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<title>Top Emo/Hardcore Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link><description>Top Emo/Hardcore Artists on Rhapsody Online</description><category>Emo/Hardcore</category><language>en</language><ttl>720</ttl><pubDate>Mon, 30 Nov 2009 18:37:17 -0800</pubDate><image>
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<title>Cobra Starship</title>
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<category>Pop Punk</category>
<pubDate>Sat, 21 Nov 2009 13:42:40 -0800</pubDate>
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<description><![CDATA[Cobra Starship are part of a wave of emo rock bands that have, for better or worse, started incorporating heavy club electronics and contemporary R&B into what once was punk-pop, rendering a high-energy style of dance-emo that tends to confuse newcomers. For instance, the NYC quintet features a keytar player. While a sense of irony exists somewhere deep in the music, for the most part, Cobra Starship and their peers (Brokencyde, Hellogoodbye, Hollywood Undead) want little more than to "bring the party," as they say, and lighten the mood in the often overly earnest emo scene. The band's first album, <I>While the City Sleeps, We Rule the Streets</I>, appeared in 2006, with statement of purpose <I>Viva La Cobra!</I> following a year later. Slots on various touring festivals came next, with "Guilty Pleasure" and "Kiss My Sass" receiving airplay. In 2009, Cobra Starship's third album came out, <I>Hot Mess</I>, which featured lead single "Good Girls Go Bad."
- Mike McGuirk]]></description>
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<title>Green Day</title>
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<category>Pop Punk</category>
<pubDate>Fri, 27 Nov 2009 10:24:58 -0800</pubDate>
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<description><![CDATA[Punk revivalists in style, this raucous trio achieved triple-platinum status with their major-label debut, <i>Dookie</i>. Although Green Day's taut, three-minute, guitar-driven songs ably revive the fierceness of the group's stylistic progenitors (the Who, the Clash and the Sex Pistols), punk's original aim &#8212; to annoy, outrage, shock &#8212; is not Green Day's thing.
<br><br>
Friends since age 10, Billie Joe Armstrong and Mike Dirnt grew up in Rodeo, California. They formed their first real band, Sweet Children, at 14. When they were 17, the pair first recorded as Green Day, signing with the punk label Lookout and releasing the 1989 EP <i>1,000 Hours</i> with drummer John Kiffmeyer. The next year, the group recorded its first full-length album, <i>39/Smooth</i>, in a day. Two more EPs followed, with Kiffmeyer leaving to focus on his studies and Tre Cool, with whom Armstrong had played in a band
<br><br>
called the Lookouts, taking over on drums for 1992's <i>Kerplunk</i>. With a solid fanbase built on the nurturing, all-ages hardcore scene in Berkeley, the group signed with Reprise in April 1993. Its 1994 release, <i>Dookie</i>, proclaimed the next generation of punk, hitting Number Four on the album chart, buoyed by the band's effervescent presence on MTV and at Lollapalooza and Woodstock '94. The album won a 1994 Grammy Award for Best Alternative Music Performance and sold 10 million copies worldwide.
<br><br>
The 1995 follow-up <i>Insomniac</i> sold nearly 3 million copies and charted at Number Two, but failed to repeat the success of the band's major-label debut. <i>Nimrod</i> (Number 10, 1997) sold a million copies but won fresh exposure for the group, largely on the strength of the ballad "Good Riddance (Time of Your Life)." In 2000, Green Day released <i>Warning</i> (Number Four), a more introspective, even folk-influenced record that showed the group stretching artistically. Despite producing the radio hit "Minority," the album was a commercial letdown, selling fewer than a million copies. Two compilations followed: A best-of, <i>International Superhits!</i> (Number 40, 2001), and the B-sides round-up <i>Shenanigans</i> (Number 27, 2002).
<br><br>
By the early '00s, there was a growing consensus that Green Day's cachet was in decline, as evidenced by the band's slowing album sales. That belief that was put to rest with the release of <i>American Idiot</i> (Number One, 2004), a multiplatinum, Grammy-winning rock opera with political overtones that restated Green Day as one of the biggest musical acts in the world. Produced by Rob Cavallo, <i>Idiot</i> is grandiose &#8212; two of the songs are multi-part suites that clock in at nearly 10 minutes &#8212; but never show-offy. Five singles were released, all of them hits: The title track (Number 61, 2004), "Wake Me Up When September Ends" (Number Six, 2005), "Holiday" (Number 19, 2005), "Jesus of Suburbia" (Number 27 Modern Rock, 2005) and "Boulevard of Broken Dreams" (2004), the latter a ballad that came one slot away from being Green Day's first Number One single.
<br><br>
Following extensive touring, Green Day recorded a cover of the Skids' "The Saints Are Coming" (Number 51, 2006) with U2, which was released to raise awareness for musicians whose lives had been disrupted by Hurricane Katrina. In 2007, the band appeared on both <i>American Idol</i> &#8212; where they performed a version of John Lennon's "Working Class Hero" (Number 53) &#8212; and in <i>The Simpsons Movie</i>. That year the band also began a side project &#8212; that they at first kept secret &#8212; called Foxboro Hot Tubs, a group that also features Jason White, Josh Freese and Kevin Preston. In May 2008, the band issued its first LP, a garage album called <i>Stop Drop and Roll!!!</i>, and went on a brief tour. Armstrong also revived his other side project, Pinhead Gun Powder, who played their first show since 2001 in February 2008.
]]></description>
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<title>Owl City</title>
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<category>Electropop</category>
<pubDate>Tue, 24 Nov 2009 09:38:14 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<description><![CDATA[Minnesota's Adam Young is a study in contradictions. Citing musical inspiration from the likes of Boards of Canada, Prefuse 73 and Sigur Ros, the vegetarian insomniac also claims God, G-rated movies and optimism as real-world influences. Left unsaid in either list are both Postal Services -- the government agency that delivers mail, and the group featuring Ben Gibbard and Dntel. But the latter's lush, electronic emo is a definitive influence on Owl City's own brightly hued, shiver-inducing electro-pop ditties, while the former symbolizes Young's epistolary approach, with every song sounding like a page ripped from his journal and zipped cross-country to a lovelorn crush. On Owl City's debut EP, <I>Of June</I>, Young sang of floating in space in a set that referenced cruise ships, airplanes and nonstop modern motion, sounding at once thrilled with distance and nostalgic for a simpler, stay-at-home lifestyle. He came into his own style with <I>Maybe I'm Dreaming</I>, which found him fleshing out his delicate, catchy sound with acoustic guitars and more intricate songwriting. This is the sound of being young, in love and 110% alive.
- Philip Sherburne]]></description>
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<title>Paramore</title>
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<category>Pop Punk</category>
<pubDate>Mon, 30 Nov 2009 10:00:43 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<description><![CDATA[Influenced by the sugar-coated emo and mainstream pop-punk of Jimmy Eat World and Avril Lavigne, the (mostly teenage) lineup of the Tennessee-based Paramore found success when their second album <I>Riot!</I> (Number 15, 2007) produced hits in the lurching "Crushcrushcrush" (Number Four Modern Rock; Number 54 Pop, 2007) and nimble "Misery Business" (Number Three Modern Rock; Number 26 Pop, 2007).
<br><br>
Paramore formed in Franklin, Tennessee, after guitarist Josh Farro and his brother Zac met Mississippi transplant Hayley Williams at the private school they all attended and broadened their new friend's musical horizons. Adding bassist Jeremy Davis and rhythm guitarist Jason Bynum, the band played its first gigs in early 2004. Within six months they were signed to Florida-based indie label Fueled by Ramen, home of Jimmy Eat World and Fall Out Boy.
<br><br>
Paramore's 2005 debut <I>All We Know Is Falling</I> reached Number 30 on Billboard's Heatseekers chart and created a buzz and critical kudos for Williams' strong vocals and songwriting. In late 2005, Bynum was replaced by guitarist Hunter Lamb, who left the group in early 2007 (they carried on as a four-piece). The band's highly anticipated 2007 follow-up <I>Riot!</I> received generally favorable reviews and shot to the Top 20 on the strength of its two biggest singles and videos. The band was nominated for Best New Artist at the 2008 Grammy Awards. Though the group is Christian, they don't consider themselves to be a Christian-rock band and tend to keep their faith out of their songwriting and interviews.
<br><br>
As the band began to attract more and more media attention, speculation arose that they were suffering from a problem that plagued No Doubt in their early days, and Paramore began expressing displeasure with Williams being the focus of magazine articles. In early 2008, the band, which had experienced personnel shakeups from early on, pulled out of a U.K. and European tour supporting <I>Riot!</I> due to what it termed "internal issues." They went on to co-headline a set of arena dates with Jimmy Eat World and assured fans they were not breaking up in a series of interviews and candid blog posts. In summer 2008, the band embarked upon their fourth Warped Tour as well as a headlining trek of amphitheaters.
]]></description>
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<title>Rise Against</title>
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<category>Hardcore</category>
<pubDate>Mon, 30 Nov 2009 10:00:42 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<description><![CDATA[With the intention of resurrecting the energy of classic hardcore, ex-88 Fingers Louie bassist Joe Principe formed Rise Against in Chicago in 1999.
Powered by the impressive vocals of Tim McIlrath, the band plays modern retro hardcore that is closer to Bad Religion than Black Flag. But that's OK since they deliver plenty of punch; and while the messages are positive, they stick close enough to the sonic brutality of their progenitors to ensure that punk is still not dead. Since forming in 1999, the band has released four records and a handful of singles, played Black Flag in the skateboarding epic <I>Lords of Dogtown</I> and became one of the shining stars on Fat Wreck Chords' artist roster.
- Mike McGuirk]]></description>
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<title>Death Cab For Cutie</title>
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<category>Indie/Alternative</category>
<pubDate>Wed, 25 Nov 2009 11:50:53 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<description><![CDATA[Long before <I>The O.C.</I>'s resident hipster Seth Cohen proclaimed his love for the band, the Bellingham, Wash., natives were cranking out sweet, cozy melodies for reflective romantics. After the success of a cassette put together by Ben Gibbard in 1997, the vocalist and guitarist decided to transform his solo project into a full-fledged band. When guitarist Chris Walla, bassist Nick Harmer and drummer Nathan Good came aboard, Death Cab For Cutie were born. The band took its name from a Bonzo Dog Doo-Dah Band song that appeared in the Beatles movie <I>Magical Mystery Tour</I>. By 1998, Death Cab's debut, <I>Something About Airplanes</I>, was released, recalling the off-kilter guitar pop of Built to Spill and the quietly passionate storytelling of Elliott Smith. The band went on to create three more LPs before signing to Atlantic Records and releasing the Grammy-nominated <I>Plans</I> in 2005. Nearly three years later, <I>Narrow Stairs</I> revealed a slightly changed Death Cab, which cited heavy metal as an influence. Though more Band of Horses than Four Horsemen of the Apocalypse, the brawnier approach worked; it was their first album to top the Billboard charts.
- Stephanie Benson]]></description>
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<title>The All-American Rejects</title>
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<category>Emo/Hardcore</category>
<pubDate>Mon, 16 Nov 2009 10:52:22 -0800</pubDate>
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<description><![CDATA[High school friends Nick Wheeler and Tyson Ritter formed the All-American Rejects in their hometown of Stillwater, Okla. By 2000, they had recorded a few demos that showcased their brand of scrappy, stylish guitar-pop. They self-released their debut album in 2000 and were immediately courted by major labels looking to bring their radio-ready power pop to the masses. The track "Swing, Swing" became the Rejects' first major hit. For their sophomore album, 2005's <I>Move Along</I>, the group polished things up even more and raked in another hit with "Dirty Little Secret." They kept the successes coming with 2007's <i>When the World Comes Down</i>, featuring Top 10 hit, "Gives You Hell."
- Jon Pruett]]></description>
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<title>blink-182</title>
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<category>Pop Punk</category>
<pubDate>Sat, 28 Nov 2009 09:38:31 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<description><![CDATA[These smart-alecky skate punks back up their posturing with impossibly catchy bursts of off-color sucker punch and arrangements tighter than a...well, let's just say tight. They have steadily risen to the top of the heap of spittle-spewing new-punk acts with their NOFX-derived comic approach to the old school. In the apartheid-like milieu of their adolescent fan-base, they have orchestrated a lucrative crossover, bringing skaters and jocks together in the mosh-pit for intentionally stoopid punk rock with a ska chaser that's got a little more Cheap Trick in it than the Clash.
- Mike McGuirk]]></description>
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<title>Weezer</title>
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<category>Power Pop</category>
<pubDate>Mon, 30 Nov 2009 10:00:45 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<description><![CDATA[Since coming together in Los Angeles in 1992, the members of Weezer have lived an especially capricious existence: In the course of a decade, they went from dorky alt-rock outsiders to absentee cult figures to arena-filling megastars. The band's original lineup &#8212; lead singer and songwriter Rivers Cuomo, bassist Matt Sharp, drummer Patrick Wilson and guitarist Brian Bell &#8212; looked uncomfortable from the get-go, posing for the cover of their 1994 self-titled debut as though they were waiting to be noogied. Produced by ex-Cars frontman Ric Ocasek, <I>Weezer</I> (Number 16), which came to be known as the Blue Album, could not have sounded more antithetic to the grunge-rock and pop-punk that was dominating modern-rock radio at the time; Cuomo was neither as cynical as Kurt Cobain nor as charmingly infantile as Billie Joe Armstrong, and the unapologetic riffs made it clear that he was more influenced by the likes of <I>Heaven Tonight</I> than <I>Raw Power</I>. Songs like "Undone - The Sweater Song" (Number 57, 1994) and "The World Has Turned and Left Me Here" sound like handwritten notes found at the bottom of a locker &#8212; the early musings of a colossally self-aware nerd. And while the album's best-known song, "Buddy Holly" (Number 2 Modern Rock, 1994) was bolstered by Spike Jonze's nostalgia-tripping <I>Happy Days</I> video, its success was due less to the Fonz and more to the song's chimerical young-and-in-love chorus: "Wooh-e-oooh, I like just like Buddy Holly/Oh-oh, and you're Mary Tyler Moore." <I>Weezer</I> would sell more than 3 million copies, and a 2004 reissued edition includes several worthy B-sides.
<br><br>
Cuomo had originally intended for <I>Weezer</I>'s follow-up to be a sci-fi rock opera called <I>Songs from the Black Hole</I>, but after recording a series of tracks by himself, he shelved the project in favor of <I>Pinkerton</I> (Number 19, 1996). Though it's since become a fan favorite and a bellwether for he late-'90s emo boom, <I>Pinkerton</I> was initially seen as a downer: Cuomo had undergone a painful leg operation after the Blue Album, and the new LP was packed with brutally honest songs about falling in love with lesbians and teenage fans living oceans away; the opening track, tellingly, was "Tired of Sex," and songs like "El Scorcho" (Number 19 Modern Rock, 1996), and "The Good Life" (Number 32 Modern Rock, 1996) were rife with frustration. The album takes its name from a character in <I>Madame Butterfly</I>, and the record is peppered with references to the opera. After a tour in support of the album &#8212; which failed to reach platinum &#8212; Sharp left the band to spend more time with his new-wave side project, the Rentals, while Cuomo dropped out of view altogether, prompting rumors that he had begun a Brian Wilson-like retreat from society (Cuomo left Harvard but returned again, earning his English degree in June 2006). Between 1997 and 2000, the band released only a handful of songs, including a cover of "Velouria" for a Pixies tribute album. But the band retained an ardent following on the Internet, as evidenced by the numerous threads about <I>Pinkerton</I>, which was quickly becoming a cult favorite.
<br><br>
In 2000, the band reformed for a string of shows on the Warped Tour, where Sharp was replaced by bassist Mikey Welsh, a former member of Juliana Hatfield's backing band. The live dates were a success, prompting a sold-out mini-tour and a new album, titled <I>Weezer</I> (2001), which debuted at Number 4 on the Billboard charts and retuned the band to its power-chord grandeur. With Ocasek returning as producer, the so-called "Green album" gave the band two of the biggest hits of its career: "Hash Pipe" (Number Two Modern Rock), and "Island in the Sun" (Number 11 Modern Rock), a lulling ballad that later wound up being covered for a tropical-resort ad. A few months after the Green Album's release, Welsh experienced a psychotic breakdown, and was replaced by bassist Scott Shriner.
<br><br>
Almost exactly a year after the release of the Green Album, Weezer delivered <I>Maladroit</I> (Number Three, 2002). Due in part to Cuomo's abundant songwriting output, many of the self-financed <I>Maladroit</I> tracks had already appeared in demo form on the band's Website, and the songs' early release spurred a public battle between the band and its label, Interscope Records. But neither the controversy &#8212; nor the inclusion of singles "Dope Nose" (Number 8 Modern Rock) and "Keep Fishin'" (Number 15 Modern Rock) &#8212; could prevent <I>Maladroit</I>, an album that paid homage to several of Cuomo's metal influences, from becoming a commercial misfire.
<br><br>
Weezer teamed with Rick Rubin for 2005's <I>Make Believe</I> (Number Two), an album that gave the band its biggest single to date: the Grammy-nominated "Beverly Hills" (Number 10, 2005) a sarcastic anti-fame rant that was misinterpreted by some as an ode to luxury branding. Longtime fans lamented that the Weezer responsible for <I>Pinkerton</I> was long gone, but "Beverly Hills" and the piano-plunking anthem "Perfect Situation" (Number 51, 2006) helped <I>Make Believe</I> sell more than a million copies in the U.S., and prompted an arena tour with the Foo Fighters.
<br><br>
In 2007, Cuomo released <I>Alone: The Home Recordings of Rivers Cuomo</I> (Number 163), a collection of demos that included songs originally intended for the long-jettisoned <I>Songs from the Black Hole</I> album. Weezer's sixth album, once again produced by Rick Rubin &#8212; and once again titled <I>Weezer</I> &#8212; was released June 3rd, 2008. The Red Album, as it's known, spawned the single "Pork and Beans," which came with a clever video featuring many YouTube stars. The band is reportedly prepping another album produced by Jacknife Lee for 2009.
]]></description>
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<title>Fall Out Boy</title>
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<category>Emo/Hardcore</category>
<pubDate>Sat, 21 Nov 2009 13:42:40 -0800</pubDate>
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<description><![CDATA[Clever emo/pop-punk outfit Fall Out Boy rose from the ashes of several hard-core bands, in the throes of suburban ennui in Wilmette, Illinois. The band's cathartic live shows -- a carryover from their days of rocking the mosh pit -- at venues like the Knights of Columbus Hall earned the boys a solid Midwestern fan base, but it was their hybrid, Green Day-with-a-dream-journal sound that sparked a small but respectable bidding war to sign them. The band, now comprised of founding members Pete Wentz (bass/lyrics) and Joe Trohman (guitar), vocalist/guitarist Patrick Stump, and drummer Andy Hurley, cut a handful of EPs and two full-lengths for small labels (New Zealand's Uprising Records and the Florida-based Fueled By Ramen). While they were still working on their second album, Island Records gave the band an advance to start their third and sent them on a 280-day tour. The band's exhausting schedule didn't help Wentz's anxiety disorder, and he ended up overdosing on Ativan. While Wentz recovered, the rest of the band had to finish a UK tour with a substitute, which forced them to learn not to rely on Wentz's dynamic stage presence and become stronger stage performers. In 2007, Fall Out Boy released their third album followed by 2008's <i>Folie a Deux</i>.
- Rachel Devitt]]></description>
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<title>All Time Low</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9637431&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Pop Punk</category>
<pubDate>Thu, 26 Nov 2009 11:27:31 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<description><![CDATA[Punk-pop ladykillers All Time Low formed in Maryland in 2003, while the members were all still in high school. Tilling the fertile fields of exuberant guitar pop a la blink-182, the band released a pair of records, <i>The Party Scene</i> and <i>So Wrong It's Right</i>, on indie labels in 2005 and 2007, respectively. Extensive touring and coverage on MTV helped raise their profile, and in 2009 their first single off third album <i>Nothing Personal</i>, "Damned If I Do Ya (Damned If I Don't)," became All Time Low's first Hot 100 charting song.
- Mike McGuirk]]></description>
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<title>The Offspring</title>
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<category>Skate Punk</category>
<pubDate>Mon, 30 Nov 2009 10:00:43 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<description><![CDATA[The Offspring got their start much like any other Southern California band in the wake of that region's first punk explosion, playing songs that were lacking some of the first wave's abrasiveness but were musically more adept. The Offspring made their first appearance in 1989 with a self-titled release (on the Nemesis label) that featured many of their trademark sonic elements: crunchy guitars wrapped up in power chords and occasional surf riffs, with vocal stylings that hover between yells and grunts. In '90, the band signed to California indie label Epitaph. With the '94 <I>Smash</I> LP, and the accompanying single "Come Out and Play," the group became the biggest-selling indie artist of all time. Since then, the group have had consistent success with alternative radio, most recently with the single "Pretty Fly (for a White Guy)." Since that single hit the charts in 1998, the Offspring have steadily released albums, with <i>Conspiracy of One</i> and <i>Splinter</i> appearing in 2000 and 2003, respectively, and <i>Rise and Fall, Rage and Grace</i> following in 2008.
- Mike McGuirk]]></description>
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<title>Panic at the Disco</title>
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<category>Pop Punk</category>
<pubDate>Sat, 21 Nov 2009 13:42:41 -0800</pubDate>
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<description><![CDATA[There was a time when music from Las Vegas conjured up images of Liberace, the cape-wearing Elvis, and the sound of drum rolls that accompanied showgirls as they kicked up their gams and flung off their garments. Despite this shtick working its magic on the Strip, the first germ of the idea of what would become Panic At the Disco was planted by two kids oblivious to everything but the sounds of Blink-182 heard on strip mall loudspeakers in the distant suburbs surrounding Sin City. Cofounders Ryan Ross (guitar) and Spencer Smith (drums) eventually pulled in a few more of their high school pals (Brendon Urie and Brent Wilson) to complete the lineup. They experimented with original songs (as practiced in Spencer's grandmother's living room), nearly half of which would end up on their debut release, <I> A Fever You Can't Sweat Out</I>. How did the music industry track down these innovative suburban high school talents? After hearing that Pete Wentz, bass player for the emo success story Fall Out Boy, was starting a new label, guitarist Ryan sent him a link to their website. Amazingly, after a few sampled tracks, this e-mailed URL led to being signed to Wentz's Decaydance/Fueled by Ramen records in 2005. Panic! At the Disco stand out amidst their labelmates by incorporating rapid-fire synths and drum machines into their high-energy melodies, along with not-so-rock 'n' roll instruments like a Vaudevillian piano and accordion.
- Michele K-Tel]]></description>
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<title>My Chemical Romance</title>
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<category>Pop Punk</category>
<pubDate>Sat, 21 Nov 2009 13:42:42 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<description><![CDATA[In the new millennium My Chemical Romance brought the angsty punk sub-genre known as "emo" to the mainstream masses. With a sound and lyrical content fusing the teenage rage of early hardcore acts like Minor Threat with the gloomy introspection of the Cure and the Smiths and the over-the-top theatrics of Seventies arena bands like Queen, MCR became the Top Ten's first emo superheroes within three years of forming.
<br><br>
The idea of rock superheroes is key to the band's success: Singer Gerard Arthur Way graduated from the School of Visual Arts in New York City in 1999 and was working as a comic-book animator when the terror attacks of September 11, 2001 made him to rethink his priorities. Deciding comic books were getting him nowhere, Way quit his day job and along with high school friend and drummer Matt Pelissier formed My Chemical Romance. The band was named after the Irvine Welsh book <I>Ecstasy: Three Tales of Chemical Romance</I> and its early- lineup was fleshed out by Way's younger brother "Mikey" on bass, Ray Toro on lead guitar, and Frank Iero on rhythm guitar.
<br><br>
Within three-months of forming My Chemical Romance had recorded and released their 2002 debut <I>I Brought You My Bullets, You Brought Me Your Love</I> on New Jersey indie label Eyeball Records (who had also signed fellow Garden State emo rockers Thursday). On the strength of tracks like the pummeling 9-11 lament "Skylines and Turnstiles," the band quickly signed to Reprise Records. 2003's <I> Three Cheers for Sweet Revenge</I> (Number 28, 2005) produced a string of singles including "I'm Not Okay (I Promise)" (Number Four Modern Rock, 2005), "Helena" (Number 11 Modern Rock, Number 31 Pop, 2005) and "The Ghost of You" (Number 9 Modern Rock, 2005) and sold over a million copies. MCR was one of the first bands to successfully pioneer the social networking website MySpace to market their music.
<br><br>
In 2004 Bob Bryar, a sound tech for the Used, replaced Matt Pelissie (who later opened Strong Arm Studios, in Harrison, NJ.)on drums. MCR spent much of 2005 on the road opening for Green Day and co-headlining the Warped Tour with Fall Out Boy. In 2006, as MCR was heading back into the studio to record its third album, the group released the CD/DVD <I>Life on the Murder Scene</I>, a documentary that included videos and live footage and sold 2 million copies.
<br><br>
In 2006 MCR released its most ambitious album to date: a bombastic concept album entitled <I>The Black Parade</I>, which sold 240,000 copies in its first week and propelled it to Number Two on the Top 200 Chart . The album's storyline revolves around the regretful reminiscences of a dying cancer patient (and includes a cameo from Liza Minnelli on "Mama"). <I>The Black Parade</I> polarized critics who either loved the album's grandiosity or hated its excesses though it too went platinum. Its singles included the Top Forty hits "Welcome to the Black Parade" (Number One Modern Rock, Number Nine pop, 2006) and "Teenagers" (Number 13 Modern Rock, Number 39 Pop 100, 2007).
<br><br>
In the spring of 2008 the band was enmeshed in a controversy after a British MCR fan committed suicide and U.K. tabloids labeled emo and the band a "suicide cult." The band released the following statement on its website: "My Chemical Romance are and always have been vocally anti-violence and anti-suicide. As a band we have always made it one of our missions through our actions to provide comfort, support, and solace to our fans...If you or anyone you know have feelings of depression or suicide, we urge you to find your way and your voice to deal with these feelings positively."
<br><br>
In July of 2008 the band released its second live CD/DVD compilation entitled <I>The Black Parade is Dead!</I> featuring outtakes from the band's fall 2007 Mexico City and New Jersey concerts.
]]></description>
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<title>Boys Like Girls</title>
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<category>Emo/Hardcore</category>
<pubDate>Thu, 26 Nov 2009 11:27:12 -0800</pubDate>
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<description><![CDATA[Boston emo act Boys Like Girls didn't exactly appear overnight, but considering the fact that the band formed late in 2005 and were launching a highly-anticipated debut LP only a year later, their ascent is dizzying. Singer and guitarist Martin Johnson put the band together with guitarist Paul DiGiovanni, bassist Bryan Donahue and drummer John Keefe, gaining early fans through grass roots internet efforts and support from Panic! At The Disco producer Matt Squire, who helped the band secure a deal with Columbia/Red Ink for their debut. They hit the road on a number of support tours before Squire produced their eponymous debut, which entered the <i>Billboard</i> 200 in April of 2007.
- Nate Cavalieri]]></description>
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<title>slightly stoopid</title>
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<category>Pop Punk</category>
<pubDate>Thu, 5 Nov 2009 12:41:18 -0800</pubDate>
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<description><![CDATA[Following in the footsteps of Lee Scratch Perry, the Wailers, G. Love and the Long Beach Dub Allstars, Slightly Stoopid blend acoustic rock with hip-hop, dub, punk, ska and reggae, attracting an army of die-hard fans, "Ese Locos." Core members Miles Doughty and Kyle McDonald were high school classmates when they signed to Sublime frontman Brad Nowell's label, Skunk Records. Like their Skunk cronies, the band helped define the aggressive sounds of the '90s SoCal skate-punk scene, beginning with their 1996 self-titled debut. Drummer Rob Moran and percussionist/vocalist Oguer Ocon joined the group for third studio album <i> Everything You Need </i>, which showcased their newly vamped live-dub sound. With 2005's <i>Closer to the Sun </i>, the band finally found a home on the Billboard charts. Famous for their crowd rousing jam sessions, Slightly Stoopid continue to tour with a variety of artists, including G. Love & Special Sauce, N.E.R.D, the Roots, Toots and the Maytals and more, playing nearly 200 gigs a year. 2007 kicked off their Summer Haze tour with G.Love and Ozomatli.
- Sabrina Sutherland]]></description>
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<title>Killswitch Engage</title>
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<category>Metalcore</category>
<pubDate>Mon, 30 Nov 2009 10:00:44 -0800</pubDate>
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<description><![CDATA[Vocalist Howard Jones, guitarists Adam Dutkiewicz and Joel Stroetzel, bassist Mike D'Antonio and drummer Justin Foley are no strangers to the history of the modern metalcore scene they represent. Hailing from a strong lineage of seminal Massachusetts metalcore outfits, with former members from pillar bands Overcast and Aftershock, their family tree doesn't stop there. KSE guitarist and producer extraordinaire Adam D. not only produces every Killswitch album, but has also pulled production duty for Mass natives Unearth, All That Remains and Shadows Fall, among many other popular metalcore acts from across the country. Translation: Not only have Killswitch helped set the stylistic pace of what denotes modern metalcore, but they also have a hand in the sound new metalcore acts churn out. Sonically, Killswitch Engage possess the same preciseness and agility in and out of labyrinthine passages as Swedish melodic death metal masters At the Gates. Flame-scorched screams define verses and trade off into clean, operatic choruses and bridges while rending guitars and hardcore breakdowns fully define their amalgamated approach.
- Jen Guyre]]></description>
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<title>Jimmy Eat World</title>
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<category>Emo/Hardcore</category>
<pubDate>Sat, 28 Nov 2009 09:38:31 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">Jimmy Eat World</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2380&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[As emo has grown up, so has Jimmy Eat World. After a couple of stellar punk-pop records in the late 1990s they found themselves dropped from Capitol Records. Perhaps as a result, the band cleaned up its act considerably with 2001's <I>Bleed American</I>, which they recorded without the assistance of any financial backing from a label. It turned out to be a wise investment since the record rocketed to the top of the charts mostly on the power of the bouncy anthem, "The Middle." The album also broke commercial ground for the genre and provided a roadmap for acts that followed like Yellowcard and Dashboard Confessional. <I>Futures,</I> released in 2004, repeated that formula with similar success. For 2007's <I>Chase This Light</I>, the band polished their angular emo core even more with help from producer Butch Vig.
- Mark Murrmann]]></description>
</item><item>
<title>Anberlin</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.65584&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Post-Punk</category>
<pubDate>Sat, 21 Nov 2009 13:42:36 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Anberlin</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.65584&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[For being one of the foremost bands in modern Christian rock, Anberlin still approach their music with an almost humorous sincerity and amazement at their own popularity. Formed as an amalgam of departed indie projects like the punk group SaGoh (Servants after God's Own Heart), the five Floridians found their identity in one another and had no trouble taking off once Tooth & Nail picked up their modern/emo mix in 2003.
- Amy Bartlett]]></description>
</item><item>
<title>All That Remains</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.15063&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Metalcore</category>
<pubDate>Tue, 10 Nov 2009 10:13:18 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">All That Remains</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.15063&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[choruses that aren't afraid to flirt with emo at its poppiest. Shadows Fall vocalist Phil Labonte and guitarist Oli Herbert -- an innovative shredder fond of unusual modes, like the Hungarian minor scale -- formed the band in 1998, and by 2002 they had signed to Metal Blade. After a few lineup changes, including the addition of guitarist Mike Martin, 2004's <I>This Darkened Heart</I> proved the band's breakout album, with production by Killswitch Engage's Adam Dutkiewicz putting just the right degree of polish on their fusion of Swedish black metal stylings and American emo yearning. In 2006 All That Remains followed up with <I>The Fall of Ideals</I> and hit the road with Ozzfest before strutting their stuff on 2007's incendiary <I>All That Remains Live</I>. For all the hardcore swagger on display onstage, 2008's <I>Overcome</I> encountered a backlash from fans none too enamored by the band's radio-ready choruses.
- Philip Sherburne]]></description>
</item><item>
<title>Plain White T's</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.38620&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Pop Punk</category>
<pubDate>Sun, 22 Nov 2009 10:09:53 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Plain White T's</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.38620&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Plain White T's make catchy, commercial punk-pop that befits their beginnings in the basements of suburban Chicago and fits perfectly alongside the Warped Tour juggernauts with whom they rose to fame in the mid '00s. Led by Tom Higgenson, the group has outlasted numerous personnel changes since it started playing club dates in 1999. 2001's self-released <i>Come On Over</i> caught the ears of the Fearless label, which issued their 2002 LP <i>Stop</i>. The band toured hard before 2005's <i>All That We Needed</i>, and eventually settled with a roster of Higgenson, guitarists Dave Tirio and Tim Lopez, bassist Mike Retondo and drummer De'Mar Hamilton. It was the "Hey There Delilah" single that became the band's huge hit, and they wisely issued it on an expanded EP before offering <i>Every Second Counts</i>, their major-label debut.
- Nate Cavalieri]]></description>
</item><item>
<title>The Ramones</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44094&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Punk Pioneers</category>
<pubDate>Mon, 30 Nov 2009 10:00:43 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Ramones</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44094&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA["Hey ho, let's go!" And so the Ramones introduced themselves to the world. The song was "Blitzkrieg Bop" and the album was entitled simply <I>Ramones</I>. For many people, those fourteen staggeringly short songs marked a joyous return to real rock 'n' roll -- to a time before the music was muddled by overblown arrangements and self-aggrandizing pomposity. They have been amazingly influential, showing budding musicians everywhere that you don't need technique to create exuberant, catchy and joyous music. Countless imitators followed -- everyone from the Sex Pistols to Blink 182 owe a huge debt to these four Brooklyn-based ne'er-do-wells. Onstage, the frighteningly tall Joey lurched and staggered, dangerously close to falling and impaling himself on the mic stand, while bassist (and primary creative force) Dee Dee shouted "1-2-3-4!" to introduce every song. The Ramones command attention with the sheer energy of their fast and loud sonic onslaught. They love pure pop -- the kind produced by girl groups of the early 1960s and songwriters such as Brian Wilson. "Sheena Is a Punk Rocker," "I Wanna Be Sedated," and even "Pet Sematary" are absolutely infectious songs. By melding such hook-laden tunes with an aggressive stance, high volume, and no-frills songwriting, the Ramones became one of the most important rock bands of all time.
- Will Lerner]]></description>
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<title>Coheed And Cambria</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.67161&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Alt Metal</category>
<pubDate>Wed, 4 Nov 2009 12:14:31 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">Coheed And Cambria</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.67161&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Although Coheed and Cambria had been churning out an effective blend of metal-tinged indie rock since the mid-1990s (occasionally under the name Shabutie), their explosive debut didn't drop until 2002. That record, <I>The Second Stage Turbine Blade</I>, took hold of a devoted group of fans who like their punk dark, literate and complex. Word-of-mouth about the record built the band a following, as did the constant touring. Their follow-up, <I>In Keeping Secrets of Silent Earth: 3</I>, showed a love of progressive rock, glam and new wave, which made the band even harder to pigeonhole. For 2005's <I>Good Apollo: Vol. IV</I>, the group became a twin-guitar-blazing prog-metal band with a background in punk rock. Adding a sort of frenetic, spastic intelligence to the oft-perceived single-mindedness of the Warped Tour brigade, Coheed and Cambria keep the fringe alive and dangerous.
- Jon Pruett]]></description>
</item><item>
<title>A Day to Remember</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.8654114&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Hardcore</category>
<pubDate>Thu, 19 Nov 2009 15:22:59 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.8654114&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Among pop-punk/emo/metal bands, A Day to Remember's effectively schizoid approach to meshing all three musical styles is among the genre's most extreme. The five-piece band rarely goes more than two minutes in any song, no matter how melodically sweet or exuberantly sprite, before banking into a metallic chug replete with grunting death vocals and screams. Based in Ocala, Fla., the group formed in 2003 and signed to Victory Records. Since then, they've released <i>And Their Name Was Treason</i> (2005), <i>For Those Who Have Heart</i> (2007) and <i>Homesick</i> (2009), an album that garnered them critical acclaim and a spot as high as No. 21 on the <i>Billboard</i> 200 chart.
- Mike McGuirk]]></description>
</item><item>
<title>Taking Back Sunday</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.39096&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Emo/Hardcore</category>
<pubDate>Thu, 19 Nov 2009 15:23:00 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Taking Back Sunday</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.39096&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Taking Back Sunday is a punk-ish emo band that not surprisingly takes its cues from godfathers All and NOFX. Guitarist Ed Reyes was a member of Movielife before joining the band. The band formed in New York in 1999 and released its first album, <I>Tell All Your Friends</I>, in 2002.
- Mike McGuirk]]></description>
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<title>Bullet For My Valentine</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.8930686&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Emo/Hardcore</category>
<pubDate>Sun, 29 Nov 2009 09:28:16 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bullet For My Valentine</rhap:artist>
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<description><![CDATA[Hailing from Bridgend, England, Bullet for My Valentine's first incarnation was quite a bit different than the thematically immense, metal-clad rock of 2005's debut, <i>The Poison</i>. Back in 1998, the quartet of lads from Bridgend College was churning out Metallica covers under the name Jeff Killed John. It wasn't until 2003 that the band changed its name and beefed up their sound with a solidified lineup of guitarist and singer Matthew Tuck, guitarist Michael Paget, bassist Nick Crandle and drummer Michael Thomas. After issuing an EP and their debut on the British label Trustkill, they picked up <i>Kerrang!</i> magazine's Best British Newcomer Award in 2005 and eventually signed a deal with Sony/BMG. The band enjoyed quick success with American audiences and a number of high-profile tour slots, including one supporting Rob Zombie, from which they were booted when Tuck called Zombie and his cohorts "money-grabbing f*cks" on the band's message board.
- Nate Cavalieri]]></description>
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<title>Pixies</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.55993&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Noise Pop</category>
<pubDate>Sat, 21 Nov 2009 13:42:42 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Pixies</rhap:artist>
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<description><![CDATA[In the alternative rock family tree, a big fat line runs from the Pixies directly to the chart-smashing noise pop and grunge that Nirvana broke with in 1991. <i>Surfer Rosa</i>, the Pixies' 1988 full-length debut of skronked-out, surf-damaged punk-pop, was a revelation to just about everyone who heard it. At first listen the remedial chord progressions, utterly nonsensical lyrics, and bizarre delivery sounded like the flailings of inept college rockers with a psychotropic casualty for a lead singer, but once the hooks were in, there was no escape. The Bostonians reminded everyone how to write a perfect, repetitive song that you knew by heart two seconds in. With wonder-twin powers Black Francis and Kim Deal writing paeans to sexually charged dementia, an idiosyncratic guitar sound, and what sounded like the Jolly Green Giant playing drums, the Pixies took the alt-rock world by storm, releasing four near-perfect records before self-destructing under the weight of their own talent, in 1993, after opening U2's Zoo TV tour. In their wake, Deal went full-time with her side-project the Breeders and began working on <i>Last Splash</i>, which would eventually go gold in the U.S., and Black -- as Frank Black -- starting penning a solo eponymous debut, which didn't fair so well. In 2004 -- with disparate and storied careers -- Deal, Black Francis, Joey Santiago and David Lovering reunited for a North American tour and several dates at European summer festivals. The group is currently rumored to be working on a new studio album, the first since 1991.
- Mike McGuirk]]></description>
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<title>Dropkick Murphys</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4769&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Oi/Street Punk</category>
<pubDate>Sun, 29 Nov 2009 09:28:17 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">Dropkick Murphys</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4769&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[One of the only skinhead acts to make it big in the states, the Boston-based Dropkick Murphys revitalized an increasingly jaded Punk scene by re-introducing the aggression of "Oi!" Recognizable by its football scrimmage grunting and Ubermensch machismo, "Oi!" holds a strong appeal for young, working class ruffians who like to shrug off the day's labors with a little male bonding and a lot of beer. Melding down-tuned metal heaviness and zippy Ska melodies, the Dropkick Murphys utilize tough, street punk sensibilities to counter Punk's watering-down via the influx of tepid radio pop.
- Kali Holloway]]></description>
</item><item>
<title>Sum 41</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.35104&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Pop Punk</category>
<pubDate>Wed, 4 Nov 2009 12:13:53 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Sum 41</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.35104&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Sum 41 are from Ajax, Ontario, but their pop-punk sound is straight out of California. The trio -- vocalist-guitarist Deryck Whibley, bassist Cone McCaslin and drummer Steve Jocz -- started in 1996 as a NOFX cover band and later started writing its own material and charting Green Day and blink-182 territory. The band soon earned a contract with Island Records, and their debut album, <i>Half Hour of Power</i>, was released in the summer of 2000. Their 2001 follow-up, <i>All Killer No Filler</i>, produced by Green Day and blink mix-master Jerry Finn, yielded two of the band's biggest hits -- "In Too Deep" and "Fat Lip" -- and went to the top of the charts. A year later, <i>Does This Look Infected?</i> brought a harder edge and a hip-hop influence, and featured the hit "Thanks for Nothing." In 2004, with <i>Chuck</i>, Sum 41 took on a more serious demeanor after a traumatic experience in war-torn Congo, where they had to be rescued by U.N. peacekeepers. "We're All to Blame" was an indictment of the West for its apathy toward Congo's genocide. After a hiatus -- and the departure of guitarist Dave Baksh -- the band returned in 2007 with <i>Underclass Hero</i>, its highest charting album to date (at No. 7).
- Dan Shumate]]></description>
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<title>Dashboard Confessional</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.56117&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Emo/Hardcore</category>
<pubDate>Mon, 16 Nov 2009 10:52:22 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">Dashboard Confessional</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.56117&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Led by the therapeutic vocals of Chris Carrabba, Dashboard Confessional have earned a fair amount of popularity with heartfelt, unplugged emo for those who can do without the genre's typically hard-hitting guitar theatrics, but value the music's sincerity. And sincerity is where Dashboard Confessional excel: Carraba's heart-on-sleeve vocals and songwriting exude feeling and melody, much to the delight of melancholy teens in search of a like-minded voice. It's a long way from Rites of Spring (or even Sunny Day Real Estate), but it's obvious why so many take this to heart.]]></description>
</item><item>
<title>The Used</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.39381&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Emo/Hardcore</category>
<pubDate>Mon, 30 Nov 2009 10:00:44 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Used</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.39381&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Used hail from Utah, where they fought personal hells of drug addiction and homelessness to rise above the crowd of alt metal-touched post-grunge bands. Using their experiences as inspiration, the band writes songs that often deal with these serious subjects with a refreshing honesty. They can ramp up some pretty heavy tunes, but appear most comfortable with melodic, modern rock balladry.
- Mike McGuirk]]></description>
</item><item>
<title>30 Seconds To Mars</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.12442&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Emo/Hardcore</category>
<pubDate>Sun, 22 Nov 2009 10:09:54 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">30 Seconds To Mars</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12442&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12442&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Started in 1998 as a family project by brothers Jared and Shannon Leto, 30 Seconds to Mars originally gained attention due to Jared's acting career (which began in the mid-'90s with the ABC teen drama <I>My So-Called Life</i>). Boosted by Jared's stardom or not, the band quickly moved into its own realm as it settled on a permanent four-man lineup and released its first self-titled album in 2002. <I>A Beautiful Lie</I> followed up in 2005, as 30 Seconds To Mars continued to tour heavily and win fans with their heavy, melodic brand of emo-metal.
- Jonathan Zwickel]]></description>
</item><item>
<title>Metro Station</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.15748398&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Alt Dance</category>
<pubDate>Thu, 12 Nov 2009 09:55:12 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Metro Station</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.15748398&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.15748398&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In 2006, guitarist Trace Cyrus (who just happens to be Miley Cyrus's brother and Billy Ray's son) sent a keyboardist he didn't know named Blake Healy a MySpace message and asked him if he or any keyboardist he knew would be interested in playing in a band or maybe just messing around and recording some stuff together. With the addition of Mason Musso on lead vocals and guitar and Anthony Improgo on drums, the Los Angeles foursome became Metro Station. A year's worth of very intensive gigging and 1.7 million MySpace plays later (all the while keeping Trace's rather famous lineage quiet in the interest of making it on their own), Metro Station was being featured in <I>Alternative Press</I> and <I>Teen Vogue</I> and releasing their debut album on Red Ink.
- Rachel Devitt]]></description>
</item><item>
<title>AFI</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4538&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Pop Punk</category>
<pubDate>Fri, 13 Nov 2009 12:37:26 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">AFI</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4538&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4538&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[AFI top the short list of modern-day hardcore saviors. After starting out in the early '90s as another bouncy, Northern California pop-punk band, they released <i>Black Sails in the Sunset</i> in 1999, their fourth full-length and a substantial darkening of their sound. Later albums, like the platinum-selling <i>Sing the Sorrow</i> and 2006's <i>Decemberunderground</i>, are ambitious, Goth-punk tours de force, combining pummeling rhythms, jarring guitar and tortured vocals with defiantly complex arrangements. Part of a growing prog-punk movement that includes Coheed and Cambria, Angels and Airwaves and Avenged Sevenfold, AFI is worshipped by a black-clad fanbase known as the "the Despair Faction," which has crowned them kings of the Warped Tour nation.
- Jonathan Zwickel]]></description>
</item><item>
<title>Escape The Fate</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.10357944&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Metalcore</category>
<pubDate>Wed, 4 Nov 2009 12:13:47 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Escape The Fate</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10357944&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Las Vegas-based post-hardcore quintet Escape the Fate formed in 2005 and immediately gained a large local following thanks to radio airplay and by winning a contest judged by members of My Chemical Romance, who took the fledgling band on tour with them. After signing to Epitaph, releasing an EP (<i>No Sympathy For the Dead</i>) and a debut LP (<i>Dying is Your Latest Fashion</i>) in 2006 and agreeing to a tour with Bullet For My Valentine, singer Ronnie Radke was charged as an accomplice in a murder trial, an event that sunk the tour opportunity and effectively ended Radke's time in the band. In 2008, Escape the Fate released <i>This War Is Ours</i> with new frontman Craig Mabbitt.
- Mike McGuirk]]></description>
</item><item>
<title>Atreyu</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.33831&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Metalcore</category>
<pubDate>Sun, 29 Nov 2009 09:28:13 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Atreyu</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.33831&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Formed in the burgeoning O.C. metalcore scene in 1998, Atreyu plays fast and furious hardcore with occasional stinging leads, gurgling vocals and extremely melodic choruses. Releasing the bulk of their content on local indie Victory Records, the band caught breaks in the early 2000s with slots on the Vans Warped Tour and getting a song featured on the soundtrack to the vampire-babe vehicle <I>Underworld Evolution</I>. With a dark, practically goth aesthetic, the band seemed poised for an eventual major label signing like other SoCal kids Avenged Sevenfold and Halifax and were snatched up by Hollywood Records in 2007. Atreyu took their moniker from the protagonist of the film "Neverending Story."
- Mike McGuirk]]></description>
</item><item>
<title>The Red Jumpsuit Apparatus</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.10872250&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Pop Punk</category>
<pubDate>Sun, 29 Nov 2009 09:28:11 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Red Jumpsuit Apparatus</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10872250&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10872250&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Flaunting an intentionally obtuse moniker, Red Jumpsuit Apparatus are another band further blurring the line between hardcore, screamo, punk and pop. The young act first came together in Middleburg, Fla., quickly gaining a grassroots following and major label interest. Rising through the ranks of their small local scene, RJA self-released a pair of EPs over 2003 and 2004, took up a big city residency in nearby Jacksonville and juggled their lineup to arrive at their current five-piece arrangement. The work paid off; in August 2006, RJA released their official debut, <i>Don't You Fake It</i>, on Virgin Records. The album blends Warped Tour-approved flavors of the moment into an aggressive, hook-heavy soundtrack to teenaged suburbia.
- Jonathan Zwickel]]></description>
</item><item>
<title>NOFX</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5563&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Skate Punk</category>
<pubDate>Wed, 25 Nov 2009 11:50:52 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">NOFX</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5563&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Combining large doses of cynicism, humor, political sarcasm with a bad attitude ("Don't Call Me White"), NOFX has been churning out records for well over a decade. With their fast tempos and barrage of distorted guitars, the band has inspired a great many of the power punk bands that are popular today. But perhaps most importantly, NOFX possess a near disdain for wide commercial acceptance ("Please Play this Song on the Radio") and have long adopted a hands-off stance for the fakers, scenesters and almost all press. This San Francisco-based band steers clear of the big promo blitz that major record labels seem so fond of, but in spite of all of this, the kids seem to find NOFX records anyway. Who can blame 'em? Since the self-release of 1991's <i>Liberal Animation</i> on bassist Fat Mike's Fat Wreck Chords record label (and their subsequent releases on well-respected punk indie label Epitaph), they see more of the dough and pay for less of the schmooze-hounds' steak dinners. And like many old school punk bands that lit the fire of their sound during the Ronald Reagan administration, NOFX have shunned the stereotypical punk rock anarchist's image, taking a much more leftist liberal stand against the George W. Bush administration with 2003's <i>War On Errorism</i> and 2006's <i>Wolves In Wolves' Clothing</i>.
- Eric Shea]]></description>
</item><item>
<title>Simple Plan</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.41092&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Pop Punk</category>
<pubDate>Thu, 19 Nov 2009 15:23:00 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Simple Plan</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.41092&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.41092&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This punk-pop quintet from Montreal has ridden its Cheap-Trick-on-steroids sound to prime slots on the Vans Warped Tour as well as the heavily celebrated Snow Jam in Toronto. Members of Good Charlotte and blink-182 helped record the band's debut album. Simple Plan left behind their quirky, Ritalin-deprived teenage sound for their sophomore effort, <I>Still Not Getting Any...</I > in lieu of a more formulaic approach to commercial alternative music, unsurprisingly similar to that of Good Charlotte's proven commercial success and chart-crossing marketability.
- Eric Shea]]></description>
</item><item>
<title>Secondhand Serenade</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.10337388&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Emo/Hardcore</category>
<pubDate>Sun, 29 Nov 2009 09:28:16 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Secondhand Serenade</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10337388&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Forget your preconceptions about acoustic singer-songwriters. Secondhand Serenade's John Vesely bypasses the '60s folk image for a pumped-up sound that evokes emo rockers like Bright Eyes or Fall Out Boy instead of Jack Johnson.
- Nick Dedina]]></description>
</item><item>
<title>Good Charlotte</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.54467&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Pop Punk</category>
<pubDate>Sun, 29 Nov 2009 09:28:15 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Good Charlotte</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.54467&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.54467&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[D.C.-based punk-poppers Good Charlotte made the Top 40 in 2002 with the snarly hit "Lifestyles of the Rich And Famous." Since then, they've become awefully rich and famous, appearing in episodes of <i>MTV Cribs</i>, wherein they show off their whips and dubs and what not. The band is fronted by twin brothers Joel and Benji Madden, devout fans of spiky hair and eyeliner both. Billy Martin, Dean Butterworth and Paul Thomas fill out the lineup. The band rode blink-182's coat tails in the early '00s, dropping "Rich And Famous," as well as MTV staple "The Anthem" and touring the world. 2004's <i>Chronicles of Life and Death</i> went platinum, but failed to match the sales of its predecessor. In 2007, the band dropped <i>Good Morning Revival</i>, featuring single "The River," a song that indicated it was just fine staying the pop-punk course it struck gold with five years prior.
- Garrett Kamps]]></description>
</item><item>
<title>Bowling For Soup</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44642&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Pop Punk</category>
<pubDate>Thu, 5 Nov 2009 16:49:00 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bowling For Soup</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44642&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44642&amp;variant=data&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[While their teenage movie soundtrack-friendly version of Brian Adams' "Summer Of '69" may make Bowling for Soup an easy target for novelty dismissing, further listening will lead you to understand that this band plays contagiously hyper punk-pop with a heavy leaning on third-wave ska influences. Their uncanny talent for writing infectious power pop with soaring harmonies and diamond-edged melodies was honed three years after the band formed, the fruits of seemingly endless touring schedules. The bright parts of Bowling For Soup's songs shine when the band exercise their vacuum-tight playing and flawlessly interlocked vocal harmonies.
- Eric Shea]]></description>
</item><item>
<title>The Mars Volta</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.37340&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Fri, 20 Nov 2009 12:50:54 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Mars Volta</rhap:artist>
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<description><![CDATA[At the Drive-In added another chapter to the long, rich history of Texas music. But no sooner had fourth album <I>Relationship of Command</I> skirted the Top 100 before intra-band hassles finished the group off. Singer Cedric Bixler and guitarist Omar Rodriguez wasted little time in forming a new outfit that would build on At the Drive-In's version of the MC5's more avant-garde tendencies. Having already collaborated with Ikey Owens of the Long Beach Dub All-Stars and Jeremy Michael Ward in ATDI side project De Facto, they seemed prepared to head for new horizons after bringing them into the Mars Volta fold. The quartet released <I>De-Loused in the Comatorium</I> in 2003. Unfortunately, Ward overdosed not long after their tour for the album. In 2005, the Mars Volta returned with their second full-length, the ambitious song-cycle <I>Frances the Mute,</I> which, like their first CD, took its inspiration from rather gothic circumstances: Divided into five suites, it takes its subject matter from an anonymous diary found in the back of a car by their fallen compatriot, Jeremy Ward. The band continued releasing eccentric, complex material at nearly a one album per year pace: <i>Amputechture</i> (2006), <i>The Bedlam in Goliath</i> (2008), <i>Octahedron</i> (2009).
- Jaan Uhelszki]]></description>
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<title>Yellowcard</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.58231&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Emo/Hardcore</category>
<pubDate>Sat, 28 Nov 2009 09:38:24 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Yellowcard</rhap:artist>
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<description><![CDATA[Yellowcard's fortunes took a turn for the better when the Jacksonville, Fla., band headed off to Southern California in 2000. With their lineup solidified, Yellowcard released two independent EPs that richly captured their catchy emo-meets-punk-pop sound. Sharp songwriting and their idiosyncratic use of a violin helped set them apart from other similar-sounding bands. Capitol Records was intrigued enough by the offbeat combination to sign them in 2003. Their success continued with the release of <I>Ocean Avenue</I> in 2004, which spawned a series of hit singles and went double platinum. As their fortunes rose, internal tensions erupted, with original guitarist Ben Harper departing the band to focus on his indie label, Takeover Records. He was replaced by Ryan Mendez, previously in the punk band Staring Back.
- Michele K-Tel]]></description>
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<title>New Found Glory</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.50328&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Pop Punk</category>
<pubDate>Sat, 21 Nov 2009 13:42:42 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">New Found Glory</rhap:artist>
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<description><![CDATA[New Found Glory's high-test punk-pop is typified by massive guitars and Green Day-inspired vocals that thankfully come minus the fake British accents. These Drive-Thru Records stable-dwellers formed in Coral Springs, Fla., in 1997 and promptly released an EP, <i>It's All About the Girls</i>, that same year. Their 2000 EP, <i>From the Screen to Your Stereo</i>, a collection of creative and uncharacteristic covers of songs from movies, was well received and gave the band something of a distinctive identity among the legions of like-minded punk-pop scrubs operating at the time. By 2004, their fourth proper record, <i>Catalyst</i>, was holding down the No. 3 spot on the Billboard Album charts. The band has steadily toured and released studio and live albums since. An expanded, full-album sequel to <i>From the Screen</i>, suitably titled <i>Part II</i>, appeared in 2007.
- Mike McGuirk]]></description>
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<title>Bad Religion</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5551&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Punk</category>
<pubDate>Fri, 6 Nov 2009 12:47:21 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bad Religion</rhap:artist>
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<description><![CDATA[Bad Religion have the distinction of being the longest lasting Punk band from Los Angeles. For nearly twenty years now, they've upheld their tradition of thoughtful and intelligent lyrics (prompting some to call them "lexicon punks") and aggressive play. The chip on this band's shoulder might read "Perseverance Pays" -- despite self-releasing their debut <i>How Could Hell be Any Worse?</i> in 1980 on founding guitarist Brett Gurewitz's Epitaph label, it wasn't until 1988 when <i>Suffer</i>'s (empowering anthem "You are (the Government)" taught more than a few young punks the meaning of "jurisprudence") that the band made a significant splash and settled in for the long haul with a somewhat steady lineup and musical vision. Since then, audiences have received a new earful of gruff-voiced singer Greg Graffin's rants set to frenetic power-chording on a yearly basis. A fine example of staying power gleaned from remaining true (with minor tweaks for maintenance) to an original sound and intent.
- Doug Russell]]></description>
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<title>Brand New</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.58161&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Contemporary Hard Rock</category>
<pubDate>Fri, 27 Nov 2009 10:25:21 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=320&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss">Top Emo/Hardcore Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Brand New</rhap:artist>
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<description><![CDATA[You don't need to hear the song "Good To Know That If I Ever Need
Attention All I Have To Do Is Die" to know that at the very least, Brand
New have some emo elements floating around in their post-grunge broth.
Formed in 2000 in New York, the band took their pop-punk roots and shot
them through with a Radiohead-like propensity for total despair.
Thankfully they held on to the raggedy guitars.
- Mike McGuirk]]></description>
</item><item>
<title>Me First and the Gimme Gimmes</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7635&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Pop Punk</category>
<pubDate>Mon, 21 Sep 2009 09:29:23 -0700</pubDate>
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<description><![CDATA[Once upon a time, touring punk and indie bands didn't save their hits until the encore. This was probably because touring punk and indie bands didn't used to have any hits, but never mind that. The important thing is what they did with the encore instead: they played sloppy drunken covers of songs they'd loved as kids, songs that no right-minded indie rocker would ever admit to still liking unless they were drunk and/or some of their heroes suddenly played them and made them cool again. You know, songs by people like John Denver and Abba and Billy Joel. Me First and the Gimme Gimmes -- a semi-supergroup of punk luminaries -- play nothing but sloppy drunken encores of goofy old songs that we all like a lot more than we're willing to say.
- Tim Quirk]]></description>
</item><item>
<title>Angels &amp; Airwaves</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9544862&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Emo/Hardcore</category>
<pubDate>Mon, 26 Oct 2009 16:41:53 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">Angels &amp; Airwaves</rhap:artist>
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<description><![CDATA[Looking for a "more significant" means of expression after his blink-182 disbanded, singer/guitarist Tom DeLonge formed Angels and Airwaves in 2005. Comprised of former members of the Offspring and the Distillers, AVA (as they're also known) is an ambitious, far-flung concept from a songwriter better known for pop-punk hitmaking. While DeLonge's trademark emo-esque vocals are still evident, his lyrics delve deeply into optimistic themes of personal betterment and social change, perhaps arrived at during his involvement with the Kerry campaign in 2004. Musically, <i>We Don't Need to Whisper</i> is several degrees of complexity and grandiosity beyond blink-182, layered with guitar and synth overdubs, dramatic electronic flourishes and big-budget production.
- Jonathan Zwickel]]></description>
</item><item>
<title>Hellogoodbye</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6115217&amp;rws=%2Falt-punk%2Femo-hardcore%2Fartist-chart.rss</link>
<category>Pop Punk</category>
<pubDate>Thu, 19 Nov 2009 15:23:02 -0800</pubDate>
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<description><![CDATA[The first thing you'll notice about this poppy-punk quartet from Huntington Beach, Calif., is how much fun they have. Hellogoodbye doodle silly characters on CD covers, sing of crushes on ice cream scooper girls and bounce around to catchy guitars mixed with 80's era video game SFX. Yet, they aren't total goofs, jabbing high school dance themes with an anti-consumerist bent ("Jesse Buy Nothing...Go to Prom Anyways") and oozing sincerity-via-vocoder on the single "Here In Your Arms." They are also serious enough to operate under a DIY aesthetic, handling everything from artwork to recording and merchandising. In 2005, after only one self-titled EP, they had already put together the (text-message titled) DVD <I>OMG HGB DVD ROTFL</I>, exposing footage of their wildly enthusiastic stage show. Next up, their 2006 playfully titled full-length <I>Zombies! Aliens! Vampires! Dinosaurs!</I>, which contained re-tweaked versions of songs written and recorded (yet never released) four years earlier. 2006 saw the release of an EP of album re-mixes and the announcement of another DVD that documents their 2006 Warped Tour antics.
- Michele K-Tel]]></description>
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