers and sincere gothic pin-ups for several years, long after the hits had faded away. Jay Aston left the band at the end of the '90s, leaving brother Michael to front the edition that still plays today.
- Jon Pruett]]></description>
</item><item>
<title>The 69 Eyes</title>
<link>http://www.rhapsody.com/goto?rcid=art.7418970&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Fri, 13 Nov 2009 12:39:19 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The 69 Eyes</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7418970</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7418970&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7418970&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Birthday Party</title>
<link>http://www.rhapsody.com/goto?rcid=art.1504&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Tue, 9 Jun 2009 15:02:40 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1504</guid>
<rhap:rcid xmlns:rhap="rhap">art.1504</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Birthday Party</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1504</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1504&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1504&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[No band fully embodied the word "cacophony" more than the Birthday Party. Much like the Harold Pinter play from which they took their name, their music was dark, comical and grotesque. The Australian-born band blew apart London in the early '80s with their discordant, difficult blend of punk rock and theatrics. Though existing only from the years 1980 to 1983, their live sonic assaults were extremely influential, as was Nick Cave's singing, which was more akin to the shrieks of a demented nineteenth century inmate on his way to the asylum. The banging percussion of "Sometimes Pleasureheads Must Burn" and the stop/start confrontational screams of "Release the Bats" or "Big Jesus Trash Can" were actually capable of instigating fear. The Birthday Party opened music up like a fresh wound, showing something ugly, frightening and beautiful that is still hard to look at.
- Jon Pruett]]></description>
</item><item>
<title>Tones on Tail</title>
<link>http://www.rhapsody.com/goto?rcid=art.793&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Thu, 20 Aug 2009 09:28:21 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.793</guid>
<rhap:rcid xmlns:rhap="rhap">art.793</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Tones on Tail</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.793</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.793&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.793&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Tones on Tail was a short-lived band that fell between the careers of Bauhaus and Love and Rockets. Bauhaus bandmates Daniel Ash and Kevin Haskins worked with friend Glenn Campling on a sound that would distance them from Bauhaus' sound. Their scattered recordings are far more rhythmically complex, yet are more driven toward the dance floor with funkier basslines and harder beats. They incorporate electronics and methodic atmospherics into their moody songs. Ash's vocals are more textural than theatrical, often little more than breathy panting whispers of poetic simplicity. His guitar is, as always, a haunting reverberation as chilling as a chorus of violins.
- Marc Kate]]></description>
</item><item>
<title>Abney Park</title>
<link>http://www.rhapsody.com/goto?rcid=art.745&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Industrial Dance</category>
<pubDate>Sun, 11 Oct 2009 10:09:14 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.745</guid>
<rhap:rcid xmlns:rhap="rhap">art.745</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Abney Park</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.745</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.745&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.745&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Abney Park work the darkest of musical sources, but with uplifting vocals -- their sound is anything but melancholy. Techno synths and disjointed beats.]]></description>
</item><item>
<title>Android Lust</title>
<link>http://www.rhapsody.com/goto?rcid=art.6807069&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Sat, 24 Oct 2009 12:08:42 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6807069</guid>
<rhap:rcid xmlns:rhap="rhap">art.6807069</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Android Lust</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6807069</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6807069&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6807069&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Wintery and sometimes sadomasochistic goth-pop "darkwave" from a Bangladeshi woman named Shikhee. Fun fact: In a 2003 <i>Village Voice</I> review, Michael Freedberg wrote that she had "a mouse of a voice, hiding in the hole in the wall," but praised her music's lemonade: "sourness, saliva and pucker." Recommended: <I>The Dividing</I>]]></description>
</item><item>
<title>Clan of Xymox</title>
<link>http://www.rhapsody.com/goto?rcid=art.1133&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Thu, 26 Nov 2009 11:27:46 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1133</guid>
<rhap:rcid xmlns:rhap="rhap">art.1133</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Clan of Xymox</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1133</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1133&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1133&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Variously named Xymox and Clan of Xymox, these Darkwave pioneers started out on the then exclusively Goth label 4AD. Their eponymous debut and 1987 release <I>Medusa</I> remain the two Xymox releases that enjoy the heaviest rotation at Goth clubs. With just enough rock elements to keep the spectral figures out on the dancefloor on the brink of a sweat, "A Day" and "Agonised by Love" mopped up puddles of tears and wrung them out in gentle waves of stacked synths. During the 1990s, Pieter Nooten essentially monopolized the direction Xymox took, leading them out of the funereal shadows and into brighter Dance Pop pastures. Go lightly should you care to follow Xymox through albums such as <I>Metamorphosis</I> and <I>Headclouds</I>, for the way is well manured. After a brief period of lying fallow, the once-again Clan of Xymox re-emerged in 1999 with <I>Creatures</I>, a welcome return to lonely Gothic moors worn to dirt by the dancing feet of night creatures.
- Chad Driscoll]]></description>
</item><item>
<title>Switchblade Symphony</title>
<link>http://www.rhapsody.com/goto?rcid=art.73&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Fri, 13 Nov 2009 12:39:17 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.73</guid>
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<rhap:artist xmlns:rhap="rhap">Switchblade Symphony</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.73</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.73&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.73&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Mischievous music rises from the bottom of a little girl's toybox filled with echoing, spritely female vocals, tattered dolls with eyes missing, covered in crayon, a rainbow selection of matted wigs, a dusty, tangled web of synthetic atmosphere and hand-me-downs from dead relatives. Switchblade Symphony create the silly and sinister soundtrack to a child's nightmares. Akin to the films of the Brothers Quay or the installations of Kim Dingle, their deviously playful sounds are seductively endearing while revealing the dark side of the psyche best hidden in the back of your great Grandmother's closet.
- Marc Kate]]></description>
</item><item>
<title>Fields of the Nephilim</title>
<link>http://www.rhapsody.com/goto?rcid=art.1106&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Sun, 6 Sep 2009 09:41:35 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1106</guid>
<rhap:rcid xmlns:rhap="rhap">art.1106</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Fields of the Nephilim</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1106</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1106&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1106&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Consumed by the haunting sounds of the American West, Fields of the Nephilim, clad in leather and dust, create an extension of gothic country and blues that wallows in death and nostalgia. They are not pasty white Englishmen lost in self-indulgent self-abuse, but rough characters from a song by the Birthday Party. They create frightening music for the hours after midnight when the world is still and the mind explores its darkest corners. Words are growled fiercely, like the passion of a lonely werewolf echoing through an empty valley. Plumes of guitar chords are so thick they might make you choke. They didn't last a decade, but their sounds resound like they're lost in eternity.
- Marc Kate]]></description>
</item><item>
<title>The Cruxshadows</title>
<link>http://www.rhapsody.com/goto?rcid=art.44274&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Mon, 7 Sep 2009 09:55:30 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Cruxshadows</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.44274</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.44274&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.44274&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A blast from the dark side of the past when many so-called "Goth" acts were really just grave sounding Synth Pop bands. The vocalist sounds like Peter Murphy, but the music's primary emphasis is on pre-Techno dance beats.
- Chad Driscoll]]></description>
</item><item>
<title>Love Spirals Downwards</title>
<link>http://www.rhapsody.com/goto?rcid=art.2458&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Fri, 14 Nov 2008 11:59:26 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2458</guid>
<rhap:rcid xmlns:rhap="rhap">art.2458</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Love Spirals Downwards</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2458</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2458&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2458&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Black Tape for a Blue Girl</title>
<link>http://www.rhapsody.com/goto?rcid=art.4142&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Ambient</category>
<pubDate>Sat, 20 Jun 2009 09:06:25 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4142</guid>
<rhap:rcid xmlns:rhap="rhap">art.4142</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Black Tape for a Blue Girl</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4142</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4142&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4142&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[As an ambient-goth side project by the head of an indie record label (namely Projekt Records' Sam Rosenthal), this is really not so awful. Fun fact: surprisingly also not female. Recommended: "Could I Stay the Honest One?"]]></description>
</item><item>
<title>The Creatures</title>
<link>http://www.rhapsody.com/goto?rcid=art.1379&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Fri, 7 Aug 2009 09:42:26 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1379</guid>
<rhap:rcid xmlns:rhap="rhap">art.1379</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Creatures</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1379</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1379&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1379&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Creatures, composed of Siouxsie Sioux and Budgie (the vocalist and percussionist of Siouxsie and the Banshees), create an incredible display of vocal and rhythmic acrobatics. Their first record apart from the Banshees was the 1981 <I>Wild Things</I> EP, a raw recording of frantic tribal drums, mallet instruments and Sioux's unmistakable voice. She easily carries the melodic burden, gliding from seductive coos to ferocious growls to near-operatic wails. The Creature's sounds are extraordinarily sensuous, perfectly matching their physical presence. Like audio erotica, Budgie's rhythms follow a deeply human, libidinal pace as Sioux's vocals drip like condensation off an orchid's petal. Over the last two decades, they've also incorporated increasingly wider instrumentation. In the late '90s their output was explosive, creating albums and dance tracks without cessation.
- Marc Kate]]></description>
</item><item>
<title>Faith and the Muse</title>
<link>http://www.rhapsody.com/goto?rcid=art.3071&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Ambient</category>
<pubDate>Thu, 6 Aug 2009 10:39:01 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3071</guid>
<rhap:rcid xmlns:rhap="rhap">art.3071</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Faith and the Muse</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3071</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3071&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3071&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Skeletal Family</title>
<link>http://www.rhapsody.com/goto?rcid=art.30876&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Sat, 3 Oct 2009 10:44:49 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.30876</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Skeletal Family</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.30876</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.30876&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.30876&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Lords Of The New Church</title>
<link>http://www.rhapsody.com/goto?rcid=art.6858&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Punk</category>
<pubDate>Thu, 5 Nov 2009 16:49:00 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6858</guid>
<rhap:rcid xmlns:rhap="rhap">art.6858</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Lords Of The New Church</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6858</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6858&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6858&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Lords Of The New Church were formed when frontman Stiv Bators re-acquainted himself with former Damned guitarist Brian James in 1981. Stabilizing the lineup with the addition of Nik Turner (the Barracudas) and Dave Tregunna (Sham 69) on drums and bass respectively, Lords Of The New Church quickly established themselves as a must-see live act due to the wild, death-defying (literally!) stage antics of Bators. The band enjoyed a couple of minor hits, including a version of the Grass Roots' "Live For Today," but their visceral, often bleak music was no match for their powerful live show. In 1988, while Bators was recuperating from a back injury, James advertised for a new singer, effectively breaking up the band. Bators was later struck by a car in Paris and died from the injuries he sustained, effectively killing off any hope of reconciliation.
- Linda Ryan]]></description>
</item><item>
<title>Nox Arcana</title>
<link>http://www.rhapsody.com/goto?rcid=art.9490969&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Mon, 26 Oct 2009 10:55:23 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Nox Arcana</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.9490969</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9490969&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9490969&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Deadsy</title>
<link>http://www.rhapsody.com/goto?rcid=art.21432&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Alt Metal</category>
<pubDate>Thu, 22 Oct 2009 13:23:54 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.21432</guid>
<rhap:rcid xmlns:rhap="rhap">art.21432</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Deadsy</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.21432</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.21432&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.21432&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Theatre of Tragedy</title>
<link>http://www.rhapsody.com/goto?rcid=art.567&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Sat, 29 Aug 2009 10:21:59 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.567</guid>
<rhap:rcid xmlns:rhap="rhap">art.567</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Theatre of Tragedy</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.567</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.567&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.567&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The name says it all: overwrought Goth Metal that calls to mind a darkened theater complete with dry ice rising from the stage. Male/female vocals are quite effective, at times even sounding like dialogue.
- Will Lerner]]></description>
</item><item>
<title>Gothic Vampires</title>
<link>http://www.rhapsody.com/goto?rcid=art.21800632&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Fri, 13 Nov 2009 12:38:23 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Gothic Vampires</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.21800632</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.21800632&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.21800632&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Angelfish</title>
<link>http://www.rhapsody.com/goto?rcid=art.6453&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Thu, 13 Aug 2009 11:00:58 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.6453</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Angelfish</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6453</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6453&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6453&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Alien Sex Fiend</title>
<link>http://www.rhapsody.com/goto?rcid=art.3712&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Fri, 13 Nov 2009 12:39:23 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.3712</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Alien Sex Fiend</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3712</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3712&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3712&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Current 93</title>
<link>http://www.rhapsody.com/goto?rcid=art.63387&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Industrial</category>
<pubDate>Sat, 11 Jul 2009 12:21:18 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.63387</guid>
<rhap:rcid xmlns:rhap="rhap">art.63387</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Current 93</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.63387</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.63387&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.63387&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Cranes</title>
<link>http://www.rhapsody.com/goto?rcid=art.1419&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Dream Pop</category>
<pubDate>Fri, 13 Nov 2009 12:38:58 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1419</guid>
<rhap:rcid xmlns:rhap="rhap">art.1419</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Cranes</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1419</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1419&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1419&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Although they swear they weren't a goth band by any means, English band Cranes drew flocks of fans who often arrived to live shows wearing dark capes, black accessories and adorned with white pancake foundation. With their droning guitars, Joy Division-inspired bass riffs and wistful female singer Alison Shaw, the band's sound was much closer to that of shoegazing acts such as Slowdive or dream pop contemporaries Cocteau Twins.
- Eric Shea]]></description>
</item><item>
<title>Rome</title>
<link>http://www.rhapsody.com/goto?rcid=art.14219277&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Sun, 6 Sep 2009 09:41:33 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.14219277</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Rome</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.14219277</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.14219277&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.14219277&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Sex Gang Children</title>
<link>http://www.rhapsody.com/goto?rcid=art.3985&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</link>
<category>Goth</category>
<pubDate>Sun, 6 Sep 2009 09:41:35 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=203&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss">Top Goth Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3985</guid>
<rhap:rcid xmlns:rhap="rhap">art.3985</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Sex Gang Children</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3985</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3985&amp;variant=play&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3985&amp;variant=data&amp;rws=%2Falt-punk%2Fgoth%2Fartist-chart.rss</rhap:data-href>
<description />
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