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<title>Top Hardcore Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link><description>Top Hardcore Artists on Rhapsody Online</description><category>Hardcore</category><language>en</language><ttl>720</ttl><pubDate>Mon, 14 Dec 2009 20:25:10 -0800</pubDate><image>
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<title>Top Hardcore Artists on Rhapsody Online</title>
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<title>Rise Against</title>
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<category>Hardcore</category>
<pubDate>Fri, 11 Dec 2009 11:41:04 -0800</pubDate>
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<description><![CDATA[With the intention of resurrecting the energy of classic hardcore, ex-88 Fingers Louie bassist Joe Principe formed Rise Against in Chicago in 1999.
Powered by the impressive vocals of Tim McIlrath, the band plays modern retro hardcore that is closer to Bad Religion than Black Flag. But that's OK since they deliver plenty of punch; and while the messages are positive, they stick close enough to the sonic brutality of their progenitors to ensure that punk is still not dead. Since forming in 1999, the band has released four records and a handful of singles, played Black Flag in the skateboarding epic <I>Lords of Dogtown</I> and became one of the shining stars on Fat Wreck Chords' artist roster.
- Mike McGuirk]]></description>
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<title>A Day to Remember</title>
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<category>Hardcore</category>
<pubDate>Thu, 19 Nov 2009 15:22:59 -0800</pubDate>
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<description><![CDATA[Among pop-punk/emo/metal bands, A Day to Remember's effectively schizoid approach to meshing all three musical styles is among the genre's most extreme. The five-piece band rarely goes more than two minutes in any song, no matter how melodically sweet or exuberantly sprite, before banking into a metallic chug replete with grunting death vocals and screams. Based in Ocala, Fla., the group formed in 2003 and signed to Victory Records. Since then, they've released <i>And Their Name Was Treason</i> (2005), <i>For Those Who Have Heart</i> (2007) and <i>Homesick</i> (2009), an album that garnered them critical acclaim and a spot as high as No. 21 on the <i>Billboard</i> 200 chart.
- Mike McGuirk]]></description>
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<title>Dropkick Murphys</title>
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<category>Oi/Street Punk</category>
<pubDate>Wed, 9 Dec 2009 10:53:47 -0800</pubDate>
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<description><![CDATA[One of the only skinhead acts to make it big in the states, the Boston-based Dropkick Murphys revitalized an increasingly jaded Punk scene by re-introducing the aggression of "Oi!" Recognizable by its football scrimmage grunting and Ubermensch machismo, "Oi!" holds a strong appeal for young, working class ruffians who like to shrug off the day's labors with a little male bonding and a lot of beer. Melding down-tuned metal heaviness and zippy Ska melodies, the Dropkick Murphys utilize tough, street punk sensibilities to counter Punk's watering-down via the influx of tepid radio pop.
- Kali Holloway]]></description>
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<title>AFI</title>
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<category>Pop Punk</category>
<pubDate>Fri, 13 Nov 2009 12:37:26 -0800</pubDate>
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<description><![CDATA[AFI top the short list of modern-day hardcore saviors. After starting out in the early '90s as another bouncy, Northern California pop-punk band, they released <i>Black Sails in the Sunset</i> in 1999, their fourth full-length and a substantial darkening of their sound. Later albums, like the platinum-selling <i>Sing the Sorrow</i> and 2006's <i>Decemberunderground</i>, are ambitious, Goth-punk tours de force, combining pummeling rhythms, jarring guitar and tortured vocals with defiantly complex arrangements. Part of a growing prog-punk movement that includes Coheed and Cambria, Angels and Airwaves and Avenged Sevenfold, AFI is worshipped by a black-clad fanbase known as the "the Despair Faction," which has crowned them kings of the Warped Tour nation.
- Jonathan Zwickel]]></description>
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<title>Bad Religion</title>
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<category>Punk</category>
<pubDate>Wed, 2 Dec 2009 11:07:01 -0800</pubDate>
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<description><![CDATA[Bad Religion have the distinction of being the longest lasting Punk band from Los Angeles. For nearly twenty years now, they've upheld their tradition of thoughtful and intelligent lyrics (prompting some to call them "lexicon punks") and aggressive play. The chip on this band's shoulder might read "Perseverance Pays" -- despite self-releasing their debut <i>How Could Hell be Any Worse?</i> in 1980 on founding guitarist Brett Gurewitz's Epitaph label, it wasn't until 1988 when <i>Suffer</i>'s (empowering anthem "You are (the Government)" taught more than a few young punks the meaning of "jurisprudence") that the band made a significant splash and settled in for the long haul with a somewhat steady lineup and musical vision. Since then, audiences have received a new earful of gruff-voiced singer Greg Graffin's rants set to frenetic power-chording on a yearly basis. A fine example of staying power gleaned from remaining true (with minor tweaks for maintenance) to an original sound and intent.
- Doug Russell]]></description>
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<title>Dead Kennedys</title>
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<category>Punk</category>
<pubDate>Fri, 4 Dec 2009 13:21:21 -0800</pubDate>
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<description><![CDATA[San Francisco's Dead Kennedys are arguably the most successful, well-respected American punk band of all time. Fronted by Jello Biafra, a political activist, spoken word artist and one-time San Francisco mayoral candidate, the Dead Kennedys combine astoundingly fast hardcore punk with Biafra's distinct, quavering vocals (the source of the nickname "Jello"). Strong adherents to Punk's D.I.Y. ethic, they formed their own record label, Alternative Tentacles, in 1981, to distribute their own as well as other, like-minded music. Although conservative audiences have objected to DK's highly politicized music and artistic decisions -- they were actually prosecuted for violating anti-obscenity laws with the poster insert to their 1985 <I>Frankenchrist</I> album (a move which resulted in Biafra's becoming one of the '80s most important proponents of free speech, although the emotional toll on the band resulted in their dissolution) -- the Dead Kennedys have nevertheless remained punk favorites. In the '90s and beyond, the band and Biafra began a bitter dispute over reunion efforts and the use of the DKs name. Bassist East Bay Ray launched a lawsuit against Biafra for royalty money; Biafra refused an offer to join a DKs reunion tour. The band continues to tour, minus Biafra and to his disdain, under the Dead Kennedys name.
- Mark Murrmann]]></description>
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<title>Anti-Flag</title>
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<category>Punk</category>
<pubDate>Fri, 30 Oct 2009 12:04:52 -0700</pubDate>
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<description><![CDATA[A caricature to some but heroes to a growing number of disenfranchised youth, these Pittsburgh gutter punks have emerged as leaders of the Old-School Punk revival. But more than merely reviving the sound, Anti-Flag have captured the spirit and energy of their Brit Punk heroes. Giving the finger to nationalism and fascism, the band rocks through infectious, fist-pumping songs with inspiring choruses that will bounce around your head for weeks: "You've Got to Die for the Government," "Kill the Rich," "I Don't Believe." Punk, Punk, Punk.
- Doug Russell]]></description>
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<title>Suicidal Tendencies</title>
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<category>Metalcore</category>
<pubDate>Fri, 4 Dec 2009 13:21:21 -0800</pubDate>
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<description><![CDATA[Suicidal Tendencies emerged from Venice, Calif., in 1983, successfully melding thrash metal with the speedcore of punk. Embracing the "heavy" portion of metal without the tongue-in-cheek antics, the punk kids took notice of Suicidal Tendencies and no longer had to hide their metal collections from their friends. The band was cross-cultural and street smart, often incorporating aspects of gang culture with their skate punk roots. The group's self-titled first release was a frenetic one, super-charged by lead singer Mike Muir's political observations and offbeat humor. That album's single, "Institutionalized" -- with its fierce chorus and eminently quotable lyrics "All I wanted was a Pepsi / Just one Pepsi" -- had limited commercial success. Riding their wave of early success, Muir and a group of rotating band members continued a release schedule with results that we uneven at best. <i>Join the Army</i> (Caroline), was released in '87, a full four years after their debut, and equally embraced Motorhead and speedcore. <i>Lights...Camera....Action</i>, their first for Epic in '90, was a ferociously loud album with Muir once again conveying his political and social ideas, while '92s <i>The Art of Rebellion</i> was more mainstream and filled with standard rock cliches. <i>Suicidal for Life</i> found the band embracing some of its earlier ferocity in '94, not so much with the music as with the use of obscenities. Muir and band returned to the world of indies in '98, releasing <i>Six the Hard Way</i> on their own Suicidal Records.]]></description>
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<title>Hatebreed</title>
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<category>Metalcore</category>
<pubDate>Fri, 23 Oct 2009 11:55:35 -0700</pubDate>
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<description><![CDATA[Combining the raw ferocity of punk and the blind, aggressive fury of metal, Connecticut's Hatebreed play short tracks filled with intensity. A grinding, rhythmic low-end guitar swings quarter-roll filled punches in the air, backed by heavy-handed drumming. Seething with anger, vocalist Jamey Jasta screams his bitter sentiments hoarsely, a flailing blur of t-shirt and baseball hat. Influenced by early metal like Slayer and Celtic Frost, with a large dose of tough NYHC like Madball and Judge, Hatebreed play suburban Hardcore under a crushing wall-of-metal-guitar guise.]]></description>
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<title>Bring Me The Horizon</title>
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<category>Metalcore</category>
<pubDate>Thu, 26 Nov 2009 11:27:18 -0800</pubDate>
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<description><![CDATA[Formed in 2004, this Sheffield, Yorkshire, England quintet took its name from a line in <I>Pirates of the Caribbean</I> and its sound from American hardcore and metal. Combining the elements of straight-edge hardcore, primitive '90s metalcore, and death metal, BMTH fused their own brand of crushing music that got the attention of the music industry. After releasing their debut album only in the U.K. in 2006, the band -- Oliver Sykes (vocals), Lee Malia (guitar), Curtis Ward (guitar), Matt Kean (bass), and Matt Nicholls (drums) -- was voted Best Newcomers by Kerrang! Magazine, and the media frenzy ensued. They quietly re- released the album in the United States a year later, but it wasn't until Epitaph Records released 2008's highly anticipated second full-length <I>Suicide Season</I> following their stint on the 2008 Vans Warped Tour that BMTH became a force in the States.
- Jen Guyre]]></description>
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<title>Black Flag</title>
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<category>Hardcore</category>
<pubDate>Wed, 9 Dec 2009 10:55:01 -0800</pubDate>
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<description><![CDATA[Black Flag have become one of the most enduring legacies of American Punk. The band's first two EP releases, <I>Nervous Breakdown</I> and <I>Jealous Again</I>, are paradigms of the original West Coast Hardcore sound: loud, fast, and abrasively unpolished. The group would undergo a number of lineup changes (including the departure of Keith Morris to form the equally legendary Circle Jerks), most notably the insertion of vocalist Henry Rollins, future spoken word artist/author/alterna-hero/Gap model. By the release of <I>Damaged</I>, their first full-length album, Rollins' influence was apparent -- the band had acquired an overt Heavy Metal sound rife with three-minute guitar solos and head-banging riffs. BF were astonishingly prolific -- producing up to three albums a year -- until their breakup in 1986, at which point founder Greg Ginn left to focus on running the notable Indie label SST.
- Kali Holloway]]></description>
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<title>The Distillers</title>
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<category>Old School Punk</category>
<pubDate>Wed, 20 May 2009 11:54:46 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Distillers</rhap:artist>
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<description><![CDATA[Dirty, raw Punk that screams of too many late nights drinking and smoking harsh cigarettes. Fast, loud and out of control, the Distillers have an uncompromising sound that's pure LA: well-produced, but also torn, ripped and rough around all the edges.
- Mark Murrmann]]></description>
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<title>Corrosion of Conformity</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3065&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Alt Metal</category>
<pubDate>Sat, 12 Dec 2009 11:16:01 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Corrosion of Conformity</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3065&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[C.O.C. started off as one of the best politico-punk acts the States had to offer. <I>Eye for an Eye</I> is indispensable to the history of American hardcore, as songs "Indifferent" and "Positive Outlook" largely determined how it was to be played -- rapid-fire vocals leaning into sudden squalls of mosh pit ferocity. The band's transformation from Punk progenitors to Metal innovators was already underfoot by the time they unleashed <I>Animosity</I> in 1984. After undergoing a radical line-up change, they re-emerged in 1991 with <I>Blind</I>, a record many of their punk followers couldn't hang with for being formally produced Metal. Poor them. <I>Blind</I> is a great album, and the single "Vote with a Bullet" is an explosive convergence of hard Sabbath riffs and politics. If anything, C.O.C.'s commitment to shaking up the status quo has only grown more intense and more intelligent despite their shift from Hardcore blitz to focused heavy metal.
- Chad Driscoll]]></description>
</item><item>
<title>From First To Last</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5290840&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Emo/Hardcore</category>
<pubDate>Wed, 4 Nov 2009 12:13:47 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">From First To Last</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5290840&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Prepare to be attacked by a swarm of enraged screamos with a rapid-fire spray of metal machine gun guitars adding to their post-hardcore fury. Like similar aural pummeling from head-numbing artists like Sick of It All and Sparta, this LA band (who headed west from Gainesville, Florida) is very, very angry, and rather than punch a pillow, they released their debut CD <I>Dear Diary, My Teen Angst Has a Body Count</I> in 2004. Sure, it's a little threatening and not a bit subtle, but it's still a safe and therapeutic way to release adolescent anger without anyone getting hurt. Unless your eardrums burst.
- Michele K-Tel]]></description>
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<title>Bad Brains</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4489&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Hardcore</category>
<pubDate>Sat, 31 Oct 2009 11:42:52 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bad Brains</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4489&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Bad Brains have long been considered one of the most important bands in the formation of hardcore punk. Formed in Washington D.C. in 1977, the band stood out first because all the members were black, and secondly because they incorporated reggae into their music. On top of all this, their jazz and prog rock background allowed them to play with an unmatched technicality: Bad Brains played faster and tighter than anyone had ever heard a band play at the time. Powered by H.R.'s insidiously menacing vocals and guitarist Dr. Know's preternatural abilities, the band had an immediate effect on the burgeoning D.C. hardcore scene. Their first two albums had the same effect on the rest of the country. Amid near constant inner band strife, they broke up several times between 1984 and 1995, with H.R. leaving to concentrate on reggae and only returning sporadically to perform with his compatriots. Over the years, Bad Brains reunions and sudden unexpected appearances would occur now and again, always considered major event in the punk rock world. In 2006, the classic era lineup played three shows during the final days of CBGB. They also reentered the studio to record new material for the first time in 10 years -- the result was <i>Build a Nation</i>.
- Mike McGuirk]]></description>
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<title>Descendents</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.68602&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Skate Punk</category>
<pubDate>Fri, 4 Dec 2009 13:21:21 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Descendents</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68602&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Way back in 1979, before everyone and your mother was playing punk rock, before frat boys were getting Black Flag bars tattooed on their forearms, before MTV and before Green Day, the Descendents were formed. The band gigged in L.A. for a bit, released a single, then temporarily disappeared. They reappeared in '81 with a new lead singer (Milo Auckerman), a new LP (<I>Milo Goes to College</I>), and a new, poppier sound, filled with self-effacing, goofy lyrics about girls, parents, and junk food. Auckerman then left the band to attend college -- hence the album title -- and drummer Bill Stevenson headed off to join Black Flag. The group disbanded until '85, when the original lineup reappeared for the <I>I Don't Want to Grow Up</I> LP, followed in '86 by <I>Enjoy!</I> Both albums laid the groundwork for future bands who would mimic their pop-punk playing style, and featured a host of classic Punk anthems, like "Pervert," "I Like Food" and "Sour Grapes."]]></description>
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<title>Minor Threat</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1682&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Straightedge</category>
<pubDate>Wed, 9 Dec 2009 10:55:03 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Minor Threat</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1682&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Imitated by many, paralleled by none, Minor Threat was known for their furious passion with which they played. They blew up the D.C. scene, creating the mold for Hardcore punk around the world. MT raised the bar for punk rock with their fiery sound borne of a genuine burn: Fast and loud, but never at the expense of not playing their instruments properly. As the band grew, MT's sound slowed just a bit, allowing them to squeeze a few hooks between the crushing guitar riffs. Their message was as important, if not more so, than the music. Just as they were screaming the loudest, MT went supernova only four years after their inception. Sure, the members went on to different bands (Fugazi, Dag Nasty, Government Issue, the Meatmen), but none -- save for possibly Fugazi -- have come close to MT's impact.
- Mark Murrmann]]></description>
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<title>Alexisonfire</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.10786192&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Hardcore</category>
<pubDate>Wed, 4 Nov 2009 12:13:53 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Alexisonfire</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10786192&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Exploding into the hardcore scene in 2002, Canada's Alexisonfire (pronounced Alexis-on-fire) have been praised for their sweet/sour approach to writing music. With a bitter, rage-ridden style, Alexisonfire attack the hardcore genre with a talent and precision unmatched by their contemporaries. The screeching of George Logan's vocals sounds devilish alongside guitarist Dallas Green's soothing angelic harmonies, and together they create a mesmerizing sound.
- Richard Iwanik-Marques]]></description>
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<title>Circle Jerks</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3170&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Hardcore</category>
<pubDate>Fri, 4 Dec 2009 13:21:21 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Circle Jerks</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3170&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[After only one single with fellow Los Angeles punks Black Flag, singer Keith Morris left to form the Circle Jerks. Crude and unruly, the band played with middle fingers proudly outstretched and huge smirks smeared across their faces. First documented (and immortalized) in the 1980 film <I>Decline of Western Civilization</I>, their hyper-energetic live shows quickly became stuff of legend. Cram-packed with speedy skaters and jubilant misfits, a Circle Jerks show inspired the most stage diving of any band this side of Minor Threat, and made them one of the most beloved bands to come out of Los Angeles. They continued to release material on and off into the mid-1990s, the highlight being a guest appearance by Debbie Gibson on <I>Oddities, Abnormalities and Curiosities</I> (1995).
- Doug Russell]]></description>
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<title>He Is Legend</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6587647&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Post-Hardcore</category>
<pubDate>Sat, 31 Oct 2009 11:42:54 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">He Is Legend</rhap:artist>
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<description />
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<title>Bury Your Dead</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.8790775&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Metalcore</category>
<pubDate>Thu, 29 Oct 2009 10:55:54 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.8790775&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Bury Your Dead began as a side project in 2001 for guitarist Slim B and drummer Mark Castillo, who were both playing in a band called Hamartia. After some time, the metalcore sound began to lose its enchantment for the two friends, and they began writing songs on their own. Eventually they recruited Rich Casey (bass) and singer Joe Krewko and Bury Your Dead were officially born. The quartet toured and gained a reputation for their bruising live shows, they were signed Eulogy Records and released, <I>You Had Me At Hello</I> in March 2002. The guys borrowed a van and eagerly went on tour to support the release. Once the tour was over, however, the members went their separate ways. But within a year, their paths led back to one another and the band reformed. This time around, they added (singer) Mat Bruso and (guitarist) Eric Ellis to complete their sound. Voracious touring followed, including appearances at the highly regarded Metalfest and Hellfest -- which is where they were approached by Victory Records. The band's debut, <I>Cover Your Tracks</I> was released in late 2004 on the label, and was heralded as one of the most brutal hardcore releases to date. While touring in support of <I>Cover Your Tracks,</I> they kicked around the idea of releasing a live album. So in May 2005, producer Paul Minor recorded the band's show at the Chain Reaction in Anaheim, California, and laid the groundwork for the aptly-titled, <I>Alive</I>. Released just in time for the Ozzfest 2005, <I>Alive</I> gave fans a peek into Bury Your Dead's ferocious, deafening live sound.]]></description>
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<title>D.R.I.</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2789&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Thrash/Speed Metal</category>
<pubDate>Fri, 4 Dec 2009 13:19:31 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2789&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[During the mid-'80s, the big guns in the American Punk scene began turning their sights more and more towards metal in their desire to stretch their legs musically. One can see this transition at work in D.R.I.'s releases from '82 to '88. The seminal <I>Dirty Rotten</I> LP from 1983 was the gust of innovation that blew many a Punk band in the direction of Thrash, while later releases such as <I>Four of a Kind</I> found the band slowing things down a bit and working with longer, more complex song structures. From the get-go, their irreverent and wickedly funny songwriting earned them a wide following in the skatepunk scene. Since then, they have managed to expand their following to include dyed-in-the-wool metal-heads and a whole new generation of punks via their appearance on the "Social Chaos Tour" of 1999.
- Chad Driscoll]]></description>
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<title>Meat Puppets</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1977&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Fri, 4 Dec 2009 13:21:19 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<description><![CDATA[If the Meat Puppets were judged solely on the merits of their masterpiece achievement <i>Meat Puppets II</i>, they might be considered the greatest rock 'n' roll band of all time. Released at a time when country was still considered dumb hick music by the legions of underground rock enthusiasts immersed in the D.C. Hardcore scene -- and with Palace Brothers still a long way off -- the record is the <i>Sweetheart of the Rodeo</i> of its generation. Rooted in the weird landscapes of the southwestern desert they came from, the Meat Puppets's fractured country/punk songs offered a never-before encountered number of chops that were, on top of it all, psychedelic as hell. They released great records into the '90s -- ever honing their craft -- but for many of their early fans, their sound became a little over-honed as the looseness and throw-away attitude of their Punk origins gave way to rigid musicianship and a creeping Zappa feel. Still, the Meat Puppets stand as one of the great bands of the 1980s.
- Mike McGuirk]]></description>
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<title>Vandals</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6551&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Skate Punk</category>
<pubDate>Sun, 22 Nov 2009 10:09:28 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Vandals</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6551&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6551&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[It's a testament to the importance and popularity of the Vandals that their cameo in the movie <i>Suburbia</i> happened not because they were scripted to appear, but because the film's cast voted them in. Also significant is the fact that a band founded in 1981 -- and not just any band, but a Punk band, no less -- continues to form a viable part of the output in the post-Post-Punk era. The Vandals' success rests on two identifiable reasons: their ability to laugh at almost anything without making themselves the butt of the joke, and their tireless touring, recording and fan recruiting. Along the way, they've moved from being mere pranksters in the Hardcore Punk world to VIPs.
- Kali Holloway]]></description>
</item><item>
<title>Enter Shikari</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.15526908&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Hardcore</category>
<pubDate>Wed, 9 Dec 2009 10:53:45 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.15526908</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Enter Shikari</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.15526908</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.15526908&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.15526908&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Spineshank</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5923&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Alt Metal</category>
<pubDate>Wed, 25 Mar 2009 21:05:46 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5923</guid>
<rhap:rcid xmlns:rhap="rhap">art.5923</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Spineshank</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5923</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5923&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5923&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Riffs hit you in the jaw while desperate screams scratch at your eyes with animal ferocity. They may seem utterly terrifying, but show them a little affection and they'll soften right up.
- Doug Russell]]></description>
</item><item>
<title>No Use For A Name</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.68588&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Skate Punk</category>
<pubDate>Thu, 26 Nov 2009 11:28:40 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.68588</guid>
<rhap:rcid xmlns:rhap="rhap">art.68588</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">No Use For A Name</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.68588</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68588&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68588&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[No Use For A Name has become a hardcore institution since their inception in 1987. Since then, they've released nearly a dozen albums, most of which they've released as a part of the roster for the venerable Fat Wreck Chords label. For the most! part, it's pop- punk played so fast that if you blink, you might miss it. You can expect plenty of rapid- fire drumming and guitars that speed through each song but in more recent years, the group has picked up a more melodic side, even stepping outside the punk mold (in sound only).
- Jon Pruett]]></description>
</item><item>
<title>Guttermouth</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6521&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Skate Punk</category>
<pubDate>Sun, 22 Nov 2009 10:09:31 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6521</guid>
<rhap:rcid xmlns:rhap="rhap">art.6521</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Guttermouth</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6521</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6521&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6521&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[These snotty young turks have actually been recording since 1994 and already have a half-dozen or so releases under their belts. Their antisocial theatricality and aggressive, hyperactive tunes have earned Guttermouth a wide following, and their fast, in-your-face Peter Pan Punk is a shoe-in for the next Warped tour.
- Chad Driscoll]]></description>
</item><item>
<title>T.S.O.L.</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7273143&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Skate Punk</category>
<pubDate>Fri, 4 Dec 2009 13:20:39 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.7273143</guid>
<rhap:rcid xmlns:rhap="rhap">art.7273143</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">T.S.O.L.</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7273143</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7273143&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7273143&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Thwarted by circumstance, TSOL's earliest and most important recordings didn't see the light of day until the band had already changed directions artistically and ideologically. Formed in 1978, the True Sounds of Liberty's first EP contained some of the earliest examples of hardcore anarcho-punk on either side of the Atlantic. Songs like "Property is Theft" and "Abolish Government/Silent Majority" employed a vernacular critique of capitalism accessible even to the teenage skate punks who frequented their shows. By the time their first full-length <I>Dance With Me</I> hit the shelves, the band had picked up on the vapid horror-movie theatrics of L.A.'s Punk scene; swapping political fervor for Goth Metal camp, the band squandered whatever potential they had to sit in the empyrean of Punk's greats. Well into the '90s, their spiral from preeminence to irrelevance continued, much to their fans' dismay.
- Chad Driscoll]]></description>
</item><item>
<title>Hot Water Music</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6151&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Emo/Hardcore</category>
<pubDate>Fri, 27 Nov 2009 10:25:37 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.6151</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Hot Water Music</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6151</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6151&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6151&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Bridging the gap between traditional Punk, hardcore and Emo, Hot Water Music create a dynamic that's built upon the former two, while adding emotive lyrics resembling the latter. The pace is unforgiving, as holes are filled with cymbal crashes and rolls that seem effortless over the chugging bass lines. Guitars surge forward with intensity and flanged-out distortion when given the chance. Gruff vocals are almost Hardcore, but their delivery is tamed to show a more intimate side.]]></description>
</item><item>
<title>Avail</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5284&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Hardcore</category>
<pubDate>Wed, 4 Nov 2009 12:13:50 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5284</guid>
<rhap:rcid xmlns:rhap="rhap">art.5284</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Avail</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5284</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5284&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5284&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Avail tear it up with pummeling Punk-Pop and Hardcore. The vocalist channels Ian MacKaye's drill sergeant delivery to call out transitions from overdriven, slightly melodic verses to washy, pulsing cacophony.]]></description>
</item><item>
<title>Terror</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6377670&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Metalcore</category>
<pubDate>Fri, 10 Apr 2009 16:04:21 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6377670</guid>
<rhap:rcid xmlns:rhap="rhap">art.6377670</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Terror</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6377670</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6377670&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6377670&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Good Riddance</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.50&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Skate Punk</category>
<pubDate>Wed, 6 May 2009 09:32:29 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.50</guid>
<rhap:rcid xmlns:rhap="rhap">art.50</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Good Riddance</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.50</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.50&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.50&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[With Bill Stevenson's hands (of the Descendents) at the dials, the Good Riddance sound has a less jagged edge. They still have the chunky guitars and raw vocals that bleed energy, and are far from being poppy, but are straying from the hardcore path they seemed to have been following.
- Mark Murrmann]]></description>
</item><item>
<title>Dillinger Four</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.68659&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Old School Punk</category>
<pubDate>Wed, 4 Nov 2009 12:13:50 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.68659</guid>
<rhap:rcid xmlns:rhap="rhap">art.68659</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Dillinger Four</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.68659</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68659&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68659&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[One of the best Punk bands, ever. That's not an exaggeration. Dillinger Four are fast and tough, but they lace their songs with deadly sharp wit and dangerously catchy melodies. They don't screw around with wanking guitar solos and they don't whine about their girlfriends or girls they wish they had, or girls they wish they hadn't had. In both their tight, blustery sound and in their socio-politically conscious outlook, they embody Punk. And they like beer. A lot. Not everybody who likes Punk will be into Dillinger Four; Johnny Vomit spare changing in front of the liquor store will dismiss them as being sell-outs for some concocted reason (and besides, they don't have any facial tattoos). Max Thrash, still wearing the bloodied shirt he got at his first D.R.I. show, will call them slow and boring because you can -- gasp! -- almost make out what they're saying. A recent album is titled <i>D4 vs. God</i>; in this battle, our money's on D4, the Twin City Bruisers.
- Mark Murrmann]]></description>
</item><item>
<title>H2O</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6800&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Skate Punk</category>
<pubDate>Fri, 29 May 2009 09:34:12 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6800</guid>
<rhap:rcid xmlns:rhap="rhap">art.6800</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">H2O</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6800</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6800&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6800&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Sick of It All and Shelter helped form the New York Hardcore sound from two different angles. From their experiences in those seminal hardcore bands, Sick of It All roadie Toby Morse and Shelter's Adam Blake shape a new, more melodic, but still blistering NY/HC style. With thick roots deep in the New York Hardcore scene, H2O are no slouches in their punk attack. A powerful, popping bassline picks up the pace on their already accelerated and incredibly catchy, sing-along Hardcore. Their songs recall the positive themes of the Straight-Edge scene in the '80s, but sidestep the preachy, holier-than-thou posturing. In addition to ideological similarities, H2O also borrow sonically from bands like the Gorilla Biscuits, who had undeniably infectious melodies.]]></description>
</item><item>
<title>Agent Orange</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3789&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Skate Punk</category>
<pubDate>Sat, 12 Dec 2009 11:16:00 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3789</guid>
<rhap:rcid xmlns:rhap="rhap">art.3789</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Agent Orange</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3789</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3789&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3789&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Anyone who was into skateboarding in the 1980s remembers the unintentionally funny <i>Skatevisions</i> video for Vision and Sims skateboards. Agent Orange was omnipresent back then. They were the soundtrack for this video as well as for a generation of skate punks. The Orange County power-trio gave birth to a sound that blended Surf with Heavy Metal and Power Pop. The guitar lead for their Skate Punk anthem "Blood Stains" was even ripped off by The Offspring on the chart-topping "Come out and Play." Although they haven't released anything since 1996's <i>Virtually Indestructible</i>, Agent Orange continue to play the club circuit.
- Eric Shea]]></description>
</item><item>
<title>G.B.H.</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44009&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Old School Punk</category>
<pubDate>Fri, 4 Dec 2009 13:20:36 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.44009</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">G.B.H.</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.44009</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44009&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44009&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[G.B.H. are back on the Punk track after getting lost in the mid-'80s in an attempt to cross over into Metal territory. These spiky-haired U.K. Punk legends have returned to their guitar-led, biting, sneering, kicking, fighting early '80s sound that justified punks around the world painting the G.B.H. logo on their leather jackets.
- Mark Murrmann]]></description>
</item><item>
<title>Throwdown</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.32090&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Straightedge</category>
<pubDate>Sat, 14 Nov 2009 11:48:49 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.32090</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Throwdown</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.32090&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.32090&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Formed amid the OC hardcore scene in 1997, Throwdown is a straight-edge band that, because of the unhinged heaviness of their records (five so far) often gets tossed in with pure metal bands, although the band considers their music to be hardcore. Regardless of categorization, Throwdown has been a force in heavy music since their full-length debut in '98, for Indecision Records. Through lineup changes that have seen the band trade members several times with metalcore big shots Eighteen Visions, spots on the Ozzfest and Warped tours and in support of Swedish melody-metal band In Flames, Throwdown has remained true to their straight-edge ideals and apparent dedication to total sonic devastation.
- Mike McGuirk]]></description>
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<title>Blood for Blood</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6581&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Thrash/Speed Metal</category>
<pubDate>Fri, 10 Apr 2009 16:04:15 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Blood for Blood</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6581&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Blood for Blood carry on the proud Beantown tradition of no-compromises, in-your-face Hardcore. They're musically catchy, with guitars turned up loud, creating a huge platform for the biting, barking vocals to rip you to shreds.
- Mark Murrmann]]></description>
</item><item>
<title>Gallows</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.11619592&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Hardcore</category>
<pubDate>Thu, 26 Nov 2009 11:27:56 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Gallows</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.11619592&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>7 Seconds</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.55072&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Straightedge</category>
<pubDate>Sun, 6 Sep 2009 09:41:42 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">7 Seconds</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.55072&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.55072&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Seminal NorCal Punk band that some refer to as the West Coast Minor Threat, probably because of their penchant for sing-a-long anthems. It's a decent enough comparison. Honorary captains of the Skeno skate crew.]]></description>
</item><item>
<title>Refused</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6828&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Metalcore</category>
<pubDate>Wed, 22 Apr 2009 22:01:08 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Refused</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6828&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6828&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Refused demand, "We want the airwaves back. We don't just want airtime. We want all the time, all of the time." Mixing the intensity of Minor Threat and the complexity of Fugazi, Refused take no prisoners in any confrontation. Like no Hardcore before, these Swedes perfectly blend styles from across the board -- Techno, jazz, pop, Metal -- into their distinct, ripping Hardcore sound. The vocals go from raw screaming to a smooth crooning with eerie precision. The music pushes boundaries explored by few bands; this is the Hardcore sound of tomorrow. While their music is so absolutely powerful -- an aural blitzkrieg that pounds you senseless -- their politics are every bit as strong. They've been nominated for Swedish Grammies, they've won Zeppelins (the Swedish MTV music awards), but they recently fell apart as a band, holding true to their anarchist principles over becoming music superstars.
- Mark Murrmann]]></description>
</item><item>
<title>The Adolescents</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1718&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Old School Punk</category>
<pubDate>Fri, 4 Dec 2009 13:20:39 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1718&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Not to be quickly dismissed as just another Hardcore band, Rikk Agnew and company wrote killer catchy songs that brim with snide attitude and perfectly capture feelings of anger, isolation and frustration. Short, fast songs spit out with a sense of urgency rarely seen these days. Classic for a reason.
- Mark Murrmann]]></description>
</item><item>
<title>The Bronx</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6438738&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Hardcore</category>
<pubDate>Thu, 29 Oct 2009 10:55:55 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Bronx</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6438738&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Ten Foot Pole</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6331&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Skate Punk</category>
<pubDate>Fri, 29 May 2009 09:34:19 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ten Foot Pole</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6331</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6331&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6331&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[High-speed SoCal Punk set their pace with frantic, poppy guitars and harmonized vocals that add an extra element of Pop to their Punk. Their fast, Hardcore-like pace and tightly structured melodies make Ten Foot Pole a favorite of skate/snowboard punks.
- Mark Murrmann]]></description>
</item><item>
<title>Anti-Heros</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.68528&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Oi/Street Punk</category>
<pubDate>Tue, 17 Mar 2009 20:31:34 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Anti-Heros</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68528&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68528&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[From the moment of Oi!'s inception in its native England, it seemed so quintessentially British in nature that the very idea of it crossing the Atlantic and landing on American shores seemed a near impossibility. Nevertheless, Atlanta, Ga.'s Anti-Heros -- who were among the very first stateside bands to lead the Oi! brigade into battle -- offered boot-stomping, fist-flailing Oi! that bore a resemblance to their British antecedents' work, but also carried a heavy load of Hardcore tonnage along on its hell-for-leather ride. The chants and rants from soccer matches could still be heard in the choruses -- and lager was considered just as dear (and occasionally, worth fighting over) -- but the guitar blasts gained speed and the music moved more recklessly than the Oi! bred abroad. The spawn may have differed heavily from the music that sired it, but it struck a chord with skins and punks all over, making their first aggro-filled, beer-soaked, muscle-flexing album <I>That's Right/Don't Tread On Me</I> an inimitable Oi! classic.
- Kali Holloway]]></description>
</item><item>
<title>Dwarves</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5562&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Old School Punk</category>
<pubDate>Mon, 30 Nov 2009 10:00:49 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Dwarves</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5562&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Dwarves, who formed in 1983 and now approach the throne of punk legend, aren't only praised for their brutal Garage Punk and speedy playing style. The band's various shenanigans -- faking their own guitarist's death, consistently writing songs with lewd and lurid lyrics, an obsession with bizarre leather garb -- have also drawn attention. And anyone who's ever seen them live can attest to the fact that even on a tame night, they're still pretty over the top (although rumors of bizarre, on-stage mutilation ceremonies are somewhat overblown). Even if they're only doing it for attention, at least they're never boring.]]></description>
</item><item>
<title>As Cities Burn</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7381984&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Alt Christian Punk</category>
<pubDate>Tue, 1 Sep 2009 02:38:58 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">As Cities Burn</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7381984&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>Saccharine Trust</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6983&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Old School Punk</category>
<pubDate>Thu, 22 Oct 2009 13:23:52 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Saccharine Trust</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6983&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Quicksand</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.34862&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss</link>
<category>Hardcore</category>
<pubDate>Wed, 13 May 2009 12:17:28 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=99&amp;rws=%2Falt-punk%2Femo-hardcore%2Fhardcore%2Fartist-chart.rss">Top Hardcore Artists on Rhapsody Online</source>
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