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<title>Top Experimental Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link><description>Top Experimental Artists on Rhapsody Online</description><category>Experimental</category><language>en</language><ttl>720</ttl><pubDate>Sat, 5 Dec 2009 18:49:15 -0800</pubDate><image>
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<title>Top Experimental Artists on Rhapsody Online</title>
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<title>Radiohead</title>
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<category>Brit Rock</category>
<pubDate>Sat, 5 Dec 2009 10:33:46 -0800</pubDate>
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<description><![CDATA[One of the 1990s' greatest success stories, Radiohead came to prominence largely on the success of their distorted, ingratiating single "Creep." Drolly repeating "I'm a creep / I'm a loser" in the pounding wake of arena rock guitars wasn't going to win them any artistic grants, but those lyrics and bouts with piercing feedback would not be soon forgotten. It wasn't until <I>The Bends</I> (1995) that Radiohead transcended the formula, crafting the patient, heart-wrenching "Fake Plastic Trees" and the magnetic, sunshine-driven "Black Star." Thom Yorke's signature falsetto began to operate in a more deeply emotional capacity at this point. Finally producing to the caliber of their songwriting, Radiohead's <I>OK Computer</I> demonstrated a staggering attention to detail, probably ranking as one of the greatest commercial artistic successes of the '90s. Rarely does a record offer masterpieces in varying moods. From the thunderously suspenseful "Airbag" to the moody chime of the blustery "Let Down," Radiohead emerged victorious. The alt-rock superstardom and critical gushing that followed pushed them into their darkest and most creative space yet, and they delivered the electronic-tinged <I>Kid A</I> in 2000 and <I>Amnesiac</I> in 2001. Many critics and fans claimed to not "get" the group's twisted, skittering melodies and complicated, chorus-free rock songs but to the devout the band's cerebral art rock was like manna from the heavens. 2003's <I>Hail to the Thief</I> offered up a mixture of guitar-driven tracks amid a more restless desire to experiment. In 2007, Radiohead shook up the music industry with <i>In Rainbows</i>, an album released via their website in which fans could name their own price.
- Kelly Bauman]]></description>
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<title>Arcade Fire</title>
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<category>Baroque Pop</category>
<pubDate>Fri, 4 Dec 2009 13:21:18 -0800</pubDate>
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<description><![CDATA[At once elegant and driven, the Arcade Fire's music shatters categories like "emo" and even "indie rock." The Montreal-based band earned lofty praise quickly, forming in mid-2003 and winning a large number of fans within a year and a half. Many of these adorers arrived along with the group's debut full-length release, <I>Funeral,</I> near the end of 2004. Voted Album of the Year by influential radio station KEXP, the record soon sold well over 100,000 copies (on the small North Carolina label Merge) and received the endorsements of David Bowie and David Byrne, the latter of whom was seen performing "This Must Be the Place (Naive Melody)" with them onstage in 2005. If that didn't confer great power on this eccentric Canadian band's brutal and beautiful distorted noise collages, nabbing the cover of the Canadian edition of <I>Time</I> certainly signaled they'd arrived. The Arcade Fire formed around Win Butler and wife Regine Chassagne, soon growing to five official members and swelling on tour to nine. The combination of moodiness and joy in their semi-orchestral pop-rock coincided with a year in which several loved ones passed away (including Alvino Rey, veteran swing musician and grandfather of singer Butler and his brother, guitarist William) -- thus the title of <I>Funeral</I> and the music's reflection of ongoing life in the face of sadness. The group continued to tour and record throughout 2005, dazzling Europe and appearing at the Lollapalooza festival in Chicago. After a scheduled trek through the States in the fall of that year, they returned to Quebec and a newly built studio in a former church, where they plotted their next musical instillation while fans bided time with a reissue of the rare early self-titled EP the Arcade Fire had released not all that long ago.
- Jaan Uhelszki]]></description>
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<title>TV On The Radio</title>
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<category>Noise Rock</category>
<pubDate>Thu, 12 Nov 2009 19:09:56 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<description><![CDATA[Maybe one reason TV on the Radio gets listed among the best American bands of their generation is because their free-ranging sound deftly throws together a multitude of American musical traditions all at once. The avant-garde indie rock band started as a duo in 2001 when vocalist Tunde Adebimpe met multi-instrumentalist and producer David Andrew Sitek by coincidence. Though they were both recording material for individual projects, they joined efforts and brought in Sitek's brother Jason on drums for sessions that resulted in a self-titled debut released on Brooklyn micro indie Milk. On the strength of this recording, the band signed with Touch and Go, signed up guitarist/vocalist Kyp Malone and released the <i>Young Liars</i> EP in 2003, which was met by unanimous critical praise. They toured throughout 2004 supporting their debut full length, <i>Desperate Youth, Blood Thirsty Babes</i>, which was similarly extolled. With dates opening for the Pixies and a fan in David Bowie, TV on the Radio's popularity outgrew their indie label, and in the summer of '06 they issued <i>Return to Cookie Mountain</i> on Interscope (featuring back up vocals from Bowie), which nabbed top spots on a number of year-end lists for 2006. They followed up with an equally solid album in 2008, <i>Dear Science</i>.
- Nate Cavalieri]]></description>
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<title>Band Of Horses</title>
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<category>Noise Pop</category>
<pubDate>Mon, 2 Nov 2009 10:53:11 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<description><![CDATA[Band of Horses formed after the demise of Seattle favorites Carrisa's Wierd, an orchestral indie band with melancholy folk roots. Together for 10 years, they had a devoted following, but never managed to extend that local adoration beyond the edges of the Pacific Northwest. After the bust up, drummer Ben Bridwell (who had never written a song, ever) started writing and playing around town as simply Horses, eventually convincing former Carissa songwriter and frontman Mat Brooke to join him when he opened for an Iron & Wine gig. That event solidified the bearded duo, as the core members of Band of Horses, along with tipping them off (via I&W's Sam Beam) to their eventual new home at Sub Pop Records. With former drummer Bridwell now stepping forward to take the lead, with Brooke on bass, Band of Horses manage to retreat from any previous band memories by ditching their former dark orchestrations to expose an aching waft of twanging guitars that drift effortlessly into dream pop. While compared to groups like My Morning Jacket (who also choose not to shave, create a similar musical mood and wear their Neil Young influences proudly), Band of Horses lean much heavier on the positive, with an inspirational reverb that elevates even their more somber subjects. Their full-length Sub Pop debut,<I>Everything All The Time,</I> was released in 2006, and that's more than enough reason to start a stampede.
- Michele K-Tel]]></description>
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<title>The Flaming Lips</title>
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<category>Noise Pop</category>
<pubDate>Fri, 4 Dec 2009 13:19:45 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<description><![CDATA[Seven years into their career, things changed monumentally in 1990 for Oklahoma City's the Flaming Lips with the release of their seminal <i>In a Priest Driven Ambulance.</i> Fusing only bits of their endearing, off-kilter indie rock into a sonically intense and more innovative fuzzcraft of mid-tempo songs and walls of neo-psychedelic guitar drone, <i>IPDA</i> offered up such memorable pop thunder as "Unconsciously Screamin'" "Rainin' Babies" and "Mountainside." Their songwriting having drastically improved, each completed song brought new, succinct arrangements and different chord progressions -- yet the album as a whole had an incredibly loud, distinctive sound. Subsequent albums like <i>Hit to Death in the Future Head</i> and <i>Transmissions from the Satellite Heart</i> began yet another chapter in the Lips' ever-transforming career, employing more selectively the relentless yet blissful bombast of <i>IPDA</i> into beautifully orchestrated, stripped-down mega-productions of pristine guitar twinkle and LSD-impaired Beach Boys harmonies. (<I>Transmissions</I> also spawned the Lips' big moment in the mainstream sun with the ubiquitous "She Don't Use Jelly.") Since the untimely departure of guitarist/noise enthusiast Ronald Jones, the Flaming Lips have resembled more a pop-deconstructionist science fair than a rock band, with drummer Steven Drozd and founder Wayne Coyne working as synched-up visionaries rather than contributing members of the same band. 1999's <i>The Soft Bulletin</i> found them again on the cusp of disciplinary mastery, incorporating their bent inclinations and atmospherics even more subtly into their strangely familiar and narcotic brand of pop, while donning character costumes on stage. Their next release, <i>Yoshimi Battles The Pink Robots</i> followed the same path, albeit with even brighter production and a greater attention to detail. At its core, however, the record was a mediation on love, death and the assurance is life after almost unendurable psychic pain. On the Oklahoma City band's 2006 opus <i>At War With The Mystics</i>, spiritual leader and sonic ringmaster Coyne shows the sheer depth of his profundity when he casts his baleful eye outward, focusing his laser vision on current events; pointing a sharp stick at frothy pop icons, superficial thinkers, the abuse of power-both personal and political-and fanaticism wherever it shows up in culture. Their songs show that there's a lot more going on underneath those pink bunny suits than we ever imagined.
- Rachel Devitt]]></description>
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<title>Animal Collective</title>
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<category>Post-Modern Pop</category>
<pubDate>Sat, 14 Nov 2009 11:48:46 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<description><![CDATA[There aren't many groups like Animal Collective. The only bands that spring to mind are the Flaming Lips and Mercury Rev. As with both of them heavy weights, Animal Collective is a profoundly avant-garde project that just so happens to make some of the most hummable jammers of the 21st century. They drawn inspiration from an absurd number of influences, including but not limited to Brit pop, experimental noise, vintage psychedelia, minimal techno, industrial, golden oldies, post-hardcore, dub and world music. Far more important, however, is how Animal Collective has synthesized all this good stuff into a phantasmagoric brand of tribal pop that's not at all pretentious or overly cerebral. In fact, it shimmers with a uranium-enriched sincerity best understood by nervous teens all strung-out on first loves, energy drinks and hormones. Of course, this is an aesthetic that's taken the band years to develop. Most ears will find early albums like <i>Here Comes the Indian</i> and the underrated <i>Danse Manatee</i> too extreme in their sonic freakery, but more recent works -- <i>Feels</i>, <i>Strawberry Jam</i>, <i>Merriweather Post Pavilion</i> -- will surely blow away those craving impeccably well-crafted indie rock.
- Justin Farrar]]></description>
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<title>Sonic Youth</title>
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<category>Noise Rock</category>
<pubDate>Fri, 4 Dec 2009 13:20:20 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<description><![CDATA[The most exciting band of the 1980s, period. Sonic Youth had no equivalent then, and they still don't -- no one on the underground can rival them for daring, brilliance and range. Their willingness to experiment and evolve brought them perilously near the mainstream in the early '90s, but recent efforts have once again delivered them into the covetous arms of art-rock's intelligentsia. Starting off on the heels of New York's no wave movement, Sonic Youth's pre-SST material marked a period of maturation defined by self-conscious DIY amateurism and the complete demolition of rock guitar convention. The approach broke ground, but kept a pretty low ceiling on what the band could achieve. The arrival of <I>EVOL</I> in 1986 signaled the end of Sonic Youth's anarchic primitivism and the dawning of their golden age. They were gradually transforming bouts of alternate tuning overkill into tightly crafted song. <I>Daydream Nation</I> (1988) remains their pinnacle achievement, a thematically coherent pastiche of Gen-X cynicism, sonic tube disasters and surreal guitar passages that chime like harps in a hailstorm. The work of Sonic Youth is all the more remarkable for being almost entirely self-produced and truly collaborative in origin. Thurston Moore, Kim Gordon and Lee Ranaldo all lend a hand in writing and singing, which sometimes produces the jarring effect of listening to three different bands on the same album.
- Chad Driscoll]]></description>
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<title>Bjork</title>
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<category>Post-Modern Pop</category>
<pubDate>Sun, 15 Nov 2009 11:03:39 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<description><![CDATA[Bjork is hard to pin down and trace. Pointing to her pre-solo incarnations as a jazz singer, a Crass Records punk and an international indie-pop star with the Sugarcubes only shows a fraction of her depth. Since her <I>Debut</I>, in 1993, she has created a symbiosis between academic music and pop, her hands holding a score by Karlheinz Stockhausen while her feet dance to the faceless sounds of rave culture. Masterfully, her music never flies out into obscurity or stoops to obviousness. Working with innovative producers and remixers, such as Nellee Hooper, Howie B., Mark Bell, Matmos and, most recently, Timbaland, she has been able to consistently change strategies, keeping her sound contemporary, gently nudging at the edges of the mainstream. While she takes these adventurous turns through her career, her versatile voice is unmistakable. She displays wide emotional range from the contained rage of "Army of Me" to the explosive joy of "It's Oh So Quiet" to the ethereal bliss of "All Is Full of Love." While her music is always challenging, her fine art and screen side-projects are equally thought-provoking. For the Palme D'Or-winning Lars Von Trier film <i>Dancer In the Dark</i>, she won a Best Actress award for her leading role at Cannes in 2000. She would later collaborate with long-time boyfriend and fine art star Matthew Barney on the eerie and indulgent film <i>Drawing Restraint 9</i>.
- Marc Kate]]></description>
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<title>Sigur Ros</title>
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<category>Post-Rock</category>
<pubDate>Thu, 5 Nov 2009 12:40:08 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<description><![CDATA[Sigur Ros may not realize they're the kings of post-Shoegazer (sorry, Mogwai), but perhaps that's a good thing. This Icelandic outfit creates interplanetary soundscapes that make Slowdive sound like Motorhead. Moaning guitars weep and howl over textured, ether-soaked guitar effects as an androgynous singer coos and croons wistful melodies of pure soul. Sigur Ros create the kind of transcendental music for those who appreciate aural escapism and white noise. Their songs somehow sound and feel like coming down softly upon endless Arctic sheets -- you clear off some snow from the surface to discover blue lights shining from beneath the ice. If ghosts get to listen to music, don't think for a second that they subscribe to the gloomy Goth ethic. It would make sense if Sigur Ros topped the music charts for afterlife listeners.
- Eric Shea]]></description>
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<title>Girl Talk</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.23194&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Laptronica</category>
<pubDate>Sat, 3 Oct 2009 10:44:44 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<description><![CDATA[Pittsburgh native Gregg Gillis is Girl Talk. When he started out in the early '00s, Gillis composed glitchy IDM pieces, standing next to his laptop during performances flanked by costumed dancers to make the show a little more visceral. But he struck hipster gold in 2006 with <i>Night Ripper</i>, an album-length mash-up of approximately 160 different songs.
- Garrett Kamps]]></description>
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<title>Ratatat</title>
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<category>Leftfield/IDM</category>
<pubDate>Tue, 15 Sep 2009 10:27:00 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">Ratatat</rhap:artist>
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<description><![CDATA[Arena rock built byte-by-byte: Ratatat has sonic ambitions way beyond their two-dude-in-a-bedroom setup. Brooklynites Evan Mast and Mike Stroud got their break in 2002 when their first single, "17 Years," released on Mast's own Audiodregs label, gained attention from DJs across the U.S. With Mast on beat production and bass and Stroud -- a sought-after guitarist who also plays in Dashboard Confessional's touring lineup -- ripping up various looped six-strings, Ratatat released its self-titled debut in 2003 and opened for a slew of major indie acts. Their stripped down, amped up sound appealed to rockers and rappers enough that they self-released a CD of their own compositions backing a cappella tracks by Jay-Z, Missy Elliot, Raekwon and more. Their official sophomore album, 2006's <i>Classics</i>, was mostly recorded in upstate New York and substantially broadened their style. Ask 'em and Ratatat will try to convince you that small is the new big.
- Jonathan Zwickel]]></description>
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<title>Brian Eno</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3864&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Art &amp; Progressive Rock</category>
<pubDate>Fri, 4 Dec 2009 13:20:23 -0800</pubDate>
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<description><![CDATA[Despite his repeated definition of himself as a "non-musician," Brian Eno has been making enduring records for over a quarter of a century now, and his influence continues to permeate popular and experimental music. His sound-oriented compositions have little to do with written notes, championing the arrangement of tones, melody and texture over mastery of instruments or songwriting. This very basic approach is evident in all aspects of his career, from his visionary melding of abstract rock and electronics on albums such as <I>Another Green World</I> all the way to the pure ambient explorations of his <I>Music For Films</I> series. As a producer, his name is synonymous with the best work of U2, Talking Heads and David Bowie. He remains a valued presence in 20th and 21st century popular music, concentrating as much on theory and technology as he does on making music.
- Jon Pruett]]></description>
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<title>The Mars Volta</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.37340&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Fri, 4 Dec 2009 13:19:37 -0800</pubDate>
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<description><![CDATA[At the Drive-In added another chapter to the long, rich history of Texas music. But no sooner had fourth album <I>Relationship of Command</I> skirted the Top 100 before intra-band hassles finished the group off. Singer Cedric Bixler and guitarist Omar Rodriguez wasted little time in forming a new outfit that would build on At the Drive-In's version of the MC5's more avant-garde tendencies. Having already collaborated with Ikey Owens of the Long Beach Dub All-Stars and Jeremy Michael Ward in ATDI side project De Facto, they seemed prepared to head for new horizons after bringing them into the Mars Volta fold. The quartet released <I>De-Loused in the Comatorium</I> in 2003. Unfortunately, Ward overdosed not long after their tour for the album. In 2005, the Mars Volta returned with their second full-length, the ambitious song-cycle <I>Frances the Mute,</I> which, like their first CD, took its inspiration from rather gothic circumstances: Divided into five suites, it takes its subject matter from an anonymous diary found in the back of a car by their fallen compatriot, Jeremy Ward. The band continued releasing eccentric, complex material at nearly a one album per year pace: <i>Amputechture</i> (2006), <i>The Bedlam in Goliath</i> (2008), <i>Octahedron</i> (2009).
- Jaan Uhelszki]]></description>
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<title>The Velvet Underground</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.55117&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Punk Pioneers</category>
<pubDate>Fri, 4 Dec 2009 13:21:19 -0800</pubDate>
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<description><![CDATA[The Velvet Underground were easily one of the greatest rock bands of the 1960s, though unlike the Beatles or the Stones they labored in relative obscurity. They weren't just ahead of the times, they helped create the future of rock music with their mix of primitive rock 'n' roll, complex avant-garde leanings, downtown narratives, and pure pop songcraft. They even wanted to top the charts, but they wanted to do it their way. Lou Reed may have been a Brill Building-esque tunesmith, but he was also interested in the tough hyper-realism of the New York literary underground and the wild sounds of Free Jazz. Conversely, John Cale may have been a classically trained Welshman who worked with John Cage, but he wanted to be in a rock 'n' roll band. Unfortunately, not even a high profile push from Andy Warhol nor the au courant ice queen whispers of Nico could break the band to the general public. <i>Loaded</i> (1970), their final album, features two great should've-been radio hits in "Sweet Jane" and "Rock & Roll." After the band called it quits the public slowly started catching on, and Lou Reed's solo work brought many of their songs to FM radio. VU's sound, style, and Reed's sometimes perverse lyrics and deadpan delivery became a major influence on the New York punk scene of the 1970s and the alternative and Indie Rock scenes of the '80s and '90s. Their influence is acknowledged by everyone from David Bowie and Roxy Music to R.E.M. and U2. Influences aside, their body of work only gets better with each passing year.
- Charles Hodgkins]]></description>
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<title>Yo La Tengo</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5076&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Fri, 4 Dec 2009 13:19:31 -0800</pubDate>
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<description><![CDATA[Since the mid-1980s, this Hoboken, N.J., trio has won the hearts of many with their eclectic, creative guitar/organ-driven sound. A perennial critical favorite, Yo La Tengo have consistently released engaging, challenging pop music that is defiant of trends, and they maintain a fiercely devoted cult following not unlike a modern-day Velvet Underground. Guitarist Ira Kaplan's assured, noisy and innovative guitar work, coupled with wife Georgia Hubley's sublime, angelic vocals, has made for some of the best Indie Rock of the '80s and '90s. <I>May I Sing With Me</I> (1992) lent the band a louder, bass-heavy feel as Kaplan began to extensively fixate on feedback, but as many bands throughout the decade became progressively louder, Yo La Tengo bucked that trend by recording successive albums that were increasingly subtle and varied. The organ-heavy grooves of <I>Electr-O-Pura</I> and the stark quietude of <I>And Then Nothing Turned Itself Inside-Out...</I> have cemented Yo La Tengo's already burgeoning reputation among critics and college radio fans alike.
- Charles Hodgkins]]></description>
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<title>Broken Social Scene</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.66423&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Mon, 30 Nov 2009 10:00:40 -0800</pubDate>
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<description><![CDATA[If you think California indie rock bands are overflowing and incestuous in their lineups, take a trip up to the Great White North. Canada's Broken Social Scene is an amalgam of Toronto indie musicians initially comprised of Kevin Drew of K.C. Accidental and By Divine Right's Brendan Canning. They added Charles Spearing from Do Make Say Think, Evan Cranley from Stars and Emily Haines and James Shaw from Metric to round out the sound. Leslie Feist (who now makes beautiful music under the Feist moniker) also joined, along with Toronto local luminaries Andrew Whiteman, Justin Peroff and Jason Collett. That's right, Broken Social Scene was an 11-person ensemble before they recorded and unveiled <I>You Forgot It In People,</I> which worked because of the singular-yet-eccentric vision of all the people involved, creating a work of sheer beauty with their tight pop structures and lush sonic textures. In between their second and third albums, the band cranked out a less inspired sounding compilation of B-sides entitled <I>Bee Hives</I> before releasing their self-titled and heavily orchestrated 2005 album with contributions from members of the Dears and Raising the Fawn.
- Eric Shea]]></description>
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<title>Dirty Projectors</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7251444&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Indie Pop</category>
<pubDate>Sat, 21 Nov 2009 13:42:35 -0800</pubDate>
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<description><![CDATA[In 2002, Dave Longstreth left music composition studies at Yale University to pursue a career in music, eventually assuming the name of the Dirty Projectors. Even on early recordings, Longstreth's somewhat manic output was a collision of hi-fi and lo-fi aesthetics rooted in academic complexity as he combined elegant melodies, knotty rhythms and sophisticated harmonic architecture. Longstreth released his first solo work in 2002, titled <i>The Graceful Fallen Mango</i>, followed by the first LP under the Dirty Projectors moniker, <i>The Glad Fact</i>, released in 2003 on Austin-based Western Vinyl. LPs followed in 2005 and 2007 -- <i>The Getty Address</i> and <i>Rise Above</i>, respectively -- each finding a wider audience, new supporting musicians and greater critical acclaim. In 2006, Longstreth was joined for the first time by Amber Coffman, whose vocals became a key element of the band's sound. In 2009, their profile increased further, hooking collaborations with Bjork and David Byrne, along with releasing the highly acclaimed <i>Bitte Orca</i>.
- Nate Cavalieri]]></description>
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<title>Magnetic Fields</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.59639&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Sat, 10 Oct 2009 10:13:29 -0700</pubDate>
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<description><![CDATA[Sharing an ethos with Bill Callahan of Smog, Stephin Merritt mines a personal talent for turning out wry, darkly beautiful tales in the Lo-Fi home-recordist tradition. Yet even without his signature irony and studio prowess, Magnetic Fields -- a name he's worked under since 1990's debut <I>Distant Plastic Trees</I> -- are an intuitive pop experiment rife with disarmingly well-crafted melody. Creating not only syrupy synth pop that draws textural comparisons to Brian Eno and Gary Numan, but also organic, acoustic-bred Indie pop complete with cello, flute, tuba, and his haunting baritone, Merritt is a stylistic and sonic archivist bent on bending others' aural signatures to compliment his own production talents and shadowy lyrical pretense. The results are often stunning, lending credence to Merritt's status as one of indie rock's most influential and appreciated talents.
- Kelly Bauman]]></description>
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<title>Minus the Bear</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.63134&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Sun, 22 Nov 2009 10:09:54 -0800</pubDate>
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<description><![CDATA[Everything about Minus the Bear initially sounded like a joke, from their song titles ("Hey, Wanna Throw Up?") to the band's name (which really does come from an inside joke). But that doesn't mean you shouldn't take them seriously. This Seattle band has been earning the respect of critics and fans alike since it was formed in 2001 by guitarist David Knudson, bassist Cory Murchy and drummer Erin Tate. The three of them recruited singer/guitarist Jake Snider and keyboardist Matt Bayles (who left the band in 2006 and was replaced by Alex Rose). Several EPs, four albums (including remix album <I>Interpretaciones del Oso</I>) and a TON of touring followed, cementing Minus the Bear's reputation as a very serious band. And hey, they even got rid of the silly song titles on 2007's <I>Planet of Ice</I>. (Well, almost..."Ice Monster"?!)
- Rachel Devitt]]></description>
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<title>Mindless Self Indulgence</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.14791&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Industrial Metal</category>
<pubDate>Thu, 19 Nov 2009 15:23:07 -0800</pubDate>
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<description><![CDATA[The wild stage antics of Mindless Self Indulgence front man "Urine" caught the attention of Insane Clown Posse and earned the band the opening slot on their 1999-2000 tour. In the studio, MSI race through minute-or-so, industrially mutated hip-hop/metal tunes. Their off-center cover of Method Man's "Bring the Pain" went off like a pipe bomb in the face of new metal, leaving it pocked with shards of burning irony.
- Chad Driscoll]]></description>
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<title>Wolfmother</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6774631&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Hard Rock</category>
<pubDate>Fri, 20 Nov 2009 12:50:54 -0800</pubDate>
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<description><![CDATA[Sydney's Wolfmother will teleport you back to the pre-metal rock days of the late-'60s and early-'70s. Singer/guitarist Andrew Stockdale's magazine-friendly good looks may recall a young Noel Redding (the English afro'd bass player from the Jimi Hendrix Experience), but his raucous, riff-heavy guitar playing echoes amp-blasting tones from both Leigh Stephens (Blue Cheer) and Vanilla Fudge's Vince Martell. However impressive his six-string skills are, it's Stockdale's powerful and melodic wail that drives Wolfmother. The chemistry between Stockdale, drummer Myles Heskett and bassist/keyboardist Chris Ross was apparent on Wolfmother's 2006 self-titled debut. But it didn't last; international success, a Grammy (for Best Hard Rock Performance) and even a request from Led Zeppelin to appear as guests for their U.K. Music Hall of Fame induction led to tension and eventually the departure of Heskett and Ross, who cited "irreconcilable differences." Stockdale kept the name and recruited guitarist Aidan Nemeth, bassist/keyboardist Ian Peres and drummer Dave Atkins to go on as Wolfmother. The new quartet released <i>Cosmic Egg</i> in late 2009.
- Eric Shea]]></description>
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<title>Buckethead</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3814&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Progressive Metal</category>
<pubDate>Tue, 1 Dec 2009 09:48:13 -0800</pubDate>
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<description><![CDATA[Avant-garde guitar legend Buckethead is known for his lanky stature, bewilderingly advanced chops, and insistence on wearing a bucket on his head and a mask onstage. Those who associate him with blistering runs of thirty-second notes will be shocked to find him moving in the direction of dark ambient and trip-hop on his latest recordings. Layers of vocal samples intertwine atop minimalist, atonal guitar riffs and downtempo breakbeats; oceans of Ambient noise give birth to ethereal wah-wah guitar stabs. It's a far cry from <i>Transmutation</i> or <i>Sacrifist</i>.
- Noah Enelow]]></description>
</item><item>
<title>Butthole Surfers</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5913&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Fri, 4 Dec 2009 13:19:34 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Butthole Surfers</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5913</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5913&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5913&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Butthole Surfers formed in the late '70s in San Antonio, Tex., when Gibby Haynes met guitarist Paul Leary at Trinity University. They were about the most subversively experimental U.S. band throughout the '80s, despite a pervasive idea that they were just a bunch of drug-addled jokers. While crass and disturbing humor was a big part of their identity, few bands made music so extreme. They seamlessly combined hardcore punk, heavy metal, space jams and even indie rock into an utterly singular art-rock concoction. On top of this, they crammed unheard-of levels of psychedelic effects into their songs, often successfully re-creating the confusing jumble of sound heard during various drug trips, to which they were legendarily dedicated. From 1981 to 1991, the Buttholes steadily released music on the underground and built a reputation for total chaos at their live shows. A previously unthinkable notion, they signed to Capitol in '91 and shockingly scored a No. 1 hit on the rock charts with "Pepper" in 1996. In 1999, they split with Capitol, gaining ownership of the bulk of their early material, which they then reissued. In 2001, they released <i>Weird Revolution</i> on Hollywood Records.
- Mike McGuirk]]></description>
</item><item>
<title>Mogwai</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.68651&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Sat, 5 Dec 2009 10:33:45 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mogwai</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.68651</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68651&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68651&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Mogwai's fleshed-out spacey guitar arrangements are a blissful drone that always stops short of meandering. Their creative, multilayered guitar noodling often takes precedence over Stuart Braithwaite's sparse vocals. Formed in 1996, the band proceeded to release a number of largely ignored independent singles, until the release of "Angels vs. Aliens," which became a U.K. Indie Top-10 single. The band began to amass critical acclaim with the release of <i>Mogwai Young Team</i> in 1997 and solidified their place in the alt rock world with the hugely successful <i>Kicking A Dead Pig</i> in 1998.
- Mike Cloward]]></description>
</item><item>
<title>The Album Leaf</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9536&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Sun, 18 Oct 2009 10:43:53 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Album Leaf</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.9536</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9536&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9536&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The solo project of Tristeza's Jimmy LaValle, Album Leaf proceeds cautiously enough to warrant the Post-Rock tag. With an organic rather than digital aesthetic, AL collage acoustic instruments, field recordings, and keyboards into picturesquely beautiful songs. Buzzing acoustic notes step carefully through beds of recorded conversations and street noise -- the sonic characteristics of both set a cinematic tone. The only instrumental indulgence seems to come in the form of a delayed-out, weeping viola, which contrasted against the narcissistic beauty and delicate precision of the guitar creates a seemingly sad conversation. In fact, it sounds like one lover pleading to another who's given up on trying.
- Kelly Bauman]]></description>
</item><item>
<title>Thom Yorke</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.10620458&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Laptronica</category>
<pubDate>Thu, 12 Nov 2009 19:09:52 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Thom Yorke</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.10620458</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10620458&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10620458&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Radiohead head Thom Yorke releases his first solo effort -- a haunting, digitized lament that zeroes in on the nearly mystical tension his other project broke ground with.
- Jonathan Zwickel]]></description>
</item><item>
<title>Serj Tankian</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.67305&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Experimental</category>
<pubDate>Tue, 6 Oct 2009 09:54:15 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Serj Tankian</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.67305&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.67305&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Unconventional in his vocals, lyrics, tempos and time signatures, the Lebanon-born, Armenian-American singer-songwriter is a multi-instrumentalist with a mad-scientist metal mentality, who boasts political intellect and a social conscience to boot. Serj Tankian first emerged onto the metal scene during the late '90s as lead singer of System of a Down, an immediate favorite among the Ozzfest crowd. Unabashedly fierce in stating his opinions about 9/11, governmental control, genocide, societal injustices, and denial, hypocrisy and tyranny among those in power, Tankian raises political awareness not only through his music, but also through his work with Axis of Justice, a grassroots activist organization he started with Rage Against the Machine guitarist Tom Morello. When System of a Down took a hiatus in 2006, Tankian started work on his solo debut, <I>Elect The Dead</I>, which was released in October 2007. He wrote, produced and played nearly every instrument, experimenting with classical cadences, progressive rock, manic metal, start-stop tempos and gutting vocals that flash between madman "la la la"s and haunting, cavernous drones.
- Stephanie Benson]]></description>
</item><item>
<title>Tortoise</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62079&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Fri, 9 Oct 2009 10:33:09 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Tortoise</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.62079</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62079&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62079&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[How a group of ex-punk rockers came to revitalize the state of independent music in the '90s is anybody's guess, but Tortoise have been placed at the forefront of a collective of musicians intent on pushing the common formulas of Indie Rock. Their debut record was steeped in post-Slint tempos, but came alive in the icy, cavernous production. Echoes of dub ran through the record, and tracks like "Cornpone Brunch" hinted towards jazzier explorations. DJ's and electronic artists took to the group and a full-length remix record followed. With the '96 release of <I>Millions Now Living Will Never Die</I>, they established their distinct sound: an involved, shifting patchwork of cut and paste aesthetics, dueling vibraphones, and kinetic exercises in both dub and film scores. Their on-stage performances were equally involved, with members constantly rotating and adding a liveliness to the music in which certain critics were finding a kind of science. The addition of free jazz guitarist Jeff Parker gave the group a warmer yet more insular sound. The recent <I>TNT</i> was both meticulously detailed and limber, melodic and fully realized. Perhaps the group's greatest fault is the cavalcade of copyists they have inspired. Legions of Indie Rockers now create instrumental passages and name drop Steve Reich, creating a monotonous din of mediocrity which is often lofted back at the band by decriers. The band continue unrivalled though, creating complex, ornate music open to a wide array of instrumentation and only occasionally sounding like Weather Report.
- Jon Pruett]]></description>
</item><item>
<title>Blonde Redhead</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5856&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Tue, 16 Jun 2009 09:18:45 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Blonde Redhead</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5856</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5856&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5856&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Since their inception in 1993, Blonde Redhead have released some of the most sonically interesting guitar-driven Indie Rock on the circuit. Originally incorporating the more melodic elements of Sonic Youth's dual guitar attack, the group created songs rich in dissonant texture and driving, urgent rhythms. The next inception of the group saw Unwound's Vern Rumsey taking over bass duties, imparting his driving, almost entrancing whirl of rhythmic attack and melody onto the band's 1997 release <i>Fake Can be Just as Good</i>. Currently, the trio have their own set of aggressively patient rhythms and tense, sometimes creepy melodies. Guitars blink on and off to the steady sound of maracas. Arrangements subtly swell then disappear into dark, rhythmic soundscapes. The only constant has been the shared vocals of guitarists Amedeo Pace and Kazu Makino. The latter's unmistakable shrieks and haunting, chant-like moans identify and set Blonde Redhead apart from other noise enthusiasts.]]></description>
</item><item>
<title>Tangerine Dream</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61613&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>New Age Electronic</category>
<pubDate>Fri, 30 Oct 2009 12:04:56 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Tangerine Dream</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61613&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61613&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In their early days, Tangerine Dream were one of the most progressive, avant-garde bands to span the distance between rock and electronic composers like Karlheinz Stockhausen. Much in line with other Krautrock artists of the early '70s, they created a drawn-out, improvised sound that brought droning electronics up against wind instruments and rock instrumentation played like a jazz ensemble. With increasing focus on the growing possibilities of synthesizers, they embarked on a new sound, arranging heavy analog drones into a then-futuristic sound of pure electronics and minimal rhythm. Throughout the '80s and into the '90s, their output became decreasingly academic and progressive, and increasingly Ambient and incidental.
- Jeff K.]]></description>
</item><item>
<title>...And You Will Know Us By the Trail of Dead</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44218&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Sun, 27 Sep 2009 09:55:58 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.44218</guid>
<rhap:rcid xmlns:rhap="rhap">art.44218</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">...And You Will Know Us By the Trail of Dead</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44218&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44218&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[And You Will Know... offer an almost garage/glam-flavored approximation of Sonic Youth's poppier tunes (think "Teenage Riot"). Their syrupy, compressed overdrive offers feedback and bristles with tube-shattering energy; meanwhile, Steve Shelley-inspired drum fills and classic, Bowie-inspired phrasing do their part.
- Jonathan Zwickel]]></description>
</item><item>
<title>Kraftwerk</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1614&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Electropop</category>
<pubDate>Fri, 4 Dec 2009 13:20:22 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Kraftwerk</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1614&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1614&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[After looking at a few of their song titles, do you really need any additional description of their sound? "Pocket Calculator," "Autobahn," "Metropolis," "Electric Cafe," "Computer World," and "Ohm Sweet Ohm" correctly cast this animatronic ensemble as the creators of musical LED displays and cold steel configurations. Their techno/pop sound reproduces the rigid "Kling Klang" of industry. Their music is so lost in the matrix of artificial intelligence, a soul emerges. And a funk as well. Their history has taken them from a handful of musicians of an inscrutable pedigree that created illusory Krautrock in a vibrant German avant-garde to the vanguard of electronic pop. Their contributions to the histories of dance and electronic music is immeasurable.
- Marc Kate]]></description>
</item><item>
<title>The Fiery Furnaces</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.12239&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Sat, 18 Jul 2009 11:12:05 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Fiery Furnaces</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.12239</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12239&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12239&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Brother and sister Matthew and Eleanor Friedburger formed the Fiery Furnaces, after finding themselves both living in New York in 2001. With Eleanor on vocals and rhythm guitar, and Matthew on lead guitar, they managed to take a very traditional arrangement and turn it into one of the great surprises of 2003 when their debut, <I>Gallowsbird Bark</I>, was released. At a time when many of their peers were claiming to be influenced by the blues and post-punk, the Fiery Furnaces managed to take those influences and create a sound much more unique. From music-hall theatrics, to Captain Beefheart's chunky blues abstractions, from the bare-bones Velvet Underground drones, to sloppy classic rock in the vein of Royal Trux, ÃÂÃÂ­the Fiery Furnaces just sound different than anybody else. Eleanor Friedburger's vocals are distinct, tough and when she wraps them around phrases like, "you've got a wing in your snaggle tooth, and you can't kick it back with no 80-proof," it all makes sense in a surreal rock 'n' roll way that happens when nothing suddenly means everything. The release of 2004's <I>Blueberry Boat</I> upped the ante and tripled the song length. Each tune is like a version of the Who's mini-rock epic, "A Quick One," but with rather idiosyncratic lyrics about pirates and blueberries. Bold, ambitious, twisted and above all, great songwriters, the Fiery Furnaces continue to keep things interesting.
- Jon Pruett]]></description>
</item><item>
<title>Sparklehorse</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4814&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Indie Pop</category>
<pubDate>Sat, 10 Oct 2009 10:13:28 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Sparklehorse</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4814</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4814&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4814&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Sparklehorse is essentially the brainchild of singer-songwriter and multi-instrumentalist Mark Linkous plus a revolving cast of cronies. They make strangely beautiful, beautifully weird music that draws from country rock, blues, and soul and adds a cut-and-paste sonic adventurousness to the proceedings, finally winding up someplace that can only be described as "different." Linkous has a penchant for subverting the hooks in his melodies, altering the vocals or piling heaps of sound effects, feedback, or seemingly random instrumental fragments on top of them. His densely ambitious music has gained him cult status in the U.S., but European audiences have embraced his vision and made him something of a star.
- Tom Heyman]]></description>
</item><item>
<title>The Fall</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1363&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Post-Punk</category>
<pubDate>Fri, 20 Nov 2009 12:51:33 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Fall</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1363</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1363&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1363&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Mark E. Smith & Co. (aka the Fall) have managed to maintain a twenty-two-year career, a legion of rabid fans, a host of challenging and influential albums, and serendipitously have dipped their little toes into the mainstream of the mighty music river. Possessing a deadly wit, scathing sociopolitical commentary, and a sing-speak vocal style that is one of the most distinct in rock 'n' roll, singer-songwriter Smith surrounded himself with like-minded provocateurs. Simple, yet extremely edgy beats spur on minimalist riffs and off-kilter melody lines develop through dissonant, atonal harmonies that always maintain a spirit of exuberant mischief. Even when the music was at its most abrasive and noisy, bassist Steve Hanley and ringleader Smith managed to keep the songs driving and danceable.
- Will Lerner]]></description>
</item><item>
<title>Puscifer</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.8942674&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Industrial Metal</category>
<pubDate>Thu, 12 Nov 2009 09:55:35 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Puscifer</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.8942674</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.8942674&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.8942674&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Sea and Cake</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62072&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Post-Rock</category>
<pubDate>Wed, 2 Sep 2009 12:05:35 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.62072</guid>
<rhap:rcid xmlns:rhap="rhap">art.62072</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Sea and Cake</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.62072</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62072&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62072&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[After the demise of the much-lauded, scattershot art rock of Shrimp Boat, Eric Claridge and Sam Prekop grabbed Archer Prewitt from the Coctails to curtail the louder aspects of their former band and began working as The Sea and Cake. Their mellow minor chords were given free reign over the vague R&B implied by their elastic rhythm section. Prekop's vocals border on scatting, delivering breathy, soulful passages that heave and sigh with ease. Where they could have settled to make breezy, light pop they instead forged their own path, as capable with instrumentals as they were with jazzy experiments, owing much to John McEntire's fluid drumming. The band hit full stride with '95's <I>The Biz</I> which remains the perfect example of their gradually addictive sound.
- Jon Pruett]]></description>
</item><item>
<title>John Zorn</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4158&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Avant Garde Jazz</category>
<pubDate>Tue, 10 Nov 2009 10:13:24 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4158</guid>
<rhap:rcid xmlns:rhap="rhap">art.4158</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">John Zorn</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4158</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4158&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4158&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[John Zorn's sixty-plus (and counting) releases run the gamut from abstract improvisational game pieces (<I>Cobra</I>) and hyperactive, slice-and-dice Grindcore (<I>Torture Garden</I>) to near-minimalist Chamber Music (<I>Redbird</I>) and cinematic studio collages (<I>Spillane</I> and <I>The Big Gundown</I>). The New York City native's most identifiable trademarks are his bloodied, high pitch-dwelling alto saxophone playing and, as a composer, his use of rapid, jarring juxtapositions -- in mood, volume, genre, and/or instrumentation. Both qualities featured heavily in his late '80s/early '90s supergroup Naked City, a sort of rock band summation of his work since the late '70s and one of his two most popular projects. The other, his Jewish-jazz quartet Masada, is relatively traditional, featuring Klezmer and Middle Eastern-flavored melodies in an energetic, Post Bop-to-Free Jazz context. Marking a new phase of his career, Zorn has been devoting attention to his classical material, and in doing so ensuring that his listeners will consistently remain on their toes.
- Will York]]></description>
</item><item>
<title>John Cale</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.56659&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Experimental</category>
<pubDate>Sat, 18 Apr 2009 15:49:34 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.56659</guid>
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<rhap:artist xmlns:rhap="rhap">John Cale</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.56659</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.56659&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.56659&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Welsh born John Cale has been the fluoride in the water of American rock. He's strengthened the musical health of a nation while being invisible to the masses. A classical music prodigy who caught the attention of Leonard Bernstein and Aaron Copland, his work with such acts as Brian Eno, the Stooges, Jonathan Richman, and Patti Smith helped bring about New Wave and Punk rock. A charter member of the Velvet Underground -- name another rock band with a viola player -- before getting booted out by Lou Reed, much of his solo work is closer to Nick Drake than John Cage. He is a sensitive songwriter but his dark, artsy edges have enough bite to keep away mainstream success. His most cutting-edge impulses often surface in collaboration with others, since the responsibility for putting a good tune over are lifted from his shoulders, and Cale is free to go wild.
- Nick Dedina]]></description>
</item><item>
<title>Captain Beefheart</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3604&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Experimental</category>
<pubDate>Fri, 23 Oct 2009 11:55:27 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3604</guid>
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<rhap:artist xmlns:rhap="rhap">Captain Beefheart</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3604&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3604&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[<I>Trout Mask Replica</i>, Captain Beefheart's magnum opus, is either the greatest embodiment of Dada art on this side of the Atlantic, or a gluttonous indulgence (a parody even) of 1960s psychedelic excess. Compounded by his famous distaste for rehearsal and a predilection for syncopated rhythms, Don Van Vliet's bizarre songwriting sensibility makes this album -- as with nearly everything in the Beefheart oeuvre -- insurmountably odd. It's about as "accessible" on a first listen as Mt. Everest in a blizzard (during a Sherpa strike). Despite this difficulty, or perhaps because of it, his recordings possess cachet with critics and have had an incalculable effect on the direction of modern rock. Direct lines of influence can be drawn from Beefheart to eccentrics such as Tom Waits and Pere Ubu's David Thomas, while many musicians, whose work seems to have little in common with Van Vliet's, nonetheless cite him as a profound inspiration.
- Chad Driscoll]]></description>
</item><item>
<title>Blue Man Group</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.12730&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Experimental</category>
<pubDate>Fri, 23 Oct 2009 11:55:07 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.12730</guid>
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<rhap:artist xmlns:rhap="rhap">Blue Man Group</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.12730</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12730&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12730&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Notwist</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6250&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Krautrock</category>
<pubDate>Fri, 4 Dec 2009 13:20:38 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6250</guid>
<rhap:rcid xmlns:rhap="rhap">art.6250</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Notwist</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6250</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6250&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6250&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Though few Americans heard of them until they buffed down their most clattery Teutonic edges, the Bavarian-bred Notwist have long been a definitive German band, serving as an intersection of any number of sprockety sonic streams. Revolving around brothers Markus and Michael Acher, the band materialized near Munich at the end of the '80s as an only slightly off-kilter punk power trio. But by 1995's <i>12</i>, the Notwist were putting fanciful dystopian machine worlds on their CD covers, stretching song lengths, and creating an intermittently string-sectioned and increasingly spacious species of doomsday art-rock, as indebted to early Metallica as to Can; an impossibly sad and sweet 1994 cover of Robert Palmer's forgotten electro-pop track "Johnny and Mary" proved a clear turning point. In 1997, the band added a keyboardist, and before long was collaborating with techno artists. As they upped the glitch quotient on 1998's <i>Shrink</i> and especially 2002's critic-approved <i>Neon Golden</i>, indie fans outside Europe took notice. If <i>The Devil, You + Me</i> got less attention six years later, that says more about hipster fickleness than any slippage on the Notwist's part.
- Chuck Eddy]]></description>
</item><item>
<title>Department of Eagles</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.10226406&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Wed, 12 Aug 2009 09:28:53 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Department of Eagles</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.10226406</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10226406&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10226406&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The duo of Fred Nicolaus and Daniel Rossen got lucky when it came to freshman roommate selection. In 2000, the two shared a room for their first year at New York University and began experimenting with various samples and software. Their unique mishmash of sporadic electro nuances with poignant, acoustic folk and Beach Boys-like harmonies got the attention of the small indie label Isota Records, which subsequently released their 2003 debut album <I>The Cold Nose</I>. The band went on a short hiatus when Rossen joined the Brooklyn indie experimental band Grizzly Bear in 2004, but the two soon joined forces again to begin work on their second release, 2008's <I>In Ear Park</I>. Featuring Grizzly Bear members Chris Taylor and Chris Bear, the album revealed a shift from the laptronica experimentalism of their first album. The duo's love for songwriters like Paul McCartney, Van Dyke Parks, Harry Nilsson and Randy Newman inspired a more lush and expansive mix of indie rock reminiscent of Caribou and Animal Collective.
- Stephanie Benson]]></description>
</item><item>
<title>Isis</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6717&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Metalcore</category>
<pubDate>Fri, 27 Nov 2009 10:25:28 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6717</guid>
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<rhap:artist xmlns:rhap="rhap">Isis</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6717</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6717&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6717&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Sludge-like guitars move slow and low, creeping along in a huge distorted way. The sound goes from a desolate quiet to a burning (but still slow) growl with eruptions of guitars, drum, and bass and raw screaming vocals.
- Mark Murrmann]]></description>
</item><item>
<title>Akron/Family</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7402066&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Fri, 9 Oct 2009 10:32:42 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.7402066</guid>
<rhap:rcid xmlns:rhap="rhap">art.7402066</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Akron/Family</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7402066</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7402066&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7402066&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[
- Eric Shea]]></description>
</item><item>
<title>Deerhoof</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5625&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Noise Pop</category>
<pubDate>Thu, 27 Aug 2009 09:54:51 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5625</guid>
<rhap:rcid xmlns:rhap="rhap">art.5625</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Deerhoof</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5625</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5625&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5625&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[San Francisco sugar and spazz noise-pop band Deerhoof formed in 1994 from Nitre Pit guitarist Rob Fisk and drummer Greg Saunier. Their quirky No Wave sound was augmented in 1996 by the addition of Japanese singer and bassist Satomi Matsuzaki, who contributed a childlike timbre that makes or breaks many a potential Deerhoof fan. They released <I>The Man, The King, The Girl</I> in 1997 and <i>Holdy Paws</I> in 1999. Fisk then left to form 7 Year Rabbit Cycle, prompting <I>Half Bird,</I> a rarities album of material from their earliest years. John Dieterich took over guitar duties and recorded 2002's <I>Reveille</I>, the first of the band's albums to reach a sizable indie audience. Second guitarist Chris Cohen joined in time for 2003's <i>Apple O.</i> <i>Milk Man,</I> the band's 2004 album, was a concept album about a banana-wielding character drawn by artist Ken Kagami. An MP3-only record, <I>Bibidi Badibi Boo</I>, and EP </I>Green Cosmos</i> followed. In November 2005, <i>Runners Four</i> was released.
- Daphne Carr]]></description>
</item><item>
<title>Meshuggah</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1855&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Thrash/Speed Metal</category>
<pubDate>Sat, 31 Oct 2009 11:42:50 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.1855</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Meshuggah</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1855</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1855&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1855&amp;variant=data&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Imagine if scientists were to hybridize the DNA of late-1980s Metallica and <I>Chaos A.D.</I>-era Sepultura, splice it into the genome of a superhuman cyborg, then send it on a mission to destroy all weak Metal bands in its path. That cyborg would be Meshuggah. Building their stuttering jackhammer riffs atop constantly shifting odd-time rhythms, they execute with frightening, machine-like precision and cement-crushing heaviness. Vocalist Jens Kidman barks out sci-fi-damaged lyrics in an unyielding roar; guitarist Fredrik Thordendal chimes in now and then with Fusion-derived solos that would probably sound horrible on a jazz record, but fit right in with what Meshuggah does. The biggest criticism here would be a lack of outward variation -- the fast tempos, melody-free vocals and densely packed guitars lend a similar surface to each song. Within that limited framework, though, the variations are fast-paced and seemingly endless.
- Will York]]></description>
</item><item>
<title>Can</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3568&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Krautrock</category>
<pubDate>Fri, 23 Oct 2009 11:56:08 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Can</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3568</rhap:artist-rcid>
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<description><![CDATA[The late '60s created an overwhelming number of bands that changed history, but it also gave birth to a group of artists whose proper history has yet to be written. Coming from the diverse fields of visual art, jazz and Avant-Garde classical music and from different parts of the world, Can came together in Germany's blooming Krautrock scene to form one of the most revolutionary sounds in rock music. What sets Can apart from other ensembles is an absence of center; at almost any point in Can's songs, there appears to be no lead. Each instrument forms a cohesive whole of hypnotic rhythms and melting textures. Jaki Leibezeit's unequalled percussion makes complex rhythms as natural as a heartbeat. The electric and acoustic machinations of Holger Czukay, Michael Karoli and Irmin Schmidt accumulate as organic manifestations of the most peculiar approaches to their instruments. Even the unique voices of Damo Suzuki and Malcolm Mooney flow effortlessly through their ever-changing sounds. The members continue to create vanguard music, but at their peak, Can was truly touched by superlative inspiration.
- Marc Kate]]></description>
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<title>Jason Lytle</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.26954400&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Post-Modern Pop</category>
<pubDate>Wed, 30 Sep 2009 10:30:04 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jason Lytle</rhap:artist>
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<title>Gang Gang Dance</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7420604&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss</link>
<category>Post-Modern Pop</category>
<pubDate>Thu, 22 Oct 2009 11:11:25 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=201&amp;rws=%2Falt-punk%2Fexperimental%2Fartist-chart.rss">Top Experimental Artists on Rhapsody Online</source>
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<description><![CDATA[When Gang Gang Dance started gigging around New York City in the early 2000s, they were the last band anyone ever expected to make a great pop album. Early shows -- no doubt inspired by fellow New Yorkers No-Neck Blues Band -- were half performance art, half mystical ritual, with the band deconstructing noise rock, homemade electronica, free jazz, hip-hop and world music from Africa and Asia. Drummer Tim DeWitt and keyboardist Brian DeGraw had previously played together in the Cranium, an experimental post-hardcore outfit from Washington, D.C. They were strange, but not like Gang Gang Dance. Then things started to change. Each new album documented a band striving to alchemically transform all the weird stuff mentioned up above into a novel and all-too-fantastical breed of dance pop. After two challenging albums, they succeeded with the release of <i>God's Money</i> in 2005. Over an undulating latticework of phantom bass drops, tribal percussion and crystal synths, vocalist Liz Bougatsos chirps, cries and coos like some kind of post-nuclear gypsy. In 2008 Gang Gang Dance upped the ante with the wonderfully psychedelic <i>Saint Dymphna</i>, which actually boasts a dancefloor anthem or two -- sort of.
- Justin Farrar]]></description>
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