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<title>Top Emo Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1045&amp;rws=%2Falt-punk%2Femo-hardcore%2Femo%2Fartist-chart.rss</link><description>Top Emo Artists on Rhapsody Online</description><category>Emo</category><language>en</language><ttl>720</ttl><pubDate>Sun, 6 Dec 2009 07:06:03 -0800</pubDate><image>
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<title>Top Emo Artists on Rhapsody Online</title>
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<title>Owl City</title>
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<category>Electropop</category>
<pubDate>Fri, 4 Dec 2009 13:19:32 -0800</pubDate>
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<description><![CDATA[Minnesota's Adam Young is a study in contradictions. Citing musical inspiration from the likes of Boards of Canada, Prefuse 73 and Sigur Ros, the vegetarian insomniac also claims God, G-rated movies and optimism as real-world influences. Left unsaid in either list are both Postal Services -- the government agency that delivers mail, and the group featuring Ben Gibbard and Dntel. But the latter's lush, electronic emo is a definitive influence on Owl City's own brightly hued, shiver-inducing electro-pop ditties, while the former symbolizes Young's epistolary approach, with every song sounding like a page ripped from his journal and zipped cross-country to a lovelorn crush. On Owl City's debut EP, <I>Of June</I>, Young sang of floating in space in a set that referenced cruise ships, airplanes and nonstop modern motion, sounding at once thrilled with distance and nostalgic for a simpler, stay-at-home lifestyle. He came into his own style with <I>Maybe I'm Dreaming</I>, which found him fleshing out his delicate, catchy sound with acoustic guitars and more intricate songwriting. This is the sound of being young, in love and 110% alive.
- Philip Sherburne]]></description>
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<title>Fall Out Boy</title>
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<category>Emo/Hardcore</category>
<pubDate>Wed, 2 Dec 2009 11:06:59 -0800</pubDate>
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<description><![CDATA[Clever emo/pop-punk outfit Fall Out Boy rose from the ashes of several hard-core bands, in the throes of suburban ennui in Wilmette, Illinois. The band's cathartic live shows -- a carryover from their days of rocking the mosh pit -- at venues like the Knights of Columbus Hall earned the boys a solid Midwestern fan base, but it was their hybrid, Green Day-with-a-dream-journal sound that sparked a small but respectable bidding war to sign them. The band, now comprised of founding members Pete Wentz (bass/lyrics) and Joe Trohman (guitar), vocalist/guitarist Patrick Stump, and drummer Andy Hurley, cut a handful of EPs and two full-lengths for small labels (New Zealand's Uprising Records and the Florida-based Fueled By Ramen). While they were still working on their second album, Island Records gave the band an advance to start their third and sent them on a 280-day tour. The band's exhausting schedule didn't help Wentz's anxiety disorder, and he ended up overdosing on Ativan. While Wentz recovered, the rest of the band had to finish a UK tour with a substitute, which forced them to learn not to rely on Wentz's dynamic stage presence and become stronger stage performers. In 2007, Fall Out Boy released their third album followed by 2008's <i>Folie a Deux</i>.
- Rachel Devitt]]></description>
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<title>My Chemical Romance</title>
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<category>Pop Punk</category>
<pubDate>Fri, 4 Dec 2009 13:19:46 -0800</pubDate>
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<description><![CDATA[In the new millennium My Chemical Romance brought the angsty punk sub-genre known as "emo" to the mainstream masses. With a sound and lyrical content fusing the teenage rage of early hardcore acts like Minor Threat with the gloomy introspection of the Cure and the Smiths and the over-the-top theatrics of Seventies arena bands like Queen, MCR became the Top Ten's first emo superheroes within three years of forming.
<br><br>
The idea of rock superheroes is key to the band's success: Singer Gerard Arthur Way graduated from the School of Visual Arts in New York City in 1999 and was working as a comic-book animator when the terror attacks of September 11, 2001 made him to rethink his priorities. Deciding comic books were getting him nowhere, Way quit his day job and along with high school friend and drummer Matt Pelissier formed My Chemical Romance. The band was named after the Irvine Welsh book <I>Ecstasy: Three Tales of Chemical Romance</I> and its early- lineup was fleshed out by Way's younger brother "Mikey" on bass, Ray Toro on lead guitar, and Frank Iero on rhythm guitar.
<br><br>
Within three-months of forming My Chemical Romance had recorded and released their 2002 debut <I>I Brought You My Bullets, You Brought Me Your Love</I> on New Jersey indie label Eyeball Records (who had also signed fellow Garden State emo rockers Thursday). On the strength of tracks like the pummeling 9-11 lament "Skylines and Turnstiles," the band quickly signed to Reprise Records. 2003's <I> Three Cheers for Sweet Revenge</I> (Number 28, 2005) produced a string of singles including "I'm Not Okay (I Promise)" (Number Four Modern Rock, 2005), "Helena" (Number 11 Modern Rock, Number 31 Pop, 2005) and "The Ghost of You" (Number 9 Modern Rock, 2005) and sold over a million copies. MCR was one of the first bands to successfully pioneer the social networking website MySpace to market their music.
<br><br>
In 2004 Bob Bryar, a sound tech for the Used, replaced Matt Pelissie (who later opened Strong Arm Studios, in Harrison, NJ.)on drums. MCR spent much of 2005 on the road opening for Green Day and co-headlining the Warped Tour with Fall Out Boy. In 2006, as MCR was heading back into the studio to record its third album, the group released the CD/DVD <I>Life on the Murder Scene</I>, a documentary that included videos and live footage and sold 2 million copies.
<br><br>
In 2006 MCR released its most ambitious album to date: a bombastic concept album entitled <I>The Black Parade</I>, which sold 240,000 copies in its first week and propelled it to Number Two on the Top 200 Chart . The album's storyline revolves around the regretful reminiscences of a dying cancer patient (and includes a cameo from Liza Minnelli on "Mama"). <I>The Black Parade</I> polarized critics who either loved the album's grandiosity or hated its excesses though it too went platinum. Its singles included the Top Forty hits "Welcome to the Black Parade" (Number One Modern Rock, Number Nine pop, 2006) and "Teenagers" (Number 13 Modern Rock, Number 39 Pop 100, 2007).
<br><br>
In the spring of 2008 the band was enmeshed in a controversy after a British MCR fan committed suicide and U.K. tabloids labeled emo and the band a "suicide cult." The band released the following statement on its website: "My Chemical Romance are and always have been vocally anti-violence and anti-suicide. As a band we have always made it one of our missions through our actions to provide comfort, support, and solace to our fans...If you or anyone you know have feelings of depression or suicide, we urge you to find your way and your voice to deal with these feelings positively."
<br><br>
In July of 2008 the band released its second live CD/DVD compilation entitled <I>The Black Parade is Dead!</I> featuring outtakes from the band's fall 2007 Mexico City and New Jersey concerts.
]]></description>
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<title>Jimmy Eat World</title>
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<category>Emo/Hardcore</category>
<pubDate>Sat, 28 Nov 2009 09:38:31 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1045&amp;rws=%2Falt-punk%2Femo-hardcore%2Femo%2Fartist-chart.rss">Top Emo Artists on Rhapsody Online</source>
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<description><![CDATA[As emo has grown up, so has Jimmy Eat World. After a couple of stellar punk-pop records in the late 1990s they found themselves dropped from Capitol Records. Perhaps as a result, the band cleaned up its act considerably with 2001's <I>Bleed American</I>, which they recorded without the assistance of any financial backing from a label. It turned out to be a wise investment since the record rocketed to the top of the charts mostly on the power of the bouncy anthem, "The Middle." The album also broke commercial ground for the genre and provided a roadmap for acts that followed like Yellowcard and Dashboard Confessional. <I>Futures,</I> released in 2004, repeated that formula with similar success. For 2007's <I>Chase This Light</I>, the band polished their angular emo core even more with help from producer Butch Vig.
- Mark Murrmann]]></description>
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<title>Dashboard Confessional</title>
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<category>Emo/Hardcore</category>
<pubDate>Mon, 16 Nov 2009 10:52:22 -0800</pubDate>
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<description><![CDATA[Led by the therapeutic vocals of Chris Carrabba, Dashboard Confessional have earned a fair amount of popularity with heartfelt, unplugged emo for those who can do without the genre's typically hard-hitting guitar theatrics, but value the music's sincerity. And sincerity is where Dashboard Confessional excel: Carraba's heart-on-sleeve vocals and songwriting exude feeling and melody, much to the delight of melancholy teens in search of a like-minded voice. It's a long way from Rites of Spring (or even Sunny Day Real Estate), but it's obvious why so many take this to heart.]]></description>
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<title>The White Tie Affair</title>
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<category>Adult Alternative</category>
<pubDate>Thu, 8 Oct 2009 11:45:30 -0700</pubDate>
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<description><![CDATA[Following in Fall Out Boy's platinum-clad footsteps, fellow Chicagoans the White Tie Affair blend peppy emo and party-hard club jams into guitar pop that's sassy, glamorous and above all else, decadent. They are like the aural equivalent of a Friday-night cruise through the big city in a Hummer limo rocking with half-naked <i>Maxim</i> babes. The White Tie Affair started gigging around the Windy City with the specific intention of developing '80s-inspired dance music. After signing to Slightly Dangerous (a subsidiary of Epic Records) in 2007, the quintet hit the tour circuit with the likes of Metro Station, Secondhand Serenade, Kill Hannah and Making April. In support of its debut album, 2008's <i>Walk This Way</i>, the band teamed up with <i>Playboy</i>. Further cementing their party-boy image, the White Tie Affair appeared in a glitzy photo spread, played Hef's annual Pajama Party and participated in the Girls of the Big 10 Tour. At the same time, steamy, babe-a-licious videos for their first two singles, "Allow Me to Introduce Myself...Mr. Right" and "Candle (Sick and Tired)," became YouTube sensations. Edited versions quickly made their way to MTV.
- Justin Farrar]]></description>
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<title>Saves the Day</title>
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<category>Emo/Hardcore</category>
<pubDate>Wed, 23 Sep 2009 09:49:12 -0700</pubDate>
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<description><![CDATA[The new era of Hardcore is upon us -- and not that Metal stuff either. Saves the Day display the influence of catchy Punk-Pop bands as well as an affinity for older stalwarts from the first Hardcore revolution.
- Kali Holloway]]></description>
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<title>The Get Up Kids</title>
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<category>Emo/Hardcore</category>
<pubDate>Sun, 30 Aug 2009 09:01:31 -0700</pubDate>
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<description><![CDATA[As one of the first and most successful bands to merge the sounds of hardcore and catchy pop-punk, its impossible to overstate the Get Up Kids influence on alternative rock. At any given stage of any given Warped Tour you'll hear a whole generation of bands built from the blueprints laid out in their 1997 debut, <i>Four Minute Mile</i> -- an LP recorded by Shellac's Bob Weston in a mere two days. The band officially formed two years earlier in Kansas City, Kansas, as a venture between singing guitarist Matthew Pryor, guitarist and back-up singer Jim Suptic, bassist Robert Pope and drummer Nathan Shay, though Shay was soon replaced by Pope's younger brother, Ryan. Indie labels licked their chops to release the band's 1999 sophomore record, <i>Something To Write Home About</i>, which was issued on Vagrant and saw the enlistment of keyboardist James Dewees. Heavy touring took its toll on the band's personal lives and creativity: much of the spark was gone by 2002's <i>On A Wire</i>, and the commercially sleek 2004 LP <i>Guilt Show</i> had more in common with the band's many clones than their own source material. In 2005, the Get Up Kids played a farewell concert at the Granada Theater in Kansas City, which was released as a swan song.
- Nate Cavalieri]]></description>
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<title>At the Drive-In</title>
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<category>Emo/Hardcore</category>
<pubDate>Tue, 17 Mar 2009 20:32:14 -0700</pubDate>
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<description><![CDATA[The upshot of fiery, high-energy live shows and a cool, intelligent aesthetic, At the Drive-In have earned huge underground success the old-fashioned way -- by touring. You're swept into their attack from their opening chords, and their crushing, blissful wall of Punk doesn't let up until the closing notes. Searing to pristinely melodic guitars, a vocalist that does the role justice, and severe rhythms do more than mingle -- they combust. Coupled with razor-sharp melodies and perfectly executed dynamics, they haven't substituted fashion for substance here, either -- refer to a trillion sharp-dressed revivalists for that. Rather, At the Drive-In legitimize the underground for the beeline to success it grants a precious few.
- Kelly Bauman]]></description>
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<title>Cursive</title>
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<category>Indie/Alternative</category>
<pubDate>Sat, 12 Sep 2009 09:46:35 -0700</pubDate>
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<description><![CDATA[An exercise in a diverse array of tempos, moods and styles packaged neatly into one band. Cursive teeter on the explosive side, wobbling with taut guitars and warbling vocals that always retreat to a whisper before returning to the line of bulging intensity.
- Mark Murrmann]]></description>
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<title>Sunny Day Real Estate</title>
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<category>Emo/Hardcore</category>
<pubDate>Fri, 18 Sep 2009 17:54:21 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">Sunny Day Real Estate</rhap:artist>
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<description><![CDATA[Most bands wouldn't survive singers who suddenly find God and bail on the band, guitarists who resolutely refuse to perform anywhere in California, entire rhythm sections who depart the fold for greener pastures with ex-Nirvana drummers, and the inevitable band breakup that occurs somewhere along the way. Of course, most bands aren't the Indie Rock soapdish of Sunny Day Real Estate, and even though they've created quite the mythological shadow for themselves since debuting their first album in 1994, the word "enigmatic" doesn't begin to describe this Pacific Northwest quartet. Fortunately for SDRE, their complex, emotive, liltingly beautiful-this-moment/hyper-bombastic-the-next guitar rock more than offsets their Daytime Emmy-worthy history. Singer/guitarist Jeremy Enigk's multi-octave voice floats over, under, and around the band's precise sound, tying up all the loose hooks that seem to drift steadily from the band's intense songs like the sands of an hourglass.
- Charles Hodgkins]]></description>
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<title>Jawbreaker</title>
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<category>Indie/Alternative</category>
<pubDate>Sat, 15 Aug 2009 11:04:32 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1045&amp;rws=%2Falt-punk%2Femo-hardcore%2Femo%2Fartist-chart.rss">Top Emo Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jawbreaker</rhap:artist>
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<description><![CDATA[Over the course of their ten-year, four album career, San Francisco's (via New York) Jawbreaker burned through some of the most agitated, fiery Punk-Pop of the '90s. Guitarist/lyricist Blake Schwarzenbach's searing, feedback-laden octaves careened through the rhythm section's compelling stop-and-roar arrangements; his struggling voice barking out some of the sharpest lyrics of the call to swords Post-Punk generation. Intensely hardworking, Jawbreaker's years of touring and independent minded business practice culminated in an alleged million dollar contract with Geffen and their final release, <i>Dear You</i>. A disappointment commercially, <i>Dear You</i> was arguably their greatest achievement, offering sleek, aggressive songs with some of the most devastating lyrics ever set to tape.]]></description>
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<title>Braid</title>
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<category>Emo/Hardcore</category>
<pubDate>Fri, 4 Dec 2009 13:20:20 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1045&amp;rws=%2Falt-punk%2Femo-hardcore%2Femo%2Fartist-chart.rss">Top Emo Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Braid</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5337&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Femo%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A Midwestern band that carried the torch early on for the burgeoning emo scene, Braid helped define and pioneer the genre. Emotive vocals, guitar and drum dynamics, sing-along choruses.]]></description>
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<title>The Promise Ring</title>
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<category>Emo/Hardcore</category>
<pubDate>Sun, 19 Jul 2009 09:11:56 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1045&amp;rws=%2Falt-punk%2Femo-hardcore%2Femo%2Fartist-chart.rss">Top Emo Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Promise Ring</rhap:artist>
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<description><![CDATA[Formed in 1995 from the ashes of early Emo bands Cap'n Jazz, None Left Standing and Ceilishrine, the Promise Ring have melded aspects of those three bands into what would become the torch-bearing sound of Emo. Part sugar-charged pop with pieces of Hardcore and part Punk-Pop, the Promise Ring deliver amped-up energy with sharply clean guitars and vocals that retain a raw edge. Their start-stop timing keeps you on your toes as they change pace and mood on a dime. They wear their hearts on their sleeves, baring deep secrets in jangly, catchy songs.]]></description>
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<title>Texas is the Reason</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4653&amp;rws=%2Falt-punk%2Femo-hardcore%2Femo%2Fartist-chart.rss</link>
<category>Emo/Hardcore</category>
<pubDate>Sat, 6 Dec 2008 14:06:13 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1045&amp;rws=%2Falt-punk%2Femo-hardcore%2Femo%2Fartist-chart.rss">Top Emo Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Texas is the Reason</rhap:artist>
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<description><![CDATA[There are two things always written about the Texas Is The Reason: one, the band took their name from a Misfits song and two, the title of their first album, <I>Do You Know Who You Are?</I> was supposedly the last words spoken to John Lennon before he died. And the reason it appears in every review is because somewhere in between those two bands lies Texas is the Reason's wall-of-guitars fuelled, noisy pop. Texas is the Reason started in 1994, when its members, tiring of their current hardcore bands, came together to form something more melodic. The resulting sound employed the pendulum-like dynamics that has come to define Emo, as dramatic twists of the (relatively) quiet versus turned into all-hell-just-broke-loose choruses. Jubilant in its cacophony, the band's sound attracted devoted followers and inspired countless imitators. The members of Texas is the Reason never got along personally, and eventually the hostility would take its toll. Texas is the Reason called it quits in 1997.
- Linda Ryan]]></description>
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<title>Drive Like Jehu</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3553&amp;rws=%2Falt-punk%2Femo-hardcore%2Femo%2Fartist-chart.rss</link>
<category>Emo/Hardcore</category>
<pubDate>Sun, 29 Mar 2009 13:14:51 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1045&amp;rws=%2Falt-punk%2Femo-hardcore%2Femo%2Fartist-chart.rss">Top Emo Artists on Rhapsody Online</source>
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<description><![CDATA[Emo essentially splits into two styles: the melodic variety associated with Sunny Day Real Estate and Jawbox and "Emocore" as represented by Boy Sets Fire, Mineral, etc. Drive Like Jehu are widely acknowledged as a seminal influence on the latter half. Their signature exasperated, heart-felt singing and buzzsaw guitar work helped define a style which continues to grow in popularity. Emocore enthusiasts looking to get back to their angst-rock roots need look no further than Drive Like Jehu. And completists will love the fact that their discography consists of only a brace of longplayers...so get them both and whenever you're in need of a quick fix of audio immolation, you'll be set for life.
- Chad Driscoll]]></description>
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<title>Cap'n Jazz</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.11653&amp;rws=%2Falt-punk%2Femo-hardcore%2Femo%2Fartist-chart.rss</link>
<category>Emo/Hardcore</category>
<pubDate>Fri, 29 May 2009 09:34:37 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1045&amp;rws=%2Falt-punk%2Femo-hardcore%2Femo%2Fartist-chart.rss">Top Emo Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Cap'n Jazz</rhap:artist>
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<description><![CDATA[These emo pioneers from Chicago grew their dynamic sound from edgy punk-pop into a distinctly textured, almost spastic style all their own. Guitars explode into rousing anthems, built layer by layer, carefully weaving subtle hooks into their loud, bursting riffs. Operating at its own pace, the rhythm section first lays low, then subtly creeps into the foreground with dense bass lines and crashing cymbals working double time to help bring the vocals forward (as if they needed help). Tim Kinsella's raspy, alluring, always off-key vocals stand the Cap'n Jazz sound on its head and give them their unique identity. Cap'n Jazz really created the foundation on which Chicago emo was built. After the band's demise, various members went to form Joan of Arc and the Promise Ring, two bands who continue to push the emo envelope.
- Mark Murrmann]]></description>
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