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<title>Top Post-Rock Artists on Rhapsody Online</title><link>http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link><description>Top Post-Rock Artists on Rhapsody Online</description><category>Post-Rock</category><language>en</language><ttl>720</ttl><pubDate>Thu, 31 Dec 2009 19:06:27 -0800</pubDate><image>
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<title>Top Post-Rock Artists on Rhapsody Online</title>
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<title>TV On The Radio</title>
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<category>Noise Rock</category>
<pubDate>Fri, 18 Dec 2009 12:08:54 -0800</pubDate>
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<description><![CDATA[Maybe one reason TV on the Radio gets listed among the best American bands of their generation is because their free-ranging sound deftly throws together a multitude of American musical traditions all at once. The avant-garde indie rock band started as a duo in 2001 when vocalist Tunde Adebimpe met multi-instrumentalist and producer David Andrew Sitek by coincidence. Though they were both recording material for individual projects, they joined efforts and brought in Sitek's brother Jason on drums for sessions that resulted in a self-titled debut released on Brooklyn micro indie Milk. On the strength of this recording, the band signed with Touch and Go, signed up guitarist/vocalist Kyp Malone and released the <i>Young Liars</i> EP in 2003, which was met by unanimous critical praise. They toured throughout 2004 supporting their debut full length, <i>Desperate Youth, Blood Thirsty Babes</i>, which was similarly extolled. With dates opening for the Pixies and a fan in David Bowie, TV on the Radio's popularity outgrew their indie label, and in the summer of '06 they issued <i>Return to Cookie Mountain</i> on Interscope (featuring back up vocals from Bowie), which nabbed top spots on a number of year-end lists for 2006. They followed up with an equally solid album in 2008, <i>Dear Science</i>.
- Nate Cavalieri]]></description>
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<title>Sigur Ros</title>
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<category>Post-Rock</category>
<pubDate>Mon, 7 Dec 2009 10:13:42 -0800</pubDate>
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<description><![CDATA[Sigur Ros may not realize they're the kings of post-Shoegazer (sorry, Mogwai), but perhaps that's a good thing. This Icelandic outfit creates interplanetary soundscapes that make Slowdive sound like Motorhead. Moaning guitars weep and howl over textured, ether-soaked guitar effects as an androgynous singer coos and croons wistful melodies of pure soul. Sigur Ros create the kind of transcendental music for those who appreciate aural escapism and white noise. Their songs somehow sound and feel like coming down softly upon endless Arctic sheets -- you clear off some snow from the surface to discover blue lights shining from beneath the ice. If ghosts get to listen to music, don't think for a second that they subscribe to the gloomy Goth ethic. It would make sense if Sigur Ros topped the music charts for afterlife listeners.
- Eric Shea]]></description>
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<title>Ratatat</title>
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<category>Leftfield/IDM</category>
<pubDate>Tue, 15 Sep 2009 10:27:00 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<description><![CDATA[Arena rock built byte-by-byte: Ratatat has sonic ambitions way beyond their two-dude-in-a-bedroom setup. Brooklynites Evan Mast and Mike Stroud got their break in 2002 when their first single, "17 Years," released on Mast's own Audiodregs label, gained attention from DJs across the U.S. With Mast on beat production and bass and Stroud -- a sought-after guitarist who also plays in Dashboard Confessional's touring lineup -- ripping up various looped six-strings, Ratatat released its self-titled debut in 2003 and opened for a slew of major indie acts. Their stripped down, amped up sound appealed to rockers and rappers enough that they self-released a CD of their own compositions backing a cappella tracks by Jay-Z, Missy Elliot, Raekwon and more. Their official sophomore album, 2006's <i>Classics</i>, was mostly recorded in upstate New York and substantially broadened their style. Ask 'em and Ratatat will try to convince you that small is the new big.
- Jonathan Zwickel]]></description>
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<title>Minus the Bear</title>
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<category>Indie/Alternative</category>
<pubDate>Sun, 22 Nov 2009 10:09:54 -0800</pubDate>
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<description><![CDATA[Everything about Minus the Bear initially sounded like a joke, from their song titles ("Hey, Wanna Throw Up?") to the band's name (which really does come from an inside joke). But that doesn't mean you shouldn't take them seriously. This Seattle band has been earning the respect of critics and fans alike since it was formed in 2001 by guitarist David Knudson, bassist Cory Murchy and drummer Erin Tate. The three of them recruited singer/guitarist Jake Snider and keyboardist Matt Bayles (who left the band in 2006 and was replaced by Alex Rose). Several EPs, four albums (including remix album <I>Interpretaciones del Oso</I>) and a TON of touring followed, cementing Minus the Bear's reputation as a very serious band. And hey, they even got rid of the silly song titles on 2007's <I>Planet of Ice</I>. (Well, almost..."Ice Monster"?!)
- Rachel Devitt]]></description>
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<title>Mogwai</title>
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<category>Post-Rock</category>
<pubDate>Wed, 30 Dec 2009 10:58:50 -0800</pubDate>
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<description><![CDATA[Mogwai's fleshed-out spacey guitar arrangements are a blissful drone that always stops short of meandering. Their creative, multilayered guitar noodling often takes precedence over Stuart Braithwaite's sparse vocals. Formed in 1996, the band proceeded to release a number of largely ignored independent singles, until the release of "Angels vs. Aliens," which became a U.K. Indie Top-10 single. The band began to amass critical acclaim with the release of <i>Mogwai Young Team</i> in 1997 and solidified their place in the alt rock world with the hugely successful <i>Kicking A Dead Pig</i> in 1998.
- Mike Cloward]]></description>
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<title>Broken Social Scene</title>
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<category>Indie/Alternative</category>
<pubDate>Mon, 30 Nov 2009 10:00:40 -0800</pubDate>
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<description><![CDATA[If you think California indie rock bands are overflowing and incestuous in their lineups, take a trip up to the Great White North. Canada's Broken Social Scene is an amalgam of Toronto indie musicians initially comprised of Kevin Drew of K.C. Accidental and By Divine Right's Brendan Canning. They added Charles Spearing from Do Make Say Think, Evan Cranley from Stars and Emily Haines and James Shaw from Metric to round out the sound. Leslie Feist (who now makes beautiful music under the Feist moniker) also joined, along with Toronto local luminaries Andrew Whiteman, Justin Peroff and Jason Collett. That's right, Broken Social Scene was an 11-person ensemble before they recorded and unveiled <I>You Forgot It In People,</I> which worked because of the singular-yet-eccentric vision of all the people involved, creating a work of sheer beauty with their tight pop structures and lush sonic textures. In between their second and third albums, the band cranked out a less inspired sounding compilation of B-sides entitled <I>Bee Hives</I> before releasing their self-titled and heavily orchestrated 2005 album with contributions from members of the Dears and Raising the Fawn.
- Eric Shea]]></description>
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<title>The Album Leaf</title>
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<category>Post-Rock</category>
<pubDate>Sat, 19 Dec 2009 10:52:17 -0800</pubDate>
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<description><![CDATA[The solo project of Tristeza's Jimmy LaValle, Album Leaf proceeds cautiously enough to warrant the Post-Rock tag. With an organic rather than digital aesthetic, AL collage acoustic instruments, field recordings, and keyboards into picturesquely beautiful songs. Buzzing acoustic notes step carefully through beds of recorded conversations and street noise -- the sonic characteristics of both set a cinematic tone. The only instrumental indulgence seems to come in the form of a delayed-out, weeping viola, which contrasted against the narcissistic beauty and delicate precision of the guitar creates a seemingly sad conversation. In fact, it sounds like one lover pleading to another who's given up on trying.
- Kelly Bauman]]></description>
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<title>Tortoise</title>
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<category>Post-Rock</category>
<pubDate>Fri, 9 Oct 2009 10:33:09 -0700</pubDate>
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<description><![CDATA[How a group of ex-punk rockers came to revitalize the state of independent music in the '90s is anybody's guess, but Tortoise have been placed at the forefront of a collective of musicians intent on pushing the common formulas of Indie Rock. Their debut record was steeped in post-Slint tempos, but came alive in the icy, cavernous production. Echoes of dub ran through the record, and tracks like "Cornpone Brunch" hinted towards jazzier explorations. DJ's and electronic artists took to the group and a full-length remix record followed. With the '96 release of <I>Millions Now Living Will Never Die</I>, they established their distinct sound: an involved, shifting patchwork of cut and paste aesthetics, dueling vibraphones, and kinetic exercises in both dub and film scores. Their on-stage performances were equally involved, with members constantly rotating and adding a liveliness to the music in which certain critics were finding a kind of science. The addition of free jazz guitarist Jeff Parker gave the group a warmer yet more insular sound. The recent <I>TNT</i> was both meticulously detailed and limber, melodic and fully realized. Perhaps the group's greatest fault is the cavalcade of copyists they have inspired. Legions of Indie Rockers now create instrumental passages and name drop Steve Reich, creating a monotonous din of mediocrity which is often lofted back at the band by decriers. The band continue unrivalled though, creating complex, ornate music open to a wide array of instrumentation and only occasionally sounding like Weather Report.
- Jon Pruett]]></description>
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<title>The Sea and Cake</title>
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<category>Post-Rock</category>
<pubDate>Wed, 2 Sep 2009 12:05:35 -0700</pubDate>
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<description><![CDATA[After the demise of the much-lauded, scattershot art rock of Shrimp Boat, Eric Claridge and Sam Prekop grabbed Archer Prewitt from the Coctails to curtail the louder aspects of their former band and began working as The Sea and Cake. Their mellow minor chords were given free reign over the vague R&B implied by their elastic rhythm section. Prekop's vocals border on scatting, delivering breathy, soulful passages that heave and sigh with ease. Where they could have settled to make breezy, light pop they instead forged their own path, as capable with instrumentals as they were with jazzy experiments, owing much to John McEntire's fluid drumming. The band hit full stride with '95's <I>The Biz</I> which remains the perfect example of their gradually addictive sound.
- Jon Pruett]]></description>
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<title>Battles</title>
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<category>Post-Rock</category>
<pubDate>Thu, 31 Dec 2009 11:24:08 -0800</pubDate>
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<title>The Bad Plus</title>
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<category>Post Bop</category>
<pubDate>Tue, 10 Nov 2009 10:13:23 -0800</pubDate>
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<title>Glowworm</title>
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<category>Post-Rock</category>
<pubDate>Sun, 31 May 2009 08:27:14 -0700</pubDate>
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<title>This Will Destroy You</title>
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<category>Post-Rock</category>
<pubDate>Tue, 17 Mar 2009 20:33:32 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10465967&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Notwist</title>
<link>http://www.rhapsody.com/goto?rcid=art.6250&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Krautrock</category>
<pubDate>Fri, 4 Dec 2009 13:20:38 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Notwist</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6250&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6250&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Though few Americans heard of them until they buffed down their most clattery Teutonic edges, the Bavarian-bred Notwist have long been a definitive German band, serving as an intersection of any number of sprockety sonic streams. Revolving around brothers Markus and Michael Acher, the band materialized near Munich at the end of the '80s as an only slightly off-kilter punk power trio. But by 1995's <i>12</i>, the Notwist were putting fanciful dystopian machine worlds on their CD covers, stretching song lengths, and creating an intermittently string-sectioned and increasingly spacious species of doomsday art-rock, as indebted to early Metallica as to Can; an impossibly sad and sweet 1994 cover of Robert Palmer's forgotten electro-pop track "Johnny and Mary" proved a clear turning point. In 1997, the band added a keyboardist, and before long was collaborating with techno artists. As they upped the glitch quotient on 1998's <i>Shrink</i> and especially 2002's critic-approved <i>Neon Golden</i>, indie fans outside Europe took notice. If <i>The Devil, You + Me</i> got less attention six years later, that says more about hipster fickleness than any slippage on the Notwist's part.
- Chuck Eddy]]></description>
</item><item>
<title>Electrelane</title>
<link>http://www.rhapsody.com/goto?rcid=art.60290&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Sat, 9 May 2009 09:56:38 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Electrelane</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.60290</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.60290&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.60290&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[
- Michele K-Tel]]></description>
</item><item>
<title>Broadcast</title>
<link>http://www.rhapsody.com/goto?rcid=art.4946&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Dream Pop</category>
<pubDate>Sat, 7 Nov 2009 11:26:32 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Broadcast</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4946&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4946&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Broadcast are one of the most innovative, cinematic pop bands to ever exist, helping kick-start the new millennium by setting the bar high with their nonpareil artistic songcraft and packaging. Their sound is both kinetic and organic: Post-Rock beats merge with antiquated tape loops, analog circuitry, oscillations, ring modulators and endearingly demure vocals that seem wistfully romantic at certain times and androgynously aloof at others. There's something about Broadcast's post-retro sound that would fit in perfectly on the Douphonic roster -- their bubbly, champagne-textured backing vocals, organ drones and otherworldly sound of someone playing something that sounds a lot like a sea of hands rubbing homespun tones out of a field of Waterford crystal drinking glasses. Perfect Dream Pop.
- Eric Shea]]></description>
</item><item>
<title>Songs: Ohia</title>
<link>http://www.rhapsody.com/goto?rcid=art.40143&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Thu, 19 Nov 2009 15:24:33 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Songs: Ohia</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.40143&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.40143&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Heartbreaking music for heartbroken people who dig wallowing. Songs: Ohia's music isn't so predictably mopey, like the many other bands who try to affect that certain style. In fact, the most charming aspect of their songs is that they seem to just naturally come out this way. The music is pseudo-mathematical in a sly Indie style, but the band's passionate playing goes above and beyond any rhythmically calculated quadratic equations. Jason Molina's fragile, throw-in-the-towel singing is what really gives this music its true soul.
- Eric Shea]]></description>
</item><item>
<title>Explosions In The Sky</title>
<link>http://www.rhapsody.com/goto?rcid=art.40967&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Fri, 11 Sep 2009 10:25:10 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.40967&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Mice Parade</title>
<link>http://www.rhapsody.com/goto?rcid=art.27309&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Laptronica</category>
<pubDate>Mon, 15 Jun 2009 07:31:23 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mice Parade</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.27309&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.27309&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Don Caballero</title>
<link>http://www.rhapsody.com/goto?rcid=art.6620&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Thu, 7 May 2009 09:53:29 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Don Caballero</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6620&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6620&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Don Caballero remodel every aspect of how you ever thought a song should be and brutalize everything. They are the sound of repeated blows to the upper body and face. At first listen, you might think it's metal, but there is too much control to be simply that. Entirely instrumental, Don Caballero play with furious density and precision that is frightening. The polyrhythmic drumming of Damon Che and the grueling basslines constantly seem at odds: agreeing to disagree. Dueling guitars surge and intertwine, leaving no room for even a hint of soloing. Their beguiling cunning in composition and compelling time changes make thorough listening mandatory.
- Jon Pruett]]></description>
</item><item>
<title>Annuals</title>
<link>http://www.rhapsody.com/goto?rcid=art.8654372&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Tue, 16 Jun 2009 05:22:20 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Annuals</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8654372&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8654372&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Hailing from Raleigh, North Carolina, Annuals are either a one-man wonder band or a sprawling indie rock collective, depending on who you ask. Their 2006 debut, <i>Be He Me</i>, was written and recorded entirely by Adam Baker, the young mastermind behind Annuals' intriguing sound, which in the live setting takes six musicians to produce. Veering between spaced out jazz abstraction, guitar-grating aggressiveness and pastoral harmonized pop, Annuals are equal parts experimental and mass-appeal, a combination that's both challenging and rewarding to fans who expect the unexpected.
- Jonathan Zwickel]]></description>
</item><item>
<title>From Monument To Masses</title>
<link>http://www.rhapsody.com/goto?rcid=art.5230941&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Fri, 11 Dec 2009 11:41:08 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">From Monument To Masses</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5230941&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5230941&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Very few bands take the political potential of music quite as seriously as
From Monument to Masses (FMTM). Even fewer act on it with the San Franciso trio's creative voracity. A painter and musician with a day job in a
childcare collective, Matthew Solberg met Francis Choung, a documentary
filmmaker who works for the Korean Solidarity Committee, through a musicians' bulletin board on the internet. When they added Choung's college classmate, Sergio Robledo-Maderazo, to the mix, FMTM also picked up a connection to Dim Mak Records: Robledo-Maderazo was a friend of its head, Steve Aoki. The three socially conscious artists found a musical forum for their activism. They've released three albums on Dim Mak, each of which attacks heavily political topics like war, ethnicity and the legacies of imperialism. At the group's disposal is a formidable artillery of looped, layered post-rock and electronic music, breakbeats, and carefully chosen spoken-word samples, many of which are drawn from speeches made by famous activists like Che Guevara, Black Panther Fred Hampton and free-speech and civil-rights crusader Mario Savio.
- Rachel Devitt]]></description>
</item><item>
<title>Tristeza</title>
<link>http://www.rhapsody.com/goto?rcid=art.35593&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Sat, 19 Dec 2009 10:51:44 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Tristeza</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.35593</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.35593&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.35593&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This quintet has a lulling, instrumental sound that falls somewhere between delicate Shoegazer and Emo-lite. Intricate sonic soundscapes are built layer upon shimmering layer, shrouded in reverb, ambition and an air of mystery. Happy is the person patient enough to peel away the layers of sonic surprises this band offers.
- Linda Ryan]]></description>
</item><item>
<title>Rachel's</title>
<link>http://www.rhapsody.com/goto?rcid=art.7553&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Thu, 5 Nov 2009 16:49:06 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Rachel's</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7553</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7553&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7553&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Darkness. Fade in: gray, autumnal day. Windswept streets, trees swaying, dead leaves whirling in gutters and doorways. Love, loss, and melancholy in a modern world. Soundtrack: strings, piano, horns, drums, and incidental sounds by Rachel's.
- Chris Slater]]></description>
</item><item>
<title>Mellowdrone</title>
<link>http://www.rhapsody.com/goto?rcid=art.6876321&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Wed, 16 Dec 2009 11:55:14 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mellowdrone</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6876321</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6876321&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6876321&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Dirty Three</title>
<link>http://www.rhapsody.com/goto?rcid=art.4743&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Fri, 18 Sep 2009 17:54:24 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Dirty Three</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4743</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4743&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4743&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Dirty Three are a staggering display of Post-Rock perfection. Conducted by violinist Warren Ellis' woozy and wailing to scratchy and broken playing, notes seem to plead across the stage like the last few rays of sunshine across the water at sunset. The band's rhythmic foundations provide a canvas yet still speak for themselves; drummer Jim White and guitarist Mick Turner both serve and govern Ellis, their minimal and watery solutions of staggered beats and droning melodies creating both grand schemes and formless cacophony. Somewhere in this contrast is the brilliance of Dirty Three -- sounds embrace togetherness and isolation in the same moment, ultimately creating some of the most profoundly cinematic pieces ever set to the steady, immanent rhythms of joy and sadness.
- Kelly Bauman]]></description>
</item><item>
<title>Labradford</title>
<link>http://www.rhapsody.com/goto?rcid=art.1455&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Thu, 22 Oct 2009 13:23:55 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Labradford</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1455&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Godspeed You! Black Emperor</title>
<link>http://www.rhapsody.com/goto?rcid=art.5314&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Fri, 11 Sep 2009 10:25:03 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Godspeed You! Black Emperor</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5314&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The gruff male voice speaks, "I said, 'Kiss me you're beautiful / These are truly the last days,'" into echoes of guitar notes and swelling acoustic drones. These are the sounds of a culture in decline -- not the fictional apocalypse that comes with one explosive blow, but the slow decay of humanity we witness every day. And Godspeed react with a deeply sorrowful sound. Their long instrumental tracks ebb and flow, expand and contract with guitars, bowed strings, hypnotic percussion and other classical, rock and jazz instruments. They exist as a large group of musicians (about nine) who tend toward anonymity, collective creation and improvisation. Their records' liner notes give little information about them and they keep their public presence to an unassuming minimum; their music is a well of meaning. Ever-present throughout their recordings are poetic monologues and tapes of man-on-the-street cynical rants about politics and cultural oppression. In lieu of vocals, these passionate speeches and interviews are not didactic, but they create a texture of struggle -- a match for their tense, wandering orchestrations.
- Marc Kate]]></description>
</item><item>
<title>Oneida</title>
<link>http://www.rhapsody.com/goto?rcid=art.28443&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Acid Rock</category>
<pubDate>Wed, 18 Nov 2009 13:05:58 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Oneida</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.28443&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.28443&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[One of the brainiest and most prolific NYC bands of the '00s began as a duo and has done time as a four-piece. But at heart they're a power trio, given to three-CD sets and conceptual trilogies, to freak-folk and slow metal and Krautrock and dub reggae, to plunking the same note over and over for a quarter-hour or more until you realize they've been gradually shifting all along. On early albums like 1999's <I>Enemy Hogs</I>, they come off as a kind of stoner-rock unit, but on 2000's definitive half-hour-plus <I>Steel Rod</I> EP, they squeeze Link Wray barbed-wire twang and a choogling Creedence cover into weird nerd-rock that balances the sludge with science-lab keyboards after the manner of Devo or Pere Ubu. "Power Animals," on 2000's <I>Come on Everybody Let's Rock</I>, was about a deadlocked presidential election -- not Bush and Gore, but Tilden and Hayes in 1876. On 2002's double disc, <I>Each One Teach One</I>, they carried water-torture minimalism to its breaking point, and since then -- averaging more or less an album a year -- they've gotten both daintier and dronier, picking up indie fans much younger than themselves, then regularly finding ways to dumbfound them.
- Chuck Eddy]]></description>
</item><item>
<title>Lake Trout</title>
<link>http://www.rhapsody.com/goto?rcid=art.12201&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Acid Jazz</category>
<pubDate>Tue, 17 Mar 2009 20:32:30 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Lake Trout</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.12201&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.12201&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Sounds like DJs have had serious influence on this groove-oriented band -- the drums may be played live, but they're so crisp and tight they often sound like a machine. Add tasty guitar, thick bass funk, horns, vocals and a bit of exotic ambiance and you have original sounding hip-hop influenced jazz.]]></description>
</item><item>
<title>Lanterna</title>
<link>http://www.rhapsody.com/goto?rcid=art.8830&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Dream Pop</category>
<pubDate>Tue, 17 Mar 2009 20:35:45 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Lanterna</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8830&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8830&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Trans Am</title>
<link>http://www.rhapsody.com/goto?rcid=art.62093&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Sun, 13 Dec 2009 10:14:10 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Trans Am</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62093&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62093&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Everyone who writes about Trans Am compares their sound to 1980s video game music without fail. That's because it's true! Blending driving bass riffs and drum beats that keep on keepin' on with Kraftwerk synthesizers and spare, robot vocals makes the comparison absolutely inevitable. That's not to say that what Trans Am does is boring -- it's not. To their credit, they somehow manage to make the stuff rock. Their shows are hip-shaking grin-fests, eliciting deeply nostalgic feelings that most other successful Post-Rock giants take pains to totally bury under mounds of pretension. Basically, Trans Am are just a bunch of nice guys playing geeky music. More power to them.
- Doug Russell]]></description>
</item><item>
<title>Slint</title>
<link>http://www.rhapsody.com/goto?rcid=art.62088&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Tue, 17 Mar 2009 20:30:08 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Slint</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62088&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62088&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[As the story goes, Slint released their second album <I>Spiderland</I> in 1991 and the blizzard of that year followed shortly thereafter. It is quite possibly the most chilling record you'll ever hear, cold enough to freeze moments of your life like so many empty bubbles trapped in ice. Slint songs spool out yards of slack to hang yourself with, using long, tense tempo builds, maundering vocals and half-nodding guitars to set an uneasy half-dreaming/half-awake mood. It has the effect of leaving ample blank space to paint your own fears into. Taut, minimalist songs like "Don, a Man" list precariously alongside epic hallucinations like "Breadcrumb Trail" and "Good Morning, Captain." The manifold textural shifts and erratic mood swings of their songs left critics grasping for accurate labels, some settling on the pathetically inadequate "New Prog." Labels aside, Slint's success lay in their ability to render into music that crippling romantic malaise which transforms young people, usually in their early twenties, into giant nerve endings which feel only pain. They released three recordings in their brief career, but for sheer implosive gravity, <I>Spiderland</I> stands alone.
- Chad Driscoll]]></description>
</item><item>
<title>Japancakes</title>
<link>http://www.rhapsody.com/goto?rcid=art.8716&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Fri, 9 Oct 2009 10:32:46 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Japancakes</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8716&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Jonny Greenwood</title>
<link>http://www.rhapsody.com/goto?rcid=art.5160854&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Thu, 3 Dec 2009 22:53:09 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jonny Greenwood</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5160854&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5160854&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Pivot</title>
<link>http://www.rhapsody.com/goto?rcid=art.11619584&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Fri, 9 Oct 2009 10:32:43 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Pivot</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.11619584&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Mono</title>
<link>http://www.rhapsody.com/goto?rcid=art.16851&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Fri, 11 Sep 2009 10:25:03 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mono</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.16851&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.16851&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Xiu Xiu</title>
<link>http://www.rhapsody.com/goto?rcid=art.40808&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Fri, 14 Aug 2009 11:03:34 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Xiu Xiu</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.40808</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.40808&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.40808&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The For Carnation</title>
<link>http://www.rhapsody.com/goto?rcid=art.63124&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Tue, 17 Mar 2009 20:35:33 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The For Carnation</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.63124</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.63124&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.63124&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The For Carnation were formed in the early '90s by Brian McMahan, following the demise of Slint. The For Carnation kept McMahan's whispered, slightly menacing vocal effects, but lost the explosive elements. The For Carnation is the sound of a band who are constantly about to explode, teetering between silence and fear. That they never achieve that catharsis may be why they are less coveted a band than McMahan's former incarnation -- but this does not mean they are any less rewarding a listen.
- Jon Pruett]]></description>
</item><item>
<title>TRS-80</title>
<link>http://www.rhapsody.com/goto?rcid=art.5996&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Fri, 19 Dec 2008 12:52:58 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.5996</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">TRS-80</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5996</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5996&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5996&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[TRS-80 paddle through swift rapids of analog retro-goo with traps and 808s set at 4/4. Like their whopping 1MB RAM, Radio Shack namesake, their appeal is in their irony, simplicity and retro-camp value. As awkward as a thirteen-year-old boy with bad hair and a cracking voice, TRS-80's ungainly synths warble obtrusively, unashamed of their lack of finesse. Like a jack-in-the-beatbox, rhythms erupt out of nowhere, unanchored and drifting. Unlike so much overtly intellectual Post Rock, this visceral use of rudimentary rhythms and textures is refreshing.
- Marc Kate]]></description>
</item><item>
<title>Cul de Sac</title>
<link>http://www.rhapsody.com/goto?rcid=art.62090&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Tue, 17 Mar 2009 20:35:34 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Cul de Sac</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.62090</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62090&amp;variant=play&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62090&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Frontier</title>
<link>http://www.rhapsody.com/goto?rcid=art.5253&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Fri, 25 Sep 2009 10:14:34 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Frontier</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5253&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Organic rock and electronic music slowly mutates without evolving or devolving: shifting so slowly and subtly that you don't notice when the change occurs. Live drums play heartbeat rhythms guided by a throbbing bassline. Spiraling analog synths quiver and penetrate the thick membrane between rock and electronic music.]]></description>
</item><item>
<title>Marc Ribot</title>
<link>http://www.rhapsody.com/goto?rcid=art.4567&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Avant Garde Jazz</category>
<pubDate>Fri, 20 Nov 2009 12:50:54 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Marc Ribot</rhap:artist>
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<description><![CDATA[Up until fairly recently, most of Marc Ribot's best playing tended to surface on other people's albums rather than his own, his electric guitar work leaving its stamp on standout efforts by Tom Waits, John Zorn, and the Lounge Lizards, among others. So in a way it's fitting that he's finally gained wider recognition leading a band (Los Cubanos Postisos, or "the Prosthetic Cubans") that centers around someone <I>else's</I> music -- in this case that of Cuba's Arsenio Rodriguez. This unexpectedly popular project highlights the more melodic, less abrasive side of his mongrelized guitar style, a merger of jazz finesse, Punk attitude, and Chuck Berry-inspired rock 'n' roll simplicity with shards of blues, Surf, and Latin music. His past groups have emphasized these elements in varying proportions: Shrek was a noisy, confrontational outfit that combined simple, folk-like melodies with deconstructionist improv rampages; the aptly named Rootless Cosmopolitans came closer to "normal" rock and blues at times, but Ribot's cynical, knowingly off-key vocals and bleeding-amp guitar leads kept things off balance. These projects have their imperfections -- more so than the recent Cuban one -- but when you're dealing with someone who owns up to playing "wrong notes" in his solos, perfection is not to be expected, or even really desired.
- Will York]]></description>
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<title>The Mercury Program</title>
<link>http://www.rhapsody.com/goto?rcid=art.14435&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Thu, 22 Oct 2009 13:23:49 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Mercury Program</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.14435&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Repetition and empty space are used instrumentally to create a tepid, calming atmosphere. Drums and bass maintain a back-and-forth rocking rhythm like a train clickety-clacking through the Great Plains at dusk; tight snares mark each passing telephone pole. Sparse guitars accent the loneliness and make you acutely aware of their absence. The Mercury Program's minimalist Emo picks up the direction that bands such as Fugazi have pursued and takes it further. Completely calming, yet motivating and inspiring at the same time.
- Mark Murrmann]]></description>
</item><item>
<title>Fuxa</title>
<link>http://www.rhapsody.com/goto?rcid=art.2676&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Space Rock</category>
<pubDate>Tue, 17 Mar 2009 20:32:59 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Fuxa</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2676&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Fuxa (pronounced like the color fuchsia) is made up of former members of equally adventurous Asha Vida and Windy and Carl. Armed with a four-track and a good number of ancient synthesizers, Fuxa have embodied the DIY ethic while managing to create a throwback world filled with humming organs and fluttering, hazy bass while incorporating guitar sounds that turn your insides into velvet. They have also used minimal electronics and funky conga drumming. The band also releases its records on its own Mind Expansion label from its home studio. Fuxa's dedication to appearances is apparent in a cornucopia of limited edition releases, colored vinyl, and hand-cut record sleeves that have made them into (relatively) overnight cult figures. It doesn't hurt that the music's top-notch, either.
- Jon Pruett]]></description>
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<title>Maquiladora</title>
<link>http://www.rhapsody.com/goto?rcid=art.8089412&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Fri, 27 Nov 2009 10:25:17 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Maquiladora</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8089412&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Fans of the desert music of Giant Sand and Calexico should be drooling all over Maquiladora -- and some probably do -- but chances are the San Diego trio's stealthy profile has evaded their radars. Although the band has released two full lengths, <i>What the Day Was Dreaming</i> and the masterful <i>A House All On Fire</i>, on indie stalwart Darla Records, Maquiladora has remained staunchly DIY and rather media-shy since coming together in the mid '90s. Back then, the group was a loose knit collective, experimenting with a prickly brand of Americana filtered through hushed post-rock. (Or is that the other way around?) By the release of their 1998 debut, <i>The Lost Works of Eunice Phelps</i>, Maquiladora's line-up was set: Eric Nielsen, Phil Beaumont and Bruce McKenzie -- all three singer-songwriters. Over the course of five albums and two EPs, Maquiladora have refined their sound, dipping that post-rock Americana into a cloudy bath rippling with classic West Coast lysergia. There's some Band-inspired twang in there for sure, but ultimately the band likes to venture to the outer rings of Saturn (to visit Pink Floyd?) then return to Earth and land underneath the star-flecked skies of the Mojave.
- Justin Farrar]]></description>
</item><item>
<title>Marmoset</title>
<link>http://www.rhapsody.com/goto?rcid=art.5950&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Sun, 30 Aug 2009 09:01:06 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Marmoset</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5950&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Quirky Post Rock with old school Indie Rock elements. Girl/guy vocal harmonies jab in and out of subtle pummels of out-of-tune guitar riffs, and muted bass with mathematical drumming. Imagine if the The B-52's had kids with impressive seven inch record collections.
- Eric Shea]]></description>
</item><item>
<title>The Benevento Russo Duo</title>
<link>http://www.rhapsody.com/goto?rcid=art.7071244&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Sat, 6 Jun 2009 08:29:31 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Benevento Russo Duo</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7071244&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Nels Cline</title>
<link>http://www.rhapsody.com/goto?rcid=art.7645848&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Fri, 13 Nov 2009 12:39:18 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Nels Cline</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7645848&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>Couch</title>
<link>http://www.rhapsody.com/goto?rcid=art.38094&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Fri, 23 Oct 2009 16:25:13 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=31&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss">Top Post-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Couch</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.38094&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fpost-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Munich's Couch take their precise instrumentalism a bit further with the involvement of cheery organ swells and even more angular rhythms. Their newest release sees them forgoing their moody edge and leaning towards lighter, jazz-inspired concoctions.]]></description>
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