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<title>Top Brit Rock Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link><description>Top Brit Rock Artists on Rhapsody Online</description><category>Brit Rock</category><language>en</language><ttl>720</ttl><pubDate>Fri, 4 Dec 2009 07:57:34 -0800</pubDate><image>
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<title>Top Brit Rock Artists on Rhapsody Online</title>
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<title>Coldplay</title>
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<category>Brit Rock</category>
<pubDate>Thu, 3 Dec 2009 22:53:18 -0800</pubDate>
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<description><![CDATA[Coldplay create sparse, emotional soundscapes, dripping with melancholy. The London-based quartet is singer Chris Martin, guitarist Jonny Buckland, bassist Guy Berryman and drummer Will Champion. Their debut album, <i>Parachutes</i>, was released in late 2000 in the U.S., and they quickly became a sensation. The record went No. 1 in the U.K. charts and won Best Alternative Music Album at the 2002 Grammys. Marked by Martin's falsetto-happy vocals, songs like "Yellow" and "Shiver" employ stop/start dynamics that allow serene verses to build to a crescendo, centering on the well-trodden theme of love. Sophomore effort <i>A Rush of Blood to the Head</i> took home two Grammys and earned a spot on <i>Rolling Stone</i>'s "500 Greatest Albums of All Time" list. Hits "Clocks" and "In My Place" were wistful and romantic, labeled by some as radio-friendly Radiohead. The group's third album, <i>XandY</i>, became the best-selling album of 2005, and "Speed of Sound" topped the year's charts worldwide. After conquering the charts and the Grammys, Coldplay shifted their focus from chart-topping anthems to a more experimental approach for their fourth album, <i>Viva La Vida or Death and All His Friends</i> (which nevertheless topped charts upon its release). With ambient maestro Brian Eno co-producing, the 2008 album was an intriguing progression for the band, featuring a mix of global influences, classical strings, heavy piano and glistening bits of dreamy electronics.
- Dan Shumate]]></description>
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<title>Muse</title>
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<category>Brit Rock</category>
<pubDate>Mon, 30 Nov 2009 10:00:42 -0800</pubDate>
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<description><![CDATA[Growing up in the quiet English town of Devon, the three members of Muse dreamed of being in a rock band. At the tender age of 13, they did just that by forming (ahem) Gothic Plague. A few years and name changes later, the trio chose the name Muse and settled into their dramatic, Queen and Radiohead-inspired style of Brit rock. In 1997, they released a self-titled EP, followed by the <I>Muscle Museum</I> EP a year later. "Muscle Museum" was highly touted in the British press and the buzz over Muse was officially on. The trio signed to Madonna's Maverick Records after playing a music industry show and released <I>Showbiz</I> in 1999. <I>Origin of Symmetry</I> followed in 2001 and the band enjoyed some radio success. But they weren't able to break through in the U.S. until the release of 2003's <i>Absolution</i>, which made its way to the top of the <i>Billboard</i> Top Heatseekers chart. Their success continued to grow with the release of 2006's bombastic <i>Black Holes and Revelations</i> and the even more bombastic 2009's <i>The Resistance</i>, which captures Muse at their weirdest, grandest and most ambitious.
- Linda Ryan]]></description>
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<title>Radiohead</title>
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<category>Brit Rock</category>
<pubDate>Thu, 3 Dec 2009 22:55:01 -0800</pubDate>
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<description><![CDATA[One of the 1990s' greatest success stories, Radiohead came to prominence largely on the success of their distorted, ingratiating single "Creep." Drolly repeating "I'm a creep / I'm a loser" in the pounding wake of arena rock guitars wasn't going to win them any artistic grants, but those lyrics and bouts with piercing feedback would not be soon forgotten. It wasn't until <I>The Bends</I> (1995) that Radiohead transcended the formula, crafting the patient, heart-wrenching "Fake Plastic Trees" and the magnetic, sunshine-driven "Black Star." Thom Yorke's signature falsetto began to operate in a more deeply emotional capacity at this point. Finally producing to the caliber of their songwriting, Radiohead's <I>OK Computer</I> demonstrated a staggering attention to detail, probably ranking as one of the greatest commercial artistic successes of the '90s. Rarely does a record offer masterpieces in varying moods. From the thunderously suspenseful "Airbag" to the moody chime of the blustery "Let Down," Radiohead emerged victorious. The alt-rock superstardom and critical gushing that followed pushed them into their darkest and most creative space yet, and they delivered the electronic-tinged <I>Kid A</I> in 2000 and <I>Amnesiac</I> in 2001. Many critics and fans claimed to not "get" the group's twisted, skittering melodies and complicated, chorus-free rock songs but to the devout the band's cerebral art rock was like manna from the heavens. 2003's <I>Hail to the Thief</I> offered up a mixture of guitar-driven tracks amid a more restless desire to experiment. In 2007, Radiohead shook up the music industry with <i>In Rainbows</i>, an album released via their website in which fans could name their own price.
- Kelly Bauman]]></description>
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<title>Snow Patrol</title>
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<category>Brit Rock</category>
<pubDate>Thu, 3 Dec 2009 22:53:06 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<description><![CDATA[Mild-mannered indie-popsters take the slow boat to slackersville, warmly shuffling and strumming though mid-tempo gems. Quiet vocals, lazy mid-tempos, and quirky charm rule the coop.
- Kelly Bauman]]></description>
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<title>Oasis</title>
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<category>Brit Rock</category>
<pubDate>Thu, 3 Dec 2009 22:53:15 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">Oasis</rhap:artist>
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<description><![CDATA[The quintessential "anyone can do it" rock band, Oasis were signed to Creation Records following their storming of an 18 Wheeler show, demanding that label-boss Alan McGee allow them to perform. This successful brand of "laddishness" has helped them become England's kings of rock 'n' roll in the '90s while doing a fair amount of barnstorming in America. Their simple, effective blend of T-Rex swagger, Johnny Rotten sneer, and Beatles melodies has proved to be a winning formula. Known as much for their antics as for their music, the brothers Gallagher have involved the public in their own personal temper tantrums, brought the Cocaine Ego back from the '70s, and once ashed on Mick Jagger's head. Controversies aside, they've managed to write some genuinely effective music and revitalize the spirit of rock 'n' roll with only a modicum of copyright infringement lawsuits.
- Jon Pruett]]></description>
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<title>Keane</title>
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<category>Brit Pop/Brit Rock</category>
<pubDate>Fri, 20 Nov 2009 12:50:57 -0800</pubDate>
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<description><![CDATA[The three members of Keane grew up together in Sussex, England and formed the band in the late-1990s. With soaring melodies and choirboy falsettos, Keane's sound is often compared to such bands as Coldplay, Travis and Radiohead -- despite the fact that there's nary a guitar to be found in Keane's music. Making the most of very little, Keane's epic, cinematic sound brims with gut-wrenching melodies telling stories of heartbreak and romance. Their 2004 debut, <I>Hopes and Fears</I>, is particularly impressive.
- Linda Ryan]]></description>
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<title>Franz Ferdinand</title>
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<category>Post-Punk</category>
<pubDate>Thu, 3 Dec 2009 22:53:21 -0800</pubDate>
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<description><![CDATA[Formed in Glasgow in 2001, the quartet didn't release their first EP until 2003. When the <I>Darts Of Pleasure</I> came out, it was as though their lean, romantic, and often danceable form of post-punk fell right from the pages of a <I>Smash Hits</i> from twenty years prior. In their formative years, most of the band were students at the Glasgow School of Art and spent their time practicing music at a spot called the Chateau, a music/art space along the lines of Andy Warhol's Factory. The group's smart and slightly oily brand of angular pop was soon embraced by press and fans, whose appetites for a post-punk revival were whetted by the success of bands like Interpol and Hot Hot Heat. They finally released their first full-length in 2004. The LP's unorthodox but unstoppable single "Take Me Out" quickly took off all over the world. In the summer of 2005, Franz Ferdinand built on that success with <I>It Could Be So Much Better</I>, which actually lived up to its title by bettering their winning debut. The Scots then released their third album in early 2009. Stripping away some of their post-punk roots, the band opted to load <i>Tonight</i> with disco-punk beats and spacey synths, making it some of their most experimental and upbeat material to date.
- Jon Pruett]]></description>
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<title>Gomez</title>
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<category>Brit Rock</category>
<pubDate>Mon, 30 Nov 2009 10:00:40 -0800</pubDate>
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<description><![CDATA[British guitar bands that offer more than expensive haircuts and fancy trousers can be a rare find. Enter North England's Gomez. Their 1998 debut, <I>Bring it On</I>, beat out the Verve's <i>Urban Hymns</i> and Massive Attack's <i>Mezzanine</i> (both fine albums in their own right) for the U.K.'s prestigious Mercury Music Prize Album Of The Year. Their music braids vines of organic roots music with strands of bubbly dance production, but their songs tend to stick closer to the soil than the dancefloor. Three singers and two drummers mean a lot of ground can be explored, and Gomez are always willing to go where no Brit has gone before. They've garnered many comparisons to the Band thanks to their innovative take on Americana (<I>MOJO</I> magazine even put them on a cover aping the cover art of <i>The Basement Tapes</i>). One singer barks out lyrics with a warm Eddie Vedderesque rasp, while a second adds your standard, shy-voiced English indie kid, and a third inflects like a very young Tom Waits. Since each one is also a songwriter, the band's best moments feature three different personalities coming together on one soaring vision. And that, good people, is what you call musical chemistry (in it's most pure and dynamic form). With the energy, enthusiasm and passion of young people seeing the world for the first time, they weave in and out of Beatle-inspired power pop, bluesy laments, triumphant rockers or extended cosmic jams -- all the while retaining the kinetic Gomez sound.
- Eric Shea]]></description>
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<title>Arctic Monkeys</title>
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<category>Indie/Alternative</category>
<pubDate>Thu, 5 Nov 2009 16:49:23 -0800</pubDate>
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<description><![CDATA[If anything, Sheffield, England's Arctic Monkeys are a harbinger of the second coming of Brit pop. Hailing from the same geographical terrain that gave the world Jarvis Cocker and Def Leppard, this four-piece outfit combines high and low culture with dash and a snotty confidence that belie a band that began life in a college classroom. Alex Turner and Matt Helders found common cause at Barnsley College in 2002, after discovering that they both had unreasonable devotion to the music of the Smiths, the Clash, the Jam, Oasis and, oddly, the Queens of the Stone Age. Naturally such credentials led to the new pals deciding to start a band, with Turner taking the slot as the guitarist and Helders as the drummer. The trouble was they didn't have any equipment, so they asked their respective parents for instruments the next Christmas. After they packed away the last of the holiday ornaments, the two 16-year-olds began rehearsing in earnest in a nearby warehouse, drafting rhythm guitarist Jamie Cook and bassist Andy Nicholson to round out their arch and bratty sound. Soon this newfound outfit was penning lyrics full of suburban ennui, swagger and intellectual promise, all underpinned with breathless guitar riffs that teetered on the edge of punk. Within a year they had enough songs to fill out a set, with lyrics about fighting boredom in the British suburbs while scattering brainy schoolboy references to Shakespeare's Capulets and Montagues and DJ culture! like they were empty beer bottles and crumpled cigarette packages. But underneath all the brittle cool, the Monkeys disseminated surprisingly sage advice about life, love and the perils of the nighttime world. Their songs stood out from the brat pack because they combined a high-minded archness while exploring a generational existential claustrophobia; because of that they struck a deep chord with U.K. fans, who saw their own dilemma mirrored in the lyrics. Domino Records noticed the fervor they were creating -- from selling out clubs to appearing on the Carling Stage at the 2005 Reading and Leeds festivals, with fans singing along to all their songs -- when they hadn't even released a CD. The band was hounded so much by label scouts that for a time they barred them from their gigs, b! ut Domino prevailed, and signed the young musicians in June 2005, when the oldest member was a mere 18. Within months, they had put out their first EP, <I>Five Minutes With the Arctic Monkeys,</I> limiting the release to only 1,000 CDs and 500 7-inch records, but allowed their songs to be downloaded, showing their devotion to digital music culture. Their first album, <I>Whatever People Say I Am, That's What I Am Not</I>, was on shelves in the U.K. by January 2006 and became the fastest selling debut album in U.K. chart history, securing the No. 1 spot. When <I>Whatever People Say I Am, That's What I Am Not</I> finally was released on our shores the next month, it sold a healthy 360,000 copies in its first week, and as a result it secured the honor of becoming the second-fasting selling debut indie album in America.
- Jaan Uhelszki]]></description>
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<title>The Verve</title>
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<category>Brit Rock</category>
<pubDate>Thu, 12 Nov 2009 19:09:52 -0800</pubDate>
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<description><![CDATA[Arriving in 1991 amidst a smattering of English bands with monosyllabic names and breathy-voiced, indie/dance crossover potential, Verve's "All in the Mind" was starry-eyed rock 'n' roll for the rave and shoegazing generation. Amidst a haze of heavenly metaphors, headphone-splitting singles and a debut record smothered in half-lidded narcosis, Verve's strong points were immediately apparent: hours spent practicing in smoky warehouses had outfitted the band with a rhythm section that rumbled along like a medicated steam engine, making for live performances that were nothing short of blistering. Although born-to-be-a-frontman Richard Ashcroft was prone to taking the stage in full shamanic poses, there was no doubting the sincerity of this band. If a barefoot Ashcroft cried out, "I wanna know and I wanna feel" with arms outstretched while fronting a sea of slow, muted thunderclaps topped by Nick McCabe's lilting guitar cries, you wanted to know and feel as well. Never achieving much success until the release of <I>Urban Hymns</I> (1997), newly christened the Verve consistently toured the U.S to a small yet furiously loyal cult audience, performing shows that were huge, rock-from-outer-space events packed into tiny clubs. Tensions grew along with their success, culminating in the official split of the band early in 1999. Ashcroft launched a solo career and other members worked in various projects including guitarist Simon Tong's contributions with the Good, the Bad & the Queen. In June 2007, however, the band announced a reunion tour, which would lead to their first album in over a decade, 2008's <i>Forth</i>.
- Jon Pruett]]></description>
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<title>Paul Weller</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.69211&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Thu, 3 Dec 2009 22:55:44 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Paul Weller</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69211&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Paul Weller hasn't achieved the same level of fame in the U.S. as he has throughout the rest of the world, but still remains a major force in rock 'n' roll. Now a revered elder statesman in Britain, Weller is the musical equivalent of Martin Scorsese and Steven Spielberg. A rabid student of rock and soul, he transformed a love of 1960s British Invasion and American R&B into highly personal music that pays homage to his influences while transforming them at the same time. A professional since the age of 14, Weller led his outfit, The Jam, to the top of the U.K. charts throughout the late 1970s and early '80s. Weller went on to form The Style Council, a pop act that embraced retro soul, jazz, lounge music, and folk. The act initially found great success (even in the States), but Weller entered the 1990s as a solo act without a record deal and a reputation as yesterday's man. Forging ahead, his first self-titled solo album was a heartfelt affair that embraced 1960s rock and early '70s psychedelic soul to excellent effect. When Weller released <I>Wild Wood</I> in 1993 his career and reputation rebounded, he was re-embraced by the fickle British public and press, and he's only strengthened his position with such fine albums as <I>Stanley Road</I> (1995), <I>Illumination,</I> (2002), and the acoustic career retrospective <I>Days of Speed</I> (which includes updates of Jam and Style Council cuts). Driven, hardworking, and undeniably talented, Paul Weller has released consistently strong and relevant material over the course of four decades. It's hard to think of another artist in pop with a similar track record over an equal span of time.
- Nick Dedina]]></description>
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<title>Elbow</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.36183&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Thu, 26 Nov 2009 11:27:14 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Elbow</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.36183</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.36183&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.36183&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Elbow's grandiose whisper rock is a bit murkier and moodier than any of their Coldplay-aping brethren. The Manchester-based group digs deep into its collective mindset and finds that what's inside is not often pretty. Often sounding desperate and disenchanted, the group continuously rises above the moody malaise by providing redemption via brash climaxes, made vivid through sparkling notes and heavenly choruses.
- Jon Pruett]]></description>
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<title>The Kooks</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.11113636&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Thu, 3 Dec 2009 22:53:21 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Kooks</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.11113636</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.11113636&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.11113636&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Taking their name from a David Bowie track on <i>Hunky Dory</i>, which in turn was a word the Dame was using to describe his infant son, The Kooks risked accusations of cute posing before even playing a note. Not to worry, though; these four Brits from the Brighton Institute of Modern Music proved perfectly capable of living up to their influences. Their finely tuned pop songwriting abilities, all jangly guitars and sing-along lyrics, were immediately apparent with their debut single "Naive," which singer Luke Pritchard claims to have written when he was 16. This hit helped their debut long player, 2006's <i>Inside In/Inside Out</i>, to achieve triple platinum in the UK, with sellout shows following in the US. In 2007 they announced that their pending second album would be produced by Tony Hoffer.
- Nicholas Baker]]></description>
</item><item>
<title>Mika</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.12188&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Pop</category>
<pubDate>Thu, 3 Dec 2009 22:54:02 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mika</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12188&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12188&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Mika's sugary wonderland of gender-bending, campy pop topped with a flawless falsetto has earned him respectable comparisons to the likes of Freddie Mercury, David Bowie and the Scissor Sisters. Born in Beirut as Michael Holbrook Penniman, he moved with his family from Lebanon to Paris and eventually settled in London when he was nine years old. The move proved troubling for him, as he faced bullying at school and the onset of dyslexia. Mika's focus turned to music when he began intense training with a Russian singing teacher, which led to professional performances at the Royal Opera House and advertising gigs for British Airways and Orbit Chewing Gum. He studied classical music at the prestigious Royal College of Music, but dropped out to focus on his career. Mika's first step into the fickle pop world was the release of his single "Relax, Take It Easy," but it was "Grace Kelly," a stab at those who didn't believe in his musical potential, that shot him to No. 1 on the U.K. charts in early 2007. His debut album, <i>Life in Cartoon Motion</i>, soon followed the same chart-topping path.
- Stephanie Benson]]></description>
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<title>Doves</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.21825&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Pop/Brit Rock</category>
<pubDate>Wed, 14 Oct 2009 12:06:51 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Doves</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.21825&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Life for the Doves started at the outset of the 1990s when, at the height of Madchester, Sub Sub released the disco-charged, acid house-dripping single "Ain't No Love, Ain't No Use." Disillusioned with the faceless entity of house, the trio traded in their backing tracks for real instruments. The new attitude needed a new name: Doves. The Manchester trio's debut offers a whirling flourish of guitars that ebb and flow with an intensity on par with Travis or Radiohead only less wistful. In fact, one hangover from the band's house days is their ability to accentuate the positive. With a wash of distorted guitars and steady, booming rhythms, Doves create widescreen music that employs the occasional falsetto for dramatic, melancholy-meets-mayhem effect. Doves are still very much an evolving entity, so while it's true that few of their songs resemble each other, it's also true that they sit well together -- very well, indeed.
- Linda Ryan]]></description>
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<title>Thriving Ivory</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.8990302&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Tue, 24 Nov 2009 09:38:53 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Thriving Ivory</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.8990302&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Although the first impression of Thriving Ivory comes from the searing falsetto of frontman Clayton Stroope, the big rock ballads written by band mastermind and pianist Scott Jason make him the true architect of the band's sound. Jason recruited Stroope to sing his songs while both were students at UC Santa Barbara. They gained audiences in Northern California after putting together a backing band with a handful of San Francisco Bay Area natives -- guitarist Drew Cribley, bassist Bret Cohune and drummer Paul Niedermier -- and putting together a self-released demo with the help of Jellyfish alumnus Chris Manning. That recording made an immediate impression on radio audiences in San Francisco in 2005, helping the band rise from unsigned hopefuls to phone-in favorites on the strength of a pair of barn-burning modern rockers, "Overrated" and "Angels on the Moon." In 2007 the band signed to Wind-Up, which helped them nab ubiquitous rock producer Howard Benson for their self-titled debut, which was released in June 2008.
- Nate Cavalieri]]></description>
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<title>Kasabian</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6857786&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Thu, 3 Dec 2009 22:53:08 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Kasabian</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6857786</rhap:artist-rcid>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6857786&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Taking their name from Charles Manson's getaway driver Linda Kasabian and their musical manifesto from electro-rockers the Lo-Fidelity Allstars, Kasabian brought a dose of squatters-rights polemic to the charts when their debut self-titled album reached No. 4 in the U.K. in September 2004. Add an apprenticeship on the East Midlands nosebleed techno scene and, in singer Tom Meighan, a Liam-esque way with a soundbite -- "The Stones, the Roses, Oasis, we're in that line" -- and it's clear these Leicester aggro-merchants may yet cause as much mayhem as their recreational idols the Happy Mondays.
- Paul Moody]]></description>
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<title>The Stone Roses</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.862&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Pop/Brit Rock</category>
<pubDate>Thu, 3 Dec 2009 22:53:20 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Stone Roses</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.862&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The roots of the Stone Roses go back to 1980, when John Squire and Ian Brown took a turn playing Mod rock in the band English Rose (named after a Jam song), which by 1985 had morphed into the Stone Roses. The Manchester band released two dark, Goth-leaning singles to underwhelming response, but did manage to get signed by Silvertone in the process. Thanks in part to producer John Leckie, the third single was the charm for the Stone Roses; "Elephant Stone," a lighter, jangly pop song, set the wheels in motion for what would be called the "Madchester" craze. The band's near-flawless debut, released in May 1989, showcased John Squire's love for '60s hooks set to House-inspired beats that defined the "baggy" sound. At least four singles were culled from the band's debut album, and by the end of the summer, the sun was shining on the quartet. Legal troubles with Silvertone meant a five year delay for their follow-up, and when <I>Second Coming</I> was finally released in late 1994, the world was in the throes of Grungemania. The Stone Roses limped along as member after member left, until finally packing it in late 1996.
- Linda Ryan]]></description>
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<title>Kaiser Chiefs</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6774670&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Sun, 13 Sep 2009 09:19:45 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Kaiser Chiefs</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6774670&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6774670&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Inspired by Brit icons -- from the Kinks and the Jam to Oasis and Blur -- the Kaiser Chiefs' mod vibe and post-punk hooks quickly grabbed the attention of postmillennial listeners searching for a new brand of old rock. The lads from Leeds took their name from the South African football club Kaizer Chiefs, in honor of former player Lucas Radebe, who also captained the Leeds United team. Although their bopping rockers "Oh My God" and "I Predict a Riot" first released in 2004, their mainstream success came after the re-issues of these singles in 2005, helping bring their critically-praised debut album, <i>Employment</i>, to the masses. The buzz in the U.K. soon spread and the quintet became popular among hipsters digging the newest crop of Brit bands like Bloc Party, Franz Ferdinand and the Futureheads. The Chiefs became known for their energetic performances, opening the 2005 Philadelphia Live 8 concert and appearing at numerous U.K. festivals, earning them a 2006 Brit Award for Best British Live Act. In early 2007, they released <i>Yours Truly, Angry Mob</i>, with lead single "Ruby" reaching No. 1 on the U.K. charts.
- Stephanie Benson]]></description>
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<title>Aqualung</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7046191&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Sun, 22 Nov 2009 10:09:54 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Aqualung</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7046191&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Matt Hanes grew up above his parent's record shop and was playing piano and
writing songs by the age of four. Not surprisingly, he was awarded a scholarship to study music composition when he was 16; by the next year, he was conducting a 60-piece orchestra. When Hanes finished up his studies, he formed a band with his brother Ben. Dubbed Ruth, the band signed to a major label and released the album, <I>Harrison</I> to favorable reviews and airplay support from the omnipresent BBC Radio 1. However, the band was wracked by continuous in-fighting, and imploded. A mere 18 months later, in 2000, Matt and Ben are signed once again, this time under the moniker The 45's. The brothers released two well-received singles and toured with the likes of Cooper Temple Clause and the Electric Soft Parade. Once again, they failed to ignite and it wasn't long before Hanes decided to try his luck as a solo artist. Embracing his classical past, Hanes kept busy writing songs, submitting tunes to an ad agency who were looking for music for a forthcoming Volkswagon commercial. That television commercial reached millions, and drove patrons into music stores all over the U.K. trying to buy "that song" in the Volkswagon commercial. The BBC's Radio 1 jumped on the bandwagon, creating even more of demand for more of Hale's music, and in 2002, Aqualung was born. For his part, Hanes was happy to turn that 30-seconds of pop perfection into his debut album, <I>Strange and Beautiful</I>. Aqualung's second effort, <I>Still Life</I>, was released in the U.K. in early 2004. By the following year, Hales had an America deal and released an album (also called <I>Strange and Beautiful</I>) which combined songs from their two
U.K. releases for the United States.
- Linda Ryan]]></description>
</item><item>
<title>Stellastarr</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.67228&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Post-Punk</category>
<pubDate>Thu, 26 Nov 2009 11:27:54 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Stellastarr</rhap:artist>
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<description><![CDATA[Stellastarr formed at an art school in Manhattan in 2000. Following a succession of club shows, the band began to gain a reputation for moody, mopey and yet highly energetic pop music. With a sound that harkens back to the glory days of early alternative music (think the Smiths, Jesus & Mary Chain) and a slightly Pixies-esque tendency to shriek, the band started making waves in a town already filled with wave-makers. Stellastarr's persistence and strong live performances saw them rise to the top of the haircut brigade. In 2003, they cut their first major label deal and released a self-titled debut album.
- Jon Pruett]]></description>
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<title>Starsailor</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.55122&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Sun, 22 Nov 2009 10:09:56 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Starsailor</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.55122&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Although Starsailor took their name from the title of a 1970 Tim Buckley album, they're usually compared to Radiohead. Like Buckley and Radiohead's Thom Yorke, Starsailor frontman James Walsh employs an emotive, multi-octave vocal style that drips with hope, longing and despair. Formed in Chorley, England, Starsailor played their first London show in April 2000. The concert evoked an immediate reaction, and they were signed to EMI a few months later. The band's first single, "Fever," generated acclaim in the U.K., but it was its follow-up, the stunning "Good Souls," that proved Starsailor were more than just Radiohead lite. The group cemented that reputation in the U.K., at least -- on their full-length debut, 2002's <I>Love Is Here</I>. The band made inroads in the U.S. via a mini tour with the Doves and then again on their own, but they have yet to break out beyond the college and Anglophile markets.
- Linda Ryan]]></description>
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<title>Stereophonics</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7793&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Wed, 8 Jul 2009 13:07:15 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Stereophonics</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7793&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A band that rocks more than they pop, Sterophonics still seem to have an uncanny knack at getting both right: well-written songs rife with hooks and energy and a singer whose Rod Stewart-esque voice can belt out a clever lyric and catchy melody line.
- Will Lerner]]></description>
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<title>Travis</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.274&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Fri, 20 Nov 2009 12:50:55 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Travis</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.274&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.274&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Named for Harry Dean Stanton's catatonic character in the cult classic <I>Paris, Texas</I>, Travis came on to the British music scene like...well, like any other British band. Oversized quotes about Travis being the best band in the world read like pop culture deja vu in the British weeklies, but after Travis' 15 minutes were up, the band refused to go away. They strayed away from the Oasis/Slade sound and spent a while approximating Thom Yorke's crew before birthing their own infectious (and less heady) brand of guitar pop. The songs are well written and even crafty at times, but still sometimes reminiscent of Radiohead's former formula of catchy radio pop (don't think beyond <i>The Bends</i>).
- Eric Shea]]></description>
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<title>The Libertines</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.65770&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Garage Rock Revival</category>
<pubDate>Wed, 26 Aug 2009 10:39:56 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Libertines</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.65770&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Libertines' music celebrates the Class of '77 (the Clash's Mick Jones produced their 2002 debut) with abandon, while also tossing in nods to the romantic melodicism of everyone from the Smiths to the Strokes. On their best moments, however, they play something wholly their own: relentlessly poppy punk rock, seething with wit and spittle. The group succeeds by avoiding polish, instead keeping the guitars ragged and rough, delivering a good time for those who prefer their knees up and jackets leathered.
- Jon Pruett]]></description>
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<title>The Feeling</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.11039641&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Fri, 20 Nov 2009 12:50:52 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Feeling</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.11039641&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>Razorlight</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6438777&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Thu, 3 Dec 2009 22:53:12 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Razorlight</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6438777&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A long-term habit of the London live circuit, photogenic singer-songwriter Johnny Borrell recruited bassist Carl Dalermo and wonderfully named guitarist Bjorn Agren from trade ads and added school friend Christian Smith-Pancorvo (drums) to form Razorlight in 2002. Having announced his arrival via an <I>NME</I> interview in January 2004 with the opening declaration "Firstly, I'm a genius," Borrell has since ruffled feathers and raised teenage temperatures in equal measure. Combining the speedy power pop of the Strokes with a world weariness reminiscent of the Kinks' Ray Davies, Razorlight's debut album, <I>Up All Night</I>, also boasted a hardwired tunefulness which saw it enter the charts at No. 3 in summer 2004, swiftly followed by radio-friendly Top 10 ballad "Golden Touch." Following "musical differences," drummer Smith-Pancorvo duly left the band to be replaced by Winchester-born Andy Burrows, who debuted at a secret gig at the Kentish Town Bull & Gate in May 2004. Whether ruminating on love gone wrong ("Vice"; "To The Sea"), nocturnal scrapes ("Don't Go Back To Dalston," "Rock 'n' Roll Lies") or rejoicing in rock 'n' roll's inexplicable power to thrill ("Rip It Up"), Borrell remains a charismatic torchbearer for U.K. rock.
- Paul Moody]]></description>
</item><item>
<title>Charlatans U.K.</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.8090&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Pop/Brit Rock</category>
<pubDate>Tue, 18 Aug 2009 18:09:31 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Charlatans U.K.</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.8090&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Running from their foundations in Madchester ravadelia to the current media infatuation with Brit pop, The Charlatans have produced dreamy, lilting songs that scale European rock traditions. A dense wash of creamy psychedelic guitars accented by warm organ vibrations and beautiful vocal harmonies, their sound is at once nostalgic for the peak of the British Invasion and sits atop the summit of Madchester's psychotropic excesses. Their greatest successes are in their most melancholic songs as great swells of instrumentation sweep emotive vocals upward into a hopeful light.
- Marc Kate]]></description>
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<title>The Wombats</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.12090935&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Pop/Brit Rock</category>
<pubDate>Sat, 18 Jul 2009 11:11:54 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Wombats</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12090935&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Not to be mistaken for the marsupials of Australian descent, these Wombats originated in 2003 when they were enrolled at Sir Paul McCartney's Liverpool Institute for Performing Arts. The trio chose to follow a familiar lineage of U.K. bands who prefer to pass the dreary England days playing snarky, spiky, dancy pop-punk. Like the Arctic Monkeys, Kaiser Chiefs, Franz Ferdinand and Art Brut, the Wombats use rebellious humor to coincide with their woozy, high-energy riffs. Their first single, "Lost in the Post," was released in 2006 and helped garner them a sizable following that was good enough to earn them the honor of being the first unsigned act to sell out Liverpool's Carling Academy. They subsequently were signed to 14th Floor Records and released their debut album, <I>A Guide To Love, Loss & Desperation</I>, soon after.
- Stephanie Benson]]></description>
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<title>Editors</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.8858182&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Post-Punk</category>
<pubDate>Fri, 9 Oct 2009 10:32:50 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Editors</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.8858182&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In the post-Oasis Brit rock environment, one of the worst things an aspiring indie rock band could be was educated to degree level -- evidenced as late as 2005 by Liam Gallagher describing Bloc Party as "a band off [U.K. student quiz show] <I>University Challenge</I>." Not that this seems to have fazed Editors, who have no qualms about discussing their formation at Staffordshire University, a distinctly unfashionable seat of higher education. They also remain undaunted that they're firmly domiciled in Birmingham, England's out-of-favor second city. Indeed, these resolutely anti-hipster, anti rock 'n' roll stances have possibly fired alienated hearts with enthusiasm for their bleak, driving and remorselessly serious take on jerky, Joy Division-inspired post-punk. Signing to Newcastle label Kitchenware in late 2004, Editors scored a neat PR coup by selling out their first single, "Bullets," in only 24 hours -- a remarkable feat, until you learn that just 500 singles were pressed up. However, the band's rise was firmly fixed when "Munich," their second single, catapulted them into the UK Top 30. That set the scene for "Blood," their propulsive follow-up single, (which went Top-20) and their debut album, <I>The Back Room</I>. Finally unleashed on the US in March 2006, Editors now look poised to inject a strong dose of old country goth into the sunny States: What price on them becoming the new Cure?
- Jamie Dolling]]></description>
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<title>Clinic</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.59014&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Post-Punk</category>
<pubDate>Fri, 29 May 2009 09:35:43 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Clinic</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.59014&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.59014&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[When Clinic debuted in 1997 with the single "IPC Sub-Editors Dictate Our Youth," the group sounded like some off-kilter art-punk group who cut their teeth on the Fall, Jamaican dub and the last few minutes of the Velvet Underground's "Sister Ray." The band's rhythmic post-punk was completely out of step with the rest of the musical landscape, and they seemed destined to become one of the first few great, original groups of the new millennium. The fact that they all wore surgical masks was perhaps the only shtick; the music itself was vibrant and totally original. Their 2001 release, <i>Internal Wrangler</i>, helped remove any doubts about the band's unique vision, which infused subterranean, discordant punk with melodica solos and blasts of guitar. Both 2002's <i>Walking With Thee</i> and 2004's <i>Winchester Cathedral</i> contain plenty of the jagged spark that made their early records so vital. <i>Visitations</i> appeared in October 2006.
- Jon Pruett]]></description>
</item><item>
<title>Athlete</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5317529&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Sat, 7 Nov 2009 11:26:26 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Athlete</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5317529&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Like so many other British rock bands in the late 1990s, South London four-piece Athlete were caught in the slipstream of Oasis. With a bevy of conventional rock songs and gigs in the usual venues, they attracted the attention of a myriad of record company execs. But rather than taking these early indicators of approval as a license to rock out, they chose to reassess their aims and musical tastes. The quirky <I>Vehicles and Animals</I> shows that shift to a unique and singular aesthetic vision -- the proof being that their music has drawn comparisons to so many disparate groups. Pavement and XTC are the easiest reference points, but Athlete could just as easily share a stage with Super Furry Animals, Mercury Rev, Beta Band or Gomez. Impressively, singer Joel Pott was even able to chronicle life in a band ("El Salvador") with good humor and not a hint of self-pity. <I>Tourist</I>, their 2005 release, showcased the group's growing confidence with a stripped-down sound relying heavily on Pott's breathy delivery and some epic ballads. The CD earned commercial and critical success and Athlete a not-too-far-from-top-billing on the 2005 European outdoor festival circuit.
- Neil West]]></description>
</item><item>
<title>Teenage Fanclub</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5012&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Power Pop</category>
<pubDate>Thu, 29 Oct 2009 10:54:30 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Teenage Fanclub</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5012&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In the early 1990s, Teenage Fanclub managed to bridge the gap between aging rock critics and the indie kids who'd never heard Neil Young or Big Star. Coveted by both groups of music aficionados, <I>Bandwagonesque</I> (1991) was a landmark record that fused achingly brilliant melodies with loud, ringing guitars. Marked by simple lyrics and lines such as "Saw you there with long, blonde hair / Eyes of blue / Oh baby, I love you," it brought the band major attention and was a far cry from the J Mascis-inspired sludge of their debut. After losing drummer Brendan O' Hare to his own Telstar Ponies, the band recruited Paul Quinn for <I>Grand Prix</I> (1995), a record which found them abandoning distortion for clear, twin lead guitars and an emphasis on Country Rock (a direction they perfected on <I>Songs from Northern Britain</I> in 1997). Although the band have yet to climb into the pantheon from which they so liberally borrow, they have released a series of confident, pop-worshipping records that will only become more inspired with age.
- Jon Pruett]]></description>
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<title>The Veils</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.68033&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Fri, 25 Sep 2009 10:14:33 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Veils</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68033&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68033&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[As the son of Barry Andrews (XTC, Shriekback), Veils' frontman Finn Andrews grew up heavily influenced by music. But life changed for him as a young boy: he and his mother moved New Zealand, where music became his means of escape. At 17, Andrews left school, and Auckland, and moved back to London. He eventually met up with Oliver Drake (guitar), Adam Kinsella (bass), and Ben Wollacott (drums), and the Veils were born. The band signed to U.K. indie Blanco Y Negro, but things between the band and the label became strained, and a court battle ensued. The Veils won the battle and were allowed to keep their recordings. Geoff Travis of Rough Trade then signed them to his label, which released <I>The Runaway Found</I> in 2004.
- Linda Ryan]]></description>
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<title>Maximo Park</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7418951&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Thu, 10 Sep 2009 12:14:33 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Maximo Park</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7418951</rhap:artist-rcid>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7418951&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Spacehog</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1369&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Thu, 29 Oct 2009 18:30:25 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Spacehog</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1369&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1369&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Spacehog used to be a Madchester band called Hollow Men. After leaning heavily on the wah-wah pedal and big flares, they tightened up their act, dove headfirst into a vat of yesterday's glitter and became Spacehog. Mining roots from the Glam-ily tree, Spacehog fused the Bowie-esque inflections of singer Royston Langdon with his brother Ant's Mick Ronson/Marc Bolan style of guitarrorism. Drummer Johnny Cragg uses his bionic arms to pound out otherworldly rhythms last heard from Keith Moon. Although Cragg has yet to adopt the double bass set up, his rhythmic ingenuity and skilled dedication to hitting things with sticks is a sheer joy to hear or watch live, especially when the guitar player rocks the blue-glitter motorcycle helmet on stage.]]></description>
</item><item>
<title>Oceansize</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5278366&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Thu, 8 Oct 2009 11:44:56 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Oceansize</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5278366&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5278366&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>Primal Scream</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.69114&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Alt Dance</category>
<pubDate>Thu, 5 Nov 2009 16:49:15 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Primal Scream</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.69114</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69114&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69114&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Like a musical version of "Six Degrees of Kevin Bacon," Scotland's Primal Scream have made a career of connecting the musical dots. Beginning in the mid-1980s as a Byrds-influenced Folk Pop group, they recorded a handful of singles and an album of well-crafted tunes that endeared them to the indie scene. They then moved on to embrace a tough blues swagger derived from the Rolling Stones and the Black Crowes until, like many English youth, the Scream were galvanized by the cultural earthquake that was Acid House. Their brilliant 1991 album <I>Screamadelica</I> is an absolute landmark, a seamless fusion of blissed-out House and swooning Pop created with the help of producer Andrew Weatherall. It's difficult to overestimate the impact of this album. Warmly embraced by both baggy-panted ravers and indie purists, it was many people's first exposure to electronic dance music. Primal Scream have continued to investigate the intersection of dance culture and Indie Rock, drawing on the worlds of House, Techno, big beat and Dub in their search for a more perfect groove.
- Mike Schulman]]></description>
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<title>Noel Gallagher</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.59534&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Thu, 24 Sep 2009 09:49:24 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Noel Gallagher</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.59534&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.59534&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Noel Gallagher's fame is difficult to separate from the spotlight he shares with his brother Liam; the sibling duo had a nearly permanent presence on American and British charts throughout the '90s with their monstrously successful Brit Rock act, Oasis. Certainly the brothers' prodigious talent and penchant for public feuds made them fixtures in the tabloids, but if Liam was the duo's Cher -- dashing looks, celebrity charisma and an immediately recognizable voice -- Noel is kind of like Sonny -- a cerebral songwriter who makes things happen off stage. As the primary songwriter for Oasis, Noel has never been hamstrung by his brother's antics, a fact that will be all but cemented by his burgeoning solo career.
- Nate Cavalieri]]></description>
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<title>Super Furry Animals</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7603&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Pop/Brit Rock</category>
<pubDate>Fri, 23 Oct 2009 11:55:30 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Super Furry Animals</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7603&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[For years, British bands have been trying to successfully merge Techno beats with Indie Rock. Super Furry Animals may not have been the first to try this, but they were definitely one of the very few that made sense of this hybrid. That the synthesized additions aren't an up-front and obvious addition to their music might be one reason why SFA pull it off with such effortless style. But it might also be the chemistry of players and their diverse musical tastes -- this quirky quintet sing in their native Welsh tongue (and English, as well) and blend an always unpredictable slew of sounds (dependent on their ever changing moods) that contribute toward a personalized psychedelic pop collage. Besides big beats, they have been known to incorporate Steely Dan samples, Prog injections, Punk riffs, Calypso drums, and whatever else seems to contrastingly complement the strong songwriting.
- Eric Shea]]></description>
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<title>Suede</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.42621&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Pop/Brit Rock</category>
<pubDate>Thu, 10 Sep 2009 12:15:02 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Suede</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.42621&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Suede (a.k.a. London Suede) sauntered down the Brit Pop catwalk in the early 1990s, throwing an ascot on glam as they spilled the whine of their melancholy forefathers, the Smiths. Unlike Morrissey's morbidly kick-me-and-I'll-stay-down ballads, Suede frontman Brett Anderson's voice cracked with aching emotions as he drooled for drugs and bisexual love affairs with a stubbornly cocky attitude. In 1992, a year before they released their debut CD, British music mag Melody Maker called Suede "the best new band in Britain." In the years following, Suede continued to wrap the U.K. around their pinky fingers, with Anderson charming the press with tales of his unrequited homosexual longings as the band released videos and albums depicting same-sex kisses. While their twistedly tortured songs helped torch the Brit Pop invasion of the last decade, sadly, the band soon lost their rocky footing compared to more abrasively arrogant bands like the Charlatans, Blur, and Oasis, who quickly stole Suede's fire outside the U.K. The CD, <i>Head Music</i> crooned to empty ballrooms as anyone who bought the band's double disc collection of their finest songs, <i>Sci-Fi Lullabies</i> is drenched in all the Suede they'll need.
- Jennifer Maerz]]></description>
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<title>The Subways</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7695483&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Wed, 26 Aug 2009 10:39:57 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Subways</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7695483&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Subways are the best thing to come out of the satellite town of Welwyn Garden City since the 05:01 to London Kings Cross (arr. 05:45). Their big break came with winning the 2004 Glastonbury Festival unsigned performers competition and the chance to play to 10,000 impressionable rock fans. Snapped up by Infectious Records soon afterwards, the threesome of Charlotte Cooper (bass) and brothers Billy Lunn (vocals, guitar -- who took his artist grandfather's name for the stage) and Josh Morgan (drums) took to the road for year before winding up in a Liverpool studio with erstwhile Lightning Seed and indie production supremo Ian Broudie. <I>Young For Eternity</I> is what emerged, with Lunn explaining on the band's website: "We really wanted to create an emotional journey with this record, which is why each song is very different. I think people's opinion of us will change with every new song they hear and eventually they won't be able to think of us as being any particular style." That said, the band's love of Oasis, the Jam, Nirvana and the Sex Pistols is there for all to see, albeit with an occasional adherence to sweeping melody that presumably brought the compilers of <I>The O.C.</I> soundtrack to their door, providing the suburban trio with their big chance to crack the States.
- Jamie Dolling]]></description>
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<title>The Good, The Bad And The Queen</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.12014925&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Thu, 3 Dec 2009 22:53:21 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Good, The Bad And The Queen</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12014925&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12014925&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Initially a solo vehicle for Blur frontman Damon Albarn, The Good, The Bad and the Queen is a modern day Brit rock supergroup whose members include the Verve guitarist Simon Tong, the Clash bassist Paul Simonon and pioneering Afrobeat drummer Tony Allen. After playing for a BBC music festival in October 2006, the band released their debut single, "Herculean," which debuted at No. 22 on the British pop charts. The British press immediately embraced the group. In January 2007 The Good, The Bad and the Queen released their debut, a self-titled LP produced by Danger Mouse.
- Nate Cavalieri]]></description>
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<title>Richard Ashcroft</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.53388&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Sun, 22 Nov 2009 10:09:51 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Richard Ashcroft</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.53388&amp;variant=data&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[When you have an ego as large as Richard Ashcroft's, it's impossible not to put out solo material. Not that his ego is a bad thing, mind you. The ex-frontman for Wigan, England's the Verve has always been somewhat of a visionary. He once told a journalist that when he was eleven years old and the other kids were playing with action figures, he was more concerned with contemplating life and death. Ashcroft's lyrics dive headfirst into the spiritual and the subconscious -- it is refreshing that he is not afraid to expose the raw nerves of unconditional love and relationships between people. This is what has always put him light years ahead of Noel Gallagher, Ian Brown, Damon Albarn or any of his so-called contemporaries. With the release of his first solo album <i>Alone With Everybody</i>, Ashcroft unleashes musical spirituality by injecting something usually not present in most commercial music: human soul and musical numinousness. With sweeping, swirling love songs such as "You On My Mind In My Sleep," Ashcroft forgoes the ego and exposes his heart in the company of otherworldly guitar drones, string accompaniment and weeping pedal steel notes. It is here the listener realizes that this man's forte is the love song. Even on the more up-tempo (and Pro Tools-laden) hits such as "Come On People (We're Making It Now)" and "I Get My Beat," we find Ashcroft confident and triumphant in his amorous temper. His songs reveal a young man who is completely enamored with the shortness of life and the time we have to live it.
- Eric Shea]]></description>
</item><item>
<title>Hard-Fi</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7436838&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Sat, 19 Sep 2009 12:58:30 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<description><![CDATA[From Staines, an unfashionable London commuter town under the flight path of
Heathrow Airport (it's the home of fictional gangsta Ali G) come tales of
working class frustrations and ambition played to a Britpop soundtrack. With
harmonicas honking like car horns and lyrics about ATMs, Hard-Fi's music never strays far from the streets. July 2005's debut album <I>Stars of CCTV</I> enjoyed both immediate commercial success and a nomination for 2005's Mercury Music Prize (an award designed to showcase the year's 12 best albums from UK and Irish artists) leading to inevitable comparisons between bandleader Richard Archer and the Streets' Mike Skinner, but also Pulp's Jarvis Cocker and --perhaps most accurately -- the Specials' Terry Hall. Whether or not the band go on to fulfill their early promise, this was the sound of the suburbs in England during the summer of 2005.
- Neil West]]></description>
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<title>Manic Street Preachers</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.505&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Thu, 10 Sep 2009 12:14:32 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<description><![CDATA[Wales' most successful pop export since Tom Jones started draping panties over his microphone stand, Manic Street Preachers have drastically altered their sound over the course of their lengthy career. Without sacrificing one iota of their grandiose musical ideal, the trio of childhood friends has achieved extraordinary commercial and critical success, particularly in light of the mysterious and well-chronicled 1995 disappearance of guitarist/band figurehead Richey James. Where once there were slick, pounding drums, synth flourishes and confrontational, buzzing guitars ("Motorcycle Emptiness," "Faster"), there are now organic drum textures, epic string arrangements and sweet guitars ("A Design For Life," "My Little Empire"). Once merely a cult band with a rabidly intense fan base, the Manics had become the biggest band in the non-North American universe by millennium's end, eclipsing their more pop-focused Brit brethren Oasis and Blur in popularity and critical accolades with the era-defining albums <i>Everything Must Go</i> (1996) and <i>This Is My Truth Tell Me Yours</i> (1998).
- Charles Hodgkins]]></description>
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<title>British Sea Power</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.65068&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Mon, 3 Aug 2009 09:33:52 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<description><![CDATA[British Sea Power evoke the sort of swelling, crescendo-laden, visceral, stormy and poignant post-punk of their Brit countrymen like Joy Division, Echo and the Bunnymen, the Smiths and the Cure. Based in Brighton, England, brothers Scott (Yan) and Neil (Hamilton) Wilkinson share writing and vocal duties, with childhood friend Matthew Wood on drums and Martin Noble on guitar and keyboards. Garnering attention for their intricate and sometimes unruly live shows, they were signed to Rough Trade Records in 2001 and subsequently released their debut album, <I>The Decline of British Sea Power</I>, in 2003. With monstrous hooks and seam-bursting melodies, the band began to win a loyal following among fans of similar post-punk revivalists like Interpol and Brit rock contemporaries like Muse. Their second release, <I>Open Season</I>, dropped in 2005, with <I>Do You Like Rock Music?</I> following in 2008.
- Stephanie Benson]]></description>
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<title>Ben's Brother</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.17033637&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Tue, 30 Jun 2009 11:29:46 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<description><![CDATA[Piano and guitar form the basis for the vulnerable songs of London-based Ben's Brother. The band's name alludes to singer Justin Hartman's childhood spent growing up in the shadow of his older, more athletic brother Ben. Hartman's lyrics continually either celebrate his own personal wimpiness or apologize for it, sometimes within the same song. Choruses begging various girls to think again before ditching him, a scratchy Rod Stewart singing voice and a willingness to sing in falsetto make him something of a James Blunt with more soul.
- Mike McGuirk]]></description>
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<title>Swervedriver</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.56992&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Shoegazer</category>
<pubDate>Thu, 19 Nov 2009 15:23:33 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<description><![CDATA[Shoegazers Swervedriver give the Noise Pop blueprint a clean, pure pop injection. The result is music with the same delicacy, but with underlying catchy melodies. Churning guitars circle high above spacey tinklings and distant white noise echoes, and somewhere beneath, a guitar strums. Unlike music that you merely hear, Swervedriver's lovely noise surrounds you and leaves you floating in trance-inducing soundscapes.
- Kali Holloway]]></description>
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<title>The Soundtrack of Our Lives</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.41551&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Wed, 4 Nov 2009 12:14:26 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=168&amp;rws=%2Falt-punk%2Fbrit-pop-brit-rock%2Fbrit-rock%2Fartist-chart.rss">Top Brit Rock Artists on Rhapsody Online</source>
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<description><![CDATA[The members of the Soundtrack of Our Lives have been putting out psychedelic powerhouse rock since the 1980s. While most of their Swedish brethren were counting down the minutes to the next Euro-pop countdown, Bjorn Olsson and Ebbot Lundberg were freaking out to Captain Beefheart and crossing over to the other side with the Stooges' <I>Funhouse</I> on repeat. As the '90s blossomed, the group dug into the more baroque, luscious pop sounds of the '60s and their music reflected this. Buoyed by some heavy praise from Noel Gallagher, TSOOL found themselves receiving all sorts of glowing accounts in the British press in the late '90s. This began to reach into further sections of the globe when their album, <I>Behind The Music</I> was released. The group excels at creating heavy, tuneful, psych-tinged rock epics but nothing ever reeks of a rehash. It's a little bit freedom rock, a little bit of doe-eyed mysticism; but mainly it's just rock n' roll.
- Jon Pruett]]></description>
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